[!]THIS REVIEW CONTAINS SPOILERS AND IS A VERY LONG READ, A SPOILER-FREE TLDR IS PROVIDED NEAR THE END[!]
"Just for now, just for now", stacking excuses on excuses,
ugly fruit that's ashamed to live after surviving.
You've lost your hope in the distance of the stars.
Thou shalt not die.
From the 99th Class, Nana Daiba.
If it is fate that you must ripen and fall,
then now, I'll offer you a beautiful end.”
The road to hell is paved with good intentions. And with that knowledge in our heads, we will use this opportunity to take a train, a train that leads us to Revue Starlight: The Movie, one of the best
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movies ever created. I already talked about its predecessor before but just to recap: the Revstar TV show is a criminally misunderstood show that, while confusing, indirectly handles mystery and human determination well with its stellar directing and organic cast of characters. While the show is fantastic and is arguably better than how others would view it, this damn movie takes everything up to a whole new level. This sequel is the pinnacle of surreal artistry that pretty much unleashes the series’ full potential and ends on a high note. It’s no wonder why the TV show was intentionally written to be a stepping stone. This whole thing has to be one of the greatest twists I’ve ever seen in fiction.
The show's story is about two girls named ‘Karen’ and ‘Hikari’ who watched a stage performance of 9 girls in a group called “Starlight” and both were amazed by each of the girls’ performances. As time passed, the two girls were in high school and made friends with 7 other girls. While the 9 girls do their standard school activities, Karen discovers a secret room which is a stage for the Starlight and the other girls are part of it. And with that, the 9 girls are dancing and singing in a battle of who will take the victory. Mind you, that is when the girls were still studying and practicing. This movie’s plot is when they’re entering the actual play as well as going in for a very bizarre reveal of what their grand assessment will be, albeit indirectly. It’s time the girls are prepared for their finale to show their full best. But that will also be paired with some sort of black magic. The movie is now creating and directing the results of both the character arcs and the pure mystery of the Starlight. Essentially, it’s now revealing both how much the girls have come with their talents and dedication thus far and the shocking truth of the stage in general.
The movie’s story has done nothing but be amazing from left to right. As I mentioned, it truly takes what the TV show has and places it in a position that changes everything. How everything is written and built from the get-go is already excellent but the biggest strengths in my opinion are both its directing and its scriptwriting. Those two aspects really elevate the whole movie for me. It starts with this buildup where after Hikari wins against Karen, our main cast becomes a little more different from what we see in the TV show. The girls are now going to visit the theatrical troupe, all while Hikari returns to London. This isn’t too groundbreaking per se but it’s a really great change of pace where we get more insights as to what they’re going to do next. The movie truly shows what the characters do with their life choices and even outside the stage plays, they show how they’re setting their things up here, differentiating from how they do in auditions. That said, this buildup is really needed but it’s time we move to the gauntlet stages of beautiful and poetic chaos.
First entering Annihilation Revue! The first actual performance and a one-man endurance test on Nana. This fight starts with the girls minus Karen and Hikari casually hanging around in a train while waiting to arrive at the troupe. But while they’re at it, a circle with the Giraffe’s icon in it rolls in and turns the train into a bloody battlefield. By extension, it also reveals Nana’s true potential, not just in strength but also in her colors. Nana proceeds to beat the shit out of her friends in conjunction with her song and poetry. This may be the first revue but it’s also arguably one of, if not, the best ones in the movie. Part of why this is just a massive standout is how it handles Nana’s monologues and her interactions with her friends. She may be a kind soul but you really can’t forget that she also has her dark side. Even without this movie existing, she’s always willing to be dedicated to building up and spreading her philosophies as well as conflicting with her friends, especially when she’s involved in stage plays. I’ll say this again, Nana IS the honorary shadow figure in animanga; acting like an angel she is while also developing her demon tendencies.
But yeah, Nana is especially poetic and scary here. I’m not joking when I say she unleashed her full wickedness. This truly represents Nana very well because not only of her twisted coin flip as mentioned earlier but also of her relationship with Starlight as a whole. Even though she ironically hates them, she joined the stages because they taught her how to be a star so valuably. This applies to all the other characters but Nana is so obsessed with her career to the extent that she’s WILLING to put her friends out of commission so she can be on top. Despite how selfish she can be, she’s also very wise and truthful. Even if you’re very strong in every category, studying what being in Starlight means will still overwhelm you, which is why she’s the most dedicated participant ever. She indirectly tells the girls this with both her singing and her menacing, stoic demeanor. This entire scenario regarding Nana as a villain is brilliant, not only in the performance but also in how the movie starts to shift heavily with those things. After the intense one-man fight, Nana WON, leaving her friends behind with nothing but blood and gore which, by the way, are faked with tomatoes.
Speaking of, the fight scenes! The choreography in Revstar, even before this movie, stomps on the ground way harder than a lightning rod. The fights are so impactful that calling them miscellaneous is a crime at this rate. The fights are amazing because not only do they ooze a lot of tension but they’re very cathartic and tie well with the characters’ motivations and personalities. They’re stage battles where you have certain characters depending on a scenario and they have a perfect balance between over-the-top action and heavy but profound dialogue. Of course, you can’t forget about the stage songs. These lyrical songs are still, to this day, the best kinds in the whole industry. They’re not just very catchy and addicting to listen to. Similarly, they enhance the substance of the scriptwriting a lot further. Each of the songs fit perfectly with each Revue perfectly while also tackling the directing and character writing extremely well.
Before we move on to the next Revues, let’s tackle some other things too. The backstories of Karen and Hikari are well-explored. It shows (and proves) that even though they may have a competitive relationship with each other at times, they still recognize themselves as great friends who are willing to work hard to achieve their ambitious goals, whether they work with each other or not. Even ignoring the whole Starlight situation, they live with their own personal lives and they hang out with each other with other things they would be interested in and/or personal things they would deal with, further extending their developments and dynamics. The Giraffe is weird, especially as the main antagonist, but he’s very well-written. He designed the stages not to impress viewers but rather, to show the girls both the methods of developing determination and exploring the illusions that have certain yet very strong connections within themselves. He uses that advantage to spiral in the 9 girls about their special feats while also trapping them in a paradox until they break their limits. Not much to say here. He’s a great villain overall.
Alright, let’s move to Resentment Revue. This Revue is where Kaoruko and Futaba probably (and arguably) have the most diehard relationship with one another in this film. This fight has a really interesting setting where it contains temple decorations and goddamn dekotora trucks. Well, this is the underground theater we’re talking about here. The fight is this: Futaba convinces Kaoruko that aiming for the top isn’t necessarily worth it and just be casual friends in a casual life but Kaoruko wants to keep going. The more they argue, the harder they go with their fighting skills (that applies to every other Revue, though). Afterwards, Kaoruko realizes that limit so she loses and accepts that both of them are competitive stuff like Starlight in general. This is not only well-directed but also very relatable because even though humans like us are hard-working, not everyone is equal and in hindsight, there are limits we just give up on. Even though these two characters are brats when they fight, they make very strong points as to whether one of them wants to keep going or not. They realized, nah. Casual life is more fun than the stages for them and with that, Futaba won and both of them decided that they’ll stick with what’s more comfortable for them. That said, Futaba is still the weakest of the 9 girls when it comes to characterization, development, and catharsis but she’s still excellent and this fight proves that.
Next up, Co-Star Revue. Hikari is chilling in London but she’s reminded by the fact that she has yet to meet up with Karen in Starlight. So she hops on a ride and surprise surprise, Mahiru blocks the road. Remember the one fight where Mahiru fights Karen all while she uses cute-looking but otherwise creepy puppets? Well, why not use the advantage on Hikari too? Mahiru is creepy. Heck, even creepier than the Giraffe. She brings in the catchiest song out there while haunting the heck out of Hikari. But you wanna know why she does this? It’s because she wants to have fun. She seeks attention for the sake of dancing together in Starlight. Mahiru is an excellent character. Even though she’s a weirdo, she still sees a lot of value in her friends. Even though Hikari lost, Mahiru still convinces her to the point of giving her another chance. Hikari admires her too. I always think Hikari’s dynamics with Mahiru are more interesting than her dynamics with Karen (we’ll get to that later) with all the silly hassle but also really formidable conflicts.
Moving on, Hunting Revue. This is arguably the best one right after Annihilation Revue. First dressed as military soldiers, this is where Nana meets her biggest conflict besides Karen and Hikari, Junna. Nana is very confident with how very serious she is with fighting and because of her demeanor, she wins… or did she? Junna had a rough time against Nana but she unleashed so much adrenaline that she gained the same confidence. Even if Nana is very wise and is really on the right with her ideals, her yin outweighs her yang it sorta blinds her, and this leads her to her downfall. Junna won because not only did she gain more precision (shitty pun intended) but she convinced Nana to snap out of it. Kaoruko vs Futaba may be the most diehard fight and while this is a runner-up, this is the most personal because of the chemistry. Nana does see value in her friends but she’s still selfish enough to protect her career. Junna values Nana but she also wants her to stick to her angel side more. This very intense fight convinced Nana to give up. She may have done villainous stuff but she’s still consistently empathetic to us because she worked hard enough to be competitive and even then, she still cares about her friends. Can’t forget about Junna either. She’s also well-developed.
For our next fight, we have Soul Revue. Knowing from Claudine and Maya, we don’t expect less. However, from a controversial viewpoint, this is probably the weakest Revue out there even though those two characters are still among the best in the entire series. That doesn’t mean it’s half-bad. It still has top-notch scriptwriting, directing, and character writing. Claudine and Maya start off by spitting out Shakespearean lines in a very fancy setting, they fight, and Maya seems like she won but Claudine pulls a prank. They then enter a very intense battle. If Kaoruko and Futaba have the most diehard relationship and Nana and Junna have the most personal relationship, Claudine and Maya have the most competitive relationship. Those two have a very strong bromance with each other. Their battle is one of the most spectacular things ever and they're paried with their really awesome dynamics. Everything about the fight is absolutely amazing but I just think the other Revues provide a significantly more impact in comparison. By the way, Claudine won. Period
And finally, our endgame Revue is The Last Line. This is the final gauntlet where Karen and Hikari meet each other and where they meet their destiny. The fights have been building up very well to this epic final battle. Not only does it perfectly show the symbolism and willpower of determination but it also perfectly shows the amazing duo between Karen and Hikari. As mentioned, their chemistry with one another is bittersweet and motivational but, at the same time, competitive, and this is how they prove themselves. Their fight is amazing with their combination of spectacle, tension, poetry, and personal impacts. Despite this, it still doesn’t have much of an upper hand as the other fights do. Again, this is an amazing Revue but the others are a little better.
However, the reason why this succeeded isn’t necessarily the whole fight. It’s brilliant, sure, but the reason for that is because of the ending. This is, without question, the best ending in the industry. Karen and Hikari fought each other very intensely and it’s so epic that it magically killed the Giraffe out of amazement. Hikari fakely stabs Karen and uses the Tokyo Tower as a rocket to land on the end goal of reaching position zero. Hikari didn’t win because of a competition. She wins so as to virtually bring herself and Karen (and maybe even the 7 other girls) to the stars. Why? Because the stages they dance on aren’t really stages. They’re illusions that bring some of the most valuable lessons about dancing and singing. They’re more than what they are. This ending perfectly calculates how much they have gone through and developed thus far. Best of all, this is just the beginning, the beginning of reaching the heavens. This Revue may not be on the same level as the others with everything else but thank god, it more than makes up for it with such a formidable finale.
TLDR or in case my words are too much:
STORY - 100% (Very well-written story packed with godlike direction, dialogue, and choreography.)
CHARACTER - 100% (Every single character is armed with an outstanding and well-founded presence, personality, and backdrop as well as organic character development and superb catharsis. Not only well-written but also memorable and some who we truly resonate with.)
ART - 100% (A mixture of incredible Sakuga and still the best batch of character designs in any anime.)
SOUND - 100% (The music, the sound design, and the Japanese voice acting, are unlike any other.)
And if you’re asking me how I rank the Revues, it would look like this:
[1] Hunting Revue (1 and 2 can be interchangeable)
[2] Annihilation Revue (1 and 2 can be interchangeable)
[3] Resentment Revue
[4] Co-Star Revue
[5] The Last Line
[6] Soul Revue
All of them are amazing in their own right.
“With the light reborn in my heart,
my new flesh and blood seek life.
To sing, dance, and battle.
If those are our wild instincts, then...
From the 99th Class, Hikari Kagura.
Fate changes. So does the stage.”
And that is it. Finally. I don’t think this review will do any more justice. But I want to repeat this once more, Revue Starlight is just kino. It manages to take everything it has on the table and nail everything well from left to right. It’s pretty much a jack-of-all-trades and master-of-all, a combination you don’t see much in any medium. If the 9 girls are filled with massive passion then so is this entire series, especially this movie. There’s not much to say in this closing honestly. Thank you so much for reading, and to Revue Starlight, thank you so much for breaking the impossible.
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Dec 25, 2024 Recommended Spoiler
[!]THIS REVIEW CONTAINS SPOILERS AND IS A VERY LONG READ, A SPOILER-FREE TLDR IS PROVIDED NEAR THE END[!]
"Just for now, just for now", stacking excuses on excuses, ugly fruit that's ashamed to live after surviving. You've lost your hope in the distance of the stars. Thou shalt not die. From the 99th Class, Nana Daiba. If it is fate that you must ripen and fall, then now, I'll offer you a beautiful end.” The road to hell is paved with good intentions. And with that knowledge in our heads, we will use this opportunity to take a train, a train that leads us to Revue Starlight: The Movie, one of the best ...
Reviewer’s Rating: 10
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Nov 29, 2024
Highschool of the Dead
(Anime)
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Not Recommended
Guns. Swords. Romance. Fanservice. Harem. Zombies. What do these things have in common? If you couldn’t tell already, they’re combined together to make a show called High School of the Dead. From the title alone, you would think that this is your average zombie blockbuster but in anime and… that’s because it really is. This used to be my shit when I watched the hell out of it as a kid. Yeah, it had a lot of gory and nude stuff shown but some scenes with excellent production are what caught my attention. Looking at it now, the animation behind it aged well but the
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story content certainly doesn’t. This isn’t just your average zombie popcorn entertainment, there are a lot of problems we need to consider.
The story starts with our lead, Komuro Takashi, hanging around in high school. But suddenly, zombies began rising in Japan and they were spreading around the school. With that, Takashi is forced to kill his best friend to join an organization and vow to protect Miyamoto Rei. Together, alongside a few other women and another man, they work together to cleanse zombies out of the world. To start, this isn’t already a bright sight. I mentioned how HSOTD is your generic zombie blockbuster but in anime, the premise alone already proves that. It doesn’t matter what kind of characters you have, you still have the same slay zombies with few people strong enough to survive ideas. In fact, zombie stories are arguably the weakest monster stories in fiction simply because how most of them are cheap and formulaic. Sure, you still have blood and gore around but so do vampire stories, sea creature stories, and alien stories, among others. With zombie stories, you just don’t have much variety to work around with. If you think that’s bad enough, though, wait till you hear this. For starters, the fanservice is bad. I want to make this abundantly clear that fanservice is purely subjective in general storytelling. They’re the type of scenes that are made purely for style and style only. Sure, they don’t highlight a story but they also don’t degrade it either, depending on what series you make. Unfortunately, however, HSOTD really likes to inject boob and/or butt shots everywhere to the point where it’s hard to take the show seriously. This series couldn’t go for a single episode without sexualizing any of its female characters. The reason why this is insane is because it’s everywhere. The show doesn’t at least give a decent explanation as to why this is focused so much. The female cast shows their boobs or butts most of the time for genuine budget reasons. Let’s not forget that it also injects harem elements everywhere. Those two things are everywhere that the show itself might be classified as pornography instead. The fanservice is rather distasteful and prevents the show from being even enjoyable on a basic level. Heck, even if you take out the horrible fanservice, everything else about it also sucks. I can’t be annoyed enough at just how poorly-created the scriptwriting is. The show takes itself so seriously at times. It throws in a bunch of monologues to appear smart or reasonable but in reality, they’re all surface-level garbage. You would think that this show would even compensate for the jarring fanservice with its dialogue but let’s be honest, we wouldn’t really give a shit about it. The dialogue consists of either pseudo-intellectual lines that failed to be smart or serious or straight-up budget Spongebob quotes. The direction is the reason why all of this is horrid. Heck, you can also see some of the dumbest sequences known to mankind. You have characters appearing that they’re on the right but either bring themselves to even greater danger or are just stupid. Either way, for absolutely no reason. There’s no tension. There’s no buildup. There’s no backdrop. We just go from point A to point B without a consistent plan or such. Oh, wait! How about the zombies? Surely those are supposed to be important additions to the show, right? From what I see in my 4 to 5 hours of observation, I wouldn’t agree with that. The zombies are useless. The only reason why they’re seen to be remotely close to being threatening is when any of the characters act useless for some reason. If you want a story that makes zombies a threat and a major driving force, look at Plants vs. Zombies or Resident Evil for example. They’re not anime but those two actually establish their zombies extremely well. PvZ makes zombies not only strong but also have unique personalities that make them memorable. Those zombies are equally goofy and lovable but they can also pose a serious threat thanks to their leader, Dr. Zomboss. If that doesn’t suit your style, Resident Evil has you covered on that front. Even though its zombies can also be mindless, they’re absolutely high on crack and will easily break your bones if you’re not prepared. HSOTD wouldn’t learn from any of those. It has the exact same zombies you would see from most other popcorn entertainment titles. Now for “characters” (if you can call them that), with Takashi the emo protagonist, and his gang of… um… let’s say a group of boobs and asses that possess limbs… and maybe even Kouta, I guess. These characters are one-dimensional, even your typical battle Shounen protagonist will have more development than whatever they have. They’re all walking archetypes/Gary Stus with no personalities other than typical zombie slayers. At times, they’re practically rendered useless when the plot says so. Other times, they make some very stupid decisions when they want to appear “smart”. I would have gone into more detail for these “characters” but let’s face it, they’re so bland that there’s no way you would think they’re worth at least 2-4 sentences individually. If there’s one aspect we can all agree on, it’s that the animation is outright amazing, albeit shamefully. The action in this series is so well done because of the production. Not only do you actually see characters move in a very badass way but each frame is smooth and fits well with the intense fights well. The character designs, not so much, especially the female ones which are solely used for fanservice. A similar case can be said with the music. I guess they fit well with each sequence but outside of that, they’re not much to talk about. The voice acting is decent. Each voice performance conveys each character quite nicely. I will say this, though, the English voice acting is a superior experience compared to the Japanese version since it brings more entertainment value. High School of the Dead may be a childhood show in my eyes, even if it’s for the wrong reasons since it’s fanservicy and gorey as hell. But as of today, this is not the hill to die on. It’s one of the few anime that is popular for having zombie aspects, but that doesn’t really excuse the shallow and dumb writing while also being misleading. If the zombies are the most useless parts of the show then what’s the point of making them important? You were far more focused on the Ecchi and Harem aspects anyway and those aren’t even very good either. All we have left is some nobodies effortlessly flexing around while being sexualized so hard to the extent of making the show almost unwatchable. Eh, at least we still have the glorious and infamous Matrix boobs scene so I guess there’s that.
Reviewer’s Rating: 3
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Nov 21, 2024
Blue Archive the Animation
(Anime)
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Not Recommended
Gacha adaptations… Gacha adaptations… Goddamn Gacha adaptations… Where do I begin with this one? Gacha adaptations are the most infamous adaptations in the industry. They’re the type of shows that clearly have no idea how to set up their stories. Either they tried too hard to connect with their source materials or they’re just lazy promotions for said materials. Blue Archive is clearly a victim of this. This sparks a lot of red flags regarding how it promotes the game itself that you might really consider thinking if the anime even tried or if you just want to play the game instead. Quite the series
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we have here, huh? But tell me, the OPs and EDs are promising so you may think this show would at least be a tolerable one, don’t you- Absolutely not, and I would guarantee to tell why this series fails in a lot of fundamental aspects.
What is Blue Archive about? This series is about Sensei (yes, he’s called that, he doesn’t really have an official name unless you consider our usernames in the game) who is hired to be… you guessed it, a teacher. His job is to take care of the schools in a world we call “Kivotos”. In this scenario, though, this show is at least based on the Countermeasures Committee arc. Shiroko found Sensei lying around on the ground in the town and thought it would be a good idea to have him as the teacher of a forbidden school named “Abydos”. Abydos is a shell of what it was before because as of currently, it doesn’t have any students other than the Foreclosure Task Force which consists of Shiroko, Serika, Ayane, Nonomi, and Hoshino. They want Sensei to stay around for longer because not only do they want to keep the school they study in healthy but there’s also danger involved. Blue Archive’s premises are interesting because unlike other school anime whether they have fantasy involved or not, there’s always initial tension involved and each of the story ideas tells us the creation and mystery of each relevant school. Sadly, however, this won’t last for long. Before I get into how the anime is directed, let me briefly explain Volume 1 of the game first. I’m personally not a fan of Volume 1 (and the game’s storytelling in general). While they do have nice build-ups, they feel a little too stagnant for what they are. They rely a little too much on slice-of-life aspects and as much as I’m a fan of SoL, they tend to get in the way of the story’s progression. Hell, even if we get to the serious parts, the story tends to take itself too seriously. It tries too hard to express the personal struggle of each character but most of it either felt forced or doesn’t matter. It also has symbolism which is actually damn awesome but in the end, it’s rendered as more of a concept than an actual connection to the story. With all of this being said, this right here is an anime adaptation we’re talking about. You would think that even with just 12 episodes, it should at least decently address the problems of volume 1 in the game, right? To that, I answer, HELL NO. In fact, the series does the opposite. Even for non-BA standards, the anime disrespected what the game really offered and it’s really painful to look at. The direction is the biggest cause of this show. While the direction in the game is still mediocre at best, it at least stayed true to how it connects with the story. This one, on the other hand, misses the whole point of what the story in the game aims for. It even misses the point of what Sensei is. More on that later. But you get what I mean here. The directing is the cause of why the pacing is so problematic in the first place. Cutting out the prologue is the biggest mistake this show has ever made. The prologue actually shows us how Sensei roams around Kivotos while also building his responsibilities as a teacher. We see how Sensei meets his students. We see how he takes care of his students. We see how danger is set up. Heck, we even see the mysteries set around the world. We don’t see ALL OF THIS in the show. It’s as if the show thought the first few minutes of volume 1 was the true start. On the surface, this doesn’t seem so bad. But if you had played the game before, you would have realized that this is not how we start the story. There are a lot of unanswered questions involved and this is our first encounter. Hell, even ignoring how this show cuts out the prologue for no reason, the directing is still bad. We have a lot of cool and strong shit from the game. We have the halos which play a very crucial role in the story. We have the origins of Kivotos. We have the mysterious evil leaking in Kivotos. We have Sensei’s credit card. We even have heavy lore revolving around the characters. You wanna know what the show did? While most of those are present here, none of them actually play a role while other stuff like the credit card is left out. Why? It’s because the show treats Blue Archive as a slice-of-life romcom with action as a superficial aspect (again, more on said aspect later) instead of what the game is even about. This is not Lycoris Recoil. This show shouldn’t really be doing any of this. It has a lot of things that are in the game and it still didn’t even try to use any of it alongside the absence of the prologue on top of it. If you’re wondering how nothing happens when someone gets shot by a gun even after finishing the show, I wouldn’t blame you. This is a massive problem we’re facing and it’s only spreading from here. The halos aren’t really explained here. They’re really just there for aesthetic purposes while students are invincible to gunshots. This show either forces us to play the game to discover how it works or it purposely reduces that factor into plot armor. Like I said, it doesn’t end here. The show contradicts the story by shoving in a lot of slice-of-life and comedy aspects to “cover” the unanswered chaos involved. While the game still overuses those aspects, those treatments are even worse here. The show really doesn’t know what it tries to aim for. It just seems like it wants to be like the generic seasonals we see before. It plays too safe with its setup. It doesn’t want to expand more on serious stuff. It’s not funny. It’s how it is. By the way, I mentioned how symbolism in Blue Archive is relatively underused in the game. It’s a good time to point out that it’s not present here and… that’s also really a massive problem. I can forgive the game for rendering symbolism as concepts even if it degrades the writing. But leaving them out is a horrible thing, even worse than cutting out the prologue because they’re used to show us what the mysteries are. Lastly, the fight scenes are garbage. Some may consider this as a nitpick and that’s totally understandable. But I just can’t stress to you how negatively it affects the show. The choreography is complete nonsense. Characters resolve each problem in each fight by asspulls, such asspulls as removing hardcore consequences the moment students are about to win or students are motivated by Sensei’s weak-ass words just because. There is something really off with the choreography. We’re not given enough time to see how students fight. We spend the rest of the time seeing characters do surface-level stuff. They don’t really show how they fight effectively. We just see characters winning by either random luck of their own or elements of surprise. The show is too afraid to hurt its own characters because of those problems. Hell, we can ignore the horrible fight scenes and this glaring problem is still presented. Even Hoshino, who sacrificed herself to save the Foreclosure Taskforce, is given a treatment that is not harsh enough. Let’s move on to the cast, consisting of Sensei the main teacher, Shiroko the bank robber, Serika the tsundere cat, Ayane the table flipper, Nonomi the sunflower with a minigun, and Hoshino the unstabled uncle. The main girls aren’t really much to speak of, even in the game. They have no personality other than being based on one character trait. Yeah, they do their own purpose but that’s really about it. Nothing to say here because they aren’t really worth more than a few sentences individually. The same can be said with the side cast. They have a role for each but they don’t do much. None of these characters are close to being impactful. They’re too straightforward and they don’t express much besides their cookie-cutter expressions. Yeah, we have the famous Aru shock face meme presented but most of the time, they’re really just plot devices to move the plot forward. But no other character comes close to being a problem child as the Sensei in this show. He is, without question the worst part of this godforsaken adaptation ever. Sensei in the game was actually a character of his own. He’s mature, he’s independent, and he sets up his own responsibilities. While I still don’t think he’s that great of a character, everything he does in the game is at least understandable. In the anime, you get none of that. He’s reduced to being a generic harem protagonist who’s afraid of certain things for no reason. He really has nothing to show. He’s just there because the anime really needed a teacher around. Think about it, he’s a living contradiction to the story. He clearly has no idea what he does as a teacher. He only does his job because his students really need to succeed. While that is understandable by itself, he’s brainless because he mostly follows his own students just to keep his job going instead of actually taking care of his own responsibilities alone for once. Seriously, I really want to punch him in the face. The animation in this is bland. It’s stiff. It looks like it was made by middle schoolers who recently discovered Twitter. The character designs, anime or game, are a massive hit-or-miss. While they at least fit with each character, most of the time, they still look generic and aren’t really my cup of tea. The soundtrack, minus the OP and ED both of which are fine, is deplorable. From a generous perspective, this is the biggest crime in the show minus the absences of the prologue and the symbolism as well as the flanderization of Sensei. The music is outright amateur and doesn’t fit well with Blue Archive at all. The voice acting is good, though. Hoshino’s voice actress really went all out with her character. It’s a shame with how the anime went and the anime is a shame itself. Really, though, it manages to miss the whole point of what Blue Archive is. Listen, I personally don’t like Blue Archive in general but I can still see how it’s written. This show is a spit in the face in how it “promotes” the game. It’s yet another generic example of how fundamentally flawed Gacha adaptations are. Just look at Arknights for a moment. Sure, it’s not very amazing but the story in there is still pretty good and manages to connect with the game well. Blue Archive’s anime cannot do the same. It tries too hard to be its own thing when it messes with what the game offers. Let’s hope that if it were to have a sequel that adapts volume 2, it would at least avoid the problems this anime has. But I highly doubt it would happen.
Reviewer’s Rating: 3
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Nov 5, 2024
Tengen Toppa Gurren Lagann
(Anime)
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What a massive ride this series was. Gurren Lagann is a show that not only defines epicness and the nature of human evolution but also catches my heart every time I always take a look at it. Gainax has come along through making over-the-top and wacky stories even if there aren’t many, with those titles known for that kind of gimmick being this, FLCL, and Dead Leaves. But from time to time, Gurren Lagann is arguably the best of those shows simply because of how it pushes the boundaries and finds itself to newfound heights. With the amount of heart put into itself, it also
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shows us that no matter how much trouble you face, you still and will always move forward.
The story starts off with our central main character, Simon, who is an orphan working in the Giha village which is located in the underground. Simon works while hanging with who appears to be a foster father and brother of his, Kamina. Both Simon and Kamina try to find their way to the surface but there are restrictions they somehow can’t comprehend. Eventually, they discover Lagann while they’re attacked by the first enemy gunman (or in this case, a beastman) alongside meeting Yoko, the girl who rescues the two main characters as well as stops said gunman. With Lagann activated, Simon, Kamina, and Yoko defeated their first enemy and with them succeeding in finding the surface, Kamina builds his own legacy and gets his own mech named Gurren, a mech that is stolen from the beastmen and artificially designed to be fused with Lagann for more power. The start of the series is incredible personally simply because of how it initiates in building background the moment its story starts. We already see Simon and Kamina building their own background respectively at the start, with Simon reflecting on how he’s living his own shackled life and Kamina reflecting on his silliness while also showing that you have enough strength to face your limits. Both of them are an amazing duo that coincides with each other greatly. The series also did a great job building on Lagann’s design and personality, that being how Lagann is some sort of sacred treasure that only a person with will can possess. While Simon has yet to develop on that, Kamina is still his superior so therefore, Simon still possesses Lagann with all of his heart. While this seems silly at first, this is completely in character for how Kamina, even though he can be rough at times, cares for anyone he befriends and how they want to improve. It also succeeds at explaining how both Gurren and Lagann are connected to Kamina and Simon respectively, with Gurren being the big silly guy and Lagann being the small one still standing up. Of course, it only gets better from here. What this series succeeds at is building one of its most prominent messages, that being how you can always move forward. Simon and friends are touring around the Badlands gaining new friends, all of who they recruit as their own allies, and facing enemy encounters. At first glance, this seems like your typical Shounen story but with mechs. You’re technically right in that regard and with that, you wanna know what this series does? It adds dark themes that show you no matter how hard you try, you will still lose something valuable and these are handled excellently. One of the best deaths in the medium is Kamina’s fate. This is hard to tackle because it’s very controversial but here’s why it’s more impactful. You see, no matter how high Kamina’s position is, one of his natures is that he can act ignorant. He’s always a goofball at heart and even then, he’s still a massive influence on his own team. With the war against the beastmen being more and more intense, it’s time that Kamina’s soul moves on. With Simon and the crew watching Kamina going away, Simon developed his own confidence even more. The reason why this is great is because although Kamina is very prominent, his death allowed Simon to develop more determination and thus, he and his team always learn how to grow stronger and stronger. This brings us to our next point, maturity. Gurren Lagann’s maturity is surprisingly very impactful. Not only does it show how characters actually find their way to develop their own will and ideals but it also shows a perfect contrast between Simon and Kamina. Even though Simon and Kamina are bros to each other that create a great duo and team, in some cases, they’re like a yin-yang to each other. Simon is the boy who always finds more improvements as he has an inferiority complex while Kamina has a superiority complex that blinds his adaptability at times, hence why it virtually explains how Gurren struggles to keep up in fighting without Lagann. Another point TTGL also nails is, surprisingly enough, satire. Again, satire plays a crucial role when it twists normal logic to the ground and features some of the most absurd yet welcoming things around. Think JoJo’s Bizarre Adventure for a second where it is comical with its powers and actions yet doesn’t take anything seriously, regardless of serious moments, as long as it focuses on the general storytelling, directing, and character writing consistently. TTGL is similar to that in the sense that it captures its silliness very well. Is normal logic happening in our universe? Nah, screw you. The real logic here is you use your own imagination to fight against evil. Any of your imagination is part of your strength. The best part of this is the show isn’t so literal with it. Because it establishes the absurdness well, the series continues to work on other aspects very consistently. Let’s move on to characters and well well well, we have a lot to discuss. Let’s start with Simon, the protagonist and one-man army who always strives to establish his motivation, Kamina, the silly sidekick who leaves an impact on his own team, and Yoko, the professional sniper. Simon is an amazing protagonist and one of my personal favorites. He starts off as weak but eventually gains not only more strength but also more confidence. What makes Simon stand out from other protagonists is how he faces his own consequences. Not only does he find more strategy but since he changed when Kamina died, he has a great speech about moving forward and this impacted both him and his friends. Yet he still struggles regardless of how much power he develops but that’s fine because he’s always determined and knows how to break a limit into pieces. Kamina is also a great character. He can be very silly but that’s part of his nature. The best part of his character, however, is how he designed his whole team to spread the wisdom of determination and fighting against evil. His character gets even better with his chemistry with Simon, especially when his fate shows you that you’re still motivated. TTGL’s cast is great but I have to admit, Yoko might be a slight exception. She’s a decent character, don’t get me wrong. She’s useful for the team and she has good chemistry with Simon and Kamina. It’s true that she’s more than fanservice but generally speaking, she isn’t as impactful as the other characters. Speaking of others, the sidecast is great too, with my personal favorite of the bunch being probably Kittan and Nia since Kittan is also quirky yet kickass while Nia is one of the most impactful reasons why Simon keeps on developing. The villains are entertaining and more tricks up to their sleeves but they aren’t the most memorable villains in the industry out there. Again, they have their purposes but we can still do better. Although my favorite antagonists in the show are Viral and Lordgenome. Viral at first seems like your annoying side villain to be trashed by the time his first fight is over but he grew on me simply because of how he coincides with the protagonists. His dynamics with Simon are more interesting than Kamina + Simon personally (more on that later). As for Lordgenome, he’s also surprisingly impactful. Even though he may act very suspiciously, he has great ideals as he rules over humans for reasons that make him not only logical but also compelling overall. All in all, TTGL has a great story, endearing directing, and superb characters it makes use of very effectively. …But wait, that’s not even the end of our story! All of this is just the tip of the iceberg. We haven’t gotten into the full potential of TTGL yet and what is considered to be arguably the most controversial aspect of the show, the post-timeskip content. The post-timeskip content takes on a more mature take on the story as opposed to the pre-timeskip content’s goofier side. While it still retains almost all of its aspects such as satire, it now utilizes more drama and tragedy. The second half of this series now tells us that the beastmen aren’t really the villains of everything and they only fight because they’re bigger opponents to the true villains, the Anti-Spiral race. The imaginations we talked about are spiral powers. In fact, spiral powers are based on our imaginations (pre-timeskip content also explains this but this is more explained here). There’s a lot to unpack so let’s get through there piece by piece. The Anti-Spiral race is not only an incredible twist but also an incredible final antagonist because they perform magic that only the strongest of the spiral warriors can comprehend and they’re the origins of how they create and moderate the universe. They also have very compelling philosophies where they have a reason to rule the universe as they’re the ones protecting it. With that, the Anti-Spiral race will try to send out weapons that are both incredibly potent and complex. And this leads us to Rossiu. Rossiu was a decent side character before. Nothing bad happened to his character but nothing too interesting happened either. But here, he becomes one of the most developed characters in the show. Rossiu takes care of people as the chief advisor and with the Anti-Spiral attacking as hard as they can, he had no choice but to put the blame on Simon. The reason for this is that he wants to calm his people but his solutions are vastly limited. Sure, that made you unlikable for arresting Simon but what other option do you have, really? Rossiu isn’t some malevolent dictator, he’s a victim of his own responsibilities and shortcomings and above all. He still cares about Simon and he wants to do something right for the people, even if it’s incredibly risky for our main cast to also fight, and that makes him a great character overall. Viral, as I talked about, is very compelling with not only his ideals but also his chemistry with Simon. The reason why his chemistry with Simon is more interesting than Kamina’s is that although Kamina + Simon performs a very iconic duo and left a valuable impact on their own group, Viral + Simon has interactions that are more personal. They point out each others’ highs and lows. Viral worked with the beastmen legacy because he wanted to strive for more value in both his personal belongings and his true intentions. He virtually doesn’t give a flying damn if he gets his ass kicked, he wants his life to be healthier. Simon, on the other hand, still has a greater reason than anyone else as to why he’s a greater savior and how he wanted to keep Kamina’s legacy alive. Both of them try to clash with each other for said reasons from them respectively but at the end of the day, it’s kind of pointless and they agree that they’ll still fight against the true evil together. Lordgenome is more interesting because he’s the father of Nia and Nia is the Anti-Spiral’s greatest victim. Lordgenome was forced to trash Nia out of his place so his victory would not go haywire. Sadly, that plan of his did not work but that doesn’t matter because he developed more strategies now that he fights alongside Team Dai-Gurren. The Anti-Spiral race only shows power that is just stronger and stronger. The team members have to sacrifice themselves. The best one is Kittan because he had a great time interacting with the team and how dedicated he was as a member. Like Kamina, he left an impact upon meeting his fate, strengthening the team, especially Simon, even more. Kamina’s soul is stronger because of the death of others and his soul is a living spiral power. This fully motivates Team Dai-Gurren to their full power, having a final showdown with the Anti-Spiral’s core, which is arguably one of the best finales ever. Both sides try to prove which of the two is more valuable in protecting the universe but in the end, it’s the humans who win because they always show that they always improve. The Anti-Spiral finally admits that they’re mistaken about the human race and with that, they’re dead. After the race, Simon and Nia marry each other but Nia dies right after because she signed the contract of the Anti-Spiral race. Simon didn’t cry as he understood everything and thus he moved on, telling his team that they could do things on their own and going back to his older self, being a no-name miner. Here’s why this is a fantastic finale. You see, Simon understood what would happen to Nia because he paid attention to how potent the Anti-Spiral was, and no matter how strong he got, he always reached his limit. So yeah, even with full spiral power, he still isn’t worthy of being a god. This perfectly conveys TTGL’s message because it doesn’t matter if you gained something valuable, it doesn’t matter if you lose something valuable, you still need to face your consequences. But that’s okay because no matter the trouble around you, you ALWAYS MOVE FORWARD. This was fun talking about the amazing storytelling of TTGL. Before we wrap up, let’s talk about other things. The animation is great and aged well. It perfectly reflects on the over-the-top action happening. The character designs are amazing and from a generous viewpoint, my personal favorite part of the show. Minus Yoko’s space outfit which could have been a lot better with a few tweaks, every silhouette and texture is over-the-top yet very effective and adds a lot of heart. The music is also superb. Again conveying each and every scenario very well alongside having one of the most iconic songs ever, that being Libera me from Hell. The voice acting is amazing as well. While I love both the Japanese and English versions equally, I actually prefer the latter for Simon over the former. Not to diss Kakihara Tetsuya, his performance on Simon is still great and my favorite from him but Yuri Lowenthal nailed the character harder than I expected. And that will do everything. Gurren Lagann is a massive inspiration to both the philosophies of your imagination and over-the-top action for the best. All of its storytelling, directing, and character writing truly did the impossible equally while also having among the best designs and soundtracks in the industry. It’s no wonder why the crew that worked on this left Gainax and created Studio TRIGGER. Again, it’s a massive inspiration for the best. Hell, even if you’re not a fan of action, this is still a ride you would guarantee to hop into because it’s wacky yet it’s deep and meaningful. I just want to thank Imaishi for introducing me to both this masterpiece and the follow-ups of his work.
Reviewer’s Rating: 9
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Oct 22, 2024
Ergo Proxy
(Anime)
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Oooh, Ergo Proxy. This is going to be an interesting series to talk about. Ergo Proxy is probably one of THOSE shows if you get what I mean. It’s a series that is very complicated yet interesting in terms of how it sets up its own story structures. It’s never meant to be relatively easy to understand but from the looks of it, it can create twists and/or have characters explore around while they develop their own ideals. Sure, it’s going to take a little longer given its moderate runtime but it might still tell you how its story will go. In theory, this is
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rather pleasing. But even then, is it going to be good enough to hold up until the end? Well, let’s jump into the talk, shall we?
Before we explain how the series goes into practice, what is Ergo Proxy? Ergo Proxy is about reality being forced to replace humans with mysterious creatures named, you guessed it, Proxies. Both humanity and the Proxie have a visceral relationship with one another and the latter wants to reign supreme. In our main location, the domed city of Rondo, where the remaining humans live, we have our main detective named Re-L and she will investigate the vile mysteries happening along with the help of the companions called AutoReivs. Ergo Proxy has a lot of interesting ideas, to say the least. As mentioned, the premise behind it is very complicated but it still has distinct elements we can explore. The whole humanity vs Proxy thing is crazy and we could still make it more enticing. The start of this series is pretty decent in my opinion. We first get to see some humans and their robot companions experimenting with what a Proxy is capable of. As we all know, Proxies are very strong and aren’t really something we can easily experiment with. That’s where our main detective, Re-L, comes into play. Re-L is hired to investigate the Proxies around and her goal is to take them down before they can cause any more trouble. And even she isn’t that strong to take on them on her own. She needs to develop more strategies in order to make things a little easier. Initially, we get to see some pretty compelling characterization around this one. On the surface, this is pleasing. Showing us what Proxies are capable of and how they clash with the human race is pretty good. ‘ahem’ On the SURFACE After the start of the series, you’ll notice that something’s off with the story. That is sadly where this series goes downhill. The issue with the series is how it tries very hard to be serious. I get it, you want to be very serious. That’s totally fine. Do that as you wish. It’s just that it constantly wants to be smarter than it really is by throwing a shit load of philosophical monologues around. Now, philosophical monologues are not even bad on their own. They’re actually good if you connect them well with the story and/or character(s). That’s something Ergo Proxy fails to recognize. The monologues could have been a lot better if the story didn’t just spit them out and put them on the floor, probably never to be touched ever again when another episode comes into play. The best way to describe the story is that it’s pretentious. No, really, it’s pretentious in the sense that it tries to be deep when it’s surface level at best. Another problem with the series is how much potential there is thrown away. The relationship between humanity and the Proxies is actually great. We could have seen more from it if the series hadn’t treated that idea as a poor cat on the streets. All we have left right now are a bunch of concepts we can observe for a little while before we move on without realizing how they reach their maximum potential. Let’s face it, we can headcanon how those concepts go better than this show. Those concepts, as I said earlier, could have been explored more if the series didn’t waste its time trying to appear smart. This leads to not only confusion (and not in a sense that could elevate the story higher) but also frustration. It’s head-scratching to see how we get to see SOME buildup happening and afterward, they’re abandoned as if they’re grocery stuff we don’t need on our list. This also applies to symbolism, by the way, and it’s more frustrating than ever. Symbolism is an interesting beast in Ergo Proxy where it may give you hints on how mysteries happen, especially with how Proxies originated. There are some hints pointed out but other than that, almost all of them are also wasted. Like the monologues, symbolism is just thrown out just so the series can appear smarter. Symbolism in general shouldn’t really be used all the time, to begin with. What do I mean by this? Let’s take a little look at Serial Experience Lain where that show doesn’t use its own symbolism countless times but it properly uses them when it carefully creates either a twist or a slow buildup to convince audiences what’s happening. Yes, I’m aware that both SEL and Ergo Proxy are different shows but even then, the principal stands. My point of this contrast is that symbolism isn’t a toy you can play with all the time. Symbolism is something that gives you a hint/idea when you create a figurative story. That’s something that, again, Ergo Proxy fails to understand. Lastly, and I’m surprised that not many people point this out but I can’t stress to you how bad the filler is. It seems like Ergo Proxy occasionally runs out of ideas when trying to be serious so to “compensate” for that, it creates episodes that are comedic yet have nothing to do with the plot. Here’s an example, there’s this episode called “Nightmare Quiz Show” (episode 15, to be exact) where the characters play a quiz. Now this may bring in variety but it leans too much on what the episode is about and not what the overall story is about. Basically, it just leans on comedy for the vast majority of the episode’s runtime. A similar case can be said with some other episodes like “Eternal Smile” (episode 19). As we keep needing to come back to it, it adds nothing to the story and just leans on comedy. Ergo Proxy isn’t supposed to be an anime to do this kind of thing, since it’s about seriousness and mystery-solving. But we have those happening anyway. The character writing is also subpar. Let’s start with Re-L, the main detective, Vincent, the immigrant, and Pino, the main AutoReiv. Starting with Re-L, she’s a passable character, I guess. She has this cool no-nonsense personality and she does her job. But she isn’t fleshed out enough for me to care about. Moving to Vincent and oh boy, there are so many wrong things with his character. Now, he is a very important character but the series made him as if he shouldn’t exist in the first place. The nail in the coffin of his character in my opinion is when he’s revealed to be the Ergo Proxy which, again, seems cool but the whole thing is rushed which leads to yet another line of pretentiousness. Lastly, Pino is just there. She isn’t a remotely bad character also but she doesn’t have much personality to show. Yeah, she’s a main companion but that’s basically about it. The side characters kind of suck. Yeah, they have their purposes as well but they still aren’t really properly executed characters, to begin in, even if they’re supporting ones. They only exist just so they can push the plot forward in case the writing for the main cast isn’t “enough”. There isn’t much to say about them honestly. Now, the final important element to cover is the ending. Now, this is arguably the most controversial part of Ergo Proxy but I actually think the ending is pretty decent and is the best part of the show. It’s not too amazing all things considered but it ties up most of the plot points quite nicely and isn’t rushed, even if some others are still left in the dust, unlike the rest of the story. It does at least address what happened in the series. It’s a shame with how Ergo Proxy’s writing is resulted because the visuals are actually great. They’re not too simplistic but not too complicated either. The details are executed well, especially with character designs, and the animation flows very nicely. The soundtrack is amazing and my personal favorite part of the show. The same goes with the voice acting and of course, how can we forget about Megan Hollingshead as Re-L in the English dub? Still the best voice acting in the show. That said, both the Japanese and English voice-acting are equally great in their very own rights. And those are my opinions on Ergo Proxy. There are a lot of interesting things we can observe but most of them are never used properly by the show and it leads to not only unnecessary confusion but also blatant frustration on top of it. There are ways the show can handle complexity well and yet, it doesn’t even realize that from left to right. Now, that isn’t to say don’t watch this series. I’m not trying to be objective with all these points. If you have a high chance to enjoy or love this series then go for it. I have nothing against it. But if you manage to read all of what I just said, you at least heard my two cents.
Reviewer’s Rating: 4
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Feb 16, 2024
Shoujo☆Kageki Revue Starlight
(Anime)
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Now I’ll admit, I’m not really into musical anime. While I do appreciate the ideas of music used in any show, most of the time, they felt one-sided and too gimmicky for my personal liking. At least to me, the use of musicals isn’t really executed well due to how they’re portrayed as background themes instead of story purposes. But there’s one anime that caught my attention and I’ve been a huge fan ever since. Of course, I’m referring to arguably KineCi’s best show, Revue Starlight. When I started watching this, I was keeping my expectations in check for the most part solely because again,
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my stances with musical anime. But as soon as I finished the show (and gave it a re-watch because why not?), I have come to appreciate the passion and creativity this show holds.
The story is about two girls named ‘Karen’ and ‘Hikari’ who watched a stage performance of 9 girls in a group called “Starlight” and both were amazed by each of the girl’s performances. As time passed, the two girls were in high school and made friends with 7 other girls. While the 9 girls do their standard school activities, Karen discovers a secret room which is a stage for the Starlight and the other girls are part of it. And with that, the 9 girls are dancing and singing in a battle of who will take the victory. Revue Starlight has a lot of enticing ideas that it explores well. On the surface, the storytelling barely made any sense. Sure, it’s one of the more unique musical anime out there but it’s just a bunch of girls fighting each other on a stage with some cool shit thrown together. And you know what? You’re technically right. From the looks of it, Revstar isn’t really taken literally. The scriptwriting seems odd and the characterization looks pretty funny. Which is why we have yet to observe this show’s biggest charm, its take on symbolic elements. Think about it, Revstar doesn’t have traditional storytelling, to begin with, regardless of what premise it holds. Instead, it has its figurative meaning about how the girls are driven by their own determination and philosophies. It really shows how the characters are trying very hard to prove that their strengths are way more than average and how they can voice out their very own colors. The show does a fantastic job nailing those aspects. It presents just how human and colorful the cast is no matter the situation. It feels like I’m watching another Ikuhara anime and yes, this show isn’t really directed by Ikuhara himself but this is SO IKUHARA that it’s a CRIME if one says otherwise. The script writing may be complicated but it’s directed brilliantly because it doesn’t take itself seriously alongside creating more room for the cast to show more personality. Normally, I would consider fight scenes to be superficial but I can’t stress enough how HARD the choreography holds. In most cases, it’s fine if you make fight scenes pieces of popcorn entertainment. After all, you want to keep viewers entertained, even if writing won’t do justice. But you can make them better if you elect to combine them with storytelling. In this respect, Revstar is the best at that. Not only is the action portrayed well with a combination of physical clashing and over-the-top movements but the dialogue is, again, driven by adrenaline and true human emotions. It nails how girls perform on a stage and how they want to be the star of the dance extremely well. In the Starlight auditions, you need a lot of effort in order to prove that you hold enough will and justice, both in your script and your dance performances. The cast is the best at showing those kinds of factors. Speaking of which, it’s time we talk about the cast. Karen is an excellent protagonist who shows how you can hold any sense of determination. She isn’t your average Shoujo main character by any means, she always has enough physical and emotional strength to present to you how you can be deemed to be a guardian angel. The same goes for Hikari, who even though Karen is fantastic as both an MC and a character, felt like the true protagonist of the show. Other characters also deserve special mention. Mahiru may be a psycho (a harmless one at that) but I absolutely love her relationship with Karen, even though it’s silly. Junna’s kindness towards anyone she mostly interacts with is something I really admire. Claudine and Maya probably have some of the most philosophical chemistry with each other I’ve ever seen when it comes to making a female equivalent of a bromance (I really don’t know what it’s called, please help). Kaoruko’s combination of laziness and surprisingly high knowledge of the stage makes her a fantastic character. Futaba was a little disappointing, though. I do love her princely behavior and her chemistry with Kaoruko but she doesn’t click me as much as the other characters. But even if some tend to be my least favorite of the bunch, I adore all the girls equally due to their own unique and enjoyable charms. However, if one stands out the most for me in a way that makes the most definitions of what special means, I have to give it to Nana. She isn’t just an honorary shadow figure, she IS THE honorary shadow figure in animanga. The fact that she’s very kind for the most part only to reveal her true colors in the auditions is what really holds my attention. In fact, her selfishness is easily the best part of the show. Nana is a diehard idol who spent all of her effort trying to stand on top of others. What makes her extremely special is how she is very dedicated to the Starlight stages yet doesn’t overstay her welcome. Despite all the hassle she brings when she’s brought into the auditions, she still retains most, if not, all of her kindness. Talking about the story and characters is fun and all but let’s talk about the art and sound. The production really surprised me. When I saw the words “KineCi” and “animation” put together, I always thought they would do okay. Not the worst but not the greatest either. But with Revstar, the animation is clean and smooth. The physical moments are over-the-top yet balanced at the same time, all while also containing very pleasing visuals. I don’t want to disregard the aesthetics either. In my opinion, Revstar has the best character designs out of any anime. Not only do the characters look distinct and dynamic but they also fit well with each character’s personality and dancing style. The music, most notably the stage ones, is incredible. The amount of energy put into and used with them is just amazing. They also represent the characterizations of every character wonderfully. Same with the voice acting. STORY - 93% CHARACTERS - 94% ART - 90% SOUND - 100% There’s more I could talk about but all I can say is that Revue Starlight is just fantastic. I find it sad that it has gotten a reputation as a hit-or-miss and I could totally understand why. It’s not for everyone. Its take on symbolic elements may confuse those who aren’t familiar with its story structures. But personally, this show has a lot of great stuff in one package. It has a non-linear storytelling that indirectly shows human determination well and the characters are super fleshed out. Best of all, this is just at minimum potential. This series has a movie sequel and we will talk about that in another time. FINAL VERDICT - 9/10
Reviewer’s Rating: 9
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