The melodrama of introducing parents, giving us flashbacks, sad music, and a scene focused on all of that was sloppy. The way it was executed was the first real bad part of the series. That being said, I don't think the episode was bad, or that it shouldn't have been the case. The point was to give an impact on Akira, and to give us some thematic ideas. It did those beautifully whole also showing us Ryo's haunting side once again. The second his dad tried to fight against the devil, he took out a camera with a smile on his face. That was chilling. Unless his parents were set up to be there at the same time by Ryo or something and there's more behind the scene workings going on this was rushed, and even if that's the case the melodrama sticks around.
Seabury said:Dunno, I don't really care about the lack of impact. Too much emotional shit like that would derail the show's momentum at this point, and tear the focus away from the threads already woven. In other words, there is too much shit going on to really spend time building dramatic deaths that tear at heart strings, and doing that would kinda ruin the vibe of this show. I support the director's decision to make the deaths quick, showing the impact on the protagonist but not needlessly drawing us in.
I fully agree with this statement, but I do think if that's what Yuasa was attempting to do he should have done it without what I stated above. Because it was done so seriously with such emotional focus it created a thick layer of unwanted melodrama.
My favorite part of the scene was how it brought up the idea that humans, and Devilman himself aren't that much better then devils. Akira exclaimed he won't tolerate someone who takes peoples lives. Yet he killed at least two devils in the past who were fleeing, one of which was begging for its life ruthlessly. There's a double standard here. Moreover, Ryo is his best friend and someone who mercilessly shoots a child's 'mask' face, and tried to kill Miki, and whom Akira saw shoot Nagasaki when he wasn't a threat anymore. Ryo is just as bad as some of these devils, and Devilman himself isn't opposed to taking life. I think the talk about dried bonito flakes "writhing in agony from being shaved so thin" was an early idea to get us thinking about this. Even if our food isn't actually alive and in pain, we often kill and take life in cruel ways for our own enjoyment in food.
I also think the scene itself was built up to well. The way we saw Akira imitating his dads story about those flakes with even similar body language, and the way he hadn't heard his moms voice in so long, and the way that he had a mountain of shoes bought and sent to him. He was always running so he could catch up to them, so they sent him shoes for track constantly, some which it seems to imply he didn't even use and he only did to make them happy. It was some amazing directing to showcase Akira running towards his parents, with his shoes tied like they taught him, being juxtaposed with him as a child growing running towards them, tears still flowing down his face. What a miserable way to finally catch up.
Another idea this scene triggered me to think about was the fact that Akira doesn't seem like the strongest person, although I can't say he has a weak will. He's an odd candidate for someone who could tame and control Amon, this legendary devil that the other devils are looking for. It made me think, I wonder if Amon is actually allowing himself to be used right now, or if something else is going on with Ryo pulling the strings. We did however see that people can fight against the devils. Akira's father, when inspired, fought back and to avoid losing to a 'weak human heart' it cut off his fathers head and in turn his brain so it could have complete control of the body. That's an interesting way to do it. What this shows though is that even Akira's father threatened to beat out this demon and he was so much of a risk it had to fight back. Clearly his father had some level of agency speaking to Akira and stating he wanted to eat his mother. The devil often controls most of one's actions but there's certainly a level of agency they keep, the faces on him clearly had memories and conscious experience as well.
I loved the casual nature of Ryo telling Akira that he set his moms ringtone to the one that was playing while they were butting heads. It was cutely funny. I also laughed when Akira told Ryo that Miki doesn't know anything and he played the audio tape disproving that.
I googled the meaning of snapdragon since that symbolism seems important and it read:
Legend has it that concealing a snapdragon makes a person appear fascinating and cordial, and in the language of flowers, snapdragons are said to represent both deception (perhaps tied to the notion of concealment) and graciousness.
If this holds truth, it seems like it could be some foreshadowing yet it also expands on her character. She plants them to appear fascinating, all she wants is to be herself. In Kikun's words "let me like myself more!'. I'm becoming more and more sympathetic for her. She's a poor girl, I hope the two get out of Sabbath. Her need to beat the popular Miki at something is what's driven her to want to go to Sabbath to become fast like the super-highschooler who was suspected of doping, and who we saw kill his manager. Kikun's rap was great and it spoke volumes to why he's so enamored with her, he feels like the two are similar, or so I think. |