Nijigahara Holograph

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This is one of those stories you tend to read over and over again just so you could make more sense out of it and no matter how many times you read it, you find something different about it, something you never noticed was right there. That is the beauty of Nijigahara Holograph, and the gift which comes from the genius mind of Inio Asano, the creator of the beautiful manga, Solanin.

It's funny how the name, Rainbow Field Holograph, is somewhat of a contrast to the theme of the manga. Where the title gives the reader the feeling that the manga will be full of ... rainbows & marshmallows, the reality is much the opposite.
The manga starts with surrealistic, yet existent images; these images, spread across different panels and different pages, representing some pivotal moment in each character's life, are made up of factors affecting their present and future which in-turn are affected by their worn-out, conflicted, and secretive pasts. Try not to get confused as these confusing images may not seem related but, for your information, it is these images which prove as pieces to a jigsaw puzzle; once they end, they give rise to the start of a story which is, actually, the beginning of the end rather than the actual beginning.

Then, when the reader realizes that the story has followed into another story (one spanning over 10 years) – a story within stories (more like stories within a story) – this one more deep than the rest, and the rest even deeper when thought about later, the reader gets even more entangled in the web that is Nijigahara Holograph. Moreover, the general theme of the manga would be life itself – dark, dreary, without hope, selfish humans, humans taking without feeling. I came to face such horrors while reading this that I read this manga over three times with some kind of perverse incredulity about the fact that I live in the same world these people do. It's just bizarre how we tend to live under the same sky with such different people inhabiting it, with us, side-by-side, without us even ever knowing the tragedies facing them or what sort of mind-sets these people have – we will never know unless we come face-to-face with them ourselves – and I pray we never do.

The major aspect of the story is the butterflies, which may or may not make sense even when you have reached the end or you have managed to read the manga a couple of times. Apparently, after I did some research, Asano's Nijigahara Holograph is mostly based upon Taoism. There is an excerpt from one of the chapters' panel from Chuang Tszu's techings. It says, "Once upon a time, I, (personal name of Chuang Tzu), dreamt I was a butterfly, fluttering hither and thither, to all intents and purposes a butterfly. I was conscious only of my happiness as a butterfly, unaware that I was Chou. Soon I awaked, and there I was, veritably myself again. Now I do not know whether I was then a man dreaming I was a butterfly, or whether I am now a butterfly, dreaming I am a man. Between a man and a butterfly there is necessarily a distinction." In my opinion, this manga revolves around a complex attitude towards life, in general. It has nothing to do with Religion or one's (or the characters') Beliefs. It is how things are and how things must be. Maybe Life, the life we are living, is not real. Maybe what we think is real, is just the trick of the mind. Maybe Reality is coexistent with the things which aren't real.

Whatever the case is, the butterflies signify the arrival of something important, a calamity, a revelation; whatever it is, it will change the flow of things, resulting in how things should have been in the first place.

These butterflies are associated with a character, a little girl. Every event that takes place in the story is irrevocably linked to her. We can say that she is the pinnacle, as well as the pedestal, on which the story is based on and on whom it ascends, and ends, with the help of.

When I start reading a manga, the art will be the first thing I'll notice. For me, good art matters a lot even if I don't like the story all that much. However, there have been times when I found the story rather more appealing than the art itself. Nijigahara Holograph, on the other hand, is one manga whose art actually portrays the story rather than being unidentifiably individualistic to it.
I just love this manga – not only does it capture the reality of life, it captures its essence and the art ascertains the fact that the reader establishes a strong connection to the story through it. The art is beautiful; it captivates the attention even if it does not wish to seek it. The details are a visual orgasm of things left behind for us to recall and reflect upon, to be curious about and to simply (un)acknowledge, to fear over and to be disgusted with.

The way things are drawn, it's difficult to conceive the beauty of things; what is most amazing is how every single object in the storyline (living or otherwise) has a personality. The magnitude of complexity of detail is astounding; focus is a MUST. Emotions are drawn vividly, without mercy, making the reader digest fully the nature of what is being read. Personally, I think the mangaka has paid complete attention to how the things are supposed to be drawn rather than what; my view is that he has fixated himself upon nature, overall. How nature effects all reasons of outcome.

All in all, the art is inconspicuously remarkable. The expressions are instantaneous and it's as if it is not a manga being read but a film with moving pictures; watching as the scene changes oh-so-smoothly.
The character design is explicitly subliminal; meaning that every character's personality has been described to the last detail without having to spell it out. It's simply amazing how the reader can grasp the entire persona of the character's, even how unstable it may seem. Every character is unique, having their own problems, their own dilemmas, and their very own secrets kept away from prying eyes & ears.

Suzuki Amahiko is a disturbed individual with disparaging views of those around him, hating the world for being so unfair; he rarely tries to connect with the people he's with, and refrains from having any ties with them; he has always been shunned from society, moving from one place to another with parents who he knows aren't really his, and attempting suicide more than once. Then comes the girl who seems to be at the centre of it all, Kimura Arie; ever since the manga starts, I have thought of her to have lost all innocence from the day she achieved ethereal beauty; I sympathize for her – all she ever wanted was something everyone desires, having it all go against her in ways which would extract profanities from the reader's mouth; the life she has led would be the cruelest, and most unsettling of all. Komatsuzaki is an aggressive character who acts in unpredictable ways and whose actions have a veritable significance. Sakaki is the trio's homeroom teacher for whom Suzuki has somewhat mature feelings for; she injured one eye in an 'accident' which fits yet another puzzle of the story. There are a few more 'main' characters whose roles are noteworthy in themselves.

I must applaud Asano on how he achieved such character depth within a mere manga spanning almost 300 pages.

At the end of the day, this manga needs concentration in every single way. It teaches every reader something new, something different – what I learned, or got, from it, would be unlike some other reader's life-lesson learned. For me, it indulges in the credence that everyone has a role in life to play and that everyone plays a vital part in someone else's role. People living interrelated lives, having complicated mindsets, yet existing in a clandestine past, and living a lie – this is what Nijigahara Holograph is. Funny enough, it is a whirlwind of feelings with characters that have none.

Nijigahara Holograph is a Seinen, Psychological, Mystery, Drama that will take anyone brave enough to read it, on a mind-trip. This is quite the experimental manga, as it delves into a realm that hasn’t been entered before, so you can expect to become lost in the intricate plot.

One of the trickiest things to explain, about Nijigahara Holograph, is the story & plot because it is hard enough to comprehend, let alone articulate it in words. The manga is like a montage of the lives of different people, who are all interconnected in some way. There are numerous themes but the ones most prominent are on ... the unfairness of life and the redemption that follows, upon choosing the right path. The story itself focuses on one troubled person at a time, giving the reader a peek in their lives and what they went through during their past elementary school days. This puzzling set-up certainly gets you thinking however the story has no flow whatsoever and is all over the place. It would have been better if events were in some kind of chronological order, yet you wouldn’t get the same experience any where else.

There are quite a lot of characters through the duration of this short manga but the three that leave the biggest impact are: Komatsuzaki (a violent guy who’s unpredictable actions seem to be directed by something), Suzuki (a troubled guy with disparaging views of those around him) & the girl that seems to be at the centre of it all Kimura (a sort of sacrificial lamb figure). All the characters face personal struggles, with the mental & verbal dialogue adding a whole new depth to each of them.

Unlike most seinen manga I have come across, this one goes for semi-realistic & semi-surreal artwork. That may not make much sense but having finely drawn characters & environments amalgamate with various entrancing imagery is truly mystifying. The artwork isn’t exactly made to look attractive, as it mainly expresses the writer's view of the imperfect creature that is humans.

Overall Nijigahara Holograph is an engaging manga that showed the brutality and unfairness of life. This manga is so surreal that you may find yourself staring at a page, wondering what it’s supposed to portray or what the butterflies are supposed to represent. This really isn’t a manga to enjoy but rather something to think about, by piecing bits of the story together. For those who are actually struggling to understand the thoughts that are being put across in this review would have no chance in comprehending this bizarre manga.

^_^

This analysis will cover specific details about Nijigahara Holograph, meaning: if you have not read the manga, it would be advisable to abstain from reading this review to avoid spoiling vital information.

A critical work to be familiar with while reading Nijigahara Holograph is the book of Zhuangzi (considered a foundational text of Daoism), by Master Zhuang. One of the key concepts that is taught through this work is the idea of spontaneity, and how we should eschew from artificial distinctions (i.e. good versus evil, beauty versus ugliness, and usefulness versus uselessness). In creating these dichotomies, we remove ourselves from the natural flow of ... the universe — which, obviously, existed long before human cognition — thus, diminishing our chances of achieving ultimate happiness. In essence, like the “butterflies that have been pulled apart by fate,” we, as humans, have deliberately pulled ourselves apart as a species, neglecting the features that make us “one.”

The ubiquity of physical and mental anguish in Nijigahara Holograph accurately reflects the adversities of the real world. It reminds us of the iniquitous thoughts/tendencies that reside within all of us, waiting to be provoked with the necessary force. Unlike typical manga, Asano’s artwork immerses the reader into the cold reality of his fictional world, instilling palatable trepidation that is not easily consummated within the medium. We, as a public, hear about egregious stories in the news every day, but through some psychological mechanism within ourselves, we tend to overlook these abhorrent behaviors to maintain our own perceived happiness in this indifferent existence. Through his keen understanding of the human condition, Asano forces the reader to confront these abominable dilemmas without prior warning, clarifying the odious nature of the human species. Primal emotions (lust, anger, jealousy) serve as the impetus for much of the turmoil for our protagonists, reminding us, impertinently, how rudimentary we truly are.

The non-linear story, along with the constant transition between past and present events gives us insight into the relationship between time and reality. We tend to believe in the thermodynamic principle of the arrow of time, in which all events assume a “one-way direction” or “asymmetry” of time. But this, ostensibly, pertains to the known physical world, how does this scientific theory apply to entities of unknown mass or origin? I am speaking, of course, about human thoughts and dreams. Accept it or not, we view the world through the prism of our own experiences. We then use said experiences to construct a view of the world that we deem to be “real.” Since the concept of human thought and dreams are malleable entities, they have the ability to distort the perception of time itself. Establishing a reality that is indistinguishable from what we call the “real world,” obfuscating certain events, and giving us the opportunity to access them through our unconscious will; however, most dream-like events, are seldom pleasant. Perhaps the rigors of our ancestors having to survive in the wild for thousands of years imbued a biological tendency for us to remain in a perpetual state of fear, always reminding ourselves of the harshness of this existence. This may be why our minds latch onto the negative experiences of our lives to produce nightmares that haunt us time and time again. Similar to the physical scars Kyoko obscured through plastic surgery, the mental scars of each character cannot be forgotten, for as long as they possess the memories, the anxiety remains. Unlike prosaic manga characters, these psychological hindrances obstruct their forward progression, trapping them into a cyclical torture of the mind. The resulting physical catharsis is not desirable, nor justified; however, it is genuine to the human condition.

The prototypical protagonist/antagonist paradigm that is pervasive in the manga industry, does not apply to this work. Asano, most likely, wanted the reader to take a Daoist perspective to the character’s actions, understanding how artificial distinctions (like Narumi’s “ugliness”) clear the path towards cruel insults, limiting our potential of becoming one as a species. Each character portrays a certain level of malevolence, and it is not our job to find endearing qualities about them — giving “justification” for their actions — rather, we must understand how fragile their rationality is under complex situations. Take Kyoko Sakaki, for example, she exhibits a, seemingly, well-ground character with a calm demeanor and lax personality. On the day of her divorce, however, she confesses to a malignant emotional strain from her past efforts in thwarting a man from raping one of her students (resulting in a forfeiture of her own eye). Due to the inattentiveness of her soon to be divorced husband, Kyoko, placidly, threatens to kill him and the children. This gender dichotomy, in which a woman is prohibited from expressing rage — or else, she is viewed as being recalcitrant — and a man is permitted to feel angry, as evidenced by the bruises on the children’s arms, captures a pressing issue social issue that, along with subservient marriages, leads to a significant amount of depression and suicide. Furthermore, it hinders one’s ability to maintain a sense of presence, as Kyoko laments her past “careless actions,” she overlooks her role as a mother, and the future repercussions it will have on her children. On the surface, it seems absurd to compare her actions to say, Amahiko’s foster mother, but the omission of a parent’s compassion can be just as damaging as direct insults.

Speaking of blatant child abuse, Amahiko Suzuki, a socially withdrawn adolescent, experiences his maltreatment through verbal attacks from his uncaring foster mother. This frail family dynamic leaves Amahiko feeling depressed, and emotionally ill-equipped to cultivate strong bonds with his fellow classmates. In fact, he considers his botched suicide attempt — jumping off the roof at his old school — as the antithesis of a “clean break.” This hearken’s back to the spontaneity of life, and how through our constant attempts to manipulate the world around us, we distance ourselves from the natural flow of things. This does not imply that a predetermined purpose exists, but rather, as Asano put it: “every human being has their role in life.” But to fulfill that role, it is crucial to liberate oneself from past events, past arbitrary prejudices, and past the illusory divide we create through our incessant need to categorize things (consciously or unconsciously). Only then can we filter through the “bad” experiences of our lives to identify the “good” opportunities that lie in front of us — in Amahiko’s case, Narumi’s openness to friendship.

Nothing is spelled out in clear or unambiguous terms, yet the journey endeavored by those who seek to clarify the hidden “meanings” behind the mangaka’s intent, will undoubtedly be rewarded with enhanced mental acuity. Enjoy.

Remember when you read great pieces of literature in school and then spent two weeks analysing the different themes, motives and subplots of the work?

Well, if there is one manga that deserves to be explored in such detail after the first reading, it is probably this one.

Let's get the obvious parts out of the way. This is an Asano manga and, as such, it offers the common elements of coming-of-age drama, existential anxiety and depression, hard-hitting social and psychological realism and the overall ugly side of human nature.
The unique aspect of this particular work is the amount of supernatural and philosophical elements who play a ... decisive part throughout the story and which often blur the boundary between reality and imagination.

I found this work really enjoyable on a literary level, especially since I had never read a manga of such depth. Don't get me wrong, I have read many mature and "serious" manga, but this manga had more levels to it than any manga I have previously read.
The downside of this is that, maybe, it can be difficult sometimes to grasp the story during the first reading. I found myself focussing on the obvious parts of the story during the first go and I accepted that there were some elements that I didn't fully understand yet. In this regard, I often thought of a temporary interpretation of what some things could possibly mean. I assume that many readers will find it equally difficult to understand everything in this book right away and this is why I mentioned studying literature in school in the beginning of this review: Having read the book, I actually went on the internet and looked up sites where other readers had discussed and analysed this book in depth, offering both a summary of story in all its complexity, listing all the themes and motives and putting them in their historical, cultural and philosophical context. I had never done this before with any other manga. I simply hadn't felt the need to do so. But, as a result, this detailled interpretation of the book offered a whole nother level of enjoyment and appreciation for this work.

Psychological manga fascinate me. The stories are usually told in a way that makes you have to go back and think about what you just read. Nijigahara Holograph is one of those stories. You can't just skim through this kind of story and take away it's entire meaning. Even if you read this manga several times, parts of it would still not fully make sense. And that's the beauty of it. Not everything in life always makes sense.

To give a summary of the plot of Nijigahara Holograph would be an impossible feat, maybe even for the mangaka, Asano Inio (known for several works including Oyasumi ... Punpun). The story of this manga often flips between a 10 year time gap sometimes making it a little difficult to follow. It centers around a group of people in a rural area of Japan. A swarm of butterflies as well as extreme heat has caused problems for some people while others see a slightly different meaning to the butterflies that seem to glow even at night. 10 years in the past, it centers around a fifth grade class, their families, and teachers. In both times, murder, sex, violence, depression, and boredom are abound. The story hides many facts from the reader and slowly pieces together the connections between people, who people really are and their pasts, and gradually builds a dark, psychological tale that questions why God would even make humans the way they are.

The art helps accentuate the psychological aspects of the manga. Often panels will be just black backgrounds with white writing which I think helps establish a sense of separation and loneliness for whoever's thoughts the words belong to. The characters are drawn very well, but the author often chooses to display them in an ugly way. The author focuses on the negative aspects of humanity from lust to greed to despair and uses the art to perfectly follow the emotions and feelings being displayed.

This is actually a heavily character driven story. The interactions between the characters and with themselves are given top priority and slowly broadened as the story progresses. The characters mostly remain a mystery even at the end. There are many great twists involving the characters and their relationships, and I never saw any of them coming ahead of time. There is no one main character and instead the author switches around between characters in order to put the pieces of the story together. Suzuzki, a boy who tried to commit suicide at his old school but failed and now intentionally separates himself from others, and Komatsuzaki, a bully who drastically changes his personality after taking crossing the line with his friends, are two of the most important ones. The story tends to be split between the two of them and all of the other characters connect to one or both of them.

This is a great psychological manga which I highly recommend as long as you don't mind depressing or open-ended stories. It's difficult to really understand it as a whole, but that's not what the story was trying to do anyway. It really makes you question humanity, God, and why God would make humans the way they are.

Overall Opinion: I got nothing out of it.

Story: 2/10. Was there a story? Not sure I noticed it. A bunch of violent things happen TO people or BECAUSE of people. They brood about it. For the first 20 pages, I was so confused I was starting to think that the pages had been connected in the wrong order by mistake. I didn't get much clarity as I progressed to the end.

Characters: 3/10. Completely unlikable, can't relate to any, can't understand the motivations of any, most behave in unrealistic ways. 85% of the ... time, any given character is just somber and brooding, regardless of what is happening around them.

Themes: 3/10. Violence when you're young tends to screw you up when you are older too, I guess? (Not exactly groundbreaking.) Butterflies are pretty? Ending made some attempt at being deep, but it was lost on me. You could say 'depression' is a theme, but when every single character in your story is depressed with no contrast to other states of mind, it's not really a theme anymore, just business as usual.

Art: 7/10. Not the best by any stretch, but pretty darn good. There were a couple of really memorable panels, like one panel with a bunch of kids poking their heads over some kind of open sewer grate. The view from below almost makes them look like a puzzle piece--not sure if it was intentional, but it was great. Some good stuff with lighting. Characters look pretty good.

Asano Inio's works are known for the mature, realistic and character driven stories, that ranges from slice of life to psychological horror stories. Nijigahara Holograph is one of Asano's published works, but where to begin this manga? The story narrated was difficult to follow, and after reading it for a second time, it still wasn't clear what its ultimate purpose was.

The story of Nijigahara Holograph revolves around the lives of Suzuki, a troubled boy; Komatsuzaki, an unpredictable bully whose trauma causes him to act in inexplicable way. Arakawa, who is in love with Komatsuzaki. A daughter in coma, a mother who committed suicide. Together with ... the sudden explosion of the butterfly population, the story of the manga spans 10 years in which the lives of all these people are connected with each other.

Now comes the difficult part: following the different storylines of each character,how these interact with each other, and the motives and decisions of the characters. While the narration jumps from the present to the past, 10 years ago, which is relatively easy to follow, the actions of the people and the connection with the butterflies is not. The story is apparently linked with an urban legend, a monster in a tunnel, though the purpose of this and how it leads to certain actions of the characters was not entirely clear to me.

The narrative felt like it was a puzzle where only certain parts were available. It was done in such a way that makes the reader really think about human nature, and with the help of the different actions of the characters and stories behind them, try to assemble the puzzle, knowing that some pieces will miss. I personally wasn't able to this, making it very difficult to comprehend the ultimate purpose of the story. Any enlightenment on the subject would be greatly appreciated.

There is a big cast of characters in Nijigahara Holograph. The characters presentation is done well in the story, though in some cases too little information was offered to truly understand the nature of that character, leaving it to the reader's imagination on what their background was to have that particular behaviour/nature.

Character development takes place in the manga, though the ambiguous story made it difficult to present a clear character development, though most of them lead to become even more depressive. The characters behaviour in most of the cases are realistic, presenting typical human nature: jealousy, anger, revenge, you name it, in which Asano conveys the imperfect nature of humanity.

The art of Nijigahara Holograph is impressive, as we know of Asano Inio's works. The big variety in character design and the facial expressions adds to a more realistic feel to the story, which is necessary to transmit the emotional state of the characters. The backgrounds are impressive and detailed as well. The shading skills of Asano are very good and fits with the story, as it matches with the dramatic and mysterious atmosphere the manga tries to convey.

I personally enjoyed Nijigahara Holograph, though the story that it was trying to tell made it difficult to follow. The art style,  characters and the mysterious atmosphere made it nevertheless worth the read. If you are interested in psychological mangas, than this may be something for you, but be prepared to lose yourself in the story in the attempt to understand it and try to fit the puzzle together.

Thanks for reading.

In some cases, a low rating doesn't mean I hate someone's work. There are some aspects to it that I believe could've worked better, and the writing is mostly at fault for failing to execute it well.

This is why I have mixed thoughts with literature that tries to be too deep. Literary theorists would ponder for days trying to interpret a work as if it's the map to some unexplored treasure. While that isn't necessarily all that bad, many would exalt it as being intricate and something far more special than a common, straightforward narrative. An impressive feat, if not spent too much on dilly-dallying.

After ... reading a few of Asano Inio's works, from Punpun to Sayonara Bye Bye, I've acknowledged his ability to write realistic stories that explore the darkness of human interaction, or tell heartwarming tales without glorifying anything. I've found myself as a follower, and I would look forward to be able to write stories like the man someday.

It seems that a mangaka like him would have some of his off-days, because Nijigahara Holograph may be one of his worst works yet.

Not to say that I didn't enjoy it, I really did. I picked up on the context clues, pieced the timelines together, and in a sense even understood the metaphors. I just don't see why it had to be so convoluted.

Asano has showed that with out-of-place narratives he can achieve an effect even if it's just a one-shot. Himawari, for example, is a really interesting story with clues placed in the panels, and it's fine. It has a consistent following with it's themes and managed to make the story impactful for just a few pages. Holograph didn't need to extend that long. It was unnecessary to work on a theme such as it had and make it as painstakingly difficult to pick up; it would have just worked the same way.

Arguably, the characters are some of the most unrealistic of Asano's works by far. Static characters aren't bad, but all the characters felt like they're just the same people coated with a few quirks but have the same core evil. Almost everyone has sex at some point and it just becomes so off-putting.

For the few beginning chapters, Nijigahara Holograph had a promising premise with Asano's trademark cynical writing. But in the end, you're just presented with a plethora of ideas that aren't really the deepest things in the world, and I bet you could get as much from it as you would in an hour-long lecture of Philosophy.

I don't want to rate this because I still don't understand 20% of it but I've finally thrown away my idea that manga is only or people that are obsessed with manga. It has a few themes in common with far too many other stories from the same medium but for some reason was much more enjoyable (if you could call it enjoyable, it is most certainly not pleasant), perhaps because usually this kind of themed story is done in the form of a fantasy or one big metaphor whereas this story uses fantasy and metaphor only to tie things together. Characters that ... instead of alienating you with their impurities or having some kind of justification in the end, just make you feel dirty to be human. This is not a bad thing, it's amazing. It isn't easy to make the average reader look at humanity at its worst in the mirror and come to terms, hopeful that they'll be able to stick to the better side of human nature themselves and appreciating the beauty of lifes complexity regardless. Had I read this a few years earlier when I was more impressionable, I'd probably be completely obsessed with it but while it is definitely above average, I think I may have seen better in other forms of media (not manga, though I'm relatively new to manga).

I really like the way it fit together like a puzzle but I'd really appreciate it if someone could explain some stuff. Most of it, I had some guess as to what was going on. I was following perfectly up until the girl with the mask in the cafe, who is she? I also reaallllly didn't understand the relationship between Arakawa and the dude with the bad memory. I read it once in Japanese and once in English and those are the two things that I'm clueless about and something tells me they really effect the whole story.

Enigmatic, suggestive, disquieting… They are some of the adjectives with which we can describe to this work of the young mangaka Inio Asano. The plot is constructed in a kaleidoscopic way around several solitary young people whom they load on his backs with the weight of hard experiences of the past.

Nijigahara is a common place for the main characters, a place where actions that will change their lives take place, wich is shown with flashbacks and flashforwards

This manga is an analysis of the questions of childhood and adolescence, but, insted of giving answers, new riddles are shown, that, next to other situations it caused that ... this manga left a rare sensation me, but very pleasant

The narration may be a littles slow compared to other mangas, but it fits perfectly with the tone of the manga

In any case, 'Nijigahara Holograph' is a deep and adult Manga that requires more than a reading to understand it perfectly

Nijigahara holograph (虹 ヶ 原 ホ ロ グ ラ フ) is the second major work of Asano Inio. Written almost simultaneously with What a wonderful world!, this means that the two works are inevitably linked to each other. We are not talking about a similarity of literary genre or in the method of writing, but of that thread that unites all the works of every great author, each of them is a piece of the puzzle of the writer’s thought. Indeed Nijigahara holograph can be considered the twin work of What a wonderful world! but, unlike the latter, it explores the most obscure corners of ... the author’s mind.

Analyzing Nijigahara holograph was, to say the least, complicated. Despite being a fairly short manga (13 chapters), it is imbued with themes that differ from philosophy, religion, mythology; so much so that I had to reread it several times to be able to tidy up my consideration.

Nijigahara holograph is a dark work. Asano throws the reader into the abyss of human immorality. Murders, pedophilia, abuse, rape, cynicism, indifference, madness, discrimination, fear. However, the message of the work is positive, it pushes the reader to enlighten his own soul, to have a bit of self-love, to trust the world and people. Asano creates a marvelous contrast between the darkness of the narrative and the enlightment of his message.

After a first reading I thought that Nijigahara holagraph was unnecessarily complex. A non-linear narration, continuous jumps between present and past, supernatural elements in a realistic context and so on. Then the more I reread it, the more the will of the author was revealed to me. The message of the work is to dig into one’s own soul to understand oneself, and Asano wants his reader to do the same thing with his work, to dig deep to understand the message.

Nijigahara holagraph is an existentialist work where Asano, like an Albert Camus of our times, tries to find a good reason to continue living in a world that is not so “wonderful”.

Eleven years ago Arie Kimura, a young girl bullied by her classmates, fell down a well. As a result of her injuries she has been in a coma ever since. She told a story about a monster that lived in a tunnel along the Nijigahara embankment that would bring the world to an end, which terrified the other children. Arie’s accident is only one small part of an ongoing pattern of fear and violence. It isn’t a pleasant memory for anyone involved. Her friends, classmates, teachers, and family members have continued living their lives, but even more than a decade later they still can’t escape ... their pasts and the consequences of their actions. Some of them live in denial while others have tried to move on and to forget, but for some that is a complete impossibility. They have no choice but to remember, tormented with the knowledge of the suffering and pain caused by the unnecessary tragedy. The story of the monster in the tunnel may be more real than any of them could have imagined.

Nijigahara Holograph is a dark and unnerving story leaving us disconcerted. It deals with some very plump motifs, involving incest, abuse, suicide, and violence along with many other momentous subjects. Rather than sanitizing or romanticizing the story, Inio decided to fabricate an uncompromisingly harsh disquieting story in which all of the said elements are blended and knitted. This is one of the most embroiling story that springs back and forth between the events of the past and the present. The present story is heavily based on the dark intertwined events that had happened in the past and throughout the manga we can see the results of the doings of the past. The contemplated results are hazy and vague due to the deficit close attentiveness, and thus making it compelling to plough through the dark and entangled story. It is interesting to ascertain the bearing each character has with the other character. At the start nothing of this is clear, in the end they all cross each other’s path in life in an unimaginable way. Quoting, “The butterflies separated by fate are becoming one.”

The characters and the story as frightening and vexing they are, the manga is phenomenally interesting and engaging, by portraying both beautiful and brutal notions. Nijigahara Holograph is astonishingly involute and well layered---the characters, their past, their lives, and the stories that connect and overlap with each other’s, oft-times in unforeseen and surprising ways. The emotions and the milieu of the story strengthened with the artwork. Visual indications are embraced throughout the manga which chain the portrayal together, drawing upon the semblance between the character's emotions and situations. The parallelism found in the artwork and the story of Nijigahara Holograph are marvelously effective, underscoring the ever increasing sense of despair as the characters are caught in a never ending cycle of anguish and misery.

Nijigahara Holograph sepulchers deep symbolism and philosophy. The story is open to sundry interpretations as its ethereal uncertainty makes it difficult to condition how much of the story is real and how much of it is simply the product of impaired persona of the characters. The possibility that it shows the characters’ reality is terrible to contemplate, thus making it passable even if it was a rendition of purgatory. Inio Asano creates a cold, volatile, intense world to present us the quandary, what if the menace of the horror is internal? How would you escape from the menace, but leaves us on our own to create answers. Quoting one of my friend, “However what's interesting is that the thematic representation can be interpreted in various ways. It can be interpreted from the point of view of an idealist, nihilist, romanticist or a realist and all the viewpoints will make sense, which truly provides an artistic feel to the manga.”

La siguiente reseña está en Español e Inglés (traducida con el apoyo de DeepL)
La versión leída es la traducción al español por Milky Way Ediciones

“La muerte de una inocente afectará a sus seres cercanos por el resto de sus vidas” es una sencilla sinopsis del segundo trabajo de Inio Asano. Usualmente descrito como un rompecabezas donde sólo la constante relectura nos brinda algo de claridad en entender qué ocurrió, por qué sucedió y qué terminó implicando para los involucrados.

Es una estructura similar a su anterior obra, se diferencia en que no hay narrador único sino que es un grupo cerrado de personajes, cambiando de narrador ... entre capítulos y dentro del mismo episodio. Siendo un trabajo más complejo en términos de presentación de narrativa y también en simbología.

Elementos surreales y representativos se entremezclan a plenitud con la trama, consiguiendo un realismo mágico invasivo y sofocante, teniendo de principal metáfora a la mariposa, de la que he encontrado complejas explicaciones asociadas al taoísmo (de donde afirman está la inspiración de la obra) y otros con significados más universales como la típica mariposa del destino, representado que un sólo hecho puede afectar de inesperadas formas. Entre ambas prefiero la segunda, sencilla y puede que inintencionada, pero me gusta cómo encaja con el núcleo de la obra, donde todos los personajes tienen de intersección al mismo suceso.

Sin embargo, más no es necesariamente mejor. La obra tiene una complejidad “peligrosa” ¿En qué punto termina su análisis y comienza su sobrepensamiento? Pregunta cuya respuesta depende únicamente de cada quién, en mi caso, una vez finalizada decidí releer para consolidar mi opinión y así comparar con otros en reseñas y foros; conforme leía se formaba una inesperada conclusión…no valió la pena dedicar tanto esfuerzo.

Si unes las piezas sea por tu cuenta o por el análisis de otra persona, llegas a un mensaje sobre la vida y el valor de vivirla, es cierto que tiene unas cuántas lecciones e implicaciones tangentes que puedes obtener de las vivencias de ciertos personajes, pero su núcleo sigue siendo su mensaje humanista. Y sin duda es un mensaje válido, sino fuera porque Asano escribía a la par el mismo enfoque en Subarashii Sekai sin necesidad del complejo planteamiento ni su desbordante pesimismo.

Y podríamos verlo como una reafirmación del mensaje en el escenario “aún en la profunda oscuridad del mundo hay un rayo de esperanza”, de no ser que el realismo de Asano dio un paso para mal. La complejidad de los personajes tiene un efecto contrario en varios paneles y conversaciones, en un intento de parecer fríos, inesperados y crueles son casi una parodia de eso que quieren llegar a ser. No es que los hechos sean imposibles de ocurrir, es la irrealidad de convencer por sus personajes aburridos en intento de ser creíbles.

¿Hay valor en la telaraña por ser una telaraña? Como ejercicio experimental, por supuesto, nuevamente, este es el segundo manga serializado de Inio Asano, aún estaba probando ideas de narración, presentación y metáfora, además debo destacar su notable mejora en el dibujo, la composición y simbología, la última aún siendo algo extenuante, es crucial para dotar el carácter surrealista a la historia.

Pero, reiterando, mi auténtico inconveniente es que aún invirtiendo en su comprensión, llegaré a los mismos términos que varios de sus capítulos de la anterior antología, en los que además, su mensaje de esperanza no aparecía de sopetón.

English

"The death of an innocent will affect those close to her for the rest of their lives" is a simple synopsis of Inio Asano's second work. Usually described as a puzzle where only constant re-reading gives us some clarity in understanding what happened, why it happened and what it ended up implying for those involved.

It’s a similar structure to his previous work, it differs in that there is no single narrator but a closed group of characters, changing narrator between chapters and within the same episode. It is a more complex work in terms of narrative presentation and also in symbology.

Surreal and representative elements are fully intermingled with the plot, achieving an invasive and suffocating magical realism, having as main metaphor the butterfly, of which I have found complex explanations associated with Taoism (where they say is the inspiration of the work) and others with more universal meanings as the typical butterfly of destiny, represented that a single fact can affect in unexpected ways. Between the two I prefer the second, simple and perhaps unintentional, but I like how it fits with the core of the work, where all the characters have the same event as an intersection.

However, more is not necessarily better. The manga has a "dangerous" complexity. At what point does your analysis end and your overthinking begin? Question whose answer depends solely on each person, in my case, once finished I decided to reread to consolidate my opinion and thus compare with others in reviews and forums; as I read, an unexpected conclusion was formed...it was not worth the effort.

If you put the pieces together either on your own or through someone else's analysis, you arrive at a message about life and the value of living it, it’s true that it has a few tangential lessons and implications that you can get from the experiences of certain characters, but it’s core remains the humanistic message. And it’s undoubtedly a valid message, were it not for the fact that Asano wrote the same approach in Subarashii Sekai without the need for the complex approach or his overflowing pessimism.

And we could see it as a reaffirmation of the message in the "even in the deep darkness of the world there is a glimmer of hope" scenario, were it not that Asano's realism took a step for the worse. The complexity of the characters has the opposite effect in several panels and conversations, in an attempt to appear cold, unexpected and cruel, they are almost a parody of what they want to transmit. It's not that the events are impossible to happen, it's the unreality of convincing by their dull characters in an attempt to be believable.

Is there value in the spider web for being a spider web? As an experimental exercise, of course, again, this is Inio Asano's second regular manga, he was still trying out ideas of narrative, presentation and metaphor, plus I must highlight his remarkable improvement in drawing, composition and symbology, the latter still being somewhat strenuous, is crucial to endow the surreal character to the story.

But, to reiterate, my real drawback is that even if I invest in its comprehension, I will arrive at the same terms as several of his chapters in the previous anthology, in which, in addition, his message of hope did not appear out of the blue.

I've read a few of Asano's works and was particularly impressed by Oyasumi Punpun, therefore I decided to give Nijigahara Holograph a read after reading the premise on MAL. Finished it in one night as it is a relatively brief manga, and my GOD was I disappointed.

The troubling thing about it is that Asano really knows how to structure a manga- the way the panels are laid out, the use of visuals, the narration - he is really REALLY good at it. Thus its disappointing that he would use his talent to write such a miserable and confusing manga. I will start by discussing my ... 'confusing' allegation - the story is just SO unclear. The manga flits between timelines, from when the plot's main incident happened (a girl, Arie, being thrown down a well by her classmates) and the events around ten years later, however it can be unclear which timeline you are in. Asano has a very unique art style but I do find that his characters look very similar, thus with the flitting timelines I found it difficult to work out which male character was who at first. The manga also leaves a lot to the imagination, I later discovered after reading a few reviews that one character died however this was barely implied in the panels.

Now to my other assertion - that this manga is so utterly miserable. I don't recall even a page where it is not absolutely depressing. It is almost as if this manga is written purely to depress the reader, with violence, torture, incest, rape and abuse being seen innumerable times - baring in mind this manga is only one volume long, that is a LOT of disturbing content. I understand that the trauma of the events from the well incident would undoubtedly leave psychological scars on the characters, however the fact that such an insane amount of suffering is inflicted in one tiny town is not only bleak but also just ridiculous.

Don't even get me started on the characters, who are ALL the most unlikeable people on the planet. The only decent human being in the whole tale is Narumi, who one of the main characters Amahiko treats like absolute dog poo - another depressing facet to the story. Aside from Narumi (and you could also argue Maki as an adult), every single character is morally bankrupt, nasty and sociopathic. I hate them all, but Amahiko particularly grinds my gears. And I haven't even mentioned the paedophile! Oh wait, that's right there isn't even just ONE paedophile. A truly heinous group of characters.

In conclusion, I would not recommend this manga at all. Asano has talent it is clear, but this most certainly is not a good read, unless you enjoy and feed off utter misery. If you do read this, you'll find yourself having to google 'Nijigahara Holograph explained' due to its incohesive storytelling and you'll also need to buy yourself some chocolate just to cheer up after such a dismal misery-fest. Such a promising premise, horrid execution, I may need therapy after reading such a loathsome tale.

Eleven years ago Arie Kimura, a young girl bullied by her classmates, fell down a well. As a result of her injuries she has been in a coma ever since. She told a story about a monster that lived in a tunnel along the Nijigahara embankment that would bring the world to an end, which terrified the other children. Arie’s accident is only one small part of an ongoing pattern of fear and violence. It isn’t a pleasant memory for anyone involved. Her friends, classmates, teachers, and family members have continued living their lives, but even more than a decade later they still can’t escape ... their pasts and the consequences of their actions. Some of them live in denial while others have tried to move on and to forget, but for some that is a complete impossibility. They have no choice but to remember, tormented with the knowledge of the suffering and pain caused by the unnecessary tragedy. The story of the monster in the tunnel may be more real than any of them could have imagined.

Nijigahara Holograph is a dark and unnerving story leaving us disconcerted. It deals with some very plump motifs, involving incest, abuse, suicide, and violence along with many other momentous subjects. Rather than sanitizing or romanticizing the story, Inio decided to fabricate an uncompromisingly harsh disquieting story in which all of the said elements are blended and knitted. This is one of the most embroiling story that springs back and forth between the events of the past and the present. The present story is heavily based on the dark intertwined events that had happened in the past and throughout the manga we can see the results of the doings of the past. The contemplated results are hazy and vague due to the deficit close attentiveness, and thus making it compelling to plough through the dark and entangled story. It is interesting to ascertain the bearing each character has with the other character. At the start nothing of this is clear, in the end they all cross each other’s path in life in an unimaginable way. Quoting, “The butterflies separated by fate are becoming one.”

The characters and the story as frightening and vexing they are, the manga is phenomenally interesting and engaging, by portraying both beautiful and brutal notions. Nijigahara Holograph is astonishingly involute and well layered---the characters, their past, their lives, and the stories that connect and overlap with each other’s, oft-times in unforeseen and surprising ways. The emotions and the milieu of the story strengthened with the artwork. Visual indications are embraced throughout the manga which chain the portrayal together, drawing upon the semblance between the character's emotions and situations. The parallelism found in the artwork and the story of Nijigahara Holograph are marvelously effective, underscoring the ever increasing sense of despair as the characters are caught in a never ending cycle of anguish and misery.

Nijigahara Holograph sepulchers deep symbolism and philosophy. The story is open to sundry interpretations as its ethereal uncertainty makes it difficult to condition how much of the story is real and how much of it is simply the product of impaired persona of the characters. The possibility that it shows the characters’ reality is terrible to contemplate, thus making it passable even if it was a rendition of purgatory. Inio Asano creates a cold, volatile, intense world to present us the quandary, what if the menace of the horror is internal? How would you escape from the menace, but leaves us on our own to create answers. Quoting one of my friend, “However what's interesting is that the thematic representation can be interpreted in various ways. It can be interpreted from the point of view of an idealist, nihilist, romanticist or a realist and all the viewpoints will make sense, which truly provides an artistic feel to the manga.”

First review.
The more I read the more I liked it. "Oh, that makes sense!". But I felt he could have done much more with the rape/sexual imagery. He teased a lot of things like the idea of pedophilia but he backed out. It felt to much like a copout every time he would put the boy/woman girl/man in a boner (sexual) situation and then.......
nothing.
I will most like never get most of the themes since most of it will end up unconfirmed but I felt the story was clear enough that i understood what was going on the whole way through reading it all in one ... go.

If there's one overarching attitude in the world of media that irks me, it's the idea that something being less accessible somehow makes it more artistic. The back cover of the American edition of Nijihara Hologram calls the single-volume work "complex, challenging, and elliptical." Apparently, this is code for "pretentious, nonsensical, and over-complicated."

Now, be it far from me to be upset with a work for challenging its audience - I have no problem with having to think while I read - but there's a fine line between a work asking its readers to think and a work being so needlessly confusing you'd need a flowchart ... to figure out what the heck is going on. I don't have a low enough faith in my understanding of graphic novels to assume that "Oh, well, I just don't get this because it's too deep for me." I think that for most of the people passionate enough about manga or graphic novels to be reading this review have enough of an understanding of the craft that its time to dismiss such flawed logic. While I don't believe a reader has to baby their audience, I think a certain amount of responsibility for making an understandable script does indeed fall on the author. This is a very unpopular opinion, it seems, but I firmly believe guiding a reasonably intelligent audience through a narrative is as much a skill as any other aspect of storytelling.

Nijihara Hologram is a collection of interwoven stories throughout the lives of a group of characters living near a cursed underpass, and Asano-san chooses to have these stories told by randomly bouncing between them out of sequence. (According to the back of the book, we're also bouncing between timelines, but I didn't sense that in the actual story in the slightest.) Stories told out of order to reveal certain facts later or follow a certain emotion can be interesting, but Hologram seems to bounce around without any rhyme or reason, creating no narrative or emotional arc. From what I could grasp of the story, nothing would have been lost by telling everything in order, or at least telling each character's full story before moving onto the next one. Seeing as the scrambling of narratives adds nothing for the reader, the entire story reeks of this pretentious attempt at being more artistic by dropping everything into a blender.

The only reason I gave Hologram as high of a rating as I even did is half because the art is wonderful, and half because if you don't try to tie the stories together, each of the segments has its own interesting emotional baggage and inklings of a story.

It's clear that Asano-san knows how to tell a gripping story, but Hologram is marred by a superfluous attempt to make it seem more meaningful by making it impossible to understand.

Nijigahara Holograph by Inio Asano
Long-Winded Review #2 [Sleep Deprivation Edition]

Nijigahara Holograph is an absolute masterpiece. When a story makes you endlessly theorize and try to piece together all the symbolism, timelines, and subplots, you know it's a damn good one. Someone could write a book longer than this manga just analyzing it. It's that literately dense. This book is a puzzle, a maze, a dream, and a mosaic. It takes a lot of skill to put together a story such as this, and Inio Asano absolutely nails it. I'm sure some have criticized it for being confusing, but this is not meant to be ... an easy read. This book demands your complete attention, interest, and effort in actively seeking out meaning. I had to constantly page back and forth, cross-examining previously cryptic scenes with new scenes that elucidated possible meanings. There are so many layers to this 15-chapter story that it is simply mindblowing how seamlessly Asano made it all work. Nijigahara Holograph has been compared to a David Lynch film, and that couldn't be a more apt comparison. This is a surreal as it gets, all while maintaining that signature Asano slice-of-life vibe. Reading this will feel like a dream, which depending on your interpretation of the story, maybe is not so far off.

The themes explored in this are your average Asano fare: existentialism, depression, suicide, despair, human psychology, philosophy, and surprisingly even spirituality (mostly Taoism, but other influences as well). Mostly it focuses on negative facets of human nature, so I wouldn't recommend reading this if you're sensitive to the subject matters I mentioned. Throughout the book, we see human beings being huge piles of shit, and how their actions affect others. The only semblance of purity is Arie, the girl who is in a coma since the beginning of the story, while everyone else tends to be reflected in a poor light. The beauty of Asano's writing is how real, grounded, and raw he makes these characters feel. He captures humanity in a way I have never seen another writer capture; not just with his writing, but his art as well.

I won't summarize the plot, but I will attempt to explain its appeal. The story itself feels like a mix of slice-of-life, mystery, and psychological horror, perhaps even supernatural horror depending how you interpret it. It revolves around 10 or so characters, mostly the students of a particular class, their family, and their teachers. All of these start out with individual arcs, but eventually every single character becomes intertwined with the others and with the main plot of the story. It might not be apparent at first, it might even go completely over your head, but every character is important. The plot itself is told through two timelines, both of which do jump around a lot, and it requires a lot of attention to detail to understand how and when things happen. Sometimes there will be repeated lines and motifs that hint at the significance of specific events and the nature of the story as a whole. If you're not paying attention you might completely miss out on a whole layer of meaning. In fact, I would say that you are almost guaranteed to not understand everything on a first read. There will be revelations later on that will completely change how you view specific events or mechanics in the story. The butterflies are one of those things for example, as there are various interpretations of what they could be, and I don't think there is one single answer. Another example would be the tin box. Even the very last page could recontextualize the entire story depending on how you interpret it. It's like trying to interpret a dream.

I don't want to get into spoilers, or turn this review into an analysis essay, but I would recommend reading up on Zhuangzi's Butterfly Parable and Taoism to get a better sense for the central themes at play here. Themes such as Tao/The Way, the Three Treasures, Cyclic Cosmology, I Ching/Yin & Yang. General enlightenment beliefs from other religions might be useful as well. This should help understanding the story as it goes along. You will likely still enjoy it without any of this, but you probably won't understand why I consider it a masterpiece.

As for the art, it is absolutely gorgeous. Asano has a knack for facial expressions and body language. His character designs are simple and realistic, sometimes breathtakingly beautiful, sometimes mundane, and sometimes even deliberately unpleasant. His use of the sequential medium is sublime. He likes to use a lot of establishing shots to cement the setting, which is important considering this is basically a small town mystery. He uses spreads only when absolutely necessary to capitalize on a powerful moment. His use of blank or black panels with or without text is extremely effective, and his panel pacing is meticulously calculated. For the most part, his panels consist of close-ups or body shots, with focus being placed on specific actions, objects, expressions, or body language. I'd say the things he values the most are atmosphere and emotion. His goal with his art is to make you feel. His goal with his writing is to make you ponder.

All in all, I have to give this a perfect score of 10/10. It's a literary masterpiece, in my opinion. Easily one of the best manga I've read. I could see some faulting it for being confusing, or maybe even pretentious or uneventful, but I would highly disagree. Inio Asano completely nails the execution, and any open-endedness is deliberate and calculated. I could also see some faulting it for not being what they want it to be, but this manga is exactly what it wants to be.

I will leave you with a quote paraphrased in the book that perfectly captures its essence:
"Once upon a time, I, Zhuangzi, dreamt I was a butterfly, fluttering hither and thither, to all intents and purposes a butterfly. I was conscious only of my happiness as a butterfly, unaware that I was Zhuangzi. Soon I awakened, and there I was, veritably myself again. Now I do not know whether I was then a man dreaming I was a butterfly, or whether I am now a butterfly, dreaming I am a man."

Asano is formed with the kanji combination 浅野, where 浅 alone can mean shallow or shameful, and 野, plains, rustic or civil life. Inio is formed out by hiragana, so I don't really know if this is his real name (I searched for it and came up with nothing), but this is as far as my japanese knowledge go (with the internet's help).

Interesting enough, 浅 in combination with からぬ assumes a new meaning, of deep (of emotions or connections). Personally, I think his name sums up playfully not only Nijigahara, but all of his work.

Well, most important: if you walk in this manga expecting to ... have a good time, or thinking this is Solanin (or even Oyasumi Punpun) you are bound to have a bad time. This is neither. A good comparison I could make, since this is always a good comparison to confusing things most people doesn't seem to get, is 2001. For me, I actually found Nijigahara, while rather confusing, more interesting, if not deep, than 2001 (don't get me wrong, it is one of my favorites, I just was not impressed by the so "deep philosophy" people always talk about when mentioning the movie).

Even if it is confusing at first, it is certainly not unpenetrable. Reading for the first time after hearing about how confusing and deep way down Mariana's Trench it was, I still managed to get the trivial enjoyment intrinsic to all Asano's work, that enjoyment of reading a slice of life, and get a good chunk of understanding about what was going on, so I can just think that people over exaggerate on it, or the ones who didn't managed to get a thing from it are just lazy. After all, it is a work that relies on symbolism and discreet nuances; it is not intended for the complete understand in just one read. It's 300 pages long, there are few dialogues if compared to other Asano's works, it's not War and Peace. So I think it is a perfectly reasonable work to udnerstand.

At the core of this book, I believe there is the message I presume Asano tries to pass out on all his works (and, maybe, chants to himself every morning before getting out of bed): you got to keep on living, no matter what.

Ah, and I agree that Asano will never be able to write something like that again: this is an amateur work. Not that it is bad, just that it was a tricky shot. It was probably the one most resembling of what he conceived in mind. I hope I made some sense.

"Nijigahara Holograph" really leave lots of lingering questions after reading the first time. The first read will get you a sense of characters recognition and then the second read will most likely help you understand the whole story. You'll need to read it three times to complete the timeline puzzle the author left.

The GOOD about this manga:
- Once you've pieced all the scattered scene together, you will understand the story very well which takes about 3 read to to this.
- The characters are very well developed and connecting them is what make the story interesting.

The BAD about this manga:
- All characters are sick ... in the head: a father who regularly have sex with his daughter, the daughter getting raped/having sex with other men, a son who have mommy complex (Oedipus Complex) and want to have sex with his mother, a classmate who go crazy and kill people because the girl he like keep getting rape/having sex with other guys...etc. You'll come to understand this if you pieced all the timeline in the correct order while understanding the significance of each character in the manga.
- The butterflies in the manga probably signified identity confusion due to guilt of the individual character. This is because of the quote mentioned in the manga about Zhuang zi who confused his own identity with the butterfly.

Overall, this manga is very unique to the point that you even confuse yourself with the characters.