Sayonara Eri
Goodbye, Eri

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People come and go, but their memories stay with us, and it's our duty to keep them alive.

It's one thing to have a masterpiece under your belt at any age. It's another thing to have multiple, and it's ANOTHER thing to have four of them back to back before you've even hit 30. I may be biased, but I really do think that Fujimoto-sensei has already set the gold standard for mangaka moving forward, and this oneshot is the perfect guide on how he does it.

What I assumed was just Fujimoto talking about a dead relative turned into a story showcasing his obvious love of ... film, and then turned into a manual on how to move past loss and regret. Sprinkle some deadpan comedy into it and you have the perfect formula to get you attached to Yuta, Eri, and Yuta's dad.

Ever since his old one-shots, he's always geared towards normal, human stories with "a pinch of fantasy", and not only has he doubled down on it, he perfected the formula. The story comes to a close with a confusing-- for lack of a better term, parallel to the in-universe film that Yuta shoots. This just ties everything together so much more. This is without a doubt his most "complete" work. Even Look Back could've used a couple more pages to explore the character relationships. The formula seems to be nailed in here, though. 200 pages for a one-shot is insane, especially when you take into account how most tankobons fall just under that number even with the added extras.

The artwork is fantastic, by the way. The perspectives and use of a motion blur when the story is in "camera mode" helps get the message across very well, and the limited paneling does wonders as well. Fujimoto has always loved his empty space and repetitive, quiet panels, but it's never been as apparent as it has been here. There's a scene where two characters are shown eating at the table, and a couple pages are just dedicated to seeing their eating mannerisms. These may be characters on paper, but moments like that really help get the author's points across. It's the little things, yknow?

Fujimoto is here to stay, and we're all just along for the ride. I can only wonder what the hell he has in store for Chainsaw Man part 2, and whatever else comes after that.

Probably a lot of film talk... and explosions.

We got another Fujimoto one shot and there are still no news on Chainsaw Man Part 2, but I don't even care. This man does everything good.

The following review will be me fanboying Fujimoto. And it will contain a bit of spoilers.

Goodbye Eri. 10/10 imo

You read the tittle and think it would be a cliché one shot when one of the characters die, and you would be right. At least for the first 100 pages. But when you read halfway through, story changes a bit. Now you don't know if something is happening or just acting, it honestly blew and fascinated me. As well the ... documentary & commentary feels very refreshing and helps you relate more to the main character.

Another thing this one shot have is its unpredictability. I couldn't tell what was going to happen next and that kept invested through the read. Also it helps that Fujimoto makes you connect to the story with his immersive paneling. (Like when 3 constant pages are full black). Its an amazing and quick read that you can enjoy in like 5-10 minutes. If you have read Fujimoto's work you will like it. Also let me know your thoughts about the ending, do you guys think it was all a movie? Lol, peace out.

Very very interesting. A complete 1/10 and a 10/10 at the same time so I'll balance it out and leave it with a 9/10.

Fujimoto got so meta with this one that it stopped amusing or really interesting me halfway through. Still I think it contains many great stories within, it's almost like an anthology where you can pick your favorite "movie" out of this one-shot and analyze it on your own and give it an individual review or score.

The panelling was simple yet bright assimilating a camera most of the time if not all depending on the perspective you choose to view. My ... favorite part of this was the many pages just with black panels clearly imitating a long film reel before the final act, efficiently speaking they are a lazy waste of pages probably to push the page count to the 200 mark but contextually it makes sense to the plot and its upcoming conlusion.

Fujimoto is a natural story boarder with all his previous works and now this one. He tells and shows stories like if they were put on film even when none of his manga has been animated yet. Satoshi Kon too had this natural talent where he drew all of his story boards in many note books.

Fujimoto should become a director of either animated or even live action films in my opinion, at this point he honestly may even quit being a manga artist to pursue different paths to satisfy his artistic mind, at the very least this is the advice the late Yasuo Ohtsuka would definitely give him, as he once did to Yoshiyuki Sadamoto.

Great art and story, interesting characters and many paths to follow or envision. I can see this getting a live action movie in the way Solanin did.

Goodbye, Eri is a tale of loss, presented brilliantly by Fujimoto. The synopsis is nothing which would attract your attention but once you start reading it, you know this one shot is going to leave an impression for quite some time. To be honest, I didn't think I'd enjoy it the way I did. It seemed like a cliche with the death of the mother and an inspiring friend/love interest, but boy was I wrong!

At first, the explosion we saw after the mother's death was quite shocking and I couldn't tell it apart from reality until it was stated. In my opinion, it's like Yuuta ... getting closure for the first time he experienced grief. He felt bad about himself for not filming his mother's last moments, but it was how he found closure to that chapter of his life. After Eri's 'death', he doesn't end the movie with an explosion because he always felt he didn't get closure. However, we see him going back to the abandoned building, getting to talk to Eri for the last time, and finally getting closure. Thus, ending it with an explosion which hits differently this time.

At this point, I will add another take on the ending. The manga blurs the lines between reality and fantasy, as we're unable to really tell if Yuuta actually met Eri after he grew up. It could be his own touch of fantasy. It could also be viewed as him shooting that part with Eri back when she was alive and editing himself in his thirties; because he always loved adding a pinch of fantasy. In this case, the explosion he edited in the end could either be viewed as him getting closure to another part of his life or a touch of nostalgia in remembrance of the movie he made during his middle school days.

Coming to the art, the 4-koma style in which each page was drawn was just clean. I loved the art from beginning to end and it never felt like even a panel was wasted. All the black panels in one part of the manga, the repetitive panels in various parts; everything fit perfectly with the tone of the manga. I'm no expert in the art department, but I'll go as far as saying that I loved it more than I did in Chainsaw Man. I think this is proof that Fujimoto is improving as an artist and I'm happy to witness it.

I'd like to end this review by saying that we indeed have the power to remember our loved ones in the way we want, and not in a way they want us to. This is my takeaway from this beautiful one shot. So grateful to Fujimoto for creating it.

Fujimoto-senpai does it again. But this time in a one-shot dealing with love and loss. Told through the narrative of a young filmmaker coming to terms with trauma and death. A must read if you are a fan of Fujimoto-senpai's art style or storytelling. The story will leave you feeling empty yet satisfied, an emotional tour de force that explores the intricacies of grief, loss, coping, love, and more. You will likely feel like you know where the story is going, but only as Fujimoto-senpai can, the author twists the plot to medium breaking proportions, writing in a style closer to movie storyboards than manga ... at some points. Not all readers will enjoy the themes or even the story, but I think that it is an important piece of manga worth the short read time.

By the end you will be asking; what was true, what really happened, and what was just "a touch of fantasy?"

((SPOILERS))

I really liked this one shot it was very well written and although it was short it was still a really lovely read I like how Yuta was able to help his Farther and Eris friend remember them fondly even with their faults. Was not expecting the little twist at the end really cool.

It was extremely interesting that most the manga was like it was being shot out the camera lens it really did give a movie vibe with how he presented the story

The art was really nice as always from Fujimoto I love his style and writing style.

Tatsuki Fujimoto really created a one-shot manga about how the way we tell stories can never impart the whole truth but it can still create beauty and bring catharsis precisely because of that, how those stories can both hurt and help those who tell them, those who hear them, and those the stories are about, about how embellishing those stories is necessary for us to find closure with them.

Sayonara Eri is a tale of loss. The synopsis is not something that would attract your attention if you're not into Drama but once you start reading it, you know this one shot is going to leave ... an impression for quite some time. To be honest, I didn't think I'd enjoy it the way I did. It seemed like a cliche with the death of the mother and an inspiring friend/love interest, but boy was I wrong!

What kept Sayonara Eri interesting was every time you felt like you knew where the story was going, it'd steer you to another direction. It took me a while to finish this one-shot manga because I took breaks to cry my tears of i-do-not-know-which-emotion-those-were-of in between.

[Includes spoilers!]

Story - 10/10

The story begins by introducing us the main character - Yuta, whose mother is terminally ill and will be dying soon. Yuta was asked by her mom to start recording her daily life and eventual death so that she can be remembered. Yuta films and narrates his mother's day to day activity, he made sure to capture every moment he had with his mom, he wanted to film everything from his mother's smile, to his father's secret tears and his own indispensable care for every member of the family. Is there any request more cruel than asking your child to do this? Yuta's mother wanted him to film her in the hospital but he didn't want to, because he didn't have the heart to see his mom on her deathbed.

But before Yuta's mom exhaled her last breath, the hospital suddenly exploded.

The film Yuta compiled together that seemed to be a documentary, turned out to be a semi autobiography that Yuta edited and showed in front of the whole school.

A blast. An explosion of emotions.
But no one understood Yuta.

Yuta was under fire. His friends think he was weird. The teacher thinks he was not normal. His entire school was furious at how he handled his mother’s death except for this strange girl, Eri - the person he met at the rooftop when he thought of committing suicide after getting mocked. What do you think happened next?

Films have always been a staple in Fujimoto's works. And here they are used as a medium for characters to record how they want to be remembered. Their flaws, from their looks to their actions, are edited and cut to present a dolled up version of themselves. A prominent example of this would be Yuta’s mother who was tragically dying of an illness; whose journey is filmed by her son. Yuta is derided for choosing not to film the moment of her death and replace it by adding an exploding building and himself running away.

At first, the explosion after the mother's death was quite shocking and I couldn't tell it apart from reality until it was stated. I think Yuta added that scene to give himself closure for not visiting his mom on her final moments. He felt bad for not filming his mom for the last time, so he made it seem like he didn't have the chance to because of the explosion, a fantasy he feeds himself with.

Art - 8/10

Tatsuki Fujimoto's style of paneling and presentation of facial expressions is pretty unique. Fujimoto's latest one shot, Sayonara Eri, is something that focuses strictly on his strengths. The entire manga takes a camera recording approach, with "real time" action and no variations in paneling. His expressions are on point like always. and I’m not sure if I’m just remembering incorrectly or not but he’s using more screentones/halftones now instead of crosshatching which I kind of miss but it looks nice regardless! Remember that truck scene in Fire Punch that gets memed a lot? It's basically that, but 200 pages. Sayonara Eri heads back to Fujimoto's love of film, focusing on a psychopathic middle school kid getting shit on for his edgy indie film. Like Look Back, it's something I can relate to as a creator. The part where the protagonist was getting suicidal was something I could self-insert to. (Sadly, I wasn't saved by someone who liked my work and encouraged me to make more.)

The protagonist's approach to stitching together real life scenes and making them cinematic reminds me of something my sister's friend did a while back. I was surprised how kids these days could make something so trailer-like out of nothing but random vacation clips.

This seems more along the lines of an experimental film, just under the medium of manga. I feel like Fujimoto's true calling is more this sort of thing. The kind of works you'd want to submit to film festivals because of how they want to bend the medium. Beats me why this is published in Shounen Jump, but I could say that about pretty much all of his work. And I'd say this was Fujimoto at his best. The art can look pretty rough and there are the signature poop jokes, but those are staples you’d expect going in. At the core, the message is still as basic as "Creators getting hurt is part of the creative process, but do what you want and just get good!" that reminds me, I transferred my family’s home videos to digital last year. I’m too lazy to do anything with it.

It's been a year since Look Back came out, a year and a half since Chainsaw Man ended (the sequel's coming soon). The repercussions of both series are fierce, and Tatsuki Fujimoto has become one of the world's most-loved mangaka as the fans of his works are like the price of gas - Increasing . I don't follow him from the early days, or enjoy his stories from the early years, but I consider Fujimoto as an important figure in general.

Character - 10/10

Eri's - Eri is the strange girl Yuta met on the rooftop when he was thinking of jumping off head first (no he didn't). She was the only one who liked Yuta's work. Eri says that she liked his "movie" but he wasn’t very professional in how he crafted it so she will train him to make a new one. They’ll meet every night and weekend to watch a bunch of movies at an abandoned building she hangs out at. Yuta agrees to do so and now he will be recording her but will this really give him peace and is she really just trying to help him out or does she have some kind of ulterior motive? Start reading this manga and find out!

Yuta - The main character of this manga. Greatly written character. I love his personality. My type of person. Very funny.

Yuta's mother - Makima vibes. You get it.

Yuta's dad - Very wholesome.

I love how all the characters were written.

Overall rating - 10/10

Some people might say that this one-shot manga is way too overrated, it depends on your preference I guess. For me this one is a masterpiece.

I'd like to end this review by saying that we indeed have the power to remember our loved ones in the way we want, and not in a way they want us to. So enjoy the little moments with them while it lasts. This is my takeaway from this beautiful manga. So grateful to Fujimoto for creating it.

And I would also like to add that none of us can escape our fate with death.

When their specified time arrives, they cannot delay it for a single hour nor can they bring it forward. -Quran, 16:61

Fujimoto solidifies his place as my favorite manga artist with 'Goodbye Eri.' The story is a thrilling rollercoaster, and I love how Fujimoto uses unique angles to make it feel like a movie. He doesn't waste time on filler, swiftly moving the plot forward. His characters are real and relatable, showing the complexities of love. The non-linear storytelling, where the plot twists alongside the main character, is brilliant. 'Goodbye Eri' raises important questions about the line between enjoying fiction and using it to escape. Fujimoto's manga, including this one, beautifully explores the significance of stories in our lives. And, of course, it wouldn't be ... a Fujimoto manga without a crazy ending – and I love it.

This is a great example of a well written short story. It takes you on an emotional rollercoaster, while creatively showing how people can mourn differently, and how hard it is to process someone just not being there anymore.

Honestly, I'm shocked by the bad reviews, it just seems like all the brilliant showcases of how people process different emotions just flew over their heads. There's tons of very deep and important life lessons to be found in this short story, and Id rather not spoil it for anyone, so all I'm gonna say is - it's fun, it's emotional, it's FILLED with absurdist wisdom ... about life, memories and emotions, go ahead and give it a read, even if you somehow end up not liking it, it's just a 30min read.

Also, that might be the best most absurd and hilarious ending I've ever seen in any type of media. Chasing something for your entire life, not knowing what it is, just for it to be something so simple and easy, yet impossible to find, because we tend to look outwards for answers, instead of within ourselves, once we start "growing up".

Id also recommend this to everyone that likes philosophical subjects, as well as absurdism :)

Compare this manga to previous one-shots by Fujimoto (Look Back, Nayuta of the Prophecy, ...) and and you'll find out it's the most developed one. I think a good story (in all mediums) needs to work on two things: cohesion and density.

Yuuta in the beginning of the story and Yuuta in the end of the story, Eri in the beginning of the story and Eri in the end of the story, both journeys make a full circle. They are the same characters we knew from the beginning but at the same time, they're brand new. You can say they are back where they started, but ... they've changed.

And in terms of density, how many one-shots have you read that have such rich characters? The way Fujimoto reveals characters using different methods (flashbacks, dialogues said by other characters, playing with the traditional panel structure, etc), makes them "alive" and easy to empathize with is elite. How many one-shots have you read where so many things are going on (and they are all connected and not random stuff that just happen to keep the reader interested)? How many mangas have read that the dialogues are not people just talking to each other, but there is an actual conversation (giving and receiving) going on? The words are picked so well that you can actually feel "weight" of the words". How many mangas have you read that have all the things I pointed out and connects them and in the end it feels whole?

200 page, but it's 2000 page worth of fiction.

Fiction doesn't have to be real to be impactful. Reality is stranger, crueller than fiction. Fujimoto’s blurring the lines of the two tells us to treat both like the other, to jovially accept the bullshittery in real life as if we are living in a play. But also experiencing the dramatic tragedy in fiction as if they were real. Therefore we learn, experience and live life in both worlds, but face the horrors of life with absurdist acceptance.

Similar to Fujimoto's last one shot, Look Back. This work is once again, a love letter to the creatives out there. Fujimoto lays out his genuine, personal concerns ... commonly faced by creators, from rejection, overcoming artist block, perfectionism, to the balancing of mass appeal and self-expression. All of these seemingly peppy topic that usually pops up in a motivational self-help book, eloquently expressed in a gripping story, full of twists but with pacing so refined and focused, that it cannot be expressed as anything other than fujimoto-esque.

Dark, philosophical themes are traditionally tied with pretense, and round-about verbosity. This manga instead explores this themes with raw honesty by layering it with irony. It is like that friend who is ironically communist, he can act as a diehard communist demagogue. Is he criticising communism with how over the top he is acting? But no, there is some real truths in what he said... and he really believes in that, or does he? Hah, who cares, it is funny and entertaining anyway. By employing irony and "acting in a play", we get to discuss ideas with raw honesty, inhabiting the point of view of another, while discarding our ego, to better receive and express ideas we are too stubborn to even entertain. When employing this in manga, it allows the author to insert something very personal without affecting the flow of the story, and in the grand scheme, allows a larger audience to experience deep messages without having to pander to lowbrow common-denominator.

Give me this and a laptop/typewriter on a desert island and I will have a full dissertation praising the absolute powerhouse that is Fujimoto-san and his portfolio, because MAN does he have range. Well-deserved praise aside Sayonara Eri/Goodbye Eri is another one-shot from the mind of Tatsuki Fujimoto. Coming fresh off the heels of his other works Look Back and (of course) Chainsaw Man, Goodbye Eri follows the story of amateur filmmaker Yuta shortly after the passing of his mother, and how the trajectory of his life becomes forever changed upon a chance encounter with a mysterious schoolgirl named Eri. Pardon my vagueness as this ... is truly one of those few works that you must read blindly the first time through or at least with minimal information as Fujimoto's visual and narrative storytelling is quite literally immaculate. The complexity the characters or rather the complexity of their interactions juxtaposed against the somewhat light-hearted visuals are so very Fujimoto, with the work fully embodying such human experiences such as death, love, trauma and acceptance and feeling so alive. Additionally, Fujimoto's love for film is also felt through the entire piece from the subject matter to the construction of his panels, Fujimoto's admiration for the filmic arts is put on full display, making this one of the only manga I've ever read as being a true 'love letter to film'. Ultimately another must-read. Nay. A desert island read for you to lord over the countless hours on a sunbaked shore, basking in the light of life... *ahem* that is to say, it's a very good book, pick it up!

Final Verdict 10/10
"Fujimoto-san, TAKE MY MONEY"

Goodbye, Eri – Spoiler Free – Mixed Feelings

TLDR
Story – 5/10 – 5 x 0.275 = 1,375
Art – 8,5/10 – 8,5 x 0.2 = 1,7
Characters – 6/10 – 6 x 0.225 = 1,35
Enjoyment – 6/10 – 6 x 0.3 = 1,8
Total: 6,225 -> 6

Story – 5/10
Goodbye, Eri’s story is just average. It isn’t bad, but it just isn’t good per se. At a certain point, the story looked like it had reached its climax, with a sudden twist of faith that would have been great if it had actually been true. Instead, the story ended in a less fashionable manner. This story is a one-shot, and ... rightfully so: it just wouldn’t work as a longer story with its premise. The story is solid and coherent, however.

Art – 8,5/10
The art style is, without a doubt, the most unique aspect of the manga. Since we are viewing from the perspective of a camera in most cases, although not all, it offers a different take on storytelling.
There were also some liberalities with page composition, for they are mostly composed of four parallel panels, although there are some pages that transition to a double panel or a single big panel. This experimental technique quite well conveys the idea of sequence and deserves appraisal.
The panels are well-made, and the idea of a manga narrated through a POV is interesting and a breath of fresh air. The quality of the character design also enables the reader to easily recognise different characters from one another.
There aren't, however, awe-inspiring panels, although the art is good.

Characters – 6/10
There aren't that many characters in Goodbye, Eri, being mostly reduced to two—Eri and Yuuta Itou—but they are nevertheless interesting enough to support this manga and its story. However, not much can be said of this one-shot's characters.

Enjoyment – 6/10
Goodbye, Eri is mostly worth it for the experimental visuals and the new take on storytelling, but it's just a fine – thus a 6 – experience overall. Both the story and the characters are average, not creating a compelling manga that sticks in our memory. It is not that it is bad, not at all, but if it weren't for the visuals and the art style, this would have just been an average experience overall. It doesn't reserve a Not Recommended for its experimentalism in a one-shot, but I cannot give the Recommended stamp solely on those terms; for that reason, mixed feelings are more adequate.

Fiction can have a significant impact without being tied to reality.

The author highlights the strangeness of real life and the importance of accepting its absurdities, while also encouraging the immersion in fictional tragedies. The discussion then shifts to Fujimoto's work, which serves as a heartfelt tribute to creators, addressing their common struggles and combining them with captivating storytelling.

The manga explores dark and philosophical themes with honesty and irony, allowing for open discussions and the exploration of different perspectives. By incorporating personal elements into the story, the author enables a broader audience to engage with profound messages without compromising artistic integrity.

I cannot not read Fujimoto's work. ... Definitely recommended.

Goodbye, Eri is a captivating and multifaceted manga that enthralls its readers with unexpected twists and turns. It masterfully weaves a narrative around death, employing it as a driving motive that takes us on an exhilarating journey. Yet, as we delve deeper into its intricacies, we find ourselves exploring inception-like realms of reality, where distinguishing between what's real and what isn't becomes an engrossing guessing game.

Romantic elements tinge the story, but they are far from easily definable. Instead, they weave an enigmatic tapestry that leaves us pondering the complexities of love and its many facets. And just when we think we've grasped the essence of ... the story, the ending cleverly embraces ambiguity, much like the iconic movie Inception, allowing the reader to choose their own interpretation of the tale's conclusion.

Throughout the manga, we're compelled to question the very essence of the story. Is it about vampires? Or perhaps about two young souls entwined in love? Maybe it's a tale of a solitary boy coping with profound loss. But then again, is it even a story in the conventional sense?

Yet, these musings about the setting become almost inconsequential when we realize that what truly matters is the underlying essence of the narrative. It's a story about relationships, beautifully infused with a "pinch of fantasy" that elevates the entire experience to new heights.

In conclusion, Goodbye, Eri is a thought-provoking and artfully crafted manga that transcends traditional storytelling. Its enigmatic nature keeps us engaged, and its theme of relationships imbues the tale with a timeless allure. A must-read for anyone seeking a unique and captivating manga experience.

Ok so a complete honest review no fanboying no nothing-
Ok i found this manga from a manga animation i kinda did get spoiled but i decided whatever ill just read it. This oneshot Just got me soo attached to the characters, I cried in the end of this manga which is not possible if it was some random guys mom died and shit, No no this mf Tatsumaki fujimoto... He literally just made me attached to these characters like i was with them for years in just a single volume. How can bro do that? The characters are all interesting and heart shattering , especially ... when he shows the movie in the end that was the part i started crying the ending also was all amazing. In short, This is a must read manga it makes you fell empty inside but still satisified, Thats not something a random oneshot can do-
Rating:
10/10
Amazing work by Tatsumaki Fujimoto

Even though this was recommended by my friend, I marinate it for months because I thought that it’s impossible to be completed without a chapter. I figured out it is a oneshot.

My opinion? It was a ride of plot twists. There’s some panels with no bubble chats in it — and somehow I can feel the awkward silence between characters.

For a oneshot, the artstyle is decent. I won’t judge the characters since it’s a oneshot & their backstory isn’t told. I can’t pity/praise any of them.

If you like a short manga with pot twists more than your body count, I recommend this to you.

There's a lot you can say with words, but you can say even more with pictures.

"Goodbye, Eri" is a new One-Shot by Tatasuki Fujimoto, the creator of Chainsaw Man. And my I just say, "Wow". It Truly is a spectacle to behold. And if there is one word to describe it, It's "Real". Fujimoto really does have a way with storytelling from his art to his Dialogue and his characters.

Sayonara, Eri is a story simply about movies. And how movies can tell and share stories that change people and the way those people view others. Movies can change the way you look at ... someone, whether it be someone you love or a actor you love. Because we will always try to find the good in people we love, even if those people are not. And to be honest, I don't think I can watch movies the same again without thinking about this One-Shot.

Art is incredible and it gives to the story so much. Even when the panel is literally nothing you feel the need to stare at it.

A Movie truly is the best way to make memories that can last for an eternity. And In in this Story's sense, I think that's the literal case.

This is a masterful usage of the manga format, having nearly all pages being formatted in the same way to simulate a film is genius and adds to the authenticity of the story.

The story in short is about Yuta who gets a camera and starts making movies. He makes movies about how his mom dies and later makes a movie about Eri.
But the thing that truly elevates to me is the fact that you can't interpret it in so many ways, you can see the whole manga as just 1 long film or you could see some of the stuff as being real and you ... just get to see them cause he accidentally recorded it and just left it in.
The many ways to read into it makes it so intriguing to me and has left an impression on me.

I believe this to be one of the best stories captured in just 200 pages of manga. Fujimoto made a story i will keep recommending to my friends and I hope to see even more people read this masterpiece!

Fujimoto did a second drop for the people who were waiting for Chainsaw Man Part 2 at that time and we were there for it! It was a treat to get another volume-long one-shot, which is the second time in my life I’ve seen something like this from the same author.

This one-shot is inspired more from movies than the rest, as you can see from the world building and the paneling itself.

The theme itself is related to movies as recording videos is a big part of the plot. No manga passes by without Fujimoto showing us his love for cinema.

The story impresses with great characters ... and atypical interactions between them. And the art looks top notch, with that personal touch that only Fujimoto can do.

Lesson learned from this manga. Cherish your memories! 10/10