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THE BIGGEST SCAM OF ALL TIME IS BACK TO THE BUSINESS!! THEY ARE CREATING BIG-HEADS, “EGOIST’, BUT ANIMATORS FAIL IN THE PROCESS.

Blue Lock is a series that never leaves a moment to deceive you by their frisky and adrenaline-pumping trick or tactics about their so-called made-up football, literary. Anyway, it’s usual for me because I have been scammed on a weekly basis for around one and a half years, thanks to the manga, but when I watched the episode of season 2, it’s like this is beyond any help. Animation was so fucking poor, one-dimensional (felt like I was watching a manga panel with ... some color and PowerPoint effects), and holy damm that disgusting 3DCT animation. And I'm not saying this is new for season 2, this also repeated in season 1. However, I don't know why people don't accept this fact that both seasons are the same shit, but ironically, season 2’s animation has lost all the remaining qualities that we got in season 1. And the reason is simple: they change the director and other stuff, just like JJK seasons 1 and 2. So, yeah. It looks like they are continuing some kind of tradition or might be culture.

Whatever it is, there's nothing more or less. If there’s any award on “Scam of the Year," then Blue Lock is definitely going to win.

Dan Da Da Da Dan… I really love the series. At first, I started the manga from my brother's recommendation, but after starting, it’s so tough not to read; it’s that enjoyable and entertaining. It also goes for the Dandadan anime, which is a perfect mixture of humour, horror, romance, and courage—a collision of two beliefs and the chaos of that collision. If you are bored of watching tradition shounen, Dandadan is the show you are looking for. And obviously, Dandadan is the next generation shounen or an example of modern shounen; there’s no doubt about it.

Story, huh… Two types of beliefs collide together: “Aliens ... are real or ghosts are real?” Normally, they don’t exist, and there’s the twist: out of the moment, they challenged each other for a test of courage, and the rest is the beginning of an epic history or monogatari of DANDADAN. Amazing, so amazing, simply amazing!

Now, I and everyone who reads manga know how epic Dandadan’s manga panels are! That's why I was really unsure or tensed if the animation would be enough as manga because panels are epic, but at the same time, it is also very difficult when it comes to animate, and the whole energy, dynamic of the sequence, and battle lie or depend on those panels. If the adaptation fails to provide that level of animation, then the show will also become dull and bland. But Science Saru really did a great job.

Dandadan, if you are searching for some unusual, unique, non-traditional anime, then you are in the right place to sit. Believe me, it’s an anime that you eagerly want to watch the next episode right after finishing the previous one, because each episode leaves you on the edge of your seat, and it's also binge-worthy. So, don't miss this epic, thrilling, and also with the compact amount of emotional pressure anime; dive into it; you won't regret it.

Delico’s Nursery, which I actually anticipated for this show. The poster, PVs, and other CMs look so promising, and the premise also gives a feeling that this might be entertaining, like Buddy Daddies, a child comedy plus mystery thriller, which would be really enticing and intrigue my interest in the first place, and this was produced by J.C. staff, which is another fact or reason. That doesn't mean that I am not expecting it to be like a highly rated but decent entertainment. Yet, it doesn’t feel like it lived up to my expectations.

A world or age where vampires exist and are involved in various ... malicious activities, and alongside that world has detectives or hunters who prevent them. Some events and plot happened; the main protagonist determined to raise his children on his own, and one led to another; the detective headquarters turned into a nursery. It’s sounds, no, stupid, but it's supposed to be entertaining if things are a little different than they are.

But in my opinion, more than the story, the show is suffering most for the visual or animation. The animations are not quite gone with the show’s theme. The background is way too messy, and the character design is unique, but again, animation wasn’t able to make it shine. And another issue that caught my eye was that in the last episode the sound quality was bad, like it was buzzy. I am not sure, so I watched it a couple of times differently but the same.

In the end, I like to say, it is not worth recommending.

First thing first, this is a cinema, a complete cinema. Okay, now I start writing my review on this pinnacle.

Kizumonogatari III: Reiketsu-hen, the final installment of the Kizumonogatari movie trilogy, is an excellent work in storytelling, visual, and emotional depth. Kizumonogatari part 3 picks from where part 2 left off, presenting us with the intense, surreal world of Araragi and the fateful encounter of the greatest oddity of all time—Kiss-Shot Acerola—Orion Heart—Under-Blade, their atypical relationship. Reiketsu-hen is not the beginning or the conclusion of a story, which makes the Monogatari series more exceptional.

From the very beginning, it sets the mood that it's ... not a tale of joy but a tale of tragedy. The relationship between Araragi and Kiss-Shot Acerola-Orion Heart-Under-Blade is the core of this film. Araragi’s struggle, longing for being human again and also the tension that if Kiss-Shot Acerola-Orion Heart-Under-Blade goes free again, it'll be the end of humanity. The pressure between two of them is wrong; one tries to go to his regular self, and the other is also trying the same thing. Both of them are right in their perspective, but there always leaves a huge but, from there, both internal struggle and consequences for their deed. This is one reason of many that delves us into this pinnacle again and again, yet it is tragic. and the final fighting sequence are particularly showing us they don't want to fight, they don't want to hurt each other, but still, it comes out brutal for protecting their own ideology, which is at the same time visceral and poetic. The conclusion is that this tale will end when one of us dies first and the other one also follows the same path to keep the promise, but until then this tale is continuing.

Animation is, as always, breathtaking. Studio Shaft’s distinctive style of animation shines in every frame, with its superlative, surreal environment, dynamic camera angle, and punctilious attention to details. The BGM of it is another masterpiece, composed by Satoru Kosaki. And the voice acting, especially from Hiroshi Kamiya and Maaya Sakamoto, adds a new level to this film and creates more depth in their characters, which is as impactful as the visual.

Bottom line, Kizumnogatari Part 3 is a fitting end to an unforgettable trilogy whose emotions will linger long after the credits roll, leaving a deep-seated impact on hearts and minds. And from there, this story continues.

Clannad is an anime that knits together the elements of slice of life, drama, and romance with the great depth of emotional impact. It is a majestic experience that also connects with the world and people and teaches us humans that we can’t live alone or on our own. Clannad builds around Tomoya Okazaki, who is a disenchanted high school student, and his journey of evolving and self-discovery, which is mostly possible for the kind-hearted Nagisa Furukawa.

Clannad is a heartwarming, slow-paced anime, and sometimes it also shows the heartbreaking theme, which is a more attractive thing about Clannad. Slice of life, Clannad is the perfect ... example of it. Characters lead their everyday lives, meet with different people, interact with them, and the story or character progresses with that. Different or unique type of character or cast, through those memorable characters and their dream and struggle. It also helps us to relate more to the Clannad protagonist, Tomoya Okazaki, how he grows and how he overcomes his shortcomings and obstacles. And from there, his broken soul started to mend. Most people don’t like it because it’s too slow or the characters aren’t progressive; they just spin around again and again. Actually, it’s not true. Yeah, Clannad might be slow-paced, but its character developments or progression are something that should be written in golden ink.

The animation of Kyoto Animation is just magnificent. Their vibrant, elegant, and sensible visuals make it more beautiful and help to capture the beauty of those cast and their daily lives. The soundtrack, composed by Jun Maeda, equally conveys those sets of emotions.

Clannad is just a masterpiece; it is more than anime; it gives us heartfelt experiences from a real-life point of view, which makes it more watchworthy.

“The Elusive Samurai," an adaptation where the animation is more than normal for a historical anime, if I say more specifically, “the animation is overwhelming for this show!” Now the question is if the story or character is also in the same footing with animation? Here is the opinion on this topic:

Story (7.6/10)
Let’s come to the story first. A Kamakura shogunate was supposed to be the next successor, but things didn’t go according to plan, which is convenient. And at the end of the first episode, we got a revenge troupe, and the journey of Takiyuki to becoming a hero from ... zero begins. The story sounds really interesting (as a revenge genre), which got me hooked at first, but the sad part of this is that in just 5 or 6 episodes I lost interest... things don’t make sense, to some degree repetitive.

Character (8/10)
Character or character design is something I like to talk about or like to praise. Unique character design, perspective, characteristics. Like if I say antagonists, they are different from each other, and comparison is also great, like in episode 5, Ogasawara.

To be honest, if I write this review after watching the first 3 episodes, I will definitely recommend it. But while watching the halfway point, a hint of mixed feeling keeps growing, and I came to realize that the animation is too damn good compared to the other things in the show. It’s like if the story, character can barely pull 8/10, where animation can easily pull 9/10.

Shoushimin Series, another work of Honobu Yonezawa, who is famous for Hyouka. And it's another high-school detective or mystery anime just like Hyouka. But in the comparison between them, Shoushimin series are not that good or aren't that bad, either more like it's a child play. Those so-called deduction aren't that much of anything, it's just mehh. Another thing, they waste a whole freaking episode on a shit milkshake, funny how ordinary it wanted to be. Whatsoever it's just average and sometimes below average, not good or bad or not that great. Now the question is from which aspects—from my point of view, I think ... the story, plot arrangement, character, character design, and characteristic. And I am not saying that story, plot, character, and everything I mentioned before are just maintaining the quality of being average. But somehow it disappoints me, I expect more from this anime and from him.

I don't recommend it to others because there is a better version of this anime. Basically, it's kind of a waste of time. And to be honest, you should watch Hyouka first rather than this average and lookalike anime.

A Place Further Than the Universe is captivating writing from the CGDCT genre with heartwarming and, at the same time, emotional and passionate about their goal. This anime took the CGDCT genre to another height, because previously most of the anime in this genre was focused on the cute part and how to highlight that, like K-ON!, Azumanga Daioh, etc. But in this anime, it's kind of change. And it changes it in a good way; they don't forget the tag or don't exaggerate; simply, they excelled from their side. Frankly, I put it on my planning list for a long time with great expectations, ... and finally, a month ago, I watched this, enjoyed it, and loved it, and that's why I have to say it is really a story that goes further than the universe.

Characters are one of the best things I enjoy and want to talk about. Shirase, Hinata, Mari, and Yuzuki—four characters have different types of perspectives to see the world. One wants to go beyond her boundaries; one wants to see her mother again; one wants to make friends; one wants to be free from that gossip. It's really amazing how the character is well constructed and well built. Also, they nicely established the fact that they are all strangers to each other, or they met with each other recently; so, the attachment will not be the be the same as first, which shows us how realistic it is. Dynamic of every character is truly outstanding and also appreciable.

Animation or visuals are vivid and inspiring, which is needed in this show and they did it nicely as expected. OST soundtracks are energetic, heartfelt, and passionate, which helps us to connect with the story, character, and atmosphere. One of the best works in CGDCT genre and also for MADHOUSE. I enjoy it, and I also recommend it to everyone to watch this beautiful tale of passion, emotion, and unique characteristics.

Makeine: Too Many Losing Heroines! It is a unique addition for the anime landscape and also offers a fresh and energetic view of the harem genre or subversion of harem trope, which doesn't compile the main purpose of harem, yet only in some respects. Also, there are strengths that make this anime more unique, or another word, wonderful. That is striking the lighthearted moment, which reminds us how relationships should work, how sensitive they are, and most importantly, how fragile or robust they can be when emotion runs without our will. This might be a simple thing, but simplicity is the best to some degree. ... Yet for this specific genre or anime, it makes a huge difference. Either way, this show delves us into the unique complexities of romantic pursuits and the bittersweet taste of love.

Character/ Heroines:
Every character, or specifically for this show, heroines, are quite attractive, well defined, and their unique personalities, purposes and wills give this another chance to go beyond the harem troupes and the concept of forbidden love. And now, if I say more accurately, from the shy librarian to the outgoing, energetic heroine, all of them have their own resolution or perspective, their narrative, and this is another detail that I like about this anime.

Animation/ Art-style:
Art-style is one of the of the most intriguing parts of this show. Just like stories and their characters, an animation or art style can also maintain or establish the same level of dynamic. Art style is quite vivid, and at the at the same time it is soothing or creates a heartwarming atmosphere which is another huge success of A-1 Picture.

At the bottom line, Makeine might be a subversion of Harem, but frankly, it is more than that. And if you watch it with neutral perspective, you can enjoy or get those points I'm talking about. Also, it's obvious that nothing is absolute. Whatsoever as I said before, Makeine may not revolutionize the specific genre, but it leaves a certain impression of heartfelt narrative and a charming cast of characters or heroines.

Whenever a show starts with the stepsister, it’s kind of expected that that will be a siscon ultimately. But in this case, “Days with my stepsister,” from judging from the premise or the character's point of view about their surroundings, I thought this might be something new, like there won't be any siscon, which there isn’t. 

I personally avoid this kind of (siscon-related) anime because of its very genre and traumatic experience of Domestic Girlfriend, yet I started this show; the reason was already mentioned. Generic characters, plots, but only I expected that they don’t do any siscon what they pretend really well. From the starting, ... the female doesn’t see any kind of affection toward the male lead, and in episode 3, when they got their viewers, it simply turned out to be siscon promax. Degenerating as hell. 

Finally in the mal, people are questioning that if it’s a flop? I mean, to be honest, is there anything to flop? First of all, it’s a normal anime that has had any high hopes whatsoever. Secondly, it’s not made to be hit. I don’t know what people want from a degenerating siscon. 

About animation and production, it’s unique and satisfying if Studio Deen used this in other shows; I hope they would get a good response out of that. Also, Studio Deen completed the production before the half, which is appreciating where other studios keep delaying and postponing a show. 

Overall, some praises and etc., this is the most pretentious siscon, to be honest.