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Apr 7, 5:59 AM
#1
That was like a fated meeting between Kanna and Akihiko. There's definitely a sense of mystery involved as Kanna tries to help her friend to deal with a supposed rumor about a ghost. Feels like they really wanted to get the vibe of the anime going with that. Kanna herself seems like a friendly person who is willing to help others. Akihiko seems much more mysterious and takes the role of a teacher for now. |
Apr 7, 6:00 AM
#2
If you do not know, female mangaka Aki Shimizu's series is based off of Natsuhiko Kyogoku's Kyōgokudō novel series, which has seen Madhouse's anime back in Fall 2008 in the form of the 2nd novel, Moryo no Hako a.k.a Box of Goblins. Though this show is a precursor to both that and its prequel of Ubume no Natsu a.k.a The Summer of the Ubume, it's safe to enjoy this one without any prior knowledge of the source material. HoneyWorks feat. KAF's OP, as well as Sizuk's ED, is rather decent. The setting of Tokyo's Showa Year 23 in 1948, where it lives 2nd Year stduent Kanna Kusakabe and her friends in high school, though one of them, Sachiko, trying to go with her boyfriend of Shingo to the old school library, only to notice a ghost sighting. The mysteries follow and though its outcomes exaggerated with a curse, though Kanna finds it hard to believe despite her friend's overwhelming concern. But a pouch that dropped in the bus, that Kanna picked up and has other people clamoring for it, one mysterious man figures out the komainu pendant attached to it and solves the mystery then and there with the shrine omamori in the pouch itself. To risk letting the fling's rumour going out, Sachiko claims absence...while the new Japanese teacher of Akihiko Chuzenji comes off as being eccentric and scary from the get-go. Kanna, knowing that she cannot ignore her friend's plight, goes to the old school building to investigate for herself, and indeed, the same ghost sighting is found at the library, though it can't be found thereafter. But she didn't really need to worry since the ghost is Chuzenji in person, following the only path he could go, as well as a hidden book preparation room to preserve censored books from the old teacher Yasuda who retired before him. That said, there're no short of mysterious things, and the hidden room need not be mentioned by him blackmailing her to keep the secret to herself. Of course, everyone finds it impressive that Kanna "exorcised" the library ghost, no thanks to Chuzenji making her a paranormal detective that's forced on her. That starts the parade between both teacher and student, much to Kanna's chagrin. It's an alright start into the mystery aspect in a historical state. |
KANLen09Apr 7, 4:46 PM
Apr 7, 11:13 AM
#3
I really liked the episode with its mysterious vibe and the enigmatic teacher, Akihiko. His personality is the most intriguing part about him, and then there's Kanna—I really respect her for being ready to sacrifice herself just to give her friend peace of mind. Their duo is going to be fun to follow. I’m looking forward to seeing what kind of mysteries they’ll solve together! |
Apr 7, 11:32 AM
#4
Liking the teacher & student dynamic so far. Kanna's new "profession" is going to turn her world upside down for sure. ![]() |
Apr 7, 12:09 PM
#5
I like when there are many detective anime within the same season. And in this anime, the detective himself is hot! The true source of this anime is quite complicated. |
Apr 7, 12:33 PM
#6
OK, related or not related to Mouryou no Hako, this is bad, like even on a production level. Drop. |
Apr 7, 12:44 PM
#7
wow, guys guys guys, we have te tell the others that this one could be the orb of the spring 25 i was not expecting to enjoy that much the ep, this duo could be one of my favorite, i'm excited to see the next ep it was so so so so good E1 (8/10) |
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Apr 7, 1:15 PM
#8
This Chuzenji guy... He really does just solve all the mysteries! Not that I was expecting anything dark but this was a lot more lighthearted than what I was ready for, but that's far from a bad thing. Really like how expressive the characters are, especially our leads. |
Apr 7, 3:19 PM
#9
I actually expect to see some paranormal stuff, but in the end, I still like the first episode I like detective stuff, so I will keep watching |
Apr 7, 4:13 PM
#10
This wasn’t at all what I expected, but it turned out to be a pleasant surprise. I thought it’d have a more supernatural vibe like In/Spectre, but it leaned way more into light detective work — and it actually worked really well! The dynamic between Chuuzenji and Kanna is definitely going to be one of the show’s highlights — he’s calmly solving everything while she tries to keep up, and it’s honestly great 😄 The atmosphere is also on point, and the visual style really caught my eye. It almost feels theatrical in a good way. I’m curious to see if they’ll eventually throw in something actually supernatural, or if it’ll all keep being rationally explained — like a philosophical Scooby-Doo kind of deal haha. If it keeps this up, it could easily become one of the standouts of the season! |
Apr 7, 5:57 PM
#11
Was Chuuzenji Akihiko always this nice? I know the comic this anime is based on is set before all the other novels in the series and that the script is done by another author, but the whiplash from seeing a considerate Chuuzenji still hit me hard. |
Apr 7, 8:03 PM
#12
noooo they cut my boys beautiful locks. he looks terrible 😭😭😭 #notmychuuzenji |
Apr 8, 12:50 AM
#13
i'm right in the middle of the episode, but the synopsis is ENTIRELY wrong. yes, Showa Year 23 IS 1948. but the statement that 1948 was "right after the war" is entirely utterly effing STUIPDLY incorrect. VJ Day or the official signing of the surrender of Japan ending WW2 was in 1945. THREE YEARS BEFORE THIS EPISODE STARTS! you can also tell the period because Japan's 'new school system' INCLUDING girls with High School (starting in Tokyo) aged Boys was AFTER the Occupation by the Allies started. previous to this 'girls schools' ended BEFORE high-school at 15 years old. because girls at 14 were considered ADULT WOMEN and marriable. so their educations ENDED the year of or the year before their 15th birthdays (depending on which month each girl was born). if you're going to write a synopsis, write it effing ACCURATELY and CORRECTLY. just say 'three years after WW2 ended with Japan's surrender'. the AMOUNT of changes that happened to and inside Japan and around the region BECAUSE of how WW2 ended was HUGE! just remember, the Allied Occupation lasted from '45 to April 1952... this show's beginning is STILL FOUR YEARS before the end of Occupation... so 'our girl' JUST started the 'new school system' the year before in 1947? so she is attending one of the 'test' or 'pilot' schools in Tokyo implemented by the Occupation Government to demonstrate to the Japanese public that a strict 50/50 male to female ratio in all classrooms in all grades was viable. interesting! hmm... so if 'our girl' goes onwards towards college she'll be a Sophomore or Junior there by the time Occupation ended... definitely an interesting period to set your manga in! :D |
Apr 8, 1:05 AM
#14
Reply to KANLen09
If you do not know, female mangaka Aki Shimizu's series is based off of Natsuhiko Kyogoku's Kyōgokudō novel series, which has seen Madhouse's anime back in Fall 2008 in the form of the 2nd novel, Moryo no Hako a.k.a Box of Goblins.
Though this show is a precursor to both that and its prequel of Ubume no Natsu a.k.a The Summer of the Ubume, it's safe to enjoy this one without any prior knowledge of the source material.
HoneyWorks feat. KAF's OP, as well as Sizuk's ED, is rather decent.
The setting of Tokyo's Showa Year 23 in 1948, where it lives 2nd Year stduent Kanna Kusakabe and her friends in high school, though one of them, Sachiko, trying to go with her boyfriend of Shingo to the old school library, only to notice a ghost sighting. The mysteries follow and though its outcomes exaggerated with a curse, though Kanna finds it hard to believe despite her friend's overwhelming concern. But a pouch that dropped in the bus, that Kanna picked up and has other people clamoring for it, one mysterious man figures out the komainu pendant attached to it and solves the mystery then and there with the shrine omamori in the pouch itself.
To risk letting the fling's rumour going out, Sachiko claims absence...while the new Japanese teacher of Akihiko Chuzenji comes off as being eccentric and scary from the get-go. Kanna, knowing that she cannot ignore her friend's plight, goes to the old school building to investigate for herself, and indeed, the same ghost sighting is found at the library, though it can't be found thereafter. But she didn't really need to worry since the ghost is Chuzenji in person, following the only path he could go, as well as a hidden book preparation room to preserve censored books from the old teacher Yasuda who retired before him. That said, there're no short of mysterious things, and the hidden room need not be mentioned by him blackmailing her to keep the secret to herself.
Of course, everyone finds it impressive that Kanna "exorcised" the library ghost, no thanks to Chuzenji making her a paranormal detective that's forced on her. That starts the parade between both teacher and student, much to Kanna's chagrin.
It's an alright start into the mystery aspect in a historical state.
Though this show is a precursor to both that and its prequel of Ubume no Natsu a.k.a The Summer of the Ubume, it's safe to enjoy this one without any prior knowledge of the source material.
HoneyWorks feat. KAF's OP, as well as Sizuk's ED, is rather decent.
The setting of Tokyo's Showa Year 23 in 1948, where it lives 2nd Year stduent Kanna Kusakabe and her friends in high school, though one of them, Sachiko, trying to go with her boyfriend of Shingo to the old school library, only to notice a ghost sighting. The mysteries follow and though its outcomes exaggerated with a curse, though Kanna finds it hard to believe despite her friend's overwhelming concern. But a pouch that dropped in the bus, that Kanna picked up and has other people clamoring for it, one mysterious man figures out the komainu pendant attached to it and solves the mystery then and there with the shrine omamori in the pouch itself.
To risk letting the fling's rumour going out, Sachiko claims absence...while the new Japanese teacher of Akihiko Chuzenji comes off as being eccentric and scary from the get-go. Kanna, knowing that she cannot ignore her friend's plight, goes to the old school building to investigate for herself, and indeed, the same ghost sighting is found at the library, though it can't be found thereafter. But she didn't really need to worry since the ghost is Chuzenji in person, following the only path he could go, as well as a hidden book preparation room to preserve censored books from the old teacher Yasuda who retired before him. That said, there're no short of mysterious things, and the hidden room need not be mentioned by him blackmailing her to keep the secret to herself.
Of course, everyone finds it impressive that Kanna "exorcised" the library ghost, no thanks to Chuzenji making her a paranormal detective that's forced on her. That starts the parade between both teacher and student, much to Kanna's chagrin.
It's an alright start into the mystery aspect in a historical state.
@KANLen09 you're a smidge off on your analysis of 'the fling'... in this era these kids were the 'pilot projects' in Tokyo's school systems by the Occupation Government to convince Japan that sexual integration at a 50/50 rate of all Grades was viable. 'their old school building' was most definitely 'the girls school' on that campus 2.5 to 3 years previously. the fling as you call it was part of 'dating' in Tokyo. the only REALLY salacious part was the couple was out late WITHOUT a chaperone from the boy AND girl's families... so yeah, the encounter WAS scandalous and inauspicious for the couple... but if they were ALREADY an arranged couple (which was STILL very popular then) it would have easily been explained and swept under the rug and kept quiet within the two families. now if the couple was formed via a more 'cosmopolitan' or 'progressive' bond (think modern 20th Century Western social norms) an 'evening date' without chaperones would have been... hmmm... problematic depending on how conservative and bound by traditions each family was. there are a lot of variables floating around right here... but i'll learn more as the show progresses since it is so early. |
KiliianSleipnirApr 8, 1:18 AM
Apr 8, 2:06 AM
#15
Reply to KiliianSleipnir
@KANLen09
you're a smidge off on your analysis of 'the fling'... in this era these kids were the 'pilot projects' in Tokyo's school systems by the Occupation Government to convince Japan that sexual integration at a 50/50 rate of all Grades was viable. 'their old school building' was most definitely 'the girls school' on that campus 2.5 to 3 years previously. the fling as you call it was part of 'dating' in Tokyo. the only REALLY salacious part was the couple was out late WITHOUT a chaperone from the boy AND girl's families... so yeah, the encounter WAS scandalous and inauspicious for the couple... but if they were ALREADY an arranged couple (which was STILL very popular then) it would have easily been explained and swept under the rug and kept quiet within the two families.
now if the couple was formed via a more 'cosmopolitan' or 'progressive' bond (think modern 20th Century Western social norms) an 'evening date' without chaperones would have been... hmmm... problematic depending on how conservative and bound by traditions each family was.
there are a lot of variables floating around right here... but i'll learn more as the show progresses since it is so early.
you're a smidge off on your analysis of 'the fling'... in this era these kids were the 'pilot projects' in Tokyo's school systems by the Occupation Government to convince Japan that sexual integration at a 50/50 rate of all Grades was viable. 'their old school building' was most definitely 'the girls school' on that campus 2.5 to 3 years previously. the fling as you call it was part of 'dating' in Tokyo. the only REALLY salacious part was the couple was out late WITHOUT a chaperone from the boy AND girl's families... so yeah, the encounter WAS scandalous and inauspicious for the couple... but if they were ALREADY an arranged couple (which was STILL very popular then) it would have easily been explained and swept under the rug and kept quiet within the two families.
now if the couple was formed via a more 'cosmopolitan' or 'progressive' bond (think modern 20th Century Western social norms) an 'evening date' without chaperones would have been... hmmm... problematic depending on how conservative and bound by traditions each family was.
there are a lot of variables floating around right here... but i'll learn more as the show progresses since it is so early.
@KiliianSleipnir thanks for the clarification, it's uncommon to see "grounded" relationships in past context, so I was definitely a bit off on that count. |
Apr 8, 2:18 AM
#16
Reply to Mari_Marx
This wasn’t at all what I expected, but it turned out to be a pleasant surprise. I thought it’d have a more supernatural vibe like In/Spectre, but it leaned way more into light detective work — and it actually worked really well! The dynamic between Chuuzenji and Kanna is definitely going to be one of the show’s highlights — he’s calmly solving everything while she tries to keep up, and it’s honestly great 😄
The atmosphere is also on point, and the visual style really caught my eye. It almost feels theatrical in a good way. I’m curious to see if they’ll eventually throw in something actually supernatural, or if it’ll all keep being rationally explained — like a philosophical Scooby-Doo kind of deal haha.
If it keeps this up, it could easily become one of the standouts of the season!
The atmosphere is also on point, and the visual style really caught my eye. It almost feels theatrical in a good way. I’m curious to see if they’ll eventually throw in something actually supernatural, or if it’ll all keep being rationally explained — like a philosophical Scooby-Doo kind of deal haha.
If it keeps this up, it could easily become one of the standouts of the season!
@Mari_Marx The comparison to a “philosophical Scooby-Doo” is spot-on and oddly delightful. But for a veteran mystery fan like myself the more precise comparison would be the Japanese live-action drama After school mysteries. Chuuzenji-sensei Mononoke Kougiroku really went and did the unexpected, didn’t it? While you were ready for some supernatural showdowns à la In/Spectre, the anime coolly swerved into detective work territory— It’s like the show said, “You thought you were here for ghosts? Nah, sit down and watch me unravel mysteries with pure brainpower and philosophical flair.” But I like both as much as each other. The dynamic and facial expressions between Chuuzenji and Kanna is peak entertainment. Chuuzenji calmly piecing together puzzles like a professor on his fifth cup of coffee while Kanna tries to keep up with his logical brain moves is the kind of chaotic |
RainyEveningsApr 8, 2:26 AM
Apr 8, 2:21 AM
#17
Reply to alshu
OK, related or not related to Mouryou no Hako, this is bad, like even on a production level.
Drop.
Drop.
@alshu man I wasn't expecting that, I came here to hire you to find out the music playing when sachiko and boyfriend went into the library. Even if you drop the anime, I hope you or someone can help me find the background music during the ghost scene. |
Apr 8, 2:49 AM
#18
Reply to KANLen09
@KiliianSleipnir thanks for the clarification, it's uncommon to see "grounded" relationships in past context, so I was definitely a bit off on that count.
@KANLen09 yeah, since you mentioned the previous 'sources' i figured you were aware of the period etc. from the header/beginning of the thread. so you're on the right track! juuust 'one train over' so to speak. there are a crap-ton of older discussions i've walked into via 'Taisho Otome Fairy Tale'.... annnnd... 'Natsu no Arashi!' annnd fughhh it has been decades... but period settings exhaust my personal memory banks with how... goofball folks' ideas and concepts can be. even 'Oda Nobuna no Yabou'... you remember the one where ALL the Warring States Era 'historical figures' are replaced with CUTE GIRLS?? lolol! THAT one twisted my vague and juuuust barely scratching the surface historical knowledge of the period up in Gordian Knots! :D the whole Taisho controversy over how she's shipped off into the boonies to cohabitate before marriage with an older guy and she can't even finish school... plus how young she is etc. that anime brought up a whole SLEW of scatterbrained 'SJW' on the feminists' side AND the cancel culture side. Natsu's whole time-travel/supernatural/ghosts thing clashes with the setting WELL BEFORE 1945 and Occupation and 'end' of WW2 flipping to the 1990's ish to early 2000's ish setting... then the working conditions for ladies 'then' late late in the War morphing EVERYTHING due to economic and Governmental social engineering pressures and social classes and... ughhhh... the headaches trying to trace the concepts! you can see how somebody with just ENOUGH research in my brain has to hop up n down waving the "HOLD IT! HOLD IT! HOLLLLLD IT!" flag around making sure folks don't go off the rails bonkers thinking 2000-2025 has a single cotton-picking damn thing to do with even 1990's ideas or hellaciously older ideas from the 1900's 1800's or the '40s... hell even 'Hyouka' s 1st novel published in 2001 didn't get an anime till 11 years later in 2012 and there are 1960's ideas/ideals and historical commentaries and events there! i don't wanna start the AC:Shadows Yasuke blablablabla bullhockery ever again either. THAT subject just needs to be shot by a firing squad, shoved in an unmarked pauper's grave ten feet deep, 5-10 bags of quicklime dumped on top, and smothered in dirt. some things just need to be left alone, untouched by blathering ignorant buffoons, and not mentioned. i say, somebody wants to make a game? leave it a game, keep the discussions to ONLY about 'good game'? and 'bad game'? and 'ok game'? that's all it needs. :D |
Apr 8, 3:05 AM
#19
I love it. It's a quirky slice of life and I like the main character. |
Apr 8, 4:08 AM
#20
RainyEvenings said: I hope you or someone can help me find the background music during the ghost scene. I don't think that I am particularly good at finding music...my guess is they will release the OST in several months. RainyEvenings said: I wasn't expecting that I really wanted to enjoy this show...but it's nothing like Mouryou no Hako. De facto Chuuzenji-sensei is a different character there. |
Apr 9, 12:12 AM
#22
KiliianSleipnir said: yes, Showa Year 23 IS 1948. but the statement that 1948 was "right after the war" is entirely utterly effing STUIPDLY incorrect. VJ Day or the official signing of the surrender of Japan ending WW2 was in 1945. THREE YEARS BEFORE THIS EPISODE STARTS! I don't think it really makes sense to say it's "incorrect" in this context considering the fact that "right" as in "right after" referring to timing is obviously a loosely used and defined completely subjective choice of phrasing. There is no precise definition of exactly what amount of time correlates with "right after". It is not synonymous with "the next day", "the next week", or "the next month". It's like the phrase "a long time". That could mean three hours or 200 years, depending on context. There is no one measurement for it. I'm very familiar with WWII history including the Pacific War and the dates which punctuate it, including, of course, the fact that the war ended in 1945, but nothing jumped out as wrong to me when reading that synopsis because, as you said yourself further down in the post, the U.S. occupation was still going on for years after that and 1948 is and would have been very much considered the immediate post-war period. So "right after' sounds pretty logical and apt wording. They didn't say "24 hours after the broadcast of Emperor Hirohito's surrender declaration via radio". Three years is really nothing in the long span of history. A blip on the radar. The history of the late 1940s and events occurring within it in many countries around the world is considered part of the WWII aftermath. This just seems like a preference-based thing for choice of language used. |
WatchTillTandavaApr 9, 12:23 AM
Apr 9, 7:35 AM
#23
Loved everything about this. From that gorgeous art style and fun OP (love KAF's voice), to the interesting plot and its placement in that specific time period in Japan, Kanna's cute personality and, of course, my favorite VA of all time -- Katsuyuki Konishi (Takano in Sekaiichi Hatsukoi/Gaoshun in The Apothecary Diaries) as Akihiko. Could not love this any more, and so excited for EP 2. |
Apr 9, 9:57 AM
#24
Their chemistry is there!! Hope this turn into a nice one |
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Apr 9, 10:33 AM
#25
Reply to WatchTillTandava
KiliianSleipnir said:
yes, Showa Year 23 IS 1948. but the statement that 1948 was "right after the war" is entirely utterly effing STUIPDLY incorrect. VJ Day or the official signing of the surrender of Japan ending WW2 was in 1945. THREE YEARS BEFORE THIS EPISODE STARTS!
yes, Showa Year 23 IS 1948. but the statement that 1948 was "right after the war" is entirely utterly effing STUIPDLY incorrect. VJ Day or the official signing of the surrender of Japan ending WW2 was in 1945. THREE YEARS BEFORE THIS EPISODE STARTS!
I don't think it really makes sense to say it's "incorrect" in this context considering the fact that "right" as in "right after" referring to timing is obviously a loosely used and defined completely subjective choice of phrasing. There is no precise definition of exactly what amount of time correlates with "right after". It is not synonymous with "the next day", "the next week", or "the next month". It's like the phrase "a long time". That could mean three hours or 200 years, depending on context. There is no one measurement for it.
I'm very familiar with WWII history including the Pacific War and the dates which punctuate it, including, of course, the fact that the war ended in 1945, but nothing jumped out as wrong to me when reading that synopsis because, as you said yourself further down in the post, the U.S. occupation was still going on for years after that and 1948 is and would have been very much considered the immediate post-war period. So "right after' sounds pretty logical and apt wording. They didn't say "24 hours after the broadcast of Emperor Hirohito's surrender declaration via radio". Three years is really nothing in the long span of history. A blip on the radar. The history of the late 1940s and events occurring within it in many countries around the world is considered part of the WWII aftermath.
This just seems like a preference-based thing for choice of language used.
@WatchTillTandava "we'll be right back after these messages." right in these contexts is IMMEDIATE. the very next thing that happens. A then B and right after that? C. it isn't preference; it is usage commonality and writing choices which were incorrect. using a more accurate statement in a SYNOPSIS... is necessary. professional copywriting experience tells me, don't use a generality when you're working with a specific fact-based item or grouping of information. the specific year is known for the setting, use it. if the overall decade or broader defined period was used, a 'right after Japan surrenders ending WW2' statement would be acceptable. the purpose of a synopsis is to take a larger data-set and condense it factually into a smaller representation. smaller = more detailed. a closer examination of the facts at hand and carefully picking the most important items and deciding how to present them to the reader in the most coherent fashion possible. to set the physical location, Japan, Tokyo, and the timeline location for that city was 1948. specific. also? you've never written or edited in academia for history, have you? "Three years is really nothing in the long span of history. A blip on the radar." yeah, 100% wrong. every second, every minute, every person's life from conception till death is important to history. three years in a period from '45-52 is the very middle of the Occupation. that specific length within the perspective of the existence of the human species? yes 3 years is a short timespan. take the older known physical examples of language written... 1750's BC like the Code of Hammurabi. 3,699 or so years of human history from 1948 backwards to 1750 BC. that perspective? 3 years is a little more important. the less than 80 years of one human life? we're DEFINITELY getting more and more important when it comes to 3 years. narrow it down from one human lifespan to a period within that lifespan from '45-52, even more important. this one girl Kusakabe Kanna ?16 years-old? three years is most certainly important to her! if this was a synopsis for a text covering the overall/broad 1900-1960 period of Japanese history, "right after" would be a useful statement... but this text isn't that broad, it is one teenaged girl's life in one specific year and very specific events happening during that year. details are needed. |
Apr 9, 2:52 PM
#26
Apr 9, 5:35 PM
#27
Why is he on that yugioh face all the time lol? |
Apr 11, 7:22 PM
#28
Huh, had no idea this was related to a much better known, longer series of works I've also never heard of, but I guess that's interesting. Still, I plan on watching this as its own thing totally blind, and this first episode was fine. I liked the bus purse snatching mystery portion more though honestly lol. |
Apr 12, 9:43 AM
#29
I thought this premiere was pretty good. Nothing fantastic, but fine. Kanna is a fun main character, with a strong moral center, and her dynamic with the teacher is entertaining. The mysteries are very run-of-the-mill and passé; nothing that hasn't been done a million times before (and much better) elsewhere, but maybe they're just getting started. I do hope that this isn't one of those detective stories where every mystery is solved by extrapolating on one small detail like with that pendant on the wallet, because that's my least favorite kind; there's just so much you have to take for granted for those types of deductions to be valid, so they're not that fun to watch. |
Apr 12, 9:59 AM
#30
Apr 14, 3:02 PM
#31
This is mostly going to be a critique of the art style and overall tone. I understand that this series is handled by a different mangaka and writer than the original novels and manga — she was the artist for Mōryō no Hako and Ubume no Natsu manga adaptations.I haven’t read the novels, but I did watch the anime adaptation and looked into the manga. For me, this new series is supposed to serve as a prequel to everything that happens in those stories, but it just feels too bright. I can’t get over how overly colorful it is that’s something I’ve been noticing more and more with modern anime in general. Everything looks so polished and vibrant that it strips away the atmosphere especially for the historical vibes I expect from something tied to the Kyōgokudō universe. I don’t think the first episode was bad by any means, but I was expecting something closer in tone and presentation to the original source material. It feels like it’s missing that eerie, heavy vibe that made the older adaptations so compelling. I should just read the novels at this point |
Yesterday, 12:40 AM
#32
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