 The official website of the Mushoku Tensei: Isekai Ittara Honki Dasu (Mushoku Tensei: Jobless Reincarnation) television anime series announced on Saturday the staff, key visual (pictured), and a teaser promotional video for the second part of season two. The anime is scheduled to premiere on April 8 at 12:00 a.m. on Tokyo MX, KBS Kyoto, and BS11, followed by Sun TV.Staff Director: Ryousuke Shibuya (Saikyou Onmyouji no Isekai Tenseiki) NEW Series Composition: Toshiya Oono (Yakusoku no Neverland) Character Design: Sanae Shimada (Photokano), Yoshiko Saitou (Isekai Nonbiri Nouka) Chief Animation Director: Kouta Sera (Tate no Yuusha no Nariagari) NEW, Shinobu Isoko (Vinland Saga Season 2 animation director) NEW, Sun Honzhi (Mushoku Tensei II: Isekai Ittara Honki Dasu) Art Director: Masakazu Miyake (Kono Subarashii Sekai ni Shukufuku wo!) Color Design: Makiko Doi (Gin no Saji) Director of Photography: Shinji Tonsho (Youjo Senki) Editing: Akinori Mishima (Bleach: Sennen Kessen-hen) Sound Director: Jin Aketagawa (Re:Zero kara Hajimeru Isekai Seikatsu) Sound Effects: Rei Ueno (Isekai Ojisan) Music: Yoshiaki Fujisawa (No Game No Life: Zero) Studio: Studio Bind Note: New staff involved with the second part are denoted with the legend NEW. The anime adapts Rifujin na Magonote's adventure fantasy light novel, which he penned on the Shousetsuka ni Narou website between November 2012 and April 2015. Kadokawa began printing the novel with illustrations by Sirotaka under its MF Books label in January 2014 and shipped the 26th and final volume in November 2022. Yuka Fujikawa began serializing a manga adaptation in Comic Flapper magazine in May 2014. Kadokawa is scheduled to release the 20th volume on February 22. Seven Seas Entertainment licensed both the light novel and manga in English. The 25th light novel volume and the 17th manga volume went on sale in October and August of last year, respectively. Teaser PV Source: Comic Natalie |
DatRandomDudeFeb 3, 1:49 PM
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| A little nervous every time there's a director change, but still hopeful. Not sure if we'll ever get the same production level of season 1 again, but as long as it's close I'm happy. |
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| uh oh, another director! can still be good but will never be on that season1 timing. hope yuiko oohara still on this. |
| Is there any reason why spring was so busy with sequels to popular series? It seems this isn't the first time studios have loaded up on a specific season with sequels. |
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Reply to RobertBobert
Is there any reason why spring was so busy with sequels to popular series? It seems this isn't the first time studios have loaded up on a specific season with sequels.
| @RobertBobert Spring and Fall are considered the ''big'' seasons in Japan, shows that premiere in those are the one the suits expect to be their biggest hitters for the year, while Winter and Summer take the smaller titles. |
Reply to Ionliosite2
@RobertBobert Spring and Fall are considered the ''big'' seasons in Japan, shows that premiere in those are the one the suits expect to be their biggest hitters for the year, while Winter and Summer take the smaller titles.
| @Ionliosite2 Is this the reason why more and more shows are getting split-courts to skip 1 or 2 seasons? |
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Reply to RobertBobert
@Ionliosite2 Is this the reason why more and more shows are getting split-courts to skip 1 or 2 seasons?
| @RobertBobert No, that's just that the anime industry is currently in a horrible state, so keeping production stable for 2 cours in a row has become much harder than it was in the past as the schedules of seasonal anime are legit awful for everyone but the suits involved. |
Reply to Ionliosite2
@RobertBobert No, that's just that the anime industry is currently in a horrible state, so keeping production stable for 2 cours in a row has become much harder than it was in the past as the schedules of seasonal anime are legit awful for everyone but the suits involved.
| @Ionliosite2 That is, when ReZero or Spy x Family skipped the seasons, this was more due to the peculiarities of modern production, and not to the desire to get a more profitable time slot for the continuation? |
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Reply to RobertBobert
@Ionliosite2 That is, when ReZero or Spy x Family skipped the seasons, this was more due to the peculiarities of modern production, and not to the desire to get a more profitable time slot for the continuation?
| @RobertBobert While it's likely the case for SxF (we have no specific statements on it but I'd assume it is given the people involved), we do know that production issues is the reason that Re:Zero split the season, and they got worse than usual because of timing (remember this was made during COVID) |
Reply to Ionliosite2
@RobertBobert While it's likely the case for SxF (we have no specific statements on it but I'd assume it is given the people involved), we do know that production issues is the reason that Re:Zero split the season, and they got worse than usual because of timing (remember this was made during COVID)
| @Ionliosite2 Ah, I forgot that many 2021 shows were still influenced and that the first cour was in that 2020 year. Thanks for the answer. |
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| Hopefully it’s not disappointing like the first part. |
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| Same director as "The Reincarnation of the Strongest Exorcist in Another World"... |
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Reply to LeonhartAugust
Hopefully it’s not disappointing like the first part.
| @LeonhartAugust Story wise, oh boy, you're in for an awesome ride, at least if this adapts the next 3 volumes |
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Reply to 3inPunisher
@Ionliosite2 While the productions of everything was affected especially in 2021 and 2020 and maybe a little bit of 2022, first of all cours have existed even before the pandemic tings happened it was just in another form basically. imo its good for the production to maintain quality ( imagine if jujutsu kaisen s2 didint get that "cour" break before shibuya) or to test waters per say, older shows will kinda just wing it till the end which can be detrimental to production. but hey what do we know lol
| @3inPunisher First, JJK didn't have a cour break before Shibuya, and the production of it still fell completely apart during the latter half. Second, the idea of longer productions automatically leading bad quality is only real if the production itself wasn't competent to begin with so it would've fallen in quality regardless of it being 50 or 12 eps, you can see back in the day places like Madhouse, Production IG and Sunrise all pumping out 50 episodes or more long series without the animation quality ever suffering because they were made with much better scheduling than what's possible nowadays - Sunrise being a particularly relevant example because in 1993 they were literally making 3 different 50 episode shows at the same time, and continued doing these shows every year, and none of them flattered in animation because they know how to do it. |
Reply to 3inPunisher
@Ionliosite2 ye i know that jjks production would've collapsed anyways because of mappas incompetence, i also didnt mean that they took a cour break, i put quotations there because i thought some people may call it that sry for not thoroughly explaining that part lol. But the part about releasing 3 series with 50 eps each, especially with madhouses case ( them collapsing in i think 2011) ( i think that sunrise hase 3 different production lines but im not too sure) don't ya think it can lead to production issues that were unknown of at the time and definitely weren't spoken abut as much as they are now. that's why i think cours can help any type of production whether it be bad or not. One example is aot, Without cours ( idk if separate parts equal cours) aot wouldve either finishes in a rough state or would be canceled back then
| @3inPunisher Madhouse collapsed because of a lack of staff, as their presidents were retiring so people were leaving with them, you can tell from their recent productions that they simply needed to inject more blood in the pipeline to recover. Saying Sunrise (one of the biggest studios in the industry) having 3 different production lines is not only wrong, it shows you don't know how studios are made, as even a small studio has multiple of them. And no, I don't think they'd do, given we have detailed reports of how their 93 series were made, and all reports of something negative going in the production was mostly related to merch rather than the animation itself. |
Reply to RobertBobert
@Ionliosite2 Ah, I forgot that many 2021 shows were still influenced and that the first cour was in that 2020 year. Thanks for the answer.
| @RobertBobert Tbf, though, a good number of older shows back then used to be split up into “seasons/cours” back then, too, yet most people here wouldn’t be aware of it because they’d rope all the “cours” under one entry. The reason why separate entries for cours this time around is because nowadays it’s more noticed and noted for most recent series. You can check the Japanese air dates for episodes in some 3+ cour entries and see that for some cases, there’s a notable gap of at least a couple of months or even a full year between a few of them. |
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Reply to Ryuseishun
@RobertBobert
Tbf, though, a good number of older shows back then used to be split up into “seasons/cours” back then, too, yet most people here wouldn’t be aware of it because they’d rope all the “cours” under one entry. The reason why separate entries for cours this time around is because nowadays it’s more noticed and noted for most recent series. You can check the Japanese air dates for episodes in some 3+ cour entries and see that for some cases, there’s a notable gap of at least a couple of months or even a full year between a few of them.
Tbf, though, a good number of older shows back then used to be split up into “seasons/cours” back then, too, yet most people here wouldn’t be aware of it because they’d rope all the “cours” under one entry. The reason why separate entries for cours this time around is because nowadays it’s more noticed and noted for most recent series. You can check the Japanese air dates for episodes in some 3+ cour entries and see that for some cases, there’s a notable gap of at least a couple of months or even a full year between a few of them.
| @Ryuseishun Are you talking about split courses divided under the guise of “part 1 and part 2”? |
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Reply to RobertBobert
@Ryuseishun Are you talking about split courses divided under the guise of “part 1 and part 2”?
| @RobertBobert No, I'm talking about cases where a series can have completely separate seasons/cours but still be put under one entry, often due to little to no advertising of "next season/part". I noticed that the labelling of "Part #" and such are more commonplace than before now that streaming platforms have become more relevant than ever. |
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Reply to Ryuseishun
@RobertBobert
No, I'm talking about cases where a series can have completely separate seasons/cours but still be put under one entry, often due to little to no advertising of "next season/part". I noticed that the labelling of "Part #" and such are more commonplace than before now that streaming platforms have become more relevant than ever.
No, I'm talking about cases where a series can have completely separate seasons/cours but still be put under one entry, often due to little to no advertising of "next season/part". I noticed that the labelling of "Part #" and such are more commonplace than before now that streaming platforms have become more relevant than ever.
| @Ryuseishun So, are you talking about cases like MHA, when episodes in new seasons continue the numbering of previous ones? |
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| Such a nice kwy visual. |
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