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"If you won't save me, please don't waste my time."
--Oasis - Falling Down (OP for Eden of the East)

Most of the discussion of Eden of the East (Higashi no Eden) focuses on it as an atypical mystery/romance with likable and interesting characters which is nevertheless brought down by its comparatively weak plot that never really delivers on the suspense it builds up. I agree with this assessment, but that isn't what got my attention when I watched this series. In Eden of the East, I saw a surprisingly eloquent show about millennials (Generation Y) and how we try to find our places in this world. ... I'm going to focus on this aspect of Eden of the East in this spoiler-free review.

Many of both the protagonists and antagonists portrayed in Eden of the East find themselves somewhat lost in a world that doesn't quite seem like it was made for them. Saki's lack of direction in her life prevents her from getting a job after graduating from university. Her friends' attempt to build a startup, but it suffers from a lack of funding and interest. Ohsugi is the only young character shown to have gainful employment, and he feels out of place at his job. A sizable amount of characters proudly self-identify as NEETs (not in education, employment, or training) and don't consider themselves to be a part of society. Even some of the antagonists use their isolation from society as a justification for violent actions. Conversely, characters over thirty seem more a part of their society, but believe it can be changed and improved. However, these older characters don't consider those younger than them in their plans to reform Japan into something greater, once again, making the younger characters feel out of place.

Eden of the East feels very much written not merely for millennial anime viewers (I'm going to avoid the term otaku due to its negative connotations in Japanese), but feels like it was written about them! Many characters use the internet extensively, and imageboards in particular play a role in the plot. Memes form a major part of how information is transmitted and older characters ignore or do not understand these memes. The terrorist attack, Careless Monday, is focused on much less than people's reaction to it, a possible reference to the generation shaping (in the United States, at least) terrorist attack, 09/11. Both of these events passed by very quickly, but discussion of them never stopped. Finally, the characters in Eden of the East feel like cooler version of millennials. The young people portrayed in the show come off as stylish and thrive off making pop culture references. Even the geekiness of the characters only seems to boost their charm, especially shown by a hikkikomori who uses his computer skills and internet savvy in a badass fashion. It was unusually easy for me to put myself in the place of the protagonists, greatly increasing the immersion of the show.

Eden of the East itself feels like a show built around the exclusion of young people from society and the passive protest many of us do as a result. The characters don't start massive street protests or foment violent revolution like The Sect from Jin-Roh: The Wolf Brigade, but that merely highlights differences between millennials and baby boomers (Jin-Roh is probably set in the late 1960s or early 1970s). Instead, the characters either passively sit on the sides of society, refusing to participate or they commit terrorist acts alone with little outside support. I think it's quite telling that the older Selecao focus on making society more orderly while younger Selecao focus on making it more chaotic, reflecting differences between our generation and that of our parents.

Before I end this review, I should also briefly discuss other good things about Eden of the East. Its early episodes create a very interesting world that I felt very drawn into. Its romance aspects are surprisingly well done, especially since I tend not to like how anime handles them. I liked how the romance focused on a young woman not quite sure of herself rather than the cliched anime example of a young man not quite sure of himself. Even though in real life, I'm a straight guy, I could easily see why Saki likes Akira and I found him to be a very compelling character. Eden of the East also did a good job of creating interesting antagonists with striking motives for their actions. Lastly, the English dub of the series is very well done and does a good job of making the social criticism discussed earlier feel very relevant to a Western audience. There's quite a bit to like in this show.

The problem with Eden of the East is that, like others before me have said, it never quite delivers on its promises. I got a strong sense that the characters were all dissatisfied with the current state of Japanese society, but these same characters don't have any good way to change it (a common criticism of millennials!) I would say Eden of the East is character driven, rather than plot driven, but the characters really don't change much throughout the series. Even the movies, which progress at a much faster pace don't seem to change the characters a lot. I agree with other reviewers here on MAL that nothing feels like it changes over the course of the story. Throughout the show, I had this sense that the creators were trying very hard to say something, but they couldn't quite get it out. While I suppose this prevents the show from coming off as preachy, it also leaves it feeling imcomplete and empty. I wrote this review to avoid plot spoilers, but I wonder if knowing the entire plot changes anything about one's enjoyment of the show.

Despite an unusual narrative focus and notable imperfections, Eden of the East has spawned imitators. Durarara!! adopts protagonists who are stylish young men and women that clearly watched more than a few anime series in their day. Mirai Nikki (Future Diary) builds a life and death plot around super powered cell phones held by people with wildly differing views of themselves and the world around them. Zankyou no Terror uses terrorist acts as a way to highlight problems in society. Each of these shows takes a different direction than Eden of the East and they do it with different degrees of success, but if you liked one of these three shows, consider watching Eden of the East and see what you think of the similarities.

I feel like Eden of the East isn't far off from being a masterpiece, but the parts it is missing take a lot away from its impact. I liked Eden of the East quite a bit, but I like the above discussed social criticism quite a bit more than the plot or characters, leaving the show feeling a little gimmicky. If you found the first two-thirds of this review very compelling, I think you would enjoy Eden of the East for its commentary on postmodern society. Also, consider watching this show if you liked any of the above mentioned anime that adapted ideas from it: Durarara!!, Mirai Nikki, or Zankyou no Terror. I guess the last thing I want so say here is that before I watched Eden of the East, I felt that there are no works of fiction that adequately describe the lost feeling so many people around me have. Unfortunately, after watching Eden of the East, I still feel the same way. Thanks for reading and I hope you liked my review!

Addendum: I think it's worth noting that I was born in 1991, so I am part of the millennial generation portrayed in Eden of the East. Lastly, as long as this review is, I feel like I missed some major things like the references to Shakespeare, vaguely relevant lines from Christian spirituals, the messianic aspects of Akira, and the color schemes used. I wasn't quite sure how to include them so I didn't discuss them at all. Some time in the future, I may delve into these a little. I get a bit too wordy with these things. :)

"Where in my frail body am I supposed to find the strength to stand?"

--Ishikawa Chiaki - Uninstall

This review is written with the intention of being spoiler free, but I will attempt to analyze various aspects of the show which may result in me giving hints to events of the show to some viewers. I apologize in advance if I do this and I hope to avoid spilling the beans on a very good anime. I'll admit my review is also kind of long. For a tl;dr, go the second to last paragraph.

Bokurano has always seemed to me to be a very contentious and controversial anime. ... Viewers and commenters appear to either love it to death or hate its very existence. Enjoying Bokurano is highly dependent upon bonding with the characters, feeling their pain, weeping with them, and leaving each episode like you have just left a funeral. In anime such as this, viewers tend to either develop this connection with the protagonists in which they love the series or the viewers do not and so they find themselves hating it. I can't promise that you will like Bokurano, but I can promise that I will tell you why I like it in the hopes that you will find out if you will enjoy it like I did.


Bokurano is about 15 teenagers who are tricked into piloting a massive mecha to defend Earth against other massive mecha who are attacking for an unknown purpose. Each of these kids has their own reason for fighting, these reasons are very personal and most are not caught up in the idea of protecting humanity. The series is structured around arcs of one or two episodes focused on each of the pilots. In each case, we see the life of the character in question, their families and people around them, why they seem beaten down and driven into a corner, and finally, why they choose to fight the attacking mecha.

I see Bokurano as the ultimate "feel-bad" anime. There are very few happy or funny moments. Each heartwarming moment turns to sorrow within 10 minutes and many of these moments are intertwined with suffering. Gutwrenching events occur almost every episode and I often found myself wanted to go sit in a corner after watching. I would not recommend seeing Bokurano as an anime similar to CLANNAD or Steins;Gate. These anime begin with humor, happiness, and charm to introduce you to the characters and then put them through hell in the pattern of what TVTropes has called Cereberus Syndrome. Bokurano does not take any time trying to win you over with hints of a happy series. By the end of the second episode, it is clear that things will not go well for our heroes and heroines. The fights are never shown as something cool or fun and aren't even that interesting to watch. A minor amount of strategy in these fights is discussed, but it's not a big focus of the series. The battles bring the kids together and connect them to each other, but are primarily used as a plot device to keep things moving.

You may have already noticed that Bokurano seems very similar to a much more famous anime, Neon Genesis Evangelion (abbreviated NGE). NGE seems to have been a major inspiration for Bokurano and both anime have significant similarities. Indeed, I find it pretty hard to discuss Bokurano without comparing and contrasting it with NGE so I'll get that done here. Both NGE and Bokurano go heavily into the implications of using emotionally unstable teenagers as the first and only line of defense against mysterious, eldrich beings who attack and fight for apparently no reason. Neither anime is particularly happy or uplifting and the protagonists in both can seem distant and hard to get along with throughout the series. The mission control and support for the children piloting the mecha is very limited and the pilots commonly feel like no one in the world is there for them. The most obvious antagonist in both series is the one driving the protagonists to keep fighting (Gendo Ikari and Dung Beetle for NGE and Bokurano, respectively). Be aware, however, that there are major differences as well. NGE is not solely about the suffering of its protagonists. It heavily uses Judeo-Christian naming and symbolism and the battles against the Angels can be interesting and cool at times. NGE also heavily goes into Freudian psychology and often has a highbrow, even pretentious feel to it at times. Bokurano has none of these things. Bokurano's sole focus is to rip into the Humongous Mecha genre and show why it is not fun, cool, interesting, or a good idea to enlist young, emotionally unstable children as the soldiers against enemies who threaten our species. I personally feel that if you like one of these anime, you will like the other, but I know many NGE lovers who did not enjoy Bokurano as all, so please be aware of the differences between these series if you came from NGE looking for something similar.

Bokurano uses much less symbolism than NGE, but there is one major symbol I would like to comment on: chairs. Each of the chosen pilots has a chair they are transported into the robot with. The significance of these chairs differs for each of the pilots, but each one relates to their dissatisfaction and unhappiness with their life. A sadistic, socially Darwinistic boy is associated with his father's office chair. His father is a nasty caricature of a heartless businessman who seeks to profit off the destruction of the battles occuring throughout Japan. Another boy has a floor cushion, used as a symbol of his family's poverty and the troubles he goes through in order to support his siblings who were all abandoned by their parents. A girl brings a piano bench; her parents love to hear her play, but she doesn't particularly enjoy it. All of these chairs provide insight into the protagonists and their lives and each helps the viewer understand them better and to emotionally connect with these characters. I think the use of chairs was done extremely well by the series and is used to great effect to demonstrate how each of the protagonists is both and different from all the others.

Now that I have finished my initial discussion and analysis of Bokurano, I am going to discuss each of the official ratings MAL gives its reviewers to rate anime. If you have read this far, you likely still have some interest in Bokurano and I will attempt to use this section to help you make a final decision of whether to watch it or not:

Story: Bokurano has the saddest story of any anime I have seen at the time of writing this. The characters all go through hell and get very little for their troubles. There are so few happy moments that the most common criticism I see of Bokurano is that the viewer can become apathetic to the trauma suffered by the characters due to the mostly uninterrupted melancholy of the series. I personally did not have this happen to me, but I can easily understand why others say this. Note that Bokurano is also very dependant on surprising plot twists and does not hesitate to make its cast miserable for the sake of the plot. If anime are to be classified as plot-driven or character-driven, Bokurano is definitely plot-driven. Overall, I give the story 8/10 for its capacity to be touching, but it probably could have used some contrast.

Animation: The animation in Bokurano is not particularly eye-catching or attention-grabbing, but I feel that a bright, colorful animation style would be out of place. The characters are all animated realistically except for Dung Beetle whose slightly cute appearance is contrasted with his sadistic behavior. I really like that Bokurano avoids the animation caricatures that anime often slips into such as huge eyes, brightly colored hair, and flamboyant outfits. The overall gray tint to the show adds to the gray mood of the story. Because the animation fits the theme, but isn't particulary remarkable, I give it 9/10.

Sound: Bokurano opens with one my favorite anime OPs of all time, Uninstall by Ishikawa Chiaki. I absolutely love this song and still play it regularly while driving or working. In fact, the tagline for this review is a line from the OP. Be sure to look at the lyrics as they describe a lot of the general feeling of the series. Both endings to Bokurano, Little Bird and Vermillion (by the same artist), are much less interesting, but still are good to listen to and capture the feel of the series well. The voice acting and background music didn't particularly get my attention as it is neither very good nor very bad. I personally think that this works out well overall when the sound doesn't distract from the atmosphere and Bokurano isn't a series where much would be gained from music and voices grabbing one's attention. Mostly due to Uninstall, I give the sound 10/10.

Characters: Bokurano has a very large character list. 15 children pilot the robot. In addition to them, Dung Beetle and various government officials make regular appearances. Add all these up and we get a series with at least 18 main characters (and arguments can be made for others). As a result of this huge cast in a 24 episode series, characterization is somewhat limited. While each character changes throughout his or her arc, there really is only time to designate one major change. Series with so many important characters also run the risk of not showing much of their cast besides the designated protagonists, but Bokurano averts this nicely and makes each of them essential to the progression of the story. Everyone changes and develops and I found myself sympathizing with each of the protagonists, something that is quite rare with such a large number! This rating might get me some hate, but I give the characters 10/10.

Enjoyment: It's always hard for me to describe enjoyment for a series that really isn't fun. I would be lying if I said that Bokurano was a blast. It made me cry repeatedly and I felt rather like a dung beetle after every episode. Moments of happiness and hope get squashed very quickly and moments of sadness permeate throughout. You will see horrible things and gutwrenching moments on a regular basis while watching Bokurano. I doubt that many viewers will "enjoy" Bokurano in the way that the word is generally used. However, it was very emotionally cathartic so I'm going to give an enjoyment rating of 8/10.

Based on these numbers and how I liked the series, I give it 9/10 as one of the more powerful anime I have seen, but not quite good or consistent enough to warrant a perfect rating.

I will end this review by making a few comments to help if you are still undecided on whether to watch Bokurano or not. If you are looking for a dark action series, go elsewhere. I recommend Wolf's Rain or Ergo Proxy. If you want a dark series with black humor while keeping a lot of pain and suffering, I would try Mawaru Penguindrum or Kaiba. If you want a more positive story with a large amount of feels, I'm not the best person to ask since that's not really my thing, but I would try The Place Promised in Our Early Days or Millennium Actress. However, if you want to watch an anime completely and entirely about how much saving the world sucks with a story which does not hesitate to make its characters miserable, watch Bokurano. If you like Neon Genesis Evangelion, Mahou Shoujo Madoka Magica, or Texhnolyze, I highly recommend Bokurano.

Note: This is the first anime review I have written and is a repost of the review I made for Bokurano on hummingbird found here: https://hummingbird.me/anime/bokurano/reviews/10222. If anyone has suggestions for making this review better, please let me know in a message! Thanks for reading!

Acknowledgment: I took the idea for opening my review with a quote from Uninstall from Aeterna's review of Bokurano. Thanks!