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If you liked Teppuu add

...then you might like The Boxer add

Both Teppu and The Boxer portray an unusual reversal of tired combat sports manga tropes: instead of following the journey of a talentless underdog who achieves results through hard work, they turn the formula on its head and make what would be the "last boss" character of such a manga its actual PoV protagonist. And they both find interesting ways to humanize such a protagonist such that it makes them even more nuanced and exciting than your typical "I did this a lot and became good" lead. Similarly, both works focus on character studies more so than the sporting aspects, leaving offscreen everything that doesn't advance our understanding of the main cast. Teppu is grounded and realistic (at least as far as the genre goes), focuses more on the nuances of personal motivation, and exposes the other side of the nature/nurture juxtaposition in a way that makes a lasting change in how you see such characters in other works. Its main problem is that the story ends early, only reaching an intermediary, non-conclusive resolution to its principal character arc and utterly abandoning every other plot thread set up in the first half. It looks like the author had to take multiple health-related hiatuses in the final years of writing it and hasn't produced any long-form manga since, so that doesn't bode too well for the prospects of continuation. The Boxer instead takes the route of a high-concept philosophical exploration, eschewing realism on purpose for parable-like "what if" inquiries, and is much darker in tone. But, as if to compensate for Teppu's one weakness, it contains not one but TWO immensely satisfying endings. Both works stand out within their genre, set a high standard in storytelling, and I'm quite sure that if you've enjoyed one of them, you'll also enjoy the other.

If you liked Blame! add

...then you might like Usuzumi no Hate add

In the very distant future, in the aftermath of a devastating conflict between humans and not-humans, a lone figure armed with an overpowered handgun is roaming a vast, desolate world on a seemingly hopeless retrieval mission.

If you liked Sabishisugite Lesbian Fuuzoku ni Ikimashita Report add

...then you might like You to Bakemono ni Naru Chichi ga Tsurai add

Mariko Kikuchi's My Father Who Becomes a Monster When Drunk is Heart-Breaking and Kabi Nagata's My Lesbian Experience with Loneliness (and its sequels) are autobiographical essays of troubled youth and early adulthood filled with traumatic experiences, family problems, and overpowering loneliness. Both are illustrated in a minimalistic, doodle-type art style that makes for a particularly unnerving contrast with hyper-realistic drama and negative emotions packed therein. A very heavy, potentially triggering read.

If you liked Hyakuman-jou Labyrinth add

...then you might like Tate no Kuni add

Both works feature bizarre, physics-defying, seemingly endless worlds that require a lot of ingenuity and ad-hoc engineering to navigate. Hyakumanjou Labyrinth takes a somewhat more reserved approach and explores the videogame-like aspects of such a world, while The Vertical World goes all larger than life by the end.

If you liked Watashi ga Motenai no wa Dou Kangaetemo Omaera ga Warui! add

...then you might like Kuma Miko add

Both shows try to make comedy out of putting vulnerable girls with severe social anxiety into uncomfortable situations adding up to outright abuse. There is no clever writing, there is no character arc to vindicate the protagonists and assert their self-worth—there is only unenjoyable cringe. This site feature is called a "recommendation" but by no means would I recommend either of these appalling shows. Go watch Welcome to the NHK.

If you liked Mob Psycho 100 add

...then you might like Tate no Kuni add

Fun and well thought-out adventure romps with lovable characters and satisfying conclusions that prove that you don't need great art to tell a great story in a manga.

If you liked Nijigahara Holograph add

...then you might like Shounen no Abyss add

A rural town where people lead a hamster-wheel existence. Alienated teenagers burdened with expectations. Failed adults feigning ignorance and keeping up the facade. Liars, criminals, abusers. A shared past tainted by tragedy. A beautiful scenery as a backdrop for poetic death... Or maybe not so poetic after all. Nijigahara Holograph is for the subtle elegance. Boy's Abyss is for the relentless existential dread.

If you liked Aku no Hana add

...then you might like Shounen no Abyss add

A rural schoolboy with a lot of pent-up feelings and an identity crisis meets a mentally unstable girl who becomes a catalyst for his self-destructive unraveling. What Boy's Abyss lacks in nuance compared to Flowers of Evil, it makes up in sheer tragedy.

If you liked Made in Abyss add

...then you might like Tate no Kuni add

A boy and a girl on a quest of discovery go down a mysterious, seemingly endless pit to find out what's at the bottom, suffer a certain amount of body harm, and make (sometimes lose) some friends along the way. Cyborgs, alien technology, emotional gut-punches, and various forms of body modification may or may not be involved.

If you liked Blame! add

...then you might like Tate no Kuni add

Planetary-scale artificial superstructures, futuristic weapons, digital life, and heaps of ontological mystery. Blame! has the art. Tate no Kuni (The Vertical World) has the story and an actual ending.

If you liked Reiraku add

...then you might like Kusakabe-san add

A brief look at a story of a burnt-out man in a self-deprecating, dysfunctional relationship with a weird woman he knows he has no business dating. Don't expect closure.

If you liked Petshop of Horrors add

...then you might like Kishibe Rohan wa Ugokanai add

Both are episodic OVAs which take narrative cues from the seminal series The Twilight Zone, where a single mystery/horror/paranormal concept is explored in a short parable, with the main recurring cast member being a charismatic narrator who is only loosely involved in the story. As is the tradition, the stories are often left open-ended and under-narrated, with part of the mystery and the lessons learned being left as an exercise for the audience. Both OVAs have well-defined, memorable, flamboyant visual style that balances right on the cusp of self-irony. It is interesting to see the JoJo style being used for this kind of content—it fits remarkably well and does not rely on the knowledge of the JoJo's Bizarre Adventure lore to any significant extent. Fans of this brand of horror-mystery will surely appreciate it even without being acquainted with the main JoJo series.

If you liked Made in Abyss add

...then you might like Tengoku Daimakyou add

A boy and a girl travel treacherous landscapes together to find a missing person, fighting off bizarre creatures using a mysterious raygun. Body horror, violence, gore, and underage nudity coincide with an uncharacteristically cutesy art style. Probably not the best book to read on the commute unless you enjoy the weird looks and an occasional sigh of disapproval.

If you liked Genius Party Beyond add

...then you might like Pianoman add

Mahiro Maeda's Gala, the first short in the Genius Party Beyond collection, was a likely inspiration for Pianoman. Similarities can be found both in the overall feel and some of the major themes involved, such as music being presented as a source of life and/or growth.

If you liked Koukaku Kidoutai: Stand Alone Complex add

...then you might like Psycho-Pass add

Psycho-Pass is, perhaps, the closest thing to GitS:SAC that we will ever see. This isn't to accuse PP of mindless copycatting, though; although both shows deal with similar settings and subject matter, as well as have similar direction and audiovisual feel, Psycho-Pass clearly holds its own and even improves upon GitS in terms of pacing and visual flair at times. It may not be up to one's taste, but it's definitely worth checking out, and its handling of the subject matter surely deserves credit either way. Important to say, much like its spiritual predecessor, PP also respects the viewer's intelligence to a remarkable degree, offering mostly natural exposition, believable character conflicts and interactions, deus-ex-machina-free plot, and zero fanservice. A rare gem of an anime for a mature viewer.

If you liked Hellsing add

...then you might like Devil May Cry add

In both series, the protagonist is a powerful person of demonic origin, dressed in red, who is nearly invincible, has superhuman abilities and two big handguns of different colors. He is employed by humans to fight other demons in exceptionally gory and stylish ways on a daily basis. The animation style is also somewhat similar.

If you liked Juubee Ninpuuchou: Ryuuhougyoku-hen add

...then you might like Seirei no Moribito add

A brave and extremely skilled warrior suddenly finds themself protecting a young heir to the nearby feudal province who is also somehow a key to a local magical event. From time to time they are accompanied by a strange old person with shamanic powers. There is some well-choreographed fighting which is probably the main attraction because everything else is kind of bland.