This episode, Kikuchi does development. Yay?
The good
-Mimimi is on-screen. We have established that any episode with Mimimi is a net positive.
-Kikuchi wanting to fit into an "ideal" feels like it will have some form of payoff, but the episode never really seems to give it that kind of weight. In contrast...
-Mimimi's limited screentime seems to be driving towards a narrative-altering payoff. Knowing what I know about the LN, the way the writing for this past arc has been coming across conflicts with that greatly.
-Mizusawa. Do I need to say more?
-I do like the disorganized nature of the class during rehearsals whenever either Hinami or Tomozaki aren't around. Kikuchi is clearly struggling to find her voice, and the way they presented this is really good.
-The book is finished, and that ending is bittersweet as heck. I'm down for it.
The bad
-Tomozaki has developed a lot over the course of the series, so him shrugging it off when Kikuchi's phrasing feels "off" to him is a bit out of character. If we want to compare, the first two arcs of the season had him dealing with situations where the natures of two people were causing problems, and he wanted to figure out how to alter their natures into something less difficult. Knowing how to manipulate people and understanding a bit more about the natures of others, it feels really weird that he needed a Mizusawa prompting to realize that maybe what Kikuchi was doing was trying to change her own nature.
-I've got to disagree with Tomozaki here. I think a bittersweet ending fits the book perfectly, and presents a more believable outcome to Kris's story, which it largely is. She is ignorant of the world and wants to live in it. A series of outings has her realize that while there is beauty, one must work towards it. It also makes sense to me that the castle staff don't care. People attribute value to each other all the time, even unconsciously. What do you value your friends as? What benefit do they serve? It may seem like a toxic way to live, but it also enables one to set ideals for themselves.
-Mimimi's fundamental misunderstanding about feeling empty, although I do like that it fits with her character. I want to put this in a positive, but Tomozaki not realizing the opposite of her about Aoi feels again, like his entire character arc over the past 11 episodes has been disregarded for him stumbling into a hollow payoff.
-That ending annoys me in ways I can't express effectively. My best is "why did he need to read a book that Kikuchi explained to him earlier that day?" I get that getting a synopsis isn't getting the full picture, but her dialogue and behavior should have been indicative enough. Every time I see Tomozaki stumbling along with Kikuchi, I end up asking myself why she's in the running for an endgame waifu. Their chemistry is terrible, the writing requires Tomozaki to disregard everything he learned prior, and even as good as Kikuchi's current arc is, it feels like she's going in a direction that runs counter to any kind of romance with Tomozaki.
-Hinami getting a free pass from rehearsal because she's a competent actor. I'm annoyed that another show has the gall to hand-wave any actual problems that might emerge from one of the main actors being absent. Background fodder can be replaced. One of your lead roles is essential for the entire thing to come together. And the fact that nobody calls her on this just feels so ridiculous. In fact...
-Tomozaki being the only one to so far call Hinami out on anything is annoying as Hell. In that situation, it was understandable why his rebuttals weren't as effective and why it largely came down to opinion. But, in situations where she is clearly toeing the line, nobody has expressed an objection. This is the same class, btw, who all actively expressed discontent towards Erika in secret before tolerance levels peaked. Even Mizusawa's apparent indifference is kind of annoying.
-Is it me, or does it feel like Tomozaki is taking the assertive stance with Kikuchi a bit too far? It sounds like he's bothered by the idea that she might write a good, bittersweet ending that he doesn't like, and takes exception to the fact that her perspective on her position in life doesn't coincide with his perception of how people should view themselves in the "game" of life. It feels incredibly unpleasant to see someone who started out wanting to be a functioning member of society is now trying to assert their perspective onto others. If Mizusawa knocks his ego down a few pegs, I'll be content. Only Mizusawa can do it, though. Anyone else would feel weird. |