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- BirthdayAug 16, 1996
- LocationU.S.
- JoinedJan 17, 2018
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Aug 20, 2022
Story: The story flowed well overall. It mostly follows the main trio as they travel through the demon continent and occasionally catches us up on important side characters when needed. There are lot of questionable moments that drag the story down however, mostly related to Rudy and the Man God. It seems whenever hits a wall in his progression, the Man God can just appear andgive him the majority of the info required to move forward.
Art: I thought Mushoku Tensai looked solid overall. Action scenes were animated pretty well, and the backgrounds looked fine for the most part. The character designs leaned towards fanservice
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heavy, but that's expected at this point.
Sound: Not too much stood out to me sound-wise. OP song was forgettable, but I liked that they worked it into the episode itself. I still enjoy voice acting of Rudy's inner voice.
Characters: This is easily the weakest part of the anime, bad enough to drag it down entirely. Roxy had a memorable moment, and Ruijerd was ok overall, but of the rest of the cast ranges from appalling to forgettable. Rudy constantly fails to meet his already low bar morally, and what little progression he seems to have made is almost completely undone by the end of the season. Roxy regresses from generic tsundere to an annoying Rudy fangirl. The story tries to garner some sympathy towards Paul, but the anime up to this point has done little to present him as someone worthy of it.
Enjoyment: I think large part of how much you enjoy this is dependent on how much you care about Rudy's morals. If you're fine with or apathetic towards them, it might be an enjoyable experience for you. If you enjoyed season 1, I'd think this season would as good or better since most of the exposition and time-skips are out of the way.
Reviewer’s Rating: 3
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Oct 3, 2021
Quick Thoughts: Solid ending to an amazing series.
Story:
This movie wraps up the conflict around Utsuro and the accumulation of Altana. This takes up about an hour, and is for most part serious outside of a couple joke sequences. The rest of the movie is basically an epilogue, told from the perspective of several different characters. The ending itself is fine, think they wrapped up everything that was important. I thought the story was ok overall. I wasn't that invested into this arc during the anime, but I thought movie did well with it's pacing, and was pretty easy to follow.
Art:
As usual with movies, the
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art and animation saw improvement from the rest of the anime. It's really noticeable in the fight scenes, which are much more dynamic than before. There was a sequence with Utsuro where I thought they did a good job displaying the confusion he was going through to the viewer visually.
Characters:
In comparison to the anime, I thought they a better job focusing in on the more plot relevant characters, rather than trying spread the spotlight on the huge cast Gintama has accumulated. Other side characters do make cameos, but they're fairly and don't distract too much from the main focus.
Enjoyment:
I enjoyed this movie overall, and I think if you were a fan of the more serious arcs of Gintama, you'll probably enjoy this more than I did. It's a bittersweet considering this seems to be the actual conclusion, but I do think it was a good enough ending for one of my favorite series of all time.
Reviewer’s Rating: 7
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Jul 11, 2021
Quick thoughts:
Underwhelming conclusion to a fairly enjoyable shoujo series.
Story:
The story picks up from where season 2 left off, and continues through the series' conclusion/epilogue. There is less of the side character development present in previous seasons and instead a greater focus on the main plot, which is a change I liked. The story is pretty easy to follow, though a bit predictable. This isn't a problem on its own, but I don't think a good job was done in justifying how forgiving most of the characters were towards the end; just seemed like Tohru had an insane amount of influence on others. The pacing was
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pretty good; I thought a few side characters got a questionable amount of screen time towards the end, but it's fine considering they're trying to touch base with the whole cast before concluding the series.
As far as other aspects of the story go, I found the romance side of Fruits Basket hard to get into. Outside of Tohru and ___'s relationship, I thought relationships were underdeveloped, and/or problematic. This made the ship-fulfillment scenes at the end feel underwhelming and uninteresting. Similar to previous seasons, I thought the drama was a bit repetitive as well. A lot of scenes play out where: character 1 will trauma dump onto character 2, character 2 responds with some kind of reassurance or justification for their actions, "same dramatic bgm starts playing", end scene. I thought it was funny in a cheesy way though, so it wasn't altogether a bad thing.
Art:
The art and animation is still solid, not too much has changed from previous seasons. We do see at least a couple updated character designs by the end, which was kinda cool.
Sound:
The new op was good, don't remember listening to the ed though. Not too stood out bgm-wise except for that one song they would play during the majority of dramatic scenes. As mentioned before though, I found it funny in a way.
Voice acting hasn't changed much; it's still solid like in previous seasons.
Character:
In general, I think most of the characters were fine. They're fairly unique and distinct from each other, and it made their interactions during the more slice-of-life scenes fairly enjoyable. However,there were two issues I had: The amount of characters (too many), and perhaps Tohru herself. Both issues became more apparent in the final season. I figured the excessive time spent developing side characters in season 2 would be justified in the final season, but instead the plot seemed to narrow its focus about 4-5. This helped make the plot more clear and easy to follow, but it made previous time spent on development seem wasted. By the time other characters came back into scene, the plot had basically concluded, and I hardly cared enough about them anymore to enjoy their moments in the epilogue.
With Tohru, my issue is with her role in the story. The mother-like figure she acts as was fine, and kinda endearing early in the series. It worked well during less dramatic parts. However, in the final season, it felt like for most problems that arose plotwise she was the catchall for solutions. If x character is/or becomes an issue, have Tohru interact with them and her gentle, reassuring, deity-like aura will rub off on them. As a result, the rest of the cast takes on some of her extremely forgiving personality which leads to what I thought was a cheesy ending.
Enjoyment:
With all that said I did actually find Fruits Basket, and its final season, decently enjoyable overall. The relationship I enjoyed watching develop the most (Tohru and ___) having significant screen-time helped coverup some of the issues I had elsewhere. In a way, the predictable and repetitive way drama played out was enjoyable as well. I've been indifferent to shoujos as a whole, so I'd imagine bigger fans of the genre would get more enjoyment than I did.
Reviewer’s Rating: 6
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May 2, 2021
Quick thoughts:
Wow. Can't say I completely understood what happened, but this was still one of the most enjoyable seasons of anime I've watched in a while.
Story:
I think the story was told pretty well. It's a straightforward timeline with a few short flashback arcs when additional context was needed. I was a bit confused in the first couple episodes, but I think that was mostly due to me forgetting some details between seasons. I liked how there wasn't a clear cut good or bad side being pushed; they present the motives and thought processes of several characters and seem to leave it to the viewer to
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interpret. Assuming part 2 of this season will be of similar length, I thought this season ended at a good point.
Art:
I thought a lot of the still shots were pretty good. They did especially well in capturing negative emotions through facial expressions; I could really feel the fear or disgust displayed through some of the characters. I think my main gripe would be some of the CGI. It usually looked fine, but there were a few scenes where sudden drop/change in frame-rate would take me out of the moment.
Sound:
Outside of the OP, I didn't find much of the music to be memorable. The voice acting was solid, don't remember anyone sounding out of place.
Characters:
I thought the characters were great overall. I initially thought some developments were jarring (Eren mostly), but i eventually found their changes to be understandable. I did find one character annoying (Gabi), but I think that was partially by design. She did do well in showing how the people under similar influences and conditions would view the world; It would've been tough to make someone with her role likable. Everyone else was solid though. I really liked how well feelings like uneasiness, distrust, etc. were displayed through the cast.
Enjoyment:
As someone who wasn't the biggest fan AoT up to this point, I really did enjoy this season. Any negatives I've mentioned so far are vastly overshadowed by how engaging I found the animation and action to be, and how interested I was in seeing what would result from the conflict in morals among the main cast.
Reviewer’s Rating: 9
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Jan 11, 2021
Quick Thoughts:
My favorite of the Love Live franchise.
Story:
Much of this season is spent on exposition, in the sense that each club member gets an episode focused on their development. While not technically episodic since there is timeline followed, it does have that feel to it. I felt the quality of these episodes was inconsistent, but i think they at least succeeded in giving each member some depth. Adding to this, the mood of the anime was inconsistent as well. The speed at which serious situations (relative to this type of anime) arise and then resolve is too quick. It kinda makes sense for the first
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several episodes, since they're short development arcs, but it was annoying at times during the last few episodes. Despite that, I think these things worked well for the pacing. You quickly get a good feel for how each episode will play out. The constant influx of characters worked for the comedy as well; it helped prevent gags from getting stale. I thought ending was a bit disappointing in that it doesn't suggest a second season, but it does conclude this season's events well enough.
Art:
I like the changes in art design from previous iterations of Love Live. Facial expressions are more dynamic, side profiles are more detailed, and the CGI moments are much less jarring. The quality is maintained throughout, with drops in quality being minor (like faraway shots or background characters).
Sound:
There aren't many vets in the casting, but I think everyone did a good job; they fit their roles well enough. I thought the OST was a strong point, as usual for Love Live. The decision for a solo idol based club rather than a group allowed for deviation from more standard idol music. This does make the songs more hit or miss, but I definitely appreciated the variety in sound.
Characters:
Even with each member getting episodes dedicated to their development, they still ended up feeling one-dimensional. The anime's more comedic nature tended to focus on one or two traits from each character for its gags. Considering how short the anime is and large amount of characters, I thought this was fine overall. There's one character who's development could be seen as annoying or melodramatic to some, but I thought it was fine given the context. Outside of that, I thought the rest of the characters were likeable.
Enjoyment:
I enjoyed the series, but this is coming from someone who plays the game these characters stem from. I can imagine someone who's never played the game struggling to connect with any of the characters, but it should still fairly enjoyable if you've enjoyed other idol anime.
Reviewer’s Rating: 6
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Nov 1, 2020
Quick Thoughts:
Underwhelming.
Story:
Trigun is fairly episodic in the beginning. The main group of Vash, Meryl, Milly and, later on, Wolfwood visit a new city, Vash gets into comedic shenanigans, some kind of conflict occurs, they settle it and move onto a new city. This is the formula for about the first 10 episodes, after that each episodes delves bit by bit into Vash's past and internal conflict. I think it took a bit too long for the plot to get going, but the pacing was fine otherwise. I thought the ending was bit predictable, but it was fitting overall.
Art:
The art and animation shows its age, and
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the desert wasteland setting does it no favors; very boring color scheme. The character designs were fine; not bad but not memorable. The animation was generally decent, but it faltered during action scenes. There were a lot of still, panning shots.
Sound:
Outside of the guitar riffs in the mid-episode transitions, I don't remember much of the soundtrack. With the exception of Milly, whose voice I found annoyingly high-pitched, the voice acting was pretty good.
Characters:
There's a core group of 4 characters, but Vash is the only one who really sees any development. Milly and Meryl play comic relief much of the time, and Wolfwood proves to be a good foil to Vash in terms of their philosophies. The amount of depth they put into developing Vash made him a really compelling character, so I think it's fine that he gets most of attention story-wise. I found the antagonists however to be shallow in comparison. Their motives were questionable at best; they ended up seeming evil for the sake of being evil.
Enjoyment:
I think this is one of those anime where I would've appreciated it more had I watched it when it released, but now it just feels dated.
Reviewer’s Rating: 5
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Oct 6, 2020
Quick Thoughts:
Attempts to add drama and depth to basic harem fell flat.
Story:
This season covers some backstory between Eriri and Utaha, the completion of Blessing Software's game, and plans for the group going forward. Central to all of this is the group (Namely Eriri, Utaha, and Megumi) putting pressure on Tomoya to make his priorities clear, both business-wise and romantically. There's little to no subtlety put into how this is presented, and the end result is something frustrating to watch. Whether it's through direct communication or subliminally through the scripts they write for the game, the girls feelings and expectations are in plain sight for Tomoya,
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yet they use the typical oblivious harem protag cliché to stretch this drama over a full season.
These flaws aren't made up for by other aspects of the story. Fanservice is fairly minimal this season and comedic moments are mostly non-existant. They tried to add some romantic tension, but it's been obvious from the first episode who Tomoya would choose (if he ever does decide to choose). I felt that the ending invalidated attempts to change up the dynamic between the group.
Character:
My opinions on the main cast haven't changed much. The heavy focus on Eriri, Utaha, and Tomoya didn't do much but increase the amount of melodrama while putting their worst traits on full display. Megumi basically just played team mom the whole season, and Michiru had almost no screentime. The only relevant new side character is Akane Kosaka, and she doesn't do much but add to the pile of melodrama.
Enjoyment:
I didn't enjoy this season very much. I'd imagine if you found Eriri and Utaha's backstory compelling, maybe the rest of season could be enjoyable as well, but I couldn't find it interesting.
Reviewer’s Rating: 4
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Oct 6, 2020
Quick Thoughts:
The premise was kinda interesting, but unfortunately not much was done with it.
Story:
The story follows Tomoya as he assembles his dream team for creating a dating sim. The season could be split into 4 parts, with one part dedicated to each of the other four members. My main issue with this format is with the first part being dedicated to Megumi. Given the title of the anime, the first few episodes led me to think this anime would be about her development, but it ended up playing out like any other harem.
The pacing was fine though. Team members were introduced and developed at
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a steady rate.
The comedy was hit-or-miss, mostly miss. A lot of the jokes are one of the characters acting in a tropey way, and then another characters pointing it out. It's as if they're trying to pass it off as parody, but it doesn't work because the characters aren't much deeper than the tropes they're parodying. Fanservice is also large part of this show's comedy. It's used sparingly in the first half of the season, but it ramps pretty heavily, with it being heavily overused in last few episodes.
This season ended fine; seems like most of the exposition is out of way and now they can actually focus on making their game.
Art/Sound:
I though the art style was appealing overall; Not very unique, but it got the job done. It was cool how they would change the outlines from black to other colors depending on the mood of the scene.
Animation was decent overall. There were scenes with some seemingly unnecessary cgi, but that was the only issue.
Voice acting was solid. Not familiar with all the VA's, but I thought the choices for Utaha and Tomoya were fitting. The background music was fairly generic from what I remember. There was a cover of an old anime OP that I thought was neat though.
Character:
The main cast was basic overall. Like I mentioned, they embody a lot of tried and true tropes like the tsundere, or childhood friend, but they don't add anything unique. It's part of what made it hard to take any dramatic moments seriously. It made the lighthearted, comedic moments predictable as well. The only character interesting was Megumi. There was potential for her to play a unique role, but that development is pushed aside for generic harem hijinks. She played a good foil though, to a mostly otaku based group. None of the side characters were memorable; they were generally just plot devices for developing melodrama.
Enjoyment:
I didn't find Saekano that enjoyable, but I think if your looking specifically for harem anime, you might be able to appreciate their attempt at something different. It'll be memorable for its premise, but what actually transpired is forgettable.
Reviewer’s Rating: 5
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Oct 1, 2020
Quick Thoughts:
Hinamatsuri had some funny moments, but it was underwhelming overall.
Story:
There's some continuity between episodes, but the series is generally episodic. The POV switches between several characters: mainly Hina, her friends, and her caretaker Nitta. I thought this format worked well since Hina was too one-dimensional to be the primary focus. Most of the scenarios were pretty typical for this kind of comedy, but I did find Anzu's episodes pretty unique in that they covered topics like homelessness, frugalness, and morals from a different perspective. As far as genres, I'd say Hinamatsuri was mostly comedy and SoL, but there were some attempts at tear jerking
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or heartwarming moments. One of the main issues I had was that a lot of exposition felt pointless. You could take away the yakuza and alien/supernatural elements without changing the story much.
Art/Sound:
I found art-style and animation appealing overall. I thought some of faces (Hina and friends) looked samey, but character designs were fine. Backgrounds were good, and I don't remember any animation issues. With the voice acting, it wasn't exactly a star-studded cast but I think they got the job done.
Character:
The characters were hit-or-miss for me. They were ok when it came to their comedic roles, but there's not enough depth behind them for the more sentimental moments to land. A large part of this is how their backgrounds hardly mattered within the context of the story. Hina is introduced with having powers that must be frequently to prevent it from building up and losing control, yet they're hardly relevant outside of of the first few episodes. Nitta's yakuza isn't used for much more than a couple jokes and an explanation for his income. Anzu is one of the only characters with development, but that 'development' just turns her into a completely different character over just a couple episodes. I found Hitomi to be the most likable of cast, but she got the least screen time among the main cast.
Enjoyment:
I think a large part of the enjoyment is how likeable/relatable you find the characters, because there's not much else really going on in this anime.
Reviewer’s Rating: 6
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Sep 30, 2020
Quick Thoughts:
This felt like a nice improvement over the first season. I found Subaru more likable and easier to sympathize with, and the pacing is more tolerable.
Story:
Early on, Subaru and Emilia travel to a place called Sanctuary which is surrounded by a barrier that traps half-breeds inside. They're basically stuck here for the entire season. A situation like this would normally make the pacing feel slow and the episodes repetitive, but because there are more people in this season aware of Subaru's ability, there's a better sense of progression with each Return by Death. I still think RbD takes away a lot of the impact
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that some events would otherwise have, however there were a few scenes where it was used well in building suspense (especially in episode 11). I think they picked a good stopping point for this season as well; it marks a key point in Subaru's development and, hopefully, a change of pace with the story.
Character:
Even with Subaru growing on me, I still feel like the character's are a weaker part of the series. Emilia, despite her consistence presence this season, doesn't actually do much of anything. She's just stuck in the same spot as Subaru loops through time. None of the other characters left much of an impression either. It was cool to see Roswaal's true intentions regarding Subaru, but the other relevant characters (Echidna, the other witches, Beatrice) didn't do much for me; just seems like more characters for Subaru's pseudo-harem.
Enjoyment:
I enjoyed this season a decent amount. I don't think it's good enough to sway the opinion of someone who disliked the first season, but I'd imagine other Re;Zero fans will enjoy this as well.
Reviewer’s Rating: 7
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