Tengoku Daimakyou

Fifteen years ago, disaster struck human civilization, and now dangerous man-eating monsters roam the ravaged lands, posing an existential threat to the remaining survivors. Amid this turmoil, an isolated facility shelters children and nurtures them in peace. However, as a few among them find out about the world beyond the narrow periphery of their nursery's walls, their curiosity about it slowly grows.

Meanwhile, in the outside world, young survivors Maru and Kiruko band together to search for a special place called Heaven, each for their own reasons. Carrying past burdens and tragic secrets, the two hope to find answers to the cruelty they have experienced in their lives and in the world, which still remains in tatters.

[Written by MAL Rewrite]

Kiruko Main

Senbongi, Sayaka Japanese

Maru Main

Satou, Gen Japanese

Mimihime Supporting

Fukuen, Misato Japanese

Usami, Shun Supporting

Takeuchi, Shunsuke Japanese

Shiro Supporting

Takeuchi, Shunsuke Japanese

Kona Supporting

Toyonaga, Toshiyuki Japanese

Juuichi Supporting

Sakuya, Shunsuke Japanese

Totori Supporting

Matsuoka, Misato Japanese

Takezuka, Ooma Supporting

Kino, Hina Japanese

Kuku Supporting

Kurosawa, Tomoyo Japanese

Kamei, Hiroshi Producer

Morihiro, Fumi Producer

Cao, Cong Producer

Yonezawa, Akira Producer

Reviews

Jun 24, 2023

Mcsuper

Recommended

The theme of finding hope in a seemingly hopeless or dark world has been done before, in a slice of life way in Girls’ Last Tour, in a lovecraftian horror form in Made in Abyss, or in many other ways of which I haven’t seen before. Tengoku Daimakyo takes this theme, but has a sci-fi mystery backdrop to it, making it quite a unique experience, and one I haven’t really experienced personally.

What do we want from a sci-fi mystery show? Do we want twists and turns, dark reveals, or unpredictability? Tengoku Daimakyo has all of that, but it also has the one narrative technique I ... appreciate the most in media, which is “show, don’t tell”. This anime masterfully handles that by giving us virtually no real direction on the surface, but encourages the viewer to ponder on the events of each episode, pay attention to how the characters act, and recall past events to make a scene or reveal hit that much harder. It’s an anime that can generate a lot of discourse because it is just so mind-bending at times, and confusing, in the most wonderful of ways. It’s not exactly “unpredictable” either, but in order to get the full picture, some thinking must be done — I really appreciate that, as it makes for another level of engagement to the events of the anime. In many media, it’s the author who seems to be the one dumping the information, but in this show, it’s instead the viewers who might try to put two and two together, like a puzzle, to figure out what exactly is going on in the story. There’s no better feeling than when you put two and two together and find out your theory was indeed correct. It’s definitely a breath of fresh air from the constant info dumps in other anime, though there are still some info dumps in this show as well.

To give a gist of the setting and story, it’s set in a post apocalyptic world where human civilization was destroyed, man-eating monsters are all over, laying waste to the remains of the land, and threatening the lives of the survivors. Meanwhile, there is a facility that is isolated from the rest of the world, which nurtures children in a very peaceful setting. It reminded me of The Promised Neverland in a way, with the Grace Field house. The two protagonists, Kiruko and Maru are seemingly looking for this place, which they call “Heaven”, and along the way they encounter many intriguing things, as tales on the inside of the nursery and outside get told. Themes around human nature, companionship, and the search for meaning can be seen in both settings, which made for great parallels and comparisons between both the children and the protagonists of the outside world. It was quite interesting seeing the stories of both the nursery and the outside world being told side by side with one another, not relying on info dumps or conventional flashback sequences to understand the lore of the world.

Not only is it very thought-provoking, it also looks and sounds incredible, with an audiovisual experience that always had me paying attention and sometimes on the edge of my seat. The directing is phenomenal in really setting the atmosphere and the eerie tone in the more important scenes, but also can change into a very light tone in more comedic scenes. The backgrounds show us the backdrop of urban decay, rather than just flat out telling us. The soundtrack contributes to the atmosphere a lot too, as Kensuke Ushio, who composed music for anime like Chainsaw Man, A Silent Voice, and The Dangers in My Heart, did a great job yet again here to convey the occasional emotional gut punch, or to get us even more uncomfortable in a horrifying sequence. Everything about the production overall was at a very high level, and after seeing the staff behind it, I can see why. It was truly a legendary team of people producing a passion project from start to finish, with the art director Yuji Kaneko, numerous elite episode directors and storyboarders in Haruka Fujita, in which it’s her first work outside of Kyoto Animation, Kai Ikarashi, who worked on Cyberpunk: Edgerunners as well as the Turning Point episode of Mushoku Tensei, and also Toshimasa Ishii, who directed 86: Eighty-Six. I would also love to shout out Hirotaka Mori, since it was his directorial debut in the anime sphere.

The characters were quite a strong part of the series as well, with Kiruko and Maru’s relationship and chemistry being quite the highlight of the show. The dialogue between them felt quite natural and organic, like bros just having a great time together, rather than forcing romance into the dynamic in a contrived manner.. That said, as this show has quite a focus on human nature, there is an element of romance there, but it’s more that the show tries to explore human emotions, sexuality, and gender, so how the relationship is handled is quite natural and interesting to watch. They both have past traumas, and I have stated in my past reviews about my disdain for “sob story backstories”— but when an anime can build upon the traumatic past with developments in the present time, it can work well. In this case, it was handled quite well in this anime to create a coming of age narrative for the protagonists, as they tried to find meaning in this mess of a world they found themselves in. The children in the nursery admittedly were quite abundant and difficult to follow along at times, but with some thought, some of them still ended up being very endearing in their own ways along with the protagonists of the outside world.

Among the popular hitters like Oshi no Ko, Hell’s Paradise, and Demon Slayer, Tengoku Daimakyo has gone a bit under the radar, but I’m glad many people gave it a shot. It’s something a bit different, very thought-provoking, emotional, and something that will be quite memorable to me for quite a while. That said, while it’s one of the best anime of this season in my opinion, it’s nowhere near finished, so as the kids say, let it cook, and we may be in for another masterclass when the time comes for a sequel, which I hope we’ll get, even if it takes a while. With time, this may become a modern classic, who knows?

Till next time, see you, bye bye!

Reviewer’s Rating: 9

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Aug 15, 2023

remeemes

Mixed Feelings

Well-written

Captivating beginning, disappointing ending.

I am the last person advocating for less mystery or less predictability (at least with the plot in the case of this anime, as the result of encounters with the monsters of this world were clear). However, I felt as though there was a bit too much "new" mystery and not enough building on the "old", or the mysterious reveals already in place. This leaves the viewer with a lot of questions and the worry that the majority may never be answered.

The show really does well in creating a post-apocalyptic atmosphere, and it was very fun to watch our two ... main characters journey in such an environment. Had it been just that, this might've been an enjoyable, lighthearted at times, heartfelt in others, ecchi-at-times show. However, the last two episodes come out of nowhere and taint the pleasant feelings with unpleasant ones to say the least. To make it worse, the unpleasantness goes on too long, the characters move on too quickly for such an experience, and the ending scene with our protagonists seems to act like what happened in the past two episodes were as important as a filler arc, making the characters feel unreal and not human.

The art, shot composition, and audio were all amazing and really caught and kept the viewers attention. The OP and ED were really good, but I have to say that it was really hard to feel the same way about a clearly happy and lighthearted ED after watching episodes 10-12. Things really weren't the same after that. I really wanted to like this show - I really DID like this show - and I was willing to overlook the suboptimal writing if not for the greatly disappointing final episodes.

Sometimes many shining moments can be undermined by a terrible few. I believe that to be the case for Tengoku Daimakyou. As much as I enjoyed nearly every aspect about the show up until that point, I cannot ignore the ending.

Reviewer’s Rating: 6

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Jan 28, 2024

Sonwig

Not Recommended

Funny

Trigger warning: sexual assault

It is a testament to how stale anime has become if Tengoku Daimakyou is considered great. It is not quite awful, with strong production values throughout and clear artistic effort put into it. The major issues with the pacing, coupled with the poor story and characters that we are shown, land it as a high 3 out of 10.

The short TV anime squanders so much of its limited runtime on boring and pointless scenes. Not the side stories; such diversions are welcome in this kind of show. However, the scenes showing the children in 'heaven' were excessively long and dull. None ... of it mattered whatsoever until the final few episodes, and still it didn't tie back to the main characters. These parts took up a large portion of the show and were unecessary.

This might only be a problem because the show is unfinished. The entire pacing is built towards a climax that is being saved for some future second season. It can't stand on its own as a single season without that second part. The entire show is unwatchable because of how it was structured. Unless you're watching it for the above average art and animation, there's no point in seeing this until they release the rest because the only interesting part of the show is the mystery, which is built up through the whole season and never resolved.

Of course, if it had good characters and individual stories it would still hold up. Unfortunately neither are quite the case. The creators were good at writing a mystery, not so much interesting characters. None had complex personalities. The only real character trait an important character had was the main boy who's trait is that he is horny. Main girl, heaven girl etc., are all completely forgetable but for their designs (the designs clearly came before the characters). The side quests are really forgettable as well, all just exploring very basic and surface level themes. They were all just incredibly mediocre and poorly written.

The climax of this season is about the main girl's character. Her character arc is the real point of this season. But this main pillar crumbles only a few episodes after we hear her backstory (which does look to be interesting at first). The whole thing is handled so poorly and the writers clearly can't make anything complex or believable. This character's story is just such an insane planewreck that crashes into heathrow, leveling several terminals and killing thousands. The quasi-normal anime sexual assault that the main boy does to her is just even less forgivable because in the last two episodes the show actually brings up sexual assault and its just so awful. And its like mainly about gender but only the wierdest conception of it. There's nothing wrong with touching these subjects as long as you treat it with respect (the show doesn't). It's also fine to have boobs and fanservice, and the show isn't bad because it has those things. It's bad because of how the fanservice is presented and how it ties to the character themes. It could have still been a good show despite this depiction...

Tengoku Daimakyou would have been less talked about than Aico: Incarnation if this had come out in 2018 (not the highest point in anime). But today it is somehow praised to the moon and given an ultra-high ranking when it is fundementally, detatched from its poor handling of the main character and themes related to her, a 4 out of 10 show, or 5 out of 10 at a stretch. Don't watch until the second season comes out. Even when it does, only watch it if you like the character and monster designs.

Reviewer’s Rating: 3

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	Poll: Tengoku Daimakyou Episode 13 Discussion ( 1 2 3 4 5 ... Last Page ) Stark700 - Jun 24, 2023	471 replies	by mal_user_2022 »» Yesterday, 3:31 PM
	Does it have a closed or open ending? Or which one does it lean to? PetalMoonDew - Dec 23	6 replies	by Cedric2498 »» Yesterday, 12:27 PM
	Why is it not popular? Leon888 - Dec 18	46 replies	by ohdangboyo »» Dec 21, 7:40 PM
	Who is that? Son_Koji - Dec 12	21 replies	by Colsim »» Dec 15, 11:10 AM
	Poll: Tengoku Daimakyou Episode 3 Discussion ( 1 2 3 4 5 ... Last Page ) Stark700 - Apr 15, 2023	309 replies	by Inka_gnito »» Dec 6, 10:33 AM