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Apr 5, 2018
Overlord II for some reason doesn't quite have the spice that it carried so well for it's first season. It ends up feeling very oh another Isekai game anime instead of Overlord.
Part of this reason might be because that the most successful approach from the first season was a very tight knit, and focused storyline around Momonga. And then he was established as a character who had really defining moments we could chuckle to. Season 2 tries to expand perspectives based on many characters but we end up with the Lizardmen, Sebastian, and the various Kingdom people.
To an extent it is a really
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great attempt at expanding the world building but it's done so haphazardly that when it's forced to come together all in the end you don't really, truly understand the big picture or any of these characters and their motivations. Nothing clicks as an a-ha for the watcher and the narratives are forced together. And overall, devoid of emotion.
As great as Madhouse is with their animation quality, they too have fallen to using appalling CGI... However they still keep a good amount of well done high tension scenes that sadly don't go anywhere story wise. Sound was also quite unmemorable, even the OP and ED.
Again, as the story kind of falls through on cohesively pulling the anime together, the potential for some genuine character developments is hard to present. We actually did get an expanded cast of many interesting personalities, but as far as knowing enough about them, probably only light novel readers will know. Also the fact that the first and last snippets of Overlord II featured some really amazing character designs that have no connotation for anything contributes nothing.
The takeaway is that it ends up being another pretty, easy to digest and throwaway project. One that you can still enjoy as a generic action pack adventure story that continues to dominate the anime trends.
Reviewer’s Rating: 6
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Apr 5, 2018
How to Keep a Mummy is a pleasant surprise that captures your heart with adorableness as a mostly slice of life meets supernatural pets.
Overall I find the story pleasant because of the genre, so each episode is kind of a day to day life scenario. There are some moments that end up a little wacky and sudden because there are some serious moments that show up and near the end characters suddenly receive a bunch of quirky traits to progress the plot. And you can definitely feel emotional from them because you grow quite attached to everyone. But I can kind of roll with
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it because that's the feeling of the show.
Despite some quality issues as we all can recognize at times, this art style and color palette are very effective at communicating cute adorable motions. And for Mii a lot of effort goes in and shows with his cute sound effects. Sound effects are the biggest detail that really works well for the whole production!
I wasn't particularly impressed with the whole cast as they are a mash of many tropes but I don't dislike any of them either. Sora and Tazuki's friendship is a point of interest that is a driving force compared to anyone else, and at times really makes you wonder more.
Definitely in the end, this anime is like a hidden gem for many who just want a relaxing series or some cheering up.
Reviewer’s Rating: 8
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Jun 20, 2017
After recently completing the first season of Starmyu (and loved it to the point of watching it twice my first time), I was so happy to learn about it's second upcoming season. However, I think in comparison, perhaps Starmyu tried to do a little too much in the same 12 episode format. Which makes it feel a little underdeveloped in most areas and characters.
STORY: 6
As we continue with interjections of musical numbers, the storyline this time is perhaps a little weaker in comparison to the first season, and I already considered the first storyline pretty standard. The focus does not revolve around just Team
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Ootori anymore but in fact an expanded cast of all the star teams and the previous Kao Council. For the first half most of the focus lies on introducing a lot of interactions between everyone for us to familiarize. Especially a new character called Ageha who serves as a "antagonist" for Hoshitani. Which really felt like an unnecessary amount to dedicate and makes the story drag on week by week only for a little spice of drama.
Some interesting parts come after exploring the wide cast in how they train for their roles and some of their personal struggles. Particularly Nayuki and Ugawa and especially Kaito. Sadly the amount of time to explore everyone is quite limited (maybe if we didn't have so many training montages). For the most part the journey intensely focuses on Hoshitani, which I think explored some wonderful thoughts on how to act and his "shine". Alot of people dislike this, but Hoshitani is supposed to represent the viewers in a way because he's a total newbie, so to understand anything we have to understand through him. I think the show does a wonderful job of showcasing some inherent qualities of the musical acting world but sadly just didn't pace everything they wanted to accomplish successfully.
ART: 8
There were some more varied character designs this season surprisingly. I noticed however a lot more dips in quality though. But I have to say that the production for some of the song scenes/sets were definitely more elaborate and beautiful. There was more artistic expression in costuming and set design and choreography.
And again, this series continues it's fabulous choreos with no CGI. Also because we have some "action scenes" these are very well directed and enticing.
SOUND: 8
Arai Ken's techno/piano/upbeat music works again quite wonderfully for the series, with some beautiful new themes. The new voice actors are also quite another impressive addition to an already impressive vocal cast. One song that notes this is the Kao Council song sung by the Ancients, and you can really see the experience in their vocals.
Starmyu continues to explore a wide range of musical genres, but the songs were about half and half for me sometimes. Particularly we get a lot of crossunits between teams and I think it was a bit difficult tailoring songs for these wide range of characters. It's one thing to just sing a song, but a lot of the songs for Starmyu just make me think that these songs were made for someone to sing. It was great for them to again take these chances and wonderful to hear new characters and combinations.
CHARACTER: 8
The expanded cast is actually quite a gem, though overwhelming. It's really a disappointment that it was quite hard to focus and devote enough time to even half of them. Again, most of the focus is on Hoshitani's personal journey with how to become a role and what does that mean for him. We get tidbits of others that are a part of this journey and represent other sides that aren't just the main newbie with charisma working hard to the top. We get Kaito who is someone is trying hard to find his own pace in trying to fill big expectations. We get Nayuki and Ugawa that have skills but have to find the confidence to deliver. We get Ageha who's been expected to come out on top. And really, we only get so little of so many others that I would love to know.
ENJOYMENT: 9
Of course I enjoyed it! Inumine is quite precious this season and should be appreciated lol For the most part I was a trudging along, finishing the episodes never feeling satisfied. But the ending really wrapped it up spectacularly and basically killed me. So. Beautiful. If you might be a little saddened that perhaps it didn't turn out like the first season, believe me that Starmyu especially brings back its magic from then for the last episode.
OVERALL: 7
After thinking back on it, nothing quite made me feel a little love for music like the first season than it's last episode. However, it's still a well done series that was at least consistent in its approach.
Reviewer’s Rating: 7
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Jun 17, 2017
Although this has a very bishounen artstyle and pretty much a male cast, rest assured that it's actually a very refreshing series with pretty much nonexistant yaoi/shounen ai vibes.
STORY:
Truthfully as I have been watching this series I can't tell where it's gonna go, and that's a great thing. The plot is neither shallow or cliche and each episode makes you wonder and learn more and more. Overall we find out about each prince and their flaws and strengths and watch them grow, but this series takes on such a refreshing perspective of what may be some typical prince issues.
ART:
Well I may be biased
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as a female, but this is very pretty art. I've also been impressed with the backgrounds of western historical towns and castles.
SOUND:
The sound fits just right to where it needs to be used. I find the opening and ending alright, catchy but I'm not totally in love with them. I like the voice actors a lot for their roles, and although Heine's may be so unexpected I like that it is mature because that's exactly how his character is. The voice actor is also great at portraying his pettier more comedic moments as well.
CHARACTER:
When this series first started off its introductions the only character I was entranced by was the main one, Heine, as he seemed more atypical. The other cast of the 4 princes seemed to fulfill a lot of typical bishounen tropes of the tsundere, playboy, elitist, and cold hearted types. But despite this, The Royal Tutor explores all their characters positively and really does well in expanding their characters. We get to see their strengths and fears and Heine plays a pivotal role in directing their development, as he was meant to. I've been really impressed with some of the dialogue that provides a genuine sense of personality to the cast.
ENJOYMENT:
I've pretty much really enjoyed this a lot more than I intended to, as I was initially drawn to how pretty it looked. But Heine continues to impress me and I really like his character.
Reviewer’s Rating: 8
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Apr 14, 2017
Kabaneri of the Iron Fortress starts off in a steam punk world dominated by trains and stations in order for humanity to survive against 'kabane' (basically zombies). Which sounds amazing! Despite this opportunity, it is widely criticized for being an Attack on Titan clone and it can't be denied that the whole production is almost entirely the same (studio WIT, composer Sawano Hiroyuki, Aimer). However I think for the most part they aren't as similar as one should think and in some areas there's a little more maturity, but that doesn't stop WIT from trying to applying its same hit formula to this series disappointingly.
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STORY: 5
Somewhere along the way Kabaneri starts to contradict itself in motivations and direction.. possibly due to perhaps over indulgence of a certain antagonist which gave rise to weak tension and climatic moments. Flaws are established and then somehow the story ends up with 10x the amount of flaws that it started with. Particularly in the first quarter of the show, I believe that many viewers were drawn to how the world building was set up, and our introduction to what kabaneri are, and how humanity has adapted with the circumstances. But the truth is that we continue to get bits more about the world and wonder, and even those are never given answers for! The story never truly utilizes these aspects of the world to the extent that it could and seems to prefer only using it as a surface finish. Which in particular leads to problems with establishing the characters in the setting well and gives way to very generic circumstances and plots. Kabaneri tries really hard to push meaning in a overused manner and might have done well had it just maybe stopped trying to give something like it's successor or just give more cool visuals.
ART: 7
It's got a unique style that was absolutely gorgeous when it needed to be. If the plot wasn't so bad, then the climatic emotional moments drawn would have had immense impact as a viewer. But it so very falls flat because of poor developments. If anything, they should've attempted more fight scenes because they were clearly the highlight of the show.
The color palette also starts out very dark and edgy but then slowly starts to gradually become the more generic bright tone unfortunately. However, character designs and sets are absolutely fabulous.
SOUND: 10
This soundtrack is so fucking incredible. Hiroyuki Sawano as the composer, Egoist for the OP, AND CHELLY (EGOIST) AND AIMER FOR THE ED COMPOSED BY HIROYUKI. This is like top, top, talent. How did Kabaneri fall so flat with this genius soundscape is the most puzzling thing. I would not have been able to continue without it. Sadly again, although the mix provides great crucial timing and atmosphere for its scenes, emotionally these are disconnected from the viewer because of poor storyline context.
And to note voice acting, the voice actors performed well in conveying dialogues filled with emotional stresses, especially the main character's.
CHARACTER: 6
The cast had a lot of potential in the direction they could've been taken in. And perhaps the only one who truly shown out and developed in a substantial manner is Akame who by the end displays a firm grasp of the leadership she wants to pursue. But otherwise, everyone is setup interestingly and likeable (after some rough starts) with unique quirks. Sadly, no one but 3 characters are explored, 2 of which were poorly focused on even then. The main character Ikoma for the most part has some well written unique, dialogue that shows his growth in perspective but for some wrong reasons as well. However, due to lack of time, it could be acceptable. Could. As for the antagonists, his motivations were so poorly framed and constructed that for the most part it didn't justify his grand schemes. The secondary character Mumei also falls to a weirdly approached cliche type of redemption that is unfitting for her defined character.
ENJOYMENT: 7
It's probably more at like a 6.5 and only because the setting, soundtrack, and character highlight moments drove it up for me. In the end, it is quite a large disappointment only redeemed by how badass some of the characters look. And a cute Ayame x Kurusu reunion moment. (Shit I had lost all hope but that was way too precious).
*SPOILERS*
But I'm dying to know, why are male kabaneri's rare?? WHAT AND HOW IS A KABANERI MADE.
*END SPOILERS*
OVERALL: 6
Without my extreme bias and worship of the soundtrack, I truly think it rates as a 6. Not good enough to be great and dying to watch, but not horribly bad like most of the reviews say. However if you are truly invested in its initial premise, a word of caution because you might end up disappointed. Especially if you like to invest in world building.
Reviewer’s Rating: 6
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Apr 9, 2017
OVERALL: 7
In short, simply put, Uchouten Kazoku has a beautiful world setting, art style and well established characters. And these aspects I like alot, however, it is such a shame that overall these elements when tied with the plot it presented, never really drive to a satisfying end or resolution as beautiful as it's small moments are. I really really want to love Uchouten Kazoku, because I love it's characters, but it does not refine itself equally overall.
STORY: 6
When you take an overall glimpse of the plot, it's pretty shallow and petty. But the shows does a great thing of overlaying that with
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some great dialogues that explore zen perspectives of life, death, acceptance of roles, family, and identity. But those moments are so well crafted compared to this basic overall plot that's just so startlingly lackluster. Initially even that is very confusing to those not familiar with zen concepts that are a prevalent part of Japanese culture, and it doesn't help that the third dimension of tanuki, human and tengu society is another layer added on top of that. And quite frankly if they even wanted that aspect to succeed, then they need to seriously devote some more time into the motivations and circumstances of these antogonists in the same manner they did for each of the family. But if anything, I think this would have really succeeded had it decided not to even have the drama of being part of the tanuki pot or whatever and simply devoted itself to these conversations of self struggle/self contained perspectives.
ART: 9
Character designs are unique but some traits are a little startling. But the gorgeous backdrops of Kyoto and framed views make everything. Transitions in transformations and movement are also quite fluid.
SOUND: 10
The soundtrack is probably one of the most noticeable ones I've heard. Although the music uses more non-instrumental sounds, it suits very well to the variety of emotional scenes and captures the tone of the setting beautifully.
CHARACTER: 8
Very good overall. All characters are very interesting and for the most part have devoted episodes to explore their thoughts and motivations. I loved them all, even the antagonists. However this is such as shame because more perspectives were really necessary to (if you want to call it 'justify') explore these roles because what Uchouten seems to wants to do is present this gray area of acceptance instead of white and black, evil and good moralities. And for these antagonists it is a travesty that they were not given the same explorations as our family was even, therefore making no sense as to why they did such 'evil' things.
ENJOYMENT: 7
Uchouten sits at a gray area with me where although it does very well in most of the everything, the fact that it had these beautifully brilliant moments and did not translate that same treatment before the end is so disheartening.
Reviewer’s Rating: 7
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Apr 1, 2017
If the first season of Shouwa Genroku Rakugo Shinjuu was a 10/10 for most then this season could be considered a 9/10 because personally I do believe that it is less consistent with its episodes and starts off slow, as I found myself starting and stopping the series a few times. However I certainly found that it payed off in the end.
STORY: 8
While in the first season we focus solely on the story of our main character Bon, this season implied that we were then going to witness Yotaro's perspective mainly. Which the anime did, but it also explored a lot of the supporting cast
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and that set up for Yotaro and everyone else particularly gave way to a slow start. In the beginning all of these sort of 'parts' we get are fluid but also feel disjointed from one another and the viewer might get confused as to where the direction of Rakugo is even headed. However, starting midway the storyline becomes clearer and resolved, and the previous episodes' setup becomes a very much needed foundation to finish not only the story solidly but the character's developments.
ART: 10
Breathtaking as always. The animation's dedication to expressive body language is phenomenal and should be for it's subject. In this season particularly we get some more artistic moments as we explore the mental states of our cast. We continue our subdued color palette that is very suited for its overall mellowed out dramatic tone and doesn't distract the viewer. And the anime is very consistent in quality overall.
SOUND: 10
Rakugo has an amazing voice actor cast with a lot of talent! This only shines more this season as we get to hear from a wide variety of characters besides Bon, who was as stunning as he was in the previous season, which include Yotaro, Konatsu, and some new introductions! The flexibility of these voices also shines in how they portray and interpret Rakugo, and their age fluctuations. Working well as usual to a beautiful soundtrack of traditional Rakugo sounds, and our usual background music.
CHARACTER: 9
In the beginning, Rakugo presents itself with a lot of its characters' flaws and as we go around the cast the story falls into a stagnant period compared to it's previous season of linear progression per episode. However, as they progress and learn, think and talk, they begin to connect to eachother and grow together. I don't know how to exactly put words to this phenomenon but this season doesn't resolve each character individually, rather they all come to blend together and finish at the same ending point. As interconnected as the relationships are in Rakugo, it seems to be fitting that their personal issues are not only theirs but shared by everyone, and thus needed to be supported to be solved by everyone. If anything I think you should realize that each and every character has their own role of importance, even if subtle, that makes up the whole of this series.
ENJOYMENT: 10
I definitely struggled with it in the beginning and it took a few times for it to garner my full attention. But it set itself up well enough to really drive itself in the last 3-4 episodes. And above all else, I was thoroughly satisfied with how it chose to end itself.
OVERALL: 9
For the sake of being honest with how this compares to it's previous season, it definitely is considered a little less due to causing some confusion. Nonetheless if you come in with expectations of how it was directed last season, I can see how some might be disappointed. Sukeroku Futatabi-hen might contain the same elements as the first season but how it arranges them is vastly different, its presentation of the storyline is different, and how it utilizes the role of rakugo as a motivator is different.
Reviewer’s Rating: 9
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Mar 25, 2017
The second season of Nanbaka picks up right where its first season left off but I think in comparison to the first season its definitely lacking and has its flaws.
STORY: 6
Overall *probably a spoiler* the story never gets resolved in the end and instead we're left at the halfway point or even climax. In comparison to the first season's comedic interludes Nanbaka also changes drastically in tone to a more serious note, or it very much tries to. And while it still holds onto what makes Nanbaka, Nanbaka, most people will probably find the change a disconnect to what drew them in at first. While
...
its gags are still charming, its attempt at a more serious storyline and character development seem a little more shounen cliche. And it definitely shows in the last 5 or 6 episodes of the anime where a battle seems unnecessarily drawn out. For a series so self aware, it's a little disappointing that it isn't utilized in these aspects.
ART: 8
Art quality is still the same as the first season, but less sparkles! Which I have to say that the dedication for animating all those sparkles is amazing. The vibrant color palette continues and surprisingly works very well for some of the more serious battles and darker undertone scenes. In the animation of fighting actions, it is impressive in how some of it is choreographed in the scenes and definitely is able to show tension when needed. Also facial expressions are very well animated for the wide arrange of emotions we can actually see this season.
SOUND: 8
The soundtrack is as nice as ever! Very epic sounding feel to it and definitely gives impact for fighting sequences. The catchy opening and ending continue as well.
CHARACTER: 7
This might be a hit or miss but there is actually quite a bit of development for side characters (or everyone but Jyugo) previously introduced briefly in season 1. While the main character is definitely lacking in a well written development or even a good portrayal of why he isn't developing, the side character stories I found to pleasantly enjoyable and even surprisingly unexpected. However every scene with Jyugo and his internal struggles will definitely look neglected when compared to how everyone else is portrayed. Probably the villians are even worse off but given how little time they've appeared it's not unexpected.
ENJOYMENT: 8
Despite all of that, I quite enjoy Nanbaka and its comedic aspects well enough. And I would say what pulls me thorugh Nanbaka this season is a new appreciation for the side characters and their entertaining interactions with the main cast. And when Jyugo isn't having internal monologues of self analysis it is somewhat endearing seeing how useless he is.
OVERALL: 7
Nanbaka is Nanbaka. You shouldn't really expect more or less and really just accept whatever it throws at you because it's probably more enjoyable that way.
Reviewer’s Rating: 7
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Mar 25, 2017
Personally I really, really enjoy this show but I can definitely see why most people greatly dislike it. Probably 2 of the biggest reasons being that the main character Tatsuya has no character growth and is already op and that each episode contains a lot of info dump thus making people bored. However for the first point I don't see why you have to see massive character development because what draws me in to this series is it's world building, therefore leading to why I approve of the information dumps in the episodes.
STORY: 8
On a basic premise, the story follows a pair of siblings
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to a magic high school and their daily life. But in this world of magic technology you discover the class system it places in Japan and on these two, and besides the societal structure you will find out much about the rules behind the world itself. I absolutely love the concepts that are explored with the discrimination between magicians and those who aren't and how that is reflected in the two, especially in Tatsuya, as well as the logical explanations following how magic works. Which I will say that I greatly nerded out because I was taking Physics at the time and I would say that how magic works in their world draws some parallels to. (For example, in introducing the "Cardinal Codes" and how there has only been one identified, this is similar to Particle Physics where we've identified one particle called the Higgs Boson suspected to affect gravity). But if this idea of scientific info might be too technical for you than you might struggle with this.
ART: 9
Although not too over the top in the character designs themselves, the animations for magical sequences and movements are extremely fluid and beautiful. There is also a rich color palette that isn't too overbearing. Oh, but there is some shameful CGI usage in one particular scene and, without a second look through, also some spare usage in mass amounts of background characters just walking somewhere.
SOUND: 9
The soundtrack works very well for what it does in the anime. Although by itself it's definitely a little harder to get into because it's definitely more monotonous. The openings and endings are wonderful and have a little techno edge to them that suits the content of this series. Voice acting suited the characters and nothing was too remarkable or horrid.
CHARACTERS: 8
I'll definitely say that as this isn't really a character driven series in the normal sense of character growth and development. But I will say that it's character driven in how these characters are molded by their environment and how we as the viewers are let on to more and more of that. So every main character is presented as they are and that will not change, but what changes is that we understand why they are like that from the world setting.
ENJOYMENT: 10
I'm a sucker for world building, especially if done as intricately and detailed as this where I can see references of actual physics. But I'm also just largely a huge science fiction fan and I can see that Mahouka is probably in that genre although magic is technically fantasy.
OVERALL: 9
I know most people say that this series is terrible because they went in overhyped. Which I can believe that because I will say do not just watch this just for Tatsuya to slay people even though he does and it is also animated awesomely. But the highlight of this series is in its rules for magic, its society and how that animates the characters. And if you really like any of those aspects then check it out!
Reviewer’s Rating: 9
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Mar 3, 2017
Unfortunately, D. Gray-man Hallow fails to live up to the expectations of an established fanbase from its previous series as a looked up to sequel.
I've been with D. Gray-man for years and was thrilled when I found the mangaka was healthy enough to continue the series (after 4 years of hiatus!) and find that it was getting a sequel anime adaption. And that's how this was for many of the fanbase. Therefore, if you are probably not as dedicated then this might not seem as bad, although you will still need to either read the manga or watch the previous series to comprehend what happens
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in this one.
STORY: 8
The anime continues off where it left previously and follows the manga pretty faithfully throughout. Although it is a little regretful that some chapters were skipped which included adapting to their new headquarters setting and were most definitely fun and entertaining chapters (possible spoileers? think zombies lol).
ART: 8
Most might find the redesigned characters to be a little off putting but the mangaka herself has redrawn them quite beautifully in the manga, sadly this translates a little off in the anime. My biggest peeve is with Miranda, who now looks like some minor background character without any of her unusual charms. That being said the animation overall is consistent visually although there are definitely notable drops at times.
SOUND: 6
The biggest issue with this series, a completely new cast of Seiyuus. I did try my best to accept and adjust to this change but for the most part I was thoroughly disappointed with these choices and direction. My biggest problem was with Lenalee, who now sounds so jarringly high pitched (and completely ruins her previous image) and now becomes an excessively sweet generic girl that just seems so forced and fake. That, and in the casting of Ayumu Murase for Allen. As he plays Hinata in Haikyuu!, the vocal tone sounds so similar that Ayumu struggles to create a clear distinction from this character.
Of worthy note, the bgm definitely is D Gray-man thankfully.
CHARACTER: 7
Kind of hard to rate because of the Seiyuus mostly, they really have a hard time selling and embracing their characters as they were established previously. Though this arc definitely moves in to focus around and develop Kanda particularly, although I'm not sure the presentation was the absolute best. Ugh.
*SPOILER* I was also really pissed that they showed their fully designed past appearances in the memories because that chick really just looks like Saber, wtf. Loses all of the dreamy romantic nuances and atmosphere. *END SPOILER*
ENJOYMENT: 6
Harshly put, I had to struggle to enjoy this and am still contemplating on finishing the last bits. For such a dedicated fanbase that's supported the series for years, even in the dark, it's extremely disappointing.
OVERALL: 7
Without the huge bias of my personal enjoyment, this anime was rather decent in fulfilling its basic requirements as an anime adaption. Fulfilling the expectations of nostalgia is another thing.
Reviewer’s Rating: 7
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