Initial D First Stage

Unlike his friends, Takumi Fujiwara is not particularly interested in cars, with little to no knowledge about the world of car enthusiasts and street racers. The son of a tofu shop owner, he is tasked to deliver tofu every morning without fail, driving along the mountain of Akina. Thus, conversations regarding cars or driving in general would only remind Takumi of the tiring daily routine forced upon him.

One night, the Akagi Red Suns, an infamous team of street racers, visit the town of Akina to challenge the local mountain pass. Led by their two aces, Ryousuke and Keisuke Takahashi, the Red Suns plan to conquer every racing course in Kanto, establishing themselves as the fastest crew in the region. However, much to their disbelief, one of their aces is overtaken by an old Toyota AE86 during a drive back home from Akina. After the incident, the Takahashi brothers are cautious of a mysterious driver geared with remarkable technique and experience in the local roads—the AE86 of Mount Akina.

[Written by MAL Rewrite]

Fujiwara, Takumi Main

Miki, Shinichiro Japanese

Fujiwara, Bunta Supporting

Ishizuka, Unshou Japanese

Takahashi, Ryousuke Supporting

Koyasu, Takehito Japanese

Takahashi, Keisuke Supporting

Seki, Tomokazu Japanese

Takeuchi, Itsuki Supporting

Iwata, Mitsuo Japanese

Satou, Mako Supporting

Neya, Michiko Japanese

Shouji, Shingo Supporting

Fujiwara, Keiji Japanese

Nakazato, Takeshi Supporting

Hiyama, Nobuyuki Japanese

Iketani, Kouichirou Supporting

Yao, Kazuki Japanese

Mogi, Natsuki Supporting

Kawasumi, Ayako Japanese

Cook, Justin Producer

Simone, Jamie Producer

Misawa, Shin Director, Episode Director, Storyboard

Mima, Masafumi Sound Director

Reviews

Sep 16, 2007

lowell

Recommended

I never thought a story about street car racing would be this entertaining. And if I had known what I would be watching when my friend made me watch the first few episodes, I would have said thanks, but no thanks. ...Boy, am I glad I didn't know.

Story: On the surface, it's about a pretty bland high school guy who's got a bunch of car-crazy friends... and turns out to be the 2nd fastest driver in Akina. (Who's first? Ooooh, don't you wanna know?) Below the surface...? Okay, pretty much the same thing. ;) Most of the ... "story" is just a bunch of kids in cars racing through dark mountain passes ...or talking about racing through dark mountain passes. I know it doesn't sound interesting if you're not into car races, but it was. There's something about the speed and the pressure and the tension that sucks you into the show. And of course, there's also your normal sports anime type general plot of competition and desire, rising to the challenge, overcoming obstacles, etc.

Art: I have to say, this is the biggest downside of the show. Especially in the first season. Thankfully, by the fourth season, there's a remarkable improvement overall in animation quality. One of the most jarring things is the awkward usage of computer graphics for the racing scenes in the first season. There's kind of an old-school feel to the way the people look and the brightness of the show... and then all of sudden out of no where, there's a cgi car that looks like it's from a different decade than the guy driving it. I don't think I ever got used to that.

Sound: Personally, I always prefer subs to dubs. Here, I would really suggest the subs... the voices for English dub didn't feel anywhere near as "right" as the Japanese actors. Whenever I heard the dub, I felt like the voices made me like the characters less. The downside of watching the sub, however, is the Japanese soundtrack. Maybe it's my close-minded American taste, but I would have preferred hearing the hip-hop on the dub to whatever that was used originally.

Character: The main character, Takumi, was somewhat atypical for this genre, I think, and I liked it. Unlike the normal archetypes like the loser who tries really hard or the cocky natural-born genius, Takumi is sort of actually unique: he doesn't know anything about cars and doesn't even really like driving. It was a nice way for the series to start because I didn't care about street racing when I started the show either. So, even though they toss around a little bit of racing lingo, I was never more behind than the main character was... and, as a viewer, I got a chance to become interested in street racing while Takumi got interested in it. I really liked that his development on the show kind of went down the same road that mine did as a viewer. So I thought they did a great job on his character design and development because his attitude and experience is what hooks you and reels you in to what I assume would be an otherwise complicated and technical world of street racing.

Enjoyment: I think you can tell I enjoyed it, right? I had to make mental notes to slow down while driving for a bit after watching the show. Thankfully, I'm too cowardly to try drifting for real! ...And let me tell you, my Corolla never drove like the 86. ;) I think it was also really appealling because Takumi starts off the show as what seems like a normal, typical driver -- it made me feel like there was an inner Takumi just waiting to be woken up buried somewhere in me. (There's not, unfortunately, but I like to delude myself sometimes.)

Reviewer’s Rating: 8

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Jul 22, 2024

FAKEANIMEGIRL

Mixed Feelings

https://noahsb1c7c15d6d.wordpress.com/

Vroom vroom vroom it’s anime’s most popular racing series, Initial D. Initial D stars Takumi Fujiwara, a constantly spaced-out and quiet gas station worker with no hobbies or interests in life. The normally reserved Takumi is forced into the spotlight when his incredible talent for street racing is discovered, honed by years of doing tofu deliveries for his father’s business. Takumi is forcibly encouraged by his coworkers and friends into putting his racing abilities to the test in order to defend Akina’s hometown pride. Takumi, who first considers racing completely uninteresting and cars a bore, gradually discovers the sense of accomplishment and pride his new ... skills bring, and he’s even more desperate to prove himself as a racer when his carsick love interest compliments his smooth driving.

Takumi is supported by his best friend and racing fanatic Itsuki, as well as upperclassman and lead racer of the Akina Speed Stars, Iketani. Also important are the opponents Takumi races against, most notably the Takahashi brothers, elite racers whose region-ruling elder brother Takahashi analytically plots to defeat the new unstoppable racer. Initial D’s cast is generally realistic and likeable, with mild yet distinct personality archetypes. Characters are passionate about their hobby and take it seriously, but winning or losing at the sport is hardly considered the end of the world. Takumi’s interest in cars and racing grows at an appropriately slow pace and noticing the nuances of his changed perspective on the subject is rewarding and feels natural, but beyond that little of the cast evolves as people. Takumi’s hobby brings out a competitive spirit in him, but he remains unassertive and distant throughout the season. It’s endearing at first when Takumi is the underdog, his lack of charisma going full circle and becoming genuine charisma when contrasted with his confident opponents, but the small range of his personality gets old. His incompetent relationship with Natsuki is cute and does evolve throughout the show, but is otherwise uninteresting to follow. Natsuki has no involvement with the part of the show having to do with racing, and their chemistry is only supported by the childhood friend angle. I have no idea why Natsuki would be interested in a guy who only gives one word responses, doesn’t start conversations, and has no interests or hobbies, but she’s all over him. The supporting cast is weak because everyone plays diffident comic cheerleader to Takumi. The screeching and melodramatic Itsuki straddles the fine line between endearing and unbelievably annoying, just barely landing on the former because of the few subplots in which his incompetency with racing and people despite his passion garners genuine sympathy from the viewer. Iketani ends up listless outside of a short romantic subplot. He’s supposed to be Akina’s number one racer until Takumi shows up, but what little we see of his driving ability is completely unimpressive and far from knowledgeable about racing compared to the rest of the cast. Takumi is also observed in the shadows by his father Bunta, a former street racer who was legendary in his time, and his boss Yuuichi, an experienced driver and friend of Bunta.

The main attraction of Initial D are the races, but there can be a lot of time between them spent on developing the next opponent, preparation, or comedy/daily life between the main characters. Probably more so than most sports anime. This can occasionally be a drag as the races themselves are never in more than three episodes, with even the final race being a meager two. The anime does assume a fair bit of prior knowledge regarding racing and car terminology on the viewer, and it’s arbitrary which parts are explained and to what detail. I had a particularly problem following the physical logic of the races, where characters would explain how a technique was pulled off but without any kind of visual aid. With little racing knowledge such as myself, hearing about how one of the cars moved by shifting gravity and whatnot seems sensible, but it’s difficult to envision and perfectly understand just through dialogue and the simple racing animations which also makes it harder to appreciate the creativity behind the races and the technique itself.

While the framerate of Initial D can be choppy and there might not be a lot of movement, the art itself is solid and pleasant to look at – for the most part. Many criticize the “fish-like” eyes and lips of the character designs, but they’re meant to resemble original manga artist Shigeno Shuuichi’s art style and it’s distinct otherwise, so I like it. By far the most controversial aspect of Initial D’s animation is its use of computer-generated 3D renders for the cars. CG animation was starting to catch on around this time with many studios believing it was the natural evolution of animation. Initial D’s studios jumped the gun on what was still a niche form of animation and haphazardly shoved it into their series in an attempt to look hip and progressive. The irony, as we know now, is that the CG is immediately the aspect of Initial D that dates it the most. Even though CG was a newer animation form than the cel animation used otherwise, the older form is professionally done by experienced animators and has hit around a universal standard of quality in anime, while the CG is technologically primitive and employed by people who have less experience using it. Initial D’s CG cars are basic models that lack texture to give them a realistic surface and have bold, flat colors that contrast heavily with the surrounding environment of 2D animation. So the animation styles clash, look ugly, and break the series cohesion, but what else?

Initial D’s studios also use the CG as an excuse to cut corners (as is often the case with CG ever since). One of the most noticeable things about scenes with CG in the frames is that the 2D cels they’re on will be completely unanimated. Not only is this awkward if you take the time to notice how everyone and everything in the background is as still as a tree as a car pulls up, but any attempts to mask this lack of moving frames is hilariously embarrassing. A constant technique used is to have a CG car pass in front of a group of people in the background, such as driving across a road horizontally, and then have that still frame of spectators swapped another single frame of them looking in the other direction. Cheap animation has been a part of anime since its inception, but not often will you find a 90s anime that reminds you of Astro Boy of all things. And It really is laziness – I can count on one hand the amount of times the series has 2D animation in the same frame as CG animation, but they can clearly do it. There are also occasional instances of disproportional scales and perspective, where a person standing by a car is way bigger than they should be given their distance. Use of CG also discourages use of traditional animation techniques to emphasize a sense of speed. There’s no motion lines, blur, or anything of that sort to drive that sense of whiplash in your face.

This makes the way the races are directed and portrayed far duller than they have to be, or should be. Without such things as those traditional techniques noted earlier there are no ways to distinguish how fast the cars are going in the animation other than speeding up the rate at which the CG model is dragged across the screen, which could look ridiculous. The visual dynamic of the races is extremely hindered in this way, as the cars going across the screen looks the same no matter how many times they do it throughout the series. This means the drama and intensity of the races is primarily conveyed to the viewer literally, by characters commenting on what’s happening during the race or the sense of speed. But the audience should feel like a front row spectator, not needing to have it explained to them in a visual medium about racing what the stakes are or what the rhythm of the race is. The visuals should shift throughout the races to mimic the adrenaline rush and conflicts of the drivers themselves and recreate the dramatic perspective of what the characters are experiencing, rather than have it delivered in such a plain, flavorless manner that it doesn’t sell the intensity of the race but instead dilutes it by having it conflict with the excitement of the literal narrative as delivered through the dialogue. This is, without a doubt, the weakest part of Initial D. The CG cars are not cute or endearing, nor do they simply look aesthetically unappealing as they clash with the primary animation style. The real issue is that they’re an active detriment to the very core purpose of the series, that are used to circumvent positive direction and animation techniques that would make the series more exciting. The studios didn’t have the ambition to take Initial D to the level it should have been and the most important part of the show, the races, suffer greatly for it. Basically, watch Redline and note the masterful ways it manipulates the motion of its animation to emphasize fluidity and speed and notice how none of them are used in Initial D. Even noting the fact that Redline is a blatant fantasy while Initial D is more grounded, that’s no excuse why a series in that vein can’t attempt more tactful use of such techniques to push the action without crossing the line into absurdity. If it’s not even going to try any of that, then what’s the point of animating?

I’m definitely interested in the future of Initial D. While storytelling progress in this first season has been leisurely at best, it hasn’t paused for long enough to give me the impression that Initial D has reached its full potential. Shuuichi Shigeno seems to realize the basics of having to introduce twists to keep the races interesting, and as he should predictably become more desperate he’ll hopefully bring more dramatic and significant deviations to the formula. This is all presumption though, as it still depends on Shigeno’s intelligence and ambition to take Initial D to the next level. Improvements in directing and animation could also be a major help. Though Initial D is a lukewarm thriller so far, there are enough hints of promise to keep me curious in where it could go so I’ll probably watch to its completion. A street racing anime is a fine concept, but it hasn’t come close to full throttle.

Reviewer’s Rating: 6

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Mar 20, 2021

Night_Thastus

Not Recommended

Funny

Preliminary (19/26 eps)

To be as brief as possible:

If you like other competition/battle anime because of:

* Tension of who is going to win/stakes
* Strategy/technique/application of abilities
* Visuals/audio/spectacle
* A passionate, interesting main character or team

There is nothing for you here. Turn back while you can.
...
In a normal sport/battle show, you might have the main character be good at *one* or *two* things at the start. Just a couple advantages that let them really shine under the right conditions. Takumi, the main character, is not like that. He is a god of racing, ordained to always win no matter how stacked the odds are against him. He never has to practice or ask for help. A perfect driver, incapable of failure or struggle.

There's no tension there.

That could be excusable if the *how* of him winning was interesting. Slowing down the race, moment by moment, and showing his thought process and how both himself and his competitor were thinking and what techniques they were using. Really keying us in to how they're both using the differences in their vehicles to get whatever advantage they can. Using the quirks of their respective vehicles in interesting ways we can appreciate. It has none of those sorts of things you might see in a show like Hajime no Ippo or Hunter X Hunter - but for driving.

Regarding visuals - they're OK but ultimately hurt the show too. The 3D and 3D animation is solid enough considering the time period. However, it heavily re-uses shots, and doesn't ever seem to get creative with the camera - which is unfortunate as it's the most major advantage of 3D. Unlike 2D, the animation can't "bend" to make things appear fast or exciting, so a lot of the shots feel really stale and slow even if the cars are moving at high speed.

Finally, Takumi is a passive character. The story happens *to* him, not as a result of his own ambition or drive. He's a boring, laid-back character and it sucks a lot of the life out of it. Why should I root for this guy?

I don't see how this show is as popular as it is. Yes, Takumi is an underdog that wins. But that on its own does not a story make. There needs to be suspension of disbelief, a gradual improvement in the character's abilities and their application, something. *Anything*.

Music is cool though, so it's got that I guess.

Reviewer’s Rating: 3

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