Rurouni Kenshin: Meiji Kenkaku Romantan - Tsuioku-hen

When mankind's savagery surpasses his fear of death, there is little hope for those who wish to live honest lives. Beneath a full moon, a young boy witnesses the murder of the bandits who had enslaved him, and is then christened with a new name by the man who rescued him. This boy is Shinta, now known as Kenshin Himura, and he is destined to become a swordsman. The softness of his heart does not befit the occupation, but his desire to protect the innocent is absolute.

Rurouni Kenshin: Meiji Kenkaku Romantan - Tsuioku-hen details the origins of the man who would bear the name of Hitokiri Battousai long before he swore his oath not to kill and before he earned his reputation as an assassin. The young man's heart is divided between justice and corruption, while the fate of a nation rests on his actions.

[Written by MAL Rewrite]

Himura, Kenshin Main

Suzukaze, Mayo Japanese

Saitou, Hajime Supporting

Suzuoki, Hirotaka Japanese

Shishio, Makoto Supporting

Hiko, Seijuurou Supporting

Ikeda, Shuuichi Japanese

Yukishiro, Tomoe Supporting

Iwao, Junko Japanese

Yukishiro, Enishi Supporting

Sasaki, Nozomu Japanese

Okita, Souji Supporting

Hibino, Akari Japanese

Tatsumi Supporting

Uchida, Minoru Japanese

Katsura, Kogoro Supporting

Seki, Tomokazu Japanese

Takasugi, Shinsaku Supporting

Takagi, Wataru Japanese

Campbell, Charles Producer, ADR Director, Recording Engineer

Naruke, Yoshinori Producer

Furuhashi, Kazuhiro Director, Episode Director, Storyboard

Hata, Shouji Sound Director

Reviews

Aug 13, 2008

TheCriticsClub

Recommended

There's a universally accepted truth as far as anime shounen stories go: nine times out of ten, the manga is better than the anime adaptation. While that is the case with Rurouni Kenshin as a whole, what Studio DEEN did with Rurouni Kenshin: Tsuiokuhen can be called nothing short of a masterpiece. In the manga, Nobuhiro Watsuki describes Kenshin's past that's full of strife and hardship, but with a touch of comedy to help tone down the entire seriousness of the situation. Studio DEEN abolished what little comedy Watsuki went with and, along with flawless animation, a unique art style, and a beautifully composed soundtrack ... by Taku Iwasaki, Rurouni Kenshin: Tsuiokuhen is an ideal example of as close to perfection as one can get.

Art/Animation - 9

Taking a step away from the style of the Rurouni Kenshin TV series, Tsuiokuhen takes a darker and more grim approach to its presentation. The first and most notable change from the TV series is the depiction of the various sword styles and their employment in the scenes, as well as realistic blood splatter. While the TV series emphasizes the effect and abilities of the techniques of these styles, Tsuiokuhen brings realistic swordplay into its story. Another noticeable changeover is the expressions of its characters: although in the TV series these characters are serious but still have comedic tendencies, all this is removed in these OVAs, leaving a serious tone for its story. In addition to these changes, Tsuiokuhen also has more of an emphasis on its setting through its animation. It is undeniably Japan under the Tokugawa Regime, the banners of the Samurai, rags worn by the slaves, and everything down to the buildings and clothes.

Sound - 9.7

This anime’s music soundtrack is both beautiful and intense. In addition, combining sword fights that sound like real sword fights, attention to sound effects, and the voice actors chosen, Tsuiokuhen’s sound is nothing short of brilliant. The voices of the characters are just another reason as to why this anime has a grim depiction as many are cold and basically emotionless, while other characters have either normal voice expressions or even upbeat tones. With such great story, characters, and animation, Tsuiokuhen could have easily loosened the reigns in the sound department, but instead this show doesn't stop short. The great sound selections really finalize and add polish to an already great show with the final result being a true masterpiece.

Characters - 10

Tsuiokuhen provides the foundation for what becomes one of anime's most likable and well developed characters in Himura Kenshin. A focus of this anime is Kenshin's growth as he transitions from adolescence to adulthood and his struggle as he comes to terms with his role in the world. Newcomers to the Rurouni Kenshin scene will be introduced to a wide variety of unique characters who play a prominent role throughout Kenshin's life. Fans of the historical/samurai genre will see familiar faces in Soushi Okita and Hajime Saito of the Shinsengumi. The swordmaster Seijuro Hiko also serves as a counterpoint to Kenshin's idealism with his jaded take on life and his belief that a sword is merely a tool for murder. Those already familiar with Kenshin as the vagrant samurai with a reversed blade sword will be treated to a glimpse into the background of the Hitokiri Battousai, his relationship with Tomoe, and the events that shaped Kenshin and gave direction to his life. Cameo's by Makoto Shishio and Enishi Yukishiro will seem more noticeable and somewhat nostalgic for those who have seen what they become and the role they play in Kenshin's future.

Story - 10

The story of Tsuiokuhen depicts the past of Himura Kenshin and how he became known as Hitokiri Battousai, all the way to the origin of his cross-shaped scar and his vow to never kill again. It shows Kenshin's trials and tribulations during the Bakumatsu and, as readers of the manga are familiar with, his relationship with both Yukishiro Tomoe and her little brother, Enishi. The beauty of what Studio DEEN has accomplished here lies within the dark, brooding and emotional way they went about narrating the story. Contrary to the aloof way the TV series was, Tsuiokuhen went with a more mature outlook, easily evident with the excessive blood and gore shown in all of the battles. And with telling the story in only 4 OVAs, the story never seems to slack, but stays intriguing from start to finish.

Enjoyment - 10

Tsuiokuhen manages to combine a high level of violence with a very dramatic historical storyline, which is quite an accomplishment since many shows often go overboard on either the gore, the action, or the narration. Here Studio DEEN has done a great job portraying the story in a very gritty, down to Earth style that lends seriousness to the historical and dramatic aspects of the show. At the same time, the violence is very raw, brutal, and shocking to the senses, but while there are fantastic sword fights, the focus remains on the purpose behind them. Combined with a subtle but chilling soundtrack, this lends an air of maturity to the show and contributes to the tumultuous and unsettling environment Kenshin has become a part of. While this OVA isn't very lighthearted, it is a very unique blend that will likely please most viewers and makes Rurouni Kenshin: Tsuiokuhen a must see for any anime fan.


OVERALL - 9.74


This review is the final result of a review team composed of members from the "Critics and Connoisseurs" club. The team members were:

BlackMagic - Who wrote the Character and Enjoyment sections and combined the individual review parts together into a whole.
BURNlTHElPRIEST - Who wrote the Art/Animation and Sound sections.
vindemon64 - Who wrote the Introduction and the Story section.

Here are their individual scorings for the Anime:
Category - BlackMagic, BURNlTHElPRIEST, vindemon64

Art/Animation - 9, 9, 9
Sound - 9, 10, 10
Characters - 10, 10, 10
Story - 10, 10, 10
Enjoyment - 10, 10, 10

In the club wide poll held for Rurouni Kenshin: Tsuiokuhen it received an average overall rating of 9.09

Reviewer’s Rating: 10

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Jul 7, 2007

mistress_reebi

Recommended

Also named: "Samurai X: Trust and Betrayal", this is a prequel to the anime series 'Rurouni Kenshin."

One word for this anime: Amazing! It's so good that it's hard to decribe. This is one of the only anime series that will make the viewer's jaw drop to the floor and be filled with emotion. Those who are Rurouni Kenshin fans will love it; those who are new to the series will still like it. It's a drama and may not be as interesting among younger viewers and is more mature than the anime. Those who are sensitive to extreme violence and blood may want to turn ... their heads during some scenes.

The first episode is a little jumpy as it skips from past to present, which to non-Kenshin fans may be confusing. Besides the jumpiness, the plot is excellent. For a drama, the pacing isn't thin and slow and is perfect for the setting. The story to Trust and Betrayal is far more enjoyable than regular series. (which is enjoyable to begin with) The characterisation is somewhat shown in the series, and could be developed further. One learns that Kenshin is turning into a merciless manslayer when he slices a man in half, killing for the first time, and shows no emotion after. However, the other character's personalities aren't as developed.

The artwork is realist compared to Nobuhiro Watsuki's original concept, but is artwork at it's finest. Those who aren't into realist artwork will still find this series interesting to watch. They used computer three-dimension graphics, mostly in the backgrounds, but still kept unto the traditional animation. For traditional animation, it's one of the best.

The music will make one go in awe with it's use of a fulll orchestra. It creates moods and themes that also make the viewer full of emotion. The music is a main factor in making this OVA unbelievable, but it was already magnificent to begin with.

They hired the best actors in both casts for this anime. The Japanese Kenshin voice (Mayo Suzukaze) is a little too girly for the role and the English Tomoe voice (Rebecca Davis) is too emotionless it sounds like she is reading the script. The voices have a different tone than the regular anime series, which is a nice change. The OVA voices are realistic and set the drama tone, while the anime has exaggerated voices that are too cartoony. Even the Kenshin voice is different, but it's hard to decide which voice is suited better. (J. Shannon Weaver in OVA, Richard Hayworth in anime) The Landlady had the best acting performance in the English dubbed, but the acting was still great. More emotion could be used in characters, but the voices matched the characters.

This OVA has to be the most underrated anime known in the anime world. It was never a "fad" or a trend as most popular series start out, which is somewhat sad because this anime deserves attention. (Although fads are always hated in the end which shouldn't happen to this OVA) Everything about the OVA is wonderful from the music to the artwork. Anyone involved with this OVA worked extremely hard in putting effort and it clearly shows. This OVA should be on every anime fan's shelve.

Reviewer’s Rating: 10

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Jan 7, 2014

damned_33rd

Mixed Feelings

I'll be honest here. I'm not a big fan of romanticized, revisionist historical animation. And when I mean romanticized; I mean to the fullest extent of the word and any other derivation of its definition.

Samurai X: Trust and Betrayal's story concerns itself with a cold blooded and skillful retainer of a rising Shogun. There's some political intrigue yet most of it will require some extensive background knowledge of the era but its main focus is on the retainer's realization of his actions and how he has lost his way despite his original, noble intentions of saving people.

Most of this comes from a woman ... who he is initially cold to, but slowly cracks his stalwart emotional wall. Sadly the contrast between the extreme violence and the rather feeble attempts at building a romance comes across as idealized, convenient (given some of the plot arcs that follow on) and frankly pathetic given in how the relationship develops from dialogue that is frequent to long awkward pauses, cold stares and tone-deaf writing. I do hope that this is not the writer's idea of a romance because most of the story concerns it.

The dissonance also grows stronger given the violence is not used as a metaphor to say anything meaningful about violence. It's violence for violence's sake. It's not dispassionate, it's not in any way juxtaposed with the romance to illustrate the different sides of life that are integral to a society, it is perfunctorily added for the sake of 'oohs' and 'aahs' as opposed to 'that's grim, this guy is a dick'. In other words the violence isn't used to distance the audience from the character. It is heavily stylized, connoting the actions as graceful and admirable rather than his internal conflict.

One could argue that this story is that of redemption but you would need something to redeem yourself for. Amir in Kite Runner had to redeem himself for his betrayal, John Marston had to redeem himself for being a nuisance to America's industrialists and the swordsman here is redeeming himself for killing people? That motivation is so unbelievably hollow and atypical that it dredges the tone for the whole film.

If there is one saving grace to this for me, it would have to be the rather fluid artistic direction. Bar the obvious visual spectacle, this is like watching Spartacus, flashy but ultimately piffle.

Reviewer’s Rating: 5

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