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Nanatsu no Taizai kicks off with the main goal being finding all the Seven Deadly Sins and having them band together to defeat the Holy Knights. It's isn't overly complicated and the story uses that to its advantage.
Nanatsu's protagonist, Melodias, is the sin of Wrath. At first, with his childlike appearance and actions, it seems oddly placed. The man runs a traveling bar that is carried on a gigantic pig, and he's generally very carefree despite being powerful. But occasionally Melodias displays characteristics nothing but deserving of his attribute of wrath, and that has been a key factor a few times. He travels with the ... naive princess Elizabeth and a talking pig named Hawk. Later on, more of the Seven Deadly Sins will join him.
Nanatsu no Taizai has battles that utilize both physical and magical weapons, the majority of these being against the Holy Knights. Each character has its own story and place in the series, and the cast manages to grow without getting too hectic.
Overall, Nanatsu no Taizai, while still ongoing, avoids being a fantasy solely relying on fanservice for appeal, but rather is a simple action story meant to be fun to read.

At first the series is somewhat episodic--the protagonist, Utsuho, going off on various journeys in which he recruits a few members in to his 'family', which lasts the first handful of volumes. Afterwards, the 'main story' begins, which is his quest for the mysterious Kokonotsu treasure. Now to reviews...

Story (8)
Oh, it's not terribly unique, granted, but it IS interesting. Utsuho is a clever and strong protagonist, and not just a good liar either. He's smart, able to think quickly and calculate good strategies. This helps the manga discard any of the 'I MUST GET STRONGER!' plot lines and focus on the arcs. Each is interesting, ... the manga has very few slow moments and it keeps a great pace. Utsuho will help various people out for a long while until he recruits the heroine, soon after he visits a village where an old friend lives and afterwards sets off for the Kokonotsu.

Art (8)
Yuuki Iinuma has a simple art style, but he's good at what he does and it fits the series quite well. His action is well done, his style is consistent, and for the most part his proportions are correct. No complaints there.

Characters (10)
Each character is very intriguing in their own way, so I'll park here a bit. All the characters are important, which is a good asset for this type of manga.
Utsuho is ambiguous at times, but he much more than just a liar and that's his strongest point besides his wit. A likable protagonist. The doctor, Yakuma, and the heroine, Neya, form the 'main three' of sorts, and are the closest to Utsuho, after the tanuki, Pochi. Besides them, Hikae, the mischievous former guardian of one of the Kokonotsu treasures, joins the group, and they constantly bump into the antagonists Choza and Uzume, who have their own backstory concerning Kuroha, a villain that appears often. Another woman also joins the group after a while, and I understand that in later volumes Utsuho's family is a force to be reckoned with.

Enjoyment (9)
Itsuwaribito Utsuho can handle both serious and comedic moments together quite well, causing the overall enjoyment to be high. It has interesting arcs, a good pace, good characters, and high re-read value.

Overall (9)
It isn't that there aren't things to complain about, but all things considered, it is well done and, for a historical action that has both wit and some drama, is a great title well worth reading.

This review is based up until chapter 48.

Shingeki no Kyojin has a comprehensive enough plotline--humans being chased around and eaten by grotesque giants called Titans, which do faintly resemble large, ugly humans.
However, the series actually has much more to do than just focusing on humans being eaten, which is probably its best asset. Shingeki has several mysteries that intertwine as one reads the series--how the Titans were made, exactly how they work, who is controlling them, what's that huge monkey, and a few other that are secret--and I think the fact that it isn't eleven volumes of pointless bloodshed that makes the series so ... popular.
Shingeki also has some good character development--hardly any live character stays the same, for better or for worse. Each character has their own story and personality, and te mangaka is good at revealing them.
The artwork isn't gorgeous, but I think it's a good fit for the series. If Isayama Hajime used a beautiful art style, I'd think it's be distracting.
For those who find the series too graphic, I'd say the anime toned it down a lot.

The mangaka Tsukiji Nao is knows for painstaking detail in her artwork, and that's also evident in her book of one-shots, Haikyo Shojo.
The stories vary from a man who can 'see' music in the forms of creatures, a girl who suffers from hallucinations and spends her time in a chest of drawers, a hatter who is commissioned to make hats in order to live, and et cetera.
While her plotlines are unique to use one word, Tsukiji Nao's stories are never dull and always interesting. Her art is incredibly detailed and her stories are nice.
Haikyo Shojo is certainly worth reading.

I started it after a search for a good psychological read. Aphorism doesn't have the most original premise--a school of horrors has been done before--but the way the story is carried out, the mix of characters, and overall arcs make it a well done manga.
Aphorism isn't an extremely gory horror, and it has good characters and a good use of their special abilities. The main character isn't amazing, but at least he's likable. Most of the characters are.
Either, it's a good read for a psychological horror.