Everyone agrees it looks good so there's not much to say about that but I think there's a lot of poetic class and clever ideas in the story that are not overtly stated. Legit surprised the lead Yugioh anime writer is behind it and it got me more interested in those shows.
Miyazaki-esque themes of humanity "forgetting yokai" (demons is not a good translation imo) aka nature/the unknown/the spiritual & focusing on a shallow existence. Tomino & Gurren Lagann-esque ideas of a villain who watched over Shinjuku for so long he's grown cynical, believing only dangerous radical actions resulting in countless deaths (on both the human & yokai sides) can truly elevate existence; and he's countered by a younger, more optimistic Karas who nonetheless has gone through hell. Eko has a love-hate relationship with his Yurine, aka the "will of the city": he claims to despise humanity yet he's fueled by their literal lifeblood & wants to force a "perfect" yet forceful unity through a mix of the supernatural and the technological. Soul Eater manga-ish (though this tackled them first) themes of refusing to believe that "harmony" can ever exist, instead attempting to enforce a soulless "order". Hideyuki Kikuchi-esque stuff about the supernatural dark side of a Japanese metropolis with aesthetics and a manly, dark visual attitude reminiscent of Yoshiaki Kawajiri's adaptations of Kikuchi works.
The contrast between the creepy yet eerily charming and lovable traditional yokai as also portrayed in other series like Gegege no Kitaro and the dark 80s OVA-esque biomech monstrosities created by Eko. The mix of old and new, creating a giant ancient Orochi (or general ancient serpent) out of modern urban materials to usher in a new age. This is likely unintentional (while I think the other stuff I'm saying was either 100% unintentional or at least on the back of the staff's minds) and I may be reading way too much into it... but whatever, why not go all the way: In his attempt to bring everything together, Eko becomes the "chaos" represented by the serpent (which isn't really multi-headed like the specific Orochi and thus can be more readily linked to the serpents of global creation myths). The Messianic figure of Karas has to defeat it and (re)create order.
Otoha's mob boss dad sees him as a soulless monster because he appears to feel nothing while throwing himself towards danger and killing others; in reality he simply sucks it in hoping for a better future, truly feeling empathy for others despite dealing with so much shit. A bloody yakuza yet a caring doctor, the perfect hero for Shinjuku. Yurine plays the motherly role of giving birth to and guiding the Karas in their more traditionally masculine heroic job (although female Karas also exist). No one in Shinjuku has a simple easy life, yet they all come together to fight for a better future. The final blow to the bull yokai is not struck by Karas himself but by Kure, the audience self-insert regular joe; while the forces of the unknown will guide us, we can still play a part in making things better.
It's a very epic story that fits its status as an anniversary project for a company known for its classic superheroes like Casshern and Gatchaman (and you can say the goofier non-mechanized yokai reflect their sillier stuff like Time Bokan). Obviously tons of Batman inspiration but also plenty of very Japanese elements; tokusatsu transformations and action, morphing into vehicles like Polymar, etc.
9/10, may be a tad too abridged in parts but overall a great ride. |