Oct 2, 2024
Here’s my review of the various Death Note spin-offs and one-shots that expand on the original story. While some are fascinating extensions, others fall short, and here’s how I see them:
None of them are as good as the OG series obviously
and as stand alone a they’re not amazing however as ad ons to the amazing series they’re great
C-Kira Story: 6/10
This story attempts to carry on Light Yagami’s legacy through a new Death Note user, but it doesn’t quite hit the mark. While it’s interesting to see how Near reflects on Light’s influence and the world’s response to a new Kira, the story feels a bit
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thin in comparison to the original. The new Kira’s approach lacks the same intellectual thrill, making this more of a tribute than a true continuation. Still, it’s an intriguing exploration of how different Death Note users approach power. I Reallt fw moments with ryuk
L: The Wammy’s House: 7/10
For fans of L, (i love L()this story offers a satisfying dive into his past, exploring his origins and how he was raised in the mysterious Wammy’s House. It gives some background on how L became the detective we know, and though it doesn’t have the intensity of the main Death Note series, it’s a nice piece for those curious about L’s development. It won’t blow your mind, but it adds valuable context to one of the most beloved characters in the series.
A-Kira Story: 9/10
This one-shot is definitely the standout among the Death Note spin-offs. Set in a modern world with new technologies, it brings back the tension and cleverness that made the original series great. Minoru Tanaka, the new DeatNote user, brings a fresh perspective on how to use the notebook in an increasingly digital world, and the stakes feel high again. The story builds in a very satisfying way, though the ending might frustrate some readers. Personally, I found it thrilling an fitting addition to the Death Note universe. HOWEVER the ending is really bs and kinda ruins a lot of it
Taro Kagami Story: 4/10
This one, unfortunately, is a bit of a letdown. The introduction of the "Death Eraser," which allows people to be brought back to life by erasing their names, feels like it breaks the core rule of the Death Note: once someone’s dead, they stay dead. It undermines the gravity of the notebook’s power and makes the story feel less grounded. The protagonist, Taro Kagami, and his quest for revenge against bullies don’t have the same depth as other Death Note users, leaving this story feeling more like a throwaway concept than a meaningful extension of the series.
Overall, while these stories offer varying degrees of satisfaction, A-Kira Story stands out as the most compelling, while Taro Kagami feels like a misstep in the Death Note universe.
Reviewer’s Rating: 8
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