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Apr 17, 2017 9:55 AM

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Jan 2011
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TheGreatMizuti said:
So far Akko has shown no indication that's she's suspicious of Ursula. And it's more so the opposite. If Ursula IS listed in the yearbook, it would be proof that she's Chariot because Diana could easily recognise the younger version of her childhood idol coupled with Ursula's name (this is assuming Ursula is her real name and not another alias). If Diana makes that connection then she'll also know that Ursula is the most likely person to be giving Akko info on the Shiny Rod because Chariot is the most heavily associated with it
Well we're talking about Akko anyway. She's being like "oh cool, Ursula-sensei is Chariot's classmate!" and doesnt think further lol.

The problem is which name registered in yearbook. Imo its Chariot, bcs Croix always adresses Ursula as "Chariot" then later "oh sorry, I should call you "Ursula" now huh". Means that "Ursula" is a newer name. I do think Diana will know eventually though, but not only from yearbook.

ThreePercent said:
-Wait do the teachers know about Ursula
this. This is the only one thing that I dont understand too lol. Finneran seems like give no fck when she's talk bad about Chariot, so I dont think she (and other teachers) knows about Ursula's real identity. Dunno about the headmistress though.

Fircoal said:

Thank you. I get it more now. Basically it's spell protection, that makes a lot more sense than whatever I was thinking of beforehand.

It probably reacts to Akko because of her energy and positivity. As said the shiny rod works with emotions, and as we have seen Akko is very emotional.
You're welcome~

I just want it to be more specific (what kind of emotional), so personally I want some further explanation about that, but thats just me.

=========
oh btw I wonder what trial Chariot didnt pass (the last word), and how Akko pass then obtained it. I think it would be great ending that proves Akko not only be like Chariot, but better.
Apr 17, 2017 10:24 AM

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Jan 2013
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valvravetruth said:
Fircoal said:
And then there's Croix. It's so clear from when she came in that's supposed to be evil. Because technology is evil right? Well no but that does seem to be an annoyingly common trope. But the new professor does always have to be evil. And she's Chariots old rival. Just like Diana and Akko! Where have I seen that before? (Oh right a bunch of shows like to make parrells like this.)

And then suddenly Chariot is a super spy type of badass who can infiltrate a hideout? I thought this was a magic show, not a spy show? Idk whatever you'd call it. It's not necessarily bad but it does feel a bit out of place at least to me.


You seem to think "anime" in a very wrong way , my fellow member. Firstly no one ever say that technology is evil. Which the same goes to Croix, Im not sure how you can be so clear she is supposed to be evil before this episode. Saying this is common trope or saying bunch of shows like to make parrells like this, I hope you can enlighten me how many or what show look similiar. Even if there are, you make it sound like every anime in the world look the same, you are bored with it.


Yes no one said that technology is evil but it the usual trope that goes along with it is that when someone tries to intorduce techonolgy to a place steeped in tradition that they are evil. It seems to be the case here as well. Episode 14 gave a lot of hints that she was evil (with her little techno thing doing her bidding and the like) so it was clear that she was going to evil it was just a matter of how evil, as it turned out she happened to be pretty evil. Schoolgirl Strikers had a professor addition (Although she didn't do anything...) and she turned out to be evil.

Also I'm not sure how you think that just because I'm not that fond of this anime that I'm bored of all anime. If I was then why would I watch anime? I just happen to be critical. So while there are anime that bother me or that I don't care for, there are also those that fit the things I want. Personally I get really annoyed at tropes I've seen too often unless I happen to like them, that's just how I roll.

valvravetruth said:

Akko & Diana only a tiny bit like Diana & Croix. 1stly op literally explain it all, Diana & Croix goes side way and Akko & Diana did go side way but linking hand instead. Diana only think less of being competitive, she has real noble chivalry and always at her best. Not only that Diana is not arrogant, she actually think Akko's team has a shot in winning the moonlit witch by breaking Baharowa sad curse few episodes back. Most importantly, Diana is not evil. Diana doesn't like technology Croix bring, but Ako does.

You think it in a wrong way during Chariot breaking in to the tower. She doesn't act like spy and not infiltrading, Chariot literally rushing in to save Akko. She is using magic, how else is she going to save Akko? Its literally magic fight.



Yes I'm aware that Diana not liking the tech and Akko liking it is a departure but it feels small compared to the roles that they are designed to fill.

I know she's going to save Akko? I never questioned that. I merely questioned why BIG MAGIC FIGHT appeared in the middle of the episode.

valvravetruth said:


Including this seperated comment, not joking & no offence, there is something wrong with how you watch an anime.


Why? Because I don't care for an anime that you like? That makes no sense what-so-ever.
Apr 17, 2017 10:36 AM

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Sep 2015
898
Fircoal said:
Why? Because I don't care for an anime that you like? That makes no sense what-so-ever.


Well I believe that everyone preference is different, so what I like doesn't mean you will hold the same opinion. So its fine that you don't like it. My point in saying "there is something wrong with how you watch an anime", comes from your view to show you didn't watch an anime properly or so to say there is something wrong.

For example,
"I don't get the reason behind this whole 7 words plot. Why do they have the revive the 7 words? Why does it react to the 7 words? Why those words? How in the world did Akko even know some of the words in the first place? It's such a vague and weird plot that it feels like it's shoved in there for the purpose of having a plot." written by you.

Even if someone not watching it properly, he can still know the answer to these question. Its not vague & weird if you follow the series....
Apr 17, 2017 10:47 AM

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valvravetruth said:
Fircoal said:
Why? Because I don't care for an anime that you like? That makes no sense what-so-ever.


Well I believe that everyone preference is different, so what I like doesn't mean you will hold the same opinion. So its fine that you don't like it. My point in saying "there is something wrong with how you watch an anime", comes from your view to show you didn't watch an anime properly or so to say there is something wrong.

For example,
"I don't get the reason behind this whole 7 words plot. Why do they have the revive the 7 words? Why does it react to the 7 words? Why those words? How in the world did Akko even know some of the words in the first place? It's such a vague and weird plot that it feels like it's shoved in there for the purpose of having a plot." written by you.

Even if someone not watching it properly, he can still know the answer to these question. Its not vague & weird if you follow the series....


It's also really easy to forget things or to miss things. Otherwise there wouldn't be people confused about things that happen in shows all the time. There have people who answered that part of the post and actually explained it and it makes more sense because of that. Like I even remember and understand the parts that lead up to the conclusion of that. I just forgot them over the span of the weeks it's been since. That doesn't make my watching process any less proper, imo.
Apr 17, 2017 11:01 AM
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Jun 2015
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Fircoal said:

It's also really easy to forget things or to miss things. Otherwise there wouldn't be people confused about things that happen in shows all the time. There have people who answered that part of the post and actually explained it and it makes more sense because of that. Like I even remember and understand the parts that lead up to the conclusion of that. I just forgot them over the span of the weeks it's been since. That doesn't make my watching process any less proper, imo.
It kind of does because if you don't understand the basic plot threads of the story. Most of your criticisms is from a lack of understanding or making speculative claims on how a trope will be used in the story. You complained about the magic fight in the middle of the this episode when Croix explains exactly why she attacked Chariot with her Golems. She is testing Chariot's magical ability while also implying that Chariot lost some of her ability but not all of it. Why would she do this? Because Shiny Chariot could be a thorn in her plans.
Apr 17, 2017 11:07 AM

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Mar 2017
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When Akko asked if Ursula-sensei knows the words that needs to be resurrected
She said the she knows all of them except the last one.
So, Ursula (Chariot) tried to revive the 7 words before but failed??


That fighting scene of Ursula-sensei (Chariot) though! So epic.. the animation is so good.
I really enjoyed this episode and I can't wait for episode 16! >_<


猫はかわいいです。 (ꈍ ‸ ꈍ)


Apr 17, 2017 12:16 PM

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Mar 2008
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I figured things with Crorix were going to get heated and serious, I didn't expect this quickly! No doubts in my mind any longer she is defiantly a wicked witch. I wonder just how much history Chariot and Crorix have, if any? My initial thoughts maybe it was a mentor-student thing, similar to Akko with Ursula now but maybe not so much? It seems it's a Diana x Akko mirror, makes sense given the opening animation though I couldn't imagine Diana going to such lengths.
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Apr 17, 2017 12:24 PM

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Fircoal said:

valvravetruth said:


Including this seperated comment, not joking & no offence, there is something wrong with how you watch an anime.


Why? Because I don't care for an anime that you like? That makes no sense what-so-ever.


Don't worry, the writing and story-telling is so weird at some points that it's normal to miss some elements. It's the same for me. There's no logic in the way the hint appears and above all the way the words are used and why.

For example the use of the second word, why must akko spell it to hit the apparition makes no sense. It's not like she was threatened or something, she had to chose whether or not she wanted to accept a deal, she didn't have to strike the apparition with an axe. But because the plot says "an axe appears" then she had to knock something. LOL.

For the third word, Ursula just "casually" said something like "yes, Chariot used " arae something "", even though Akko was speaking of transformation magic, nothing to do with a rope (which at this point nobody knew it could be of use) nothing to do with the shiny rod either. Furthermore Akko didn't even react to the fact Ursula is saying what word she (as chariot) pronounced back then to use the shiny rod. You wonder if Ursula ever said it out loud. It makes no sense. It makes even less sense when Akko uses the spell later on ... well it's just "because MC" once again.


It's just bad narration and that's why it's not easy to get the logic, ... because logic is lacking in the first place.


And don't worry about the fan-boys, they'll tell you you don't understand anything but in fact they overlook all the incoherences and the mountain of convenient parts of the story. You can see that in the forum since the beginning of the show.

It doesn't mean the show is bad. It just has some flaws.
Apr 17, 2017 12:25 PM

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Jan 2013
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15poundfish said:
Fircoal said:

It's also really easy to forget things or to miss things. Otherwise there wouldn't be people confused about things that happen in shows all the time. There have people who answered that part of the post and actually explained it and it makes more sense because of that. Like I even remember and understand the parts that lead up to the conclusion of that. I just forgot them over the span of the weeks it's been since. That doesn't make my watching process any less proper, imo.
It kind of does because if you don't understand the basic plot threads of the story. Most of your criticisms is from a lack of understanding or making speculative claims on how a trope will be used in the story. You complained about the magic fight in the middle of the this episode when Croix explains exactly why she attacked Chariot with her Golems. She is testing Chariot's magical ability while also implying that Chariot lost some of her ability but not all of it. Why would she do this? Because Shiny Chariot could be a thorn in her plans.


And yet I've pretty much been right on every speculative that I've had about a trope.

And the thing is I realize some of my criticisms were misplaced when people reminded me of what happened before. I'm not here to stubbornly proclaim something. People respond reasonably so do I.

As for the battle part, I get why it's in there in the sense of the story. It just feels out of place to me. That is more of a personal thing though.
Apr 17, 2017 1:25 PM

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Jan 2013
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Ursula/Chariot looking fine in that skintight suit, the years have been good on her.

What are the chances that the sorcerer's stone is a seed to revive Yggdrasil?
Not sure if someone has mentioned it already.
Please learn about cel animation and its technical process.
Learn how special effects and backlighting were done without computers.

Apr 17, 2017 2:00 PM

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Oct 2008
533
I am in love with this second cour. While the episodic episodes (huh) were nice and all, these past two episodes were absolutely phenomenal.

A reference to the Shooting Star? Set up!
A modern broom being a roomba? Brilliant!
Chariot action sequences? Spectacular!

I really like what they're doing with Croix. From the line "I was blinded by your brilliance", I'm hoping to have them set her up as what Akko could have become if she had become disillusioned with Chariot instead of continuing to believe in her.

Fircoal said:
And yet I've pretty much been right on every speculative that I've had about a trope.

And the thing is I realize some of my criticisms were misplaced when people reminded me of what happened before. I'm not here to stubbornly proclaim something. People respond reasonably so do I.

As for the battle part, I get why it's in there in the sense of the story. It just feels out of place to me. That is more of a personal thing though.


Sure, to each his own, but if you ask me, people complaining about the use of tropes being inherently bad has become a trope in and of itself. Personally, I get so tired of hearing the word that I immediately turn off when I even hear people use it. I'm not saying that you can't use the term, but a lot of times, reviewers fall back on the word when they don't actually have any considered feedback or constructive criticism to offer. I mean, more often than not, the show will be using the trope in a way that is completely different from previous incarnations and taking it at face value will blind you to more nuanced analysis. What are they trying to achieve by using it? Even if the show has nothing new to offer, is it an enjoyable trope? If so, what's the harm of them using it? Try to take the surrounding factors into consideration instead of looking at things in a vacuum.

(Also, how was that sequence with Chariot a spy sequence? Is it because she was wearing a skintight outfit? She hardly relied on stealth...)
ActarApr 17, 2017 2:21 PM
Apr 17, 2017 2:01 PM

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The animation was top notch in this episode, based Trigger.
Apr 17, 2017 2:25 PM
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Ysad_Ziwezhan said:
Fircoal said:



Why? Because I don't care for an anime that you like? That makes no sense what-so-ever.


Don't worry, the writing and story-telling is so weird at some points that it's normal to miss some elements. It's the same for me. There's no logic in the way the hint appears and above all the way the words are used and why.

For example the use of the second word, why must akko spell it to hit the apparition makes no sense. It's not like she was threatened or something, she had to chose whether or not she wanted to accept a deal, she didn't have to strike the apparition with an axe. But because the plot says "an axe appears" then she had to knock something. LOL.

For the third word, Ursula just "casually" said something like "yes, Chariot used " arae something "", even though Akko was speaking of transformation magic, nothing to do with a rope (which at this point nobody knew it could be of use) nothing to do with the shiny rod either. Furthermore Akko didn't even react to the fact Ursula is saying what word she (as chariot) pronounced back then to use the shiny rod. You wonder if Ursula ever said it out loud. It makes no sense. It makes even less sense when Akko uses the spell later on ... well it's just "because MC" once again.


It's just bad narration and that's why it's not easy to get the logic, ... because logic is lacking in the first place.


And don't worry about the fan-boys, they'll tell you you don't understand anything but in fact they overlook all the incoherences and the mountain of convenient parts of the story. You can see that in the forum since the beginning of the show.

It doesn't mean the show is bad. It just has some flaws.
have you forgot what croix said in this episode? the rod reacts to it wilder emotions which can explain the second and third words
Apr 17, 2017 2:28 PM
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Jun 2015
1949
Ysad_Ziwezhan said:

It's just bad narration and that's why it's not easy to get the logic, ... because logic is lacking in the first place.


And don't worry about the fan-boys, they'll tell you you don't understand anything but in fact they overlook all the incoherences and the mountain of convenient parts of the story. You can see that in the forum since the beginning of the show.

It doesn't mean the show is bad. It just has some flaws.
I think it is up to the viewer to decide whether the decision for the scenes to play out illogically is better for the anime. The scenes if they played out logically might have detracted from the catharsis of these scenes or the thematic impact. How the words transform in the scenes is irrelevant when the activation of the words have always had a thematic purpose in the anime. Its debatable whether it would be better for all the scenes to play out logically to the extent that it might have reduced the catharsis of those scenes or the thematic impact. If the show played out logically, Ursula would give her a list of words she knows and try to figure out what the last missing word is early on in the anime. Would the anime be as enjoyable? Probably not.
Apr 17, 2017 2:40 PM

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525
Kinda glad I didn't drop this one now.
Apr 17, 2017 2:48 PM

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I must say, the 3rd spell is my favorite. It's got such a nice feel to it.

Otherwise, average episode.
TragicRomanceApr 20, 2017 7:42 AM
Apr 17, 2017 3:58 PM
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Feb 2017
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Can I add something about the first half of the series? A lot of people seem to keep saying the first half was boring and episodic and that it wasn't going anywhere.
If you look at other shows linked by some of the same staff (studio trigger and gainax, and imaishi himself) like Kill La Kill, Gurren Lagann, even Neon Genesis, they all spent around the first 10 episodes having a more episodic feel where it was JUST about characters and world building with plot taking a back seat. because of these crucial episodes it was when the plot kicked in that we were actually able to give a crap.
The same happened here in LWA. They spent a solid amount of time developing the characters and world pre-plot so that when the plot kicks in we can get a grasp for how they may change and cope and how they will evolve once they come out the other end.
Too often do i think shows throw the audience right into the thick of it and expect you to care because the characters care.
Maybe modern audience are too impatient?
i mean Cowboy Bebop was almost entirely episodic and is an absolute gem, but there are less and less shows that follow that way of story telling it seems. Perhaps people just want the gist of the show right then and there at the start.
Apr 17, 2017 4:02 PM
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1566
This episode does confirm even though they are generational counterparts, Diana is not going to join Croax. Thank goodness, I don't want to turn into another Sasuke. If she does join Croax's side, it would obviously be part of a plan to take her down.

I want to see an episode that shows us everything Diana has discovered and be a Diana detective and researcher episode. An episode that shows all of her discoveries, all her research that happened during the series. We see glimpse with what is going on with Akko in past episodes while Diana doing her research, like Appa's Lost Day in Avatar: The Last Airbender.
blfanApr 17, 2017 4:19 PM
Apr 17, 2017 4:21 PM

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iSaturnine said:
Can I add something about the first half of the series? A lot of people seem to keep saying the first half was boring and episodic and that it wasn't going anywhere.
If you look at other shows linked by some of the same staff (studio trigger and gainax, and imaishi himself) like Kill La Kill, Gurren Lagann, even Neon Genesis, they all spent around the first 10 episodes having a more episodic feel where it was JUST about characters and world building with plot taking a back seat. because of these crucial episodes it was when the plot kicked in that we were actually able to give a crap.
The same happened here in LWA. They spent a solid amount of time developing the characters and world pre-plot so that when the plot kicks in we can get a grasp for how they may change and cope and how they will evolve once they come out the other end.
Too often do i think shows throw the audience right into the thick of it and expect you to care because the characters care.
Maybe modern audience are too impatient?
i mean Cowboy Bebop was almost entirely episodic and is an absolute gem, but there are less and less shows that follow that way of story telling it seems. Perhaps people just want the gist of the show right then and there at the start.
The anime that you mentioned are just following the good ol' tradition of the Monster of the Week shows from the 70s/80s.
CabronApr 17, 2017 4:25 PM
Please learn about cel animation and its technical process.
Learn how special effects and backlighting were done without computers.

Apr 17, 2017 5:07 PM

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1071
My favorite part of ep 15 is when Ursula/Chariot reveals the lore regarding Yggsdrasil and Triskelion and the former age of magic to Akko. The animation was enchanting.

Ursula is based, fighting off the archer statues, the stone cleaver giant, and the winged lion and giant spider gargoyles!

I have a feeling that Diana is going to learn the secret of Ursula/Chariot while she's researching the records.
redtailravApr 17, 2017 5:17 PM
Apr 17, 2017 5:14 PM

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Jan 2013
4202
Loved this episode but it was quite tense.
I hope that Croix didn't do anything bad to Akko.
Never seen Ursula like that, damn! And i thought that it was the perfect moment to Ursula reveal who she is.
Loved that moment when Akko said "Chariot" and Ursula was like "how do you know who i am?" hahahah

Can't wait to see the episode when Ursula will reveal the truth.
"There is no such thing as an Anime elitist. You watch Anime, therefore, you are trash by society's standards."

Apr 17, 2017 5:17 PM
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Feb 2017
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The relationship between Akko and Ursula. What started off as a simple master and student blossomed into a beautiful bond of kindred spirits with the full celestial love between parent and child. Akko’s dream has and will always become Shiny Chariot and whatever the case, Akko viewed Shiny Chariot as her Godmother. The one who tell her to stand up even when things were at the bleakest. While she won’t know about Ursula’s real identity, it’s perfectly clear that the girl sees the teacher not a substitute but family. Ursula viewed Akko more than just her successor. While teaching her to activate the Seven Words was the sole goal but overtime the one thing she couldn’t expect was that she would have grown to love Akko like her own daughter. The entire Witch community viewed her as a pariah and this young girl, without any background of magic at all praised her with high regards and shown in many ways similar to her own. They bonded with their love for magic and the time spent together was ever most nostalgic for Ursula. With knowledge that Akko might be in danger, she went in like a force of nature tearing down Croix’s defences like paper. Had Ursula actually be Akko’s real mother, she would have left no evidence of a body of Croix to be found. In the end, the bond between young girls from generations was a sight to behold. Akko is more optimistic with knowledge that she’ll meet Chariot again and Ursula proud of Akko and the role as a champion among witches.

To tribute the release of Episode 15, here’s a link to a video I recently made: https://www.youtube.com/watch?v=O3OrQ_pYwzY
Apr 17, 2017 6:02 PM
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Actar said:

I really like what they're doing with Croix. From the line "I was blinded by your brilliance", I'm hoping to have them set her up as what Akko could have become if she had become disillusioned with Chariot instead of continuing to believe in her.


Diana's pretty much already that to contrast with Akko. She was also a Shiny Chariot fan when younger, but not anymore.
Apr 17, 2017 6:15 PM

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Feb 2016
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Does anyone know who's the VA of Croix?

Her voice is so elegant and smooth, I like her alot
Apr 17, 2017 6:17 PM

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Mar 2014
777
So pretty much the rayline are the leftover roots of the Yggdrasil, pretty interesting.

Still want to know why the 9 old wtiches sealed it since so far Chariot wants to Akko unseal it when she unlocks the 7 lost words.

Kickass action moment with Chariot vs the stone guardians :D!
Apr 17, 2017 6:30 PM
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Rewatch the episode and I noticed this, it seems Sucy is not in it. If she was, she had no lines. And Lotte did very little.

I really think this certain characters are big players in the main plot, while others so much. So the down side of plot episodes, we are not going to get much of characters like Sucy, Lotte, Amanda, Constanze, Jasminka, even Hannah and Barbara. So there is that.
Apr 17, 2017 8:57 PM

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Fate_warrior95 said:
Does anyone know who's the VA of Croix?

Her voice is so elegant and smooth, I like her alot


The Same VA of Naruto
Apr 17, 2017 9:05 PM
The Komori

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7438
This episode was too GOAT for words....But I will say that Chariot/Ursula is just perfection in my eyes at this point now
Apr 17, 2017 9:09 PM

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406
ssjathena said:
Fate_warrior95 said:
Does anyone know who's the VA of Croix?

Her voice is so elegant and smooth, I like her alot


The Same VA of Naruto


wai wut? seriously? :v
Apr 17, 2017 9:30 PM

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164
Despite a few quibbles with the animation for some parts, this was a pretty good episode. I really like the relationship Akko and Ursula has built throughout the show, any time between the two is really sweet.

Diana's little talk with Ursula was interesting just in regards to them not really ever speaking to each other... I don't remember there ever being any interaction between the two? At least in this series. If Diana is the first (between her and Akko) to discover Ursula's true identity, I can't wait for that dialogue.
Apr 17, 2017 10:05 PM

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Apr 2015
52
Well, that was a great episode but something is on my mind and i cant get the answer!!

Why the witches sealed the "power"? cause magic is dying ? Lol, it's dying now.

make no sense to me.
Apr 17, 2017 10:10 PM

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3992
Guys I think Ursula is Chariot. But don't tell Akko.
Sieg Zeon!
Apr 17, 2017 11:10 PM

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767
15poundfish said:
Ysad_Ziwezhan said:

It's just bad narration and that's why it's not easy to get the logic, ... because logic is lacking in the first place.


And don't worry about the fan-boys, they'll tell you you don't understand anything but in fact they overlook all the incoherences and the mountain of convenient parts of the story. You can see that in the forum since the beginning of the show.

It doesn't mean the show is bad. It just has some flaws.
I think it is up to the viewer to decide whether the decision for the scenes to play out illogically is better for the anime. The scenes if they played out logically might have detracted from the catharsis of these scenes or the thematic impact. How the words transform in the scenes is irrelevant when the activation of the words have always had a thematic purpose in the anime. Its debatable whether it would be better for all the scenes to play out logically to the extent that it might have reduced the catharsis of those scenes or the thematic impact. If the show played out logically, Ursula would give her a list of words she knows and try to figure out what the last missing word is early on in the anime. Would the anime be as enjoyable? Probably not.


If you present a lack of logic with humor, like in the movie with the parade, I think it's great but here in the series the humor is lost, it takes itself seriously, that's the tone, and saying you can't do it any other or better way, it's too short for a defense IMO.

It's true though that the writing is consistent in throwing asspulls like any kid show. Once you accept it, you can get along with the story but on the other hand the fans shouldn't bash people who are disturbed by that, because there are good reasons to get confused.
Apr 18, 2017 12:12 AM

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blfan said:
Jonesy974 said:
Main difference between Diana and Croix, is that the former is just a snobby bitch who favors tradition and aristocracy


When in this series has Diana has acted like snobby bitch. What series are you watching? Just give me an example, and don't give me OVA stuff that is non canon or because Akko thinks she is, the last two episode is evident, Akko is not the best judge of character.

Seriously why the Diana hate, she is as awesome as Akko.


Not even sure why I'm gracing you with a response. The moment you said the OVA stuff is non-canon you had no argument. Lol you literally just called the original material non-canon. Not sure if you realize how dumb that kind of sounds.

But I digress. As far as Diana being snobby goes, she's always put Akko down and made her feel inferior, particularly in the beginning episodes where she was insinuating that Akko doesn't try and cant do magic. And again in the recent episode where she's trying to boss the monster union around like she knows her reasoning is superior, without even actually taking into consideration their circumstances; which is exactly why Akko really hit her deep in that scene.

Granted, Diana isn't even 1/100th as bad as her "friends". Those two girls are cunts.
Apr 18, 2017 2:03 AM

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damn, Ursula as adult Chariot is hawt!! That ass...
Apr 18, 2017 3:26 AM
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Jonesy974 said:
blfan said:


When in this series has Diana has acted like snobby bitch. What series are you watching? Just give me an example, and don't give me OVA stuff that is non canon or because Akko thinks she is, the last two episode is evident, Akko is not the best judge of character.

Seriously why the Diana hate, she is as awesome as Akko.


Not even sure why I'm gracing you with a response. The moment you said the OVA stuff is non-canon you had no argument. Lol you literally just called the original material non-canon. Not sure if you realize how dumb that kind of sounds.

But I digress. As far as Diana being snobby goes, she's always put Akko down and made her feel inferior, particularly in the beginning episodes where she was insinuating that Akko doesn't try and cant do magic. And again in the recent episode where she's trying to boss the monster union around like she knows her reasoning is superior, without even actually taking into consideration their circumstances; which is exactly why Akko really hit her deep in that scene.

Granted, Diana isn't even 1/100th as bad as her "friends". Those two girls are cunts.


Okay snobby I can see that, though I disagree with that, but bitch, sorry that when you step over the line and completely wrong. She has not once acted like a bitch in this series, that is just out of line.
Apr 18, 2017 5:11 AM
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Ysad_Ziwezhan said:
15poundfish said:
I think it is up to the viewer to decide whether the decision for the scenes to play out illogically is better for the anime. The scenes if they played out logically might have detracted from the catharsis of these scenes or the thematic impact. How the words transform in the scenes is irrelevant when the activation of the words have always had a thematic purpose in the anime. Its debatable whether it would be better for all the scenes to play out logically to the extent that it might have reduced the catharsis of those scenes or the thematic impact. If the show played out logically, Ursula would give her a list of words she knows and try to figure out what the last missing word is early on in the anime. Would the anime be as enjoyable? Probably not.


If you present a lack of logic with humor, like in the movie with the parade, I think it's great but here in the series the humor is lost, it takes itself seriously, that's the tone, and saying you can't do it any other or better way, it's too short for a defense IMO.

It's true though that the writing is consistent in throwing asspulls like any kid show. Once you accept it, you can get along with the story but on the other hand the fans shouldn't bash people who are disturbed by that, because there are good reasons to get confused.


The movies are just simple little short stories, in a series there is more room for work.
I believe we had already this conversation before but i will say it again: you shouldn't always apply logic to a somewhat comedic show. Especially considering that LWA is a series that pays a lof of homage to 80/90s children cartoons with some of the references and sharing a lot of the same type of humor. Is a anime that has an innocent kind of charm to it that's lacking in most titles of today.

With that out of the way in regards to your second point. I don't know why you are generalizing all the fans like that but regardless, taking Fircoal post as a example it is clear that a lot of her/his "issues" with the series come from her/his own lack of attention, the story is not that convoluted.
Also can you plz specify what you mean by asspulls?
Apr 18, 2017 5:59 AM

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damn chariot was badass and shes so pretty with her red hair again omg;;
Apr 18, 2017 6:03 AM

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SeidouTZ said:

With that out of the way in regards to your second point. I don't know why you are generalizing all the fans like that but regardless, taking Fircoal post as a example it is clear that a lot of her/his "issues" with the series come from her/his own lack of attention, the story is not that convoluted.
Also can you plz specify what you mean by asspulls?


I "suffered" from this lack of attention too, nevertheless I think it relies too on the bad way the story is written and all the shortcuts. It's funny how the third word is "casually" introduced for instance. You don't even know if Akko heard it and you can just wonder about her lack of reaction ... well plot says Akko mustn't discover Chariot's identity so let's just "forget" that Ursula just said she used "Arae something" aka the third word.

As for asspulls : the introduction of the third word is an example but the best part is the use of it : Akko worked hard to learn transformation magic, to make people happy and above all to make Vajarois happy. Nothing worked for Vajarois and for good reasons. All this hard work for nuts!? What then? What can we do? I know! Forget the hard work and transformation magic! Just put Akko inside Vajarois with the shiny rod and let her say the third spell!
Problem solved! Big Fireworks! Akko MC status confirmed! Day is saved! Easy!

The story looked like there was a build-up and a lesson (work hard!) but in the end, there was none, the writing of the conclusion just destroyed everything. It was just Akko bringing OP magic with OP shiny rod "almost" out of nowhere at the right place and the right time.
Yeah, I forgot the justification : Akko's big heart for magic, nothing to do with Akko working hard to get incredible magical power because ... she already has it "when needed".

It's just one blatant example among many. There are a lot of less important shortcuts/asspulls. It is not worth to speak about them all.
Apr 18, 2017 6:29 AM
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JG_Wezz said:
Despite a few quibbles with the animation for some parts, this was a pretty good episode. I really like the relationship Akko and Ursula has built throughout the show, any time between the two is really sweet.

Diana's little talk with Ursula was interesting just in regards to them not really ever speaking to each other... I don't remember there ever being any interaction between the two? At least in this series. If Diana is the first (between her and Akko) to discover Ursula's true identity, I can't wait for that dialogue.

They talked after the broom race in episode 3.
Apr 18, 2017 6:33 AM
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Cabron said:
iSaturnine said:
Can I add something about the first half of the series? A lot of people seem to keep saying the first half was boring and episodic and that it wasn't going anywhere.
If you look at other shows linked by some of the same staff (studio trigger and gainax, and imaishi himself) like Kill La Kill, Gurren Lagann, even Neon Genesis, they all spent around the first 10 episodes having a more episodic feel where it was JUST about characters and world building with plot taking a back seat. because of these crucial episodes it was when the plot kicked in that we were actually able to give a crap.
The same happened here in LWA. They spent a solid amount of time developing the characters and world pre-plot so that when the plot kicks in we can get a grasp for how they may change and cope and how they will evolve once they come out the other end.
Too often do i think shows throw the audience right into the thick of it and expect you to care because the characters care.
Maybe modern audience are too impatient?
i mean Cowboy Bebop was almost entirely episodic and is an absolute gem, but there are less and less shows that follow that way of story telling it seems. Perhaps people just want the gist of the show right then and there at the start.
The anime that you mentioned are just following the good ol' tradition of the Monster of the Week shows from the 70s/80s.

The difference is that those Monster of the Week shows never really intended to go anywhere beyond just doing Monster of the Week stories. The shows mentioned like Cowboy Bebop, Evangelion, Kill la Kill ect. always intended to have an overarching plot, but they use the early episodic format to gradually introduce the characters and world in an organic way. They also show the characters in a more casual tone so that when things get really serious later on, you have a comparison for what the comfort zone of these characters is.
Apr 18, 2017 6:36 AM
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Specimen021 said:
I absolutely refuse to believe that this and the first half of this show were written by the same person.

It's starting to look genuinely good.
Things are only good now because of the lore and characters that were set up previously. The show was always good, you were just impatient.
Apr 18, 2017 6:39 AM
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ThreePercent said:
-Wait do the teachers know about Ursula
-yeah this won't end well
-huh, seems like croix instantly recognized chariot
-is this the ringed city
-those drones had awful aim

Hoo man, nothing new happened this episode other than Chariot returning to form and beating down some gargoyles. I guess they also explained the seven Words to Akko, as well as explicitly state that Chariot and Croix attended the school together, but these things are hardly something to dedicate a whole episode to. Even then, Chariot's fight against the magical summons weren't too impressive because it progressed really slowly. The important magical stuff in previous episodes always had a ton of movement, but the tower climbing scene seemed to have a bunch of empty shots. It really does feel like a recap episode, especially with all the flashbacks, which is pretty disappointing.

They explained what it means to revive a Word, which hadn't been explained to Akko or us. Yggdrasil was mentioned for the first time and is a big lore point. While we knew Croix was up to no good, this episode showed her goals are focused around the Reconstruction magic ritual. The only thing really recapped was Akko's memories.
Apr 18, 2017 6:43 AM

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Bugberry91 said:
Specimen021 said:
I absolutely refuse to believe that this and the first half of this show were written by the same person.

It's starting to look genuinely good.
Things are only good now because of the lore and characters that were set up previously. The show was always good, you were just impatient.


I wish that was the case, because as is, you could cut out episodes 2-14 and it would change nothing other than making the show better.

There was no lore being set up, so far this universe doesn't have any substantial lore. All we had were generic, episodic 'stories', with no significance, impact and entertainment value.
Apr 18, 2017 7:15 AM

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Jan 2016
816
So I have two predictions/hopes.
1) I hope that the show doesn't just straight up reject magic technology, because while Croix herself has sinister intentions, I don't believe magic technology in and of itself is a problem, and even could be a good thing.

2) As cheesy as it is, I believe the last word that Chariot never found has to do with friends. From what we've seen of Chariot, she didn't seem to have anyone that was really close to her, at least not in the same way as Akko, Sucy, and Lotte are, and given that we've both seen images of Akko, Lotte, and Sucy standing in a similar position in the OP to the creators in this episode, I believe that will be important.
You have shit taste, and then I have taste so shit it makes your taste look good
Apr 18, 2017 8:11 AM

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This show is finally proving itself worth (not that it ever needed to, though), and it's still underrated. Well, I won't be mad if it gets anything above an 8/10 after it's finished airing, but if it gets anything under that it's gonna go down as one of the most underrated shows on MAL xD
Apr 18, 2017 8:15 AM
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Ysad_Ziwezhan said:
SeidouTZ said:

With that out of the way in regards to your second point. I don't know why you are generalizing all the fans like that but regardless, taking Fircoal post as a example it is clear that a lot of her/his "issues" with the series come from her/his own lack of attention, the story is not that convoluted.
Also can you plz specify what you mean by asspulls?


I "suffered" from this lack of attention too, nevertheless I think it relies too on the bad way the story is written and all the shortcuts. It's funny how the third word is "casually" introduced for instance. You don't even know if Akko heard it and you can just wonder about her lack of reaction ... well plot says Akko mustn't discover Chariot's identity so let's just "forget" that Ursula just said she used "Arae something" aka the third word.

As for asspulls : the introduction of the third word is an example but the best part is the use of it : Akko worked hard to learn transformation magic, to make people happy and above all to make Vajarois happy. Nothing worked for Vajarois and for good reasons. All this hard work for nuts!? What then? What can we do? I know! Forget the hard work and transformation magic! Just put Akko inside Vajarois with the shiny rod and let her say the third spell!
Problem solved! Big Fireworks! Akko MC status confirmed! Day is saved! Easy!

The story looked like there was a build-up and a lesson (work hard!) but in the end, there was none, the writing of the conclusion just destroyed everything. It was just Akko bringing OP magic with OP shiny rod "almost" out of nowhere at the right place and the right time.
Yeah, I forgot the justification : Akko's big heart for magic, nothing to do with Akko working hard to get incredible magical power because ... she already has it "when needed".

It's just one blatant example among many. There are a lot of less important shortcuts/asspulls. It is not worth to speak about them all.


All the three words were given by Ursula-sensei as well as what they meant, so is only natural for Akko to remember such words in a time of need. Similar to what happened with her and the Shiny cards, she is able to remember what every card symbolizes.

Akko worked hard because, just like Shiny Chariot, she wanted to make people happy even going as far as to break the traditional rules (which is a call back to what happened in the second movie as well). Seeing her succeed by using the metamorphosis magic is a way to show not only to us the viewer but to everyone that she is indeed improving as a witch.
Also im not sure you noticed but for everything work out well for Vajarois in the end the spectacle was necessary. We see Vajarois change from anger to sadness as soon as Akko tries her hardees to make her laugh. This implies she to some extend still remembers the good times she had with her friends during the times she was alive, causing her to feel a sentiment of sadness after revisiting such memories. I completly doubt Akko would had been able to break the curse right off the bat as soon as she got eated by Vajarois if she didn't had put her in such vulnerable state.

The anime never gone out of their way to make Akko be viewed as a OP witch, quite the opposite. She is someone that has a great spiritual power yes, but she lacks guidance and discipline. Is up to Ursula-sensei to guide her throwout her journey and make her work hard to accomplish her goal and subsequently revive magic in the process.
removed-userApr 18, 2017 8:52 AM
Apr 18, 2017 8:19 AM

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CHARIOT SO BADASS
WHAT A GREAT MOMENT TO BE ALIVE
Apr 18, 2017 9:09 AM

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best anime ever? =D

just watching the flashbacks on the 3 akko scenes made me so happy already lmao
and chariot scene was awesome too
favorite "new girls" from summer <3 ... click sig for older seasons and more possible picks (rip all the other choices)
Apr 18, 2017 12:51 PM
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Ysad_Ziwezhan said:

If you present a lack of logic with humor, like in the movie with the parade, I think it's great but here in the series the humor is lost, it takes itself seriously, that's the tone, and saying you can't do it any other or better way, it's too short for a defense IMO.

It's true though that the writing is consistent in throwing asspulls like any kid show. Once you accept it, you can get along with the story but on the other hand the fans shouldn't bash people who are disturbed by that, because there are good reasons to get confused.
What I am trying to say is sometimes logic is thrown out the window because the author wants to place large emphasis on other aspects of the show. Great examples of popular highly rated anime that do this is Anohana and Kimi no na wa. Both of these anime have plot elements that don't make much sense when you break it apart but they are used to heighten the tension and melodrama in their stories. It also can be a stylistic choice or a signature; Trigger in many of their big action scenes tend to be completely over the top and ridiculous like Gurren Lagann, Kill la kill, Inferno cop, etc. Its up to the viewer to decide whether if rewriting scenes to be more logical is better than just letting these inconsistencies fly by for the sake of heightening other aspects instead.
15poundfishApr 18, 2017 12:58 PM
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