Kemono no Souja Erin

In the land of Ryoza, the neighboring provinces of Shin-Ou and Tai-Kou have been at peace. Queen Shinou is the ruler of Ryoza and her greatest general, Grand Duke Taikou, defends the kingdom with his army of powerful war-lizards known as the "Touda." Although the two regions have enjoyed a long-standing alliance, mounting tensions threaten to spark a fierce civil war.

Within Ake, a village in Tai-Kou tasked with raising the Grand Duke's army, lives Erin, a bright girl who spends her days watching the work of her mother Soyon, the village's head Touda doctor. But while under Soyon's care, a disastrous incident befalls the Grand Duke's strongest Touda, and the peace that Erin and her mother had been enjoying vanishes as Soyon is punished severely. In a desperate attempt to save her mother, Erin ends up falling in a river and is swept towards Shin-Ou.

Unable to return home, Erin must learn to lead a new life with completely different people, all while hunting for the truth of both beasts and humanity itself, with tensions between the two regions constantly escalating.

[Written by MAL Rewrite]

Erin Main

Hoshii, Nanase Japanese

Lilan Main

Ial Supporting

Suzumura, Kenichi Japanese

Tousana, John Supporting

Uchida, Naoya Japanese

Soyon Supporting

Hirata, Eriko Japanese

Shunan Supporting

Hanawa, Eiji Japanese

Nukku Supporting

Fujiwara, Keiji Japanese

Mokku Supporting

Yanagihara, Tetsuya Japanese

Kirik Supporting

Kusuda, Toshiyuki Japanese

Harumiya, Shinou Supporting

Tani, Ikuko Japanese

Wada, Jouji Producer

Hamana, Takayuki Director, Episode Director, Storyboard, Key Animation

Hiramitsu, Takuya Sound Director

Takashima, Daisuke Episode Director

Reviews

Jan 5, 2010

Archaeon

Recommended

Kemono no Souja Erin (The Beast Player Erin), is a surprising anime. Not in the way it looks or sounds, or in any aspect of it's production. Not even because of it's story or characters (which are wonderfuly by the way). No, it's surprising for being the most recent example of a genre that is slowly disappearing in anime.

Many people will be confused by that statement, especially as the show is very clearly labelled and marketed as a children's series, and as everyone knows, kids shows are rife in anime. The problem, however, doesn't lie in the fact that this series was initially aimed at ... children, no, it lies in the fact that this is one of those rare anime where age boundaries are no longer relevant.

The majority of people may not consider that to be a problem, however one should remember that whenever a series is labelled as a kid's show, the majority of older audiences will automatically avoid it, regardless of how good it is (and before you ask, yes, I have done this too).

Kemono no Souja Erin is based on a series of light novels by Uehashi Nahoko, a name that fans of Seirei no Moribito should recognise. Directed by Hamana Takayuki (Toshokan Sensou, Sisters of Wellber, Chocolate Underground), the anime adaptation, like SnM, follows the plot of the light novels as much as possible.

The story is about a 10 year old girl with green eyes called Erin. She lives with her mother Soyon in Ake Village, a place where creatures called Touda (large, lizard-like animals with horns), are bred, reared and cared for. Soyon works as a "beastinarian", and is considered by many in the village as the best, and Erin, who is a quick learner and very clever, wants nothing more than to follow in her mother's footsteps.

Fate, however, is a cruel mistress.

This series is truly remarkable in several aspects, not the least of which are the scope and complexity of the plot and the huge amount of detail in the story. At 50 episodes though, it's not surprising that the series would have a good deal more depth than the norm, however in this case the fact that the show is based on a series of books also plays a major part. The story itself covers a number of disparate, seemingly unconnected, threads and, as the plot progresses, these are deftly woven together to create a tale the likes of which hasn't been seen in anime since the advent of The Twelve Kingdoms.

Now one would think that an adaptation of a novel would feature some decent writing, and Kemono no Souja Erin is no slouch in this department. The pacing and dialogue are all exceptionally well handled, and the plot is allowed to flow rather than to stop and start. That said, there are some recap episodes scattered throughout the series, however rather than simply being a simple cut and paste episode, there has been a conscious effort to include these as part of the narrative.

And speaking of narratives...

One big surprise while watching this series (at least for me), was the narration of the story. Throughout each episode there is a voiceover providing summaries of certain events and occurences, both historical and otherwise, however it's the style of the narration that is surprising as, at times, it can make one feel like they're listening to a fireside fairytale rather than watching an anime.

One of the sticking points for many people is the look of the series. Goto Takayuki's character designs, while being charming and expressive, reinforce the perception that this is simply a kid's show due to their simplicity. The backgrounds and settings are unusual in that the series adopts a simplistic, yet stylised, approach, giving the anime the feel of a picture-book for the most part.

The animation throughout the show is very good, and both characters and creatures move in a very natural manner. There is also a small amount of cel shaded CG in the show (they just couldn't resist - it's a Production I.G. series after all), however this is limited to the Touda and Beast Lords. There are also some extremely good visual effects throughout the series, especially where creatures are concerned, and these add to the quasi-mystical element of the series as a whole.

One unusual aspect of the visuals is the artwork, and by this I don't mean the backgrounds. While Kemono no Souja Erin is marketed as a children's show, some of the artwork, while being stylised, is actually quite graphic at times. Violent scenes are sometimes depicted in a manner similar to animated cave paintings or aboriginal works, however there are also occasions when death and violence are shown in a straightforward, no nonsense manner.

I've heard it said that this series is sanitised in certain respects in order to appeal to children more, however I have to disagree with this argument. The depiction of how the kingdom of Ophalon fell is, by the standards of any kids show, very graphic indeed.

In terms of sound and music, both are very good throughout the series. The show makes great use of aural effects, from the crooning and growls of Beast Lords, to the rumbles and wistling screams of the Touda. The effects provide the anime with a depth that is often missing from other "kid's shows", making the world more alive, more real.

The voice acting throughout the series is exceptional, with the biggest plaudits going to newcomer Hoshii Nanase. Her protrayal of Erin possessed a charm and brevity that is surprising given that this is her only anime role. The rest of the cast, all of whom are experienced seiyuu, are equally as good, which makes Hoshii's achievement all the more impressive. As far as seiyuu go, one can fairly expect good things from her in the future.

Kemono no Souja Erin is one of those shows that not only uses music as an emotive tool, but also as an integral part of the story. Thematically the music ranges from some rock style guitar tracks to melodic piano and harp pieces, with a number of different styles and renditions used throughout. While this may seem like a haphazard approach, the wide variety of tracks available works extremely well throuhgout the series, often enhancing the mood in an extremely subtle manner.

One key thing about the music though, is the OP and ED, as the series has two of each. The OP for the entire series is called "Shizuku", and from the beginning up to episode 30 the track is performed by Sukima Switch. From episode 31 though, the track is then performed Hajime Chitose, and adopts more of a kabuki style than the previous Peruvian flavour. The first ED, "After the Rain" by Cossami, is an upbeat, yet slightly bittersweet, ode that has a distinctly childlike feel to it. However, from episode 30 onwards the ED changes to "Kitto Tsutaete" by Takako Matsu, a track that is both more melodic and more mature. This change is actually significant in terms of the series, and not something that has occurred on a whim, and by the time you reach episode 31 you'll understand why the ED was changed before the OP.

As for the characters, suffice to say that Kemono no Souja Erin has some of the best development I've seen of a main character in anime. While the majority of characters are developed to greater or lesser degrees, the show is focused on Erin in particular, and her growth from a ten year old girl to a mature young woman is handled in a sensitive and realistic manner. Granted the series has periodic time leaps and some episodes focus on other characters, but these are very minor deviations from what is effectively a continuously developed character. I haven't seen this much concerted growth of one character, well, ever to be honest, and that's part of the beauty of the show. The fact that it devotes so much time and care to Erin, but doesn't ignore the other characters in favour of this, makes for a character that you can truly care about.

One thing that did standout for me though, was the amount of symbolism ascribed to each of the major characters. The Queen's symbolic nature is mentioned heavily in the series, as is that of the Beast Lords and Touda. However, there is one major symbolic aspect that many people miss because it's so obvious. Erin's name means "wild apple", and as everyone knows, the apple is the forbidden fruit from the tree of knowledge. When one considers Erin's life throughout the series, her inquisitive nature, curiosity, and non-conformity make far more sense

A point about Nukku and Mokku though. While their inclusion is very much comic relief, they are noteworthy for providing Erin with a sense of continuity, and their continued presence is more to help with her development than to amuse the audience.

So don't hate them too much please.

I will be honest and admit that I was both surprised and enthralled by Kemono no Souja Erin. The series is both charming and original, and while there is a degree of sanitisation to make it appeal to children, this never actually goes to the point where adult would be put off watching the show. The anime is adventurous and playful, yet sombre and deeply political at the same time, one of the many dichotomies and conflicting ideals that occur within the series, and it's great to finally watch a series that harks back to those around when I was a child (e.g. The Mysterious Cities of Gold, Ulysses 31, etc). Nowadays they may not be considered decent viewing because of how they look, however those shows, like Kemono no Souja Erin, all had a deep and complex tale to tell, one that was far more mature than most would initially believe.

That said, it's a given that some people may not enjoy this show. Fans of Seriei no Moribito should definitely try it, as both series are equally enjoyable for very different reasons. The show may also appeal to those who want something charming, yet with a little bite to it, or to those who are looking for worldbuilding in the style of Twelve Kingdoms.

A word of warning however. Younger children may not enjoy this series as even though much of the violence is stylised, the aural effects and music enhance the visuals, and all three give the imagination a good old kick. Older kids may enjoy the series though, especially as it's one of those rare anime that doesn't assume it's audience is made up of morons who need everything explained to them.

This show has pretty much everything one could want from a series: politics, love, betrayal, assasination, history, religion, war, friendship, joy, sadness, terror, a touch of mysticism, and more besides.

Given the content though, I can only wonder how anyone could consider this to be simply another "kid's show".

Reviewer’s Rating: 9

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Jun 5, 2010

zuziako

Mixed Feelings

"Kemono no Souja Erin" is an anime with great plot potential, well build characters and pleasant design, but unfortunately - horrid storytelling and structure. It takes 50 episodes to tell the story (which is supposed to be understandable, since it's long one), but dragged scenes with badly animated conversations, and lots of flashbacks make you feel as if it should be done in 26 episodes instead - and maybe it should have.

As I mentioned, the story has great potential - we have our main heroine that we meet when she is still a little kid, we watch her grow, mature, and struggle, through all ... the hardships she has to overcome. In the same time the story gives us insight about what is going on in the country where the heroine lives, introduces us to the royal family, and some political intrigues. The characters presented have different backgrounds and aims but all of their stories intersect at some point. This is what you normally call "great storytelling", but the thing is - the anime is horribly slow and not well planned. It could have been so much better.

Many people claim that slow plot development of "Kemono no Souja Erin" simply builds up the atmosphere, and in some episodes - maybe they are right. But in most of them - no sir. Many episodes in this anime show action that could be presented in 10 minutes but goes on for 20. And yes, some very good series do this and are still great, but this anime it's not the case, because the means through which the creators prolong the episodes are mainly flashbacks, still shots of scenery and conversations presented to you in few still shots of people sitting next to each other. In other words - this is a prime example of poor directing and lack of money for animation. In some episodes you will see the same scenery scene even 6 times (I counted), and the flashbacks that remind you what happened few minutes ago. And why would somebody do that? Of course, not to animate anything else. This does not count anymore as "building up the atmosphere". It really, really doesn't.

I don't know what happened during the production of "Kemono no Souja Erin", but something must have gone wrong. The way it is done really makes you feel as if it should take 26 episodes and nothing would be lost- it shouldn't be that way because the story is really good and complex. It is simply a shame that it went the way it did - it could have been a real anime gem, but it's not. You get bored, you see the same scenes you saw few minutes ago, you look at the endless still shots of scenery, and you don't get enough satisfaction. The poor directing and planning turned this story into and average show. I can only guess the novel is amazing. "Seirei no Moribito" by the same author, came out to be a MUCH better anime. Check it out instead.

Reviewer’s Rating: 5

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Mar 12, 2010

Rampant

Not Recommended

While it may strike as inconsistent to rate a series a 3 when I "finished" 50 episodes of it, there is one essential reason, that is pacing of this series. Not only is the pacing typically slice-of-life slow from the very start, but it has the most self-indulgent use of flashback I have ever seen. By the midpoint of the anime, flashback starts taking up easily perhaps 1/10th of the total time. We already saw these events, and they are already in our heads. Bringing the same events up as much as five or ten times is a horrible abuse of our viewership. Maybe it ... was for the kids, but it was a horrible mismanagement of structure.

Also, this anime seems to exist in some bizarre world where, despite there being super skilled assassin type figures and two types of invincible beasts, poison ends up being the most worrisome agent of life. I think the plot spends as much time on poisonings by the end as it does touda.

I did enjoy core elements of the plot, and that is the main reason I finished the anime. I liked the focus on Erin, and I could even forgive her being the typical "supergenius, super caring" character who can do absolutely no wrong because of the nice voice acting and the interesting progression of her life. I also liked the touda, though I liked them less once another super invincible creature was introduced. I felt that both touda and beast lords should have been introduced right away, or it should have only been one the whole way. I felt that after Erin&Jone, the anime struggled to ever keep itself at quite the same depth of interaction after moving to focus on beast lords. It especially struggles to make any action feel slightly convincing, and several conversations as it goes on become more and more incredibly tedious, e.g. Erin talking to either queen.

This is absolutely a children's anime, and I do not see why everyone is trying to vehemently deny it. The first OP and ED, the narration (utterly childish storytelling tone, constantly interferes with the quality of interaction with the story), and interaction between characters (Erin and her mom, the Queen and anybody, Erin and Yuuyan, any and all explanations about anything ever from one character to another) all make sure that this cannot progress above being childish. People can try to use the more violent moments to write it away, but the art contradicts that. Also childish are all depictions of Erin imagining anything horrible happening (the last example episode 44, 19:30 or so in, when she pictures what is happening at the academy).

The music is very nice sounding, especially when you have only heard each song once (with the exception of the song that inscrutably rips off one progression from Trigun). Unfortunately, they ram the same songs into your ears relentlessly, and eventually at very wrong moments.

Not much really needs to be said about the art, since the flaws are much more glaring than usual. Sometimes the mistakes are much more glaring (like when the touda are swimming underwater episode 7 and llook like barrel of monkey figures). Also, lots of shots that are the same shot being panned very slowly, or zoomed out from very slowly. Kid Erin is a bit annoying to look a thanks to her eyes (not that any character's wayward pupils are any fun to look at). The Beast-Lords, paraded as a paragon of beauty, are actually ugly beasts in motion, and simplistic when "shining" and flying to save the day.

Overall, I really have to rate this anime a waste of anyone's time. It loses what depth it has as it goes on, it struggles to balance the time and how the time is spent on any action, and everything is far too predictable. It is enjoyable enough, and there are plenty of cute moments, but it cannot be said to be worth anyone's time due to the length - it should have absolutely been a normal anime season, not 50 episodes.

Oh, like a lot anime and manga that lack substance, this series spends a lot of time making up for it pretending that characters going "oishiiiiiii" and talking about food should actually be entertaining. Like always, it definitely is not appropriate outside an anime or manga about food. I did not keep any official count, but surely somewhere around ten times.

Reviewer’s Rating: 3

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