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Oct 5, 5:20 PM
#1
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Jun 2016
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I've read a few manga with Ikegami Ryoichi's art (a realistic drawing style of which I am always impressed with) and a lot of them have a tendency to use graphic depictions of sexual violence on women as a tool to drive the progression of the story. And with this manga as a clear example, I find it to be done in very bad taste.

I am never comfortable with consuming media with such vivid portrayals of sexual abuse, although when done right, the manga creators have a chance to show the reality of pain and suffering that comes with these acts without portraying it in such a way that it makes readers desensitised. It should always make us feel shocked and disgusted, and our journey's with the characters involved should have more depth and add to the story's weight. An example of this being done with purpose and care, is the infamous Eclipse arc in Berserk. Miura's masterpiece is filled with the horror of how evil is potent within and beyond us. Throughout Berserk, there are moments like this with various characters, but the Eclipse was the defining point of the story. There was a clear reason as to why that the scene was important to the plot.

With the date of the Kyoko's publication - it wouldn't be a far fetched statement to say that due to the culture at the time, women in manga are commonly depicted in a way that only services the plot and (mostly) male main characters, making them seem flat and one-dimensional. When it comes to art and media, this is always a sensitive and dark area. I believe that the use and portrayal of sexual violence has to be done with, again, purpose but also care.



Maybe it is an old manga so we can expect this to be the norm for those times, but that doesn't excuse the fact that this story was poorly constructed. And the fact that the main plot revolved around sexual violence upon the main character (is that a spoiler? It was in the blurb on the MAL page for Kyoko), the final product is just not good enough to justify the artistic decisions that the author made. I know this was written by another person, but come on it is Ikegami's art after all.

3/10, very bad.

I wouldn't recommend this.
serexdayOct 6, 7:17 AM
Oct 5, 9:40 PM
#2

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May 2018
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I haven't read this manga, but amen! This is basically exactly how I feel about sexual violence in entertainment.
can't yuck my yum




Oct 6, 9:24 AM
#3
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Jun 2016
9
Reply to NoelleIsSleepy
I haven't read this manga, but amen! This is basically exactly how I feel about sexual violence in entertainment.
@NoelleIsSleepy as much discussion as there is online about animanga, I don't see topics like these being brought up compared to other things. I think they are very important for the community to engage with because the content that we consume ultimately gets filtered through the numbers of things like sales and fan engagement. If we have potent dialogue spread throughout threads and comment sections around social media, I feel that there will be a wave made around the industry and an increased likelihood that the quality of the content they put out for us becomes better, healthier expressions of art that don't damage or propagate the often times condescending way authors treat certain groups of people as vehicles of storyline progression.
Oct 6, 12:38 PM
#4

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Mar 2013
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I do not have much to add about the discussion, but I see the eclipse as an…honest depiction of why some men rape. I do understand the critique that Casca herself is not typical of most women or men who experienced that type of assault (To be fair, the Eclipse including the wholesale massacre of nearly everyone Casca knew). I do not disagree with that thoughtful criticism of my position, as it is why I appreciate to a much greater extent Guts’ earlier persona given his experiences with Gambino and Donovan. He hates being touched, he drifts through life because of the hand he has been dealt woth

I would say they are two sides of the same coin, Guts as a victim of this crime and Griffith who commits it.

To comment on manga and anime in general, my problem is that while rape is portrayed as a bad experience, it is often not treated as traumatic one. In the case where it is, you have of course more exaggerated examples like Casca. This is not to say that some people do not react this way or that exaggeration has no place in our media to communicate a message, I find that the understanding from people like me to be rudimentary and superficial. They were raped so they became catatonic, they were SA’ed so they became evil, etc. You get what I am driving at?

This is the best case scenario compared to a work like Classroom of the Elite, where it is just an excuse for the main character to save a potential live interest who was “almost” raped, which apparently is not traumatic in the slightest. It is more often to demonstrate evil more than anything else, and it is terribly disappointing. Trauma is long lasting and there is no cure, so it while it not inconvenient to have any character be SA’ed, it is deeply inconvenient to have one who was SA’ed.
Oct 6, 1:19 PM
#5

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May 2021
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serexday said:
I've read a few manga with Ikegami Ryoichi's art (a realistic drawing style of which I am always impressed with) and a lot of them have a tendency to use graphic depictions of sexual violence on women as a tool to drive the progression of the story. And with this manga as a clear example, I find it to be done in very bad taste

Haven't read this particular manga, but yes, the type of portrayel you describe is one i loath

Personally i think Cross Ange, Elfen Lied, and Citrus fall in this category
Oct 6, 1:54 PM
#6
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Jun 2016
9
Reply to PeripheralVision
I do not have much to add about the discussion, but I see the eclipse as an…honest depiction of why some men rape. I do understand the critique that Casca herself is not typical of most women or men who experienced that type of assault (To be fair, the Eclipse including the wholesale massacre of nearly everyone Casca knew). I do not disagree with that thoughtful criticism of my position, as it is why I appreciate to a much greater extent Guts’ earlier persona given his experiences with Gambino and Donovan. He hates being touched, he drifts through life because of the hand he has been dealt woth

I would say they are two sides of the same coin, Guts as a victim of this crime and Griffith who commits it.

To comment on manga and anime in general, my problem is that while rape is portrayed as a bad experience, it is often not treated as traumatic one. In the case where it is, you have of course more exaggerated examples like Casca. This is not to say that some people do not react this way or that exaggeration has no place in our media to communicate a message, I find that the understanding from people like me to be rudimentary and superficial. They were raped so they became catatonic, they were SA’ed so they became evil, etc. You get what I am driving at?

This is the best case scenario compared to a work like Classroom of the Elite, where it is just an excuse for the main character to save a potential live interest who was “almost” raped, which apparently is not traumatic in the slightest. It is more often to demonstrate evil more than anything else, and it is terribly disappointing. Trauma is long lasting and there is no cure, so it while it not inconvenient to have any character be SA’ed, it is deeply inconvenient to have one who was SA’ed.
@PeripheralVision I think that the fact that you have much more complex and nuanced things to say about Miura's use of sexual violence in Berserk points to my original point in the post that when done carefully and with purpose, such heavy and dark themes can be beneficial to the richness of the story and the experience of the reader.

But again, the main purpose of the original post was to critique the standard and repeated use of sexual violence in manga like the Kyoko.

You also make a great point about victims (in animanga) of sexual violence are often left to be treated as a vegetable, and the lack of care with taking the character through a realistic and maybe even hopeful portrayal of recovery is a missed opportunity. Authors tend to focus on the main story plotlines, but a question I would like to ask is why do they use sexual violence which is a dark and heavy subject and not take the time to treat it as such? It's overused in the way of shock and momentary helplessness to the victim, I have yet to consume any piece of media that makes me think it would be worse off if there wasn't a scene involving SA. 99% of animanga, and media in general, could do without it.

Bottom line, authors need to either do better or not do it at all.
Oct 6, 1:56 PM
#7
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Jun 2016
9
Reply to DigiCat
serexday said:
I've read a few manga with Ikegami Ryoichi's art (a realistic drawing style of which I am always impressed with) and a lot of them have a tendency to use graphic depictions of sexual violence on women as a tool to drive the progression of the story. And with this manga as a clear example, I find it to be done in very bad taste

Haven't read this particular manga, but yes, the type of portrayel you describe is one i loath

Personally i think Cross Ange, Elfen Lied, and Citrus fall in this category
@DigiCat Yes, unfortunately it is way too common of a trope in animanga to use sexual violence merely for shock and plot progression.
Oct 6, 3:11 PM
#8

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May 2021
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Reply to serexday
@DigiCat Yes, unfortunately it is way too common of a trope in animanga to use sexual violence merely for shock and plot progression.
@serexday I wouldn't really say they're common, in fact i've probably scene more anime that have some level of dignity when telling such stories (even if some may be more graphic than others) compare to ones that are just completely distasteful in their execution
Oct 6, 10:35 PM
#9
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Jun 2016
9
Reply to DigiCat
@serexday I wouldn't really say they're common, in fact i've probably scene more anime that have some level of dignity when telling such stories (even if some may be more graphic than others) compare to ones that are just completely distasteful in their execution
@DigiCat unfortunately the more you dig into animanga the more you see it, especially with older titles. I'm not sure how much you've personally read or watched, but I have definitely seen it used a lot more than it needs to be. I can pretty much tell if there's a vibe of even the threat of sexual violence about to happen in anime/manga, the more you consume the more you notice these things in my opinion. But you would probably find these things with animanga that are targeted towards more adult or mature audiences.
Oct 7, 2:39 AM

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Jan 2019
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I also feel uncomfortable seeing graphic violence in manga, especially scenes involving rape like those I encountered in 17-sai and Genocider. It’s disturbing to see women harmed in such ways. However, I understand that sometimes these scenes are used to emphasize how low or desperate the characters feel, adding dramatic depth to the story. This approach can be a double-edged sword, especially when the victim is an important or loved one of a male character. It often sets up a bold revenge plot or highlights the helplessness of the man who couldn't protect someone he cared about.

In the context of the series Kyoko, when I first read it, I was intrigued because I admire the duo of Buronson and Ryouichi. They tend to create dramatic and tear-jerking stories (though not every title) and present them with impressive artistic style. The rape scene in *Kyoko* is used to develop the idea that the love you hold can overcome anything. While I know this can feel like a narrative shortcut—using rape to amplify drama and suggest that the emotional loss is greater than the physical trauma—it’s still more meaningful than using rape merely as an excuse for graphic violence, like what is often seen in Dead Tube.

Even though it’s not a perfect approach, it’s at least better when such scenes are tied to character development and plot progression rather than being there just for shock value.
Oct 7, 3:23 AM

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May 2021
4066
Reply to serexday
@DigiCat unfortunately the more you dig into animanga the more you see it, especially with older titles. I'm not sure how much you've personally read or watched, but I have definitely seen it used a lot more than it needs to be. I can pretty much tell if there's a vibe of even the threat of sexual violence about to happen in anime/manga, the more you consume the more you notice these things in my opinion. But you would probably find these things with animanga that are targeted towards more adult or mature audiences.
@serexday I'm still not very convinced, i can maybe understand the argument if you're including hentai, but i consider that completely seperate, same as if i was talking about live action, i wouldn't include porn in the statistics

I do notice there's a disproportionate amount of the type of portrayal you describe in BL/GL, but that is also a very small part of anime with around 300 titles between the 2 genres out if 5000+ total anime

As for how much i've watched, about 750 anime between completed and dropped (manga a lot less as i'm dyslexic)

I only counted those anime where the sexual violence happens (be it on screen or not) or almost happens but someone stops it, but by the "threat of it about to happen" it sounds like you may be reffering to an even earlier stage? (correct me if i'm wrong) So like feeling you're in potential danger but in the end it doesn't happen, if that's what you meant i'll look thru my list again and see if i remember any such scenes
Oct 7, 11:17 AM
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Jun 2016
9
Reply to DigiCat
@serexday I'm still not very convinced, i can maybe understand the argument if you're including hentai, but i consider that completely seperate, same as if i was talking about live action, i wouldn't include porn in the statistics

I do notice there's a disproportionate amount of the type of portrayal you describe in BL/GL, but that is also a very small part of anime with around 300 titles between the 2 genres out if 5000+ total anime

As for how much i've watched, about 750 anime between completed and dropped (manga a lot less as i'm dyslexic)

I only counted those anime where the sexual violence happens (be it on screen or not) or almost happens but someone stops it, but by the "threat of it about to happen" it sounds like you may be reffering to an even earlier stage? (correct me if i'm wrong) So like feeling you're in potential danger but in the end it doesn't happen, if that's what you meant i'll look thru my list again and see if i remember any such scenes
@DigiCat While I don't have actual numbers of these instances, it's more of a personal opinion that I speak of on the original post.

My personal readings and consumption of animanga consist of three temperatures (as I would like to describe them). Light-hearted (often comedic) titles like K-On!, stories more grounded in realism but still maintaining an accessible presentation in regards to themes explored (anywhere from things like Horimiya to SNK), then the adult side of stories (things like Berserk, Monster etc. that explore dark thematic story structures).

I'm not trying to discredit your personal opinion either, just trying to clarify my points which are that sexual violence needs to be handled better by authors and us as fans and consumers need to be able to openly discuss sensitive matters like this more often. This is probably the first thread I've interacted with that is actually constructive conversation about this topic so I'm glad some people are engaging with it.

With other art forms like hentai, eroge etc. there is definitely a difference because that focuses more on the actual acts of sexual intercourse between whatever the story is about, and the target demographic for those titles are clearly those who are looking to gain some sort of sexual gratification through the material whereas with animanga you're there to watch/read a story about whatever it is, not necessarily looking for sexual content.
Oct 7, 12:02 PM
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Jun 2016
9
Reply to nekoneko1234
I also feel uncomfortable seeing graphic violence in manga, especially scenes involving rape like those I encountered in 17-sai and Genocider. It’s disturbing to see women harmed in such ways. However, I understand that sometimes these scenes are used to emphasize how low or desperate the characters feel, adding dramatic depth to the story. This approach can be a double-edged sword, especially when the victim is an important or loved one of a male character. It often sets up a bold revenge plot or highlights the helplessness of the man who couldn't protect someone he cared about.

In the context of the series Kyoko, when I first read it, I was intrigued because I admire the duo of Buronson and Ryouichi. They tend to create dramatic and tear-jerking stories (though not every title) and present them with impressive artistic style. The rape scene in *Kyoko* is used to develop the idea that the love you hold can overcome anything. While I know this can feel like a narrative shortcut—using rape to amplify drama and suggest that the emotional loss is greater than the physical trauma—it’s still more meaningful than using rape merely as an excuse for graphic violence, like what is often seen in Dead Tube.

Even though it’s not a perfect approach, it’s at least better when such scenes are tied to character development and plot progression rather than being there just for shock value.
@nekoneko1234 I see what you're getting at, and the way you described your points was very clear and easy to understand.

Although I will say, I do disagree with the idea that the use of sexual violence is a necessary mode of progressing the story. I don't feel the way it's depicted in Kyoko is the best choice. There is a lot of nuance with PTSD and sexual violence, and the author just throws us a couple of pages of previous scenes of the SA with the MC being stressed or showing her struggling emotionally with the memories.

And to the point you made about this being better than with how other manga handle it, like Dead Tube, I agree with that. They don't just use it purely for shock value. But just because it's better than something else doesn't necessarily make it a good piece of storytelling. It's like comparing food gone bad with eating shit, obviously you wouldn't choose the latter option. But that's why I didn't feel the need to compare it to even worse manga (like the aforementioned Dead Tube) and instead compared it with a good manga (Berserk) to show the missed opportunities that the author could've taken.

Respectfully, I disagree with the notion of "at least it's better than" because that doesn't really address the quality of the work. This statement nonchalantly brushes criticism away instead of giving actual justification as to why the author's choice was a good one. Yes, the story is centred around a rape and it's survivor's journey for revenge, but the delivery used was distasteful (in my opinion). It felt as though the author asked themselves: "Oh, how can I justify this arc's revenge plot? Let's get this female character and have her assaulted and that's the reason for revenge." It just felt like the author didn't care. The manga's MAL rating (5.75 at the time of this writing) should be enough to show you how impactful this story really was to readers, with how they structured everything.

To open up another can of worms, the misuse of male character's female loved ones as a setup to another arc shows hints of misogyny, in my opinion. It is an unfortunate reality for a lot of us in the world, who are affected by it (be it directly or indirectly), as around 30% of women in the world are victims of sexual assault. And it does need to be reflected in media, but often I find the way it is portrayed objectifies women and makes them feel as though they aren't their own individual and only matter in the context of the male character's pain, backstory or revenge.

A recent example of this is Juujika no Rokunin. This is a bottom tier POS story with great art, but the constant use of the women around the main character to create tension and setups for whoever the villain is in the current arc is just a pain to read. The author loves to beat a dead horse. To me, impactful, painful, and disturbing moments need to be setup, executed and justified carefully, and in good taste. In my opinion, the restraint instead of persistent use of these types of horrific acts is what can cause a story to become deeper and darker. But if the author is just fine with showing it happen continuously, the effects are lessened because audiences will get bored and desensitised, rendering the violence to be ultimately meaningless.

Character development and plot progression reflects the author's skill in storytelling, structure and pacing. Shock value for the sake of itself, I find to be amateurish and distasteful. The practice of restraint and meaningful placement of a portrayal of sexual violence can lead to create a deep and important scene integral to the story, which I find to be lacking in most of the animanga I, myself, have consumed.
serexdayOct 7, 12:06 PM
Oct 7, 12:46 PM

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May 2021
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Reply to serexday
@DigiCat While I don't have actual numbers of these instances, it's more of a personal opinion that I speak of on the original post.

My personal readings and consumption of animanga consist of three temperatures (as I would like to describe them). Light-hearted (often comedic) titles like K-On!, stories more grounded in realism but still maintaining an accessible presentation in regards to themes explored (anywhere from things like Horimiya to SNK), then the adult side of stories (things like Berserk, Monster etc. that explore dark thematic story structures).

I'm not trying to discredit your personal opinion either, just trying to clarify my points which are that sexual violence needs to be handled better by authors and us as fans and consumers need to be able to openly discuss sensitive matters like this more often. This is probably the first thread I've interacted with that is actually constructive conversation about this topic so I'm glad some people are engaging with it.

With other art forms like hentai, eroge etc. there is definitely a difference because that focuses more on the actual acts of sexual intercourse between whatever the story is about, and the target demographic for those titles are clearly those who are looking to gain some sort of sexual gratification through the material whereas with animanga you're there to watch/read a story about whatever it is, not necessarily looking for sexual content.
@serexday That's fair, after all we can only base our opinions on the things we've scene and what our experience of those are

And you're right about it being important to be able to discuss openly about sensitive topics

Curious, what are your fav anime from each of the 3 temperatures you listed?
Oct 7, 3:25 PM
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Jun 2016
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Reply to DigiCat
@serexday That's fair, after all we can only base our opinions on the things we've scene and what our experience of those are

And you're right about it being important to be able to discuss openly about sensitive topics

Curious, what are your fav anime from each of the 3 temperatures you listed?
@DigiCat Yes, I am very glad to talk about these things.

As to the question about the 3 favourites I will have to pick K-On! for the light-hearted purely for nostalgia attached to the anime, my favourite feel-good anime.

Realistic would have to be the two ef: A Tale of Memories. and ef: A Tale of Melodies. as they were my first taste of mature character drama.

And then from the adult/mature category I would probably pick Berserk or Vagabond if it was manga, but since you asked about anime specifically I'll have to go with Evangelion. The first anime that broke my brain and what ignited my interest in psychological animanga. Although, with adult themes, I prefer to read manga as I find that I digest the themes and storylines better when I am reading it in manga form, plus they tend to censor anime adaptations and the source material is usually always better.
Oct 7, 11:10 PM

Online
Oct 2013
8284
Well, I am also not a fan of that kind of narrative regarding nudity and sexual violence and using them as just basic, cheap tools. However, seeing Berserk brought up in this context, as a manga showing that kind of scenes in a right way, without turning them into mere plot devices filled with shock value and pornographic content, was weird. Disturbing, even. Let me explain. Berserk is full of scenes that can be compared to those shown in Kyoko. Heck, it has a decent amount of stuff that younger readers would call "coomerbait for deranged people". In example, Casca sexually assaulted over and over again, many times in a shocking-looking way, with her breast exposed in a pornographic manner, is only one element of it.

We can cherrypick by picking up Golden Age arc, sure. We can mention its climax moment, or the very beginning of this arc, to note how well-constructed and meaningful to the plot were disturbing scenes containing gore, nudity and sexual violence. But it'd be a fallacy to pretend that said arc has no other Kyoko-like (let's call them like this) moments (*cough* *cough* Wyald); and even bigger fallacy to casually forget about similar scenes from the other arcs, who arguably were even worse than most of similar scenes in Kyoko. If it ain't a fallacy, then we can easily say that porn movies are full of passionate romance, because most of scenes push the plot onward and depict sexual intercourse of all kinds. Sounds weird, but accurate in this context.

It's also unfair to graduate the role of those scenes in both manga, when both of them present similar intensity of them. Relatively, of course. Kyoko is way, way shorter than Berserk, which is still yet to be concluded.
There are scenes important, or even pivotal, to the plot in both Berserk and Kyoko. Same goes with scenes that were not, and sometimes felt unnecessary or excessively graphic, as if they were meant to be a sick form of fanservice. And yet, both had their purpose - to show something shocking, excessive, controversial, to place emphasis on how evil the people responsible for acting in such way were.

I didn't write spoilers on purpose. If someone is familiar with Berserk manga, then they for sure will get what I was referring to, unless they are blinded fanatics. If someone is not familiar with the manga, then no need to write spoilers about it in a thread dedicated to a different story.

So, in other words, not to play devil's advocate, but let's be fair when comparing two pieces of art. No matter if we like both of them, or one of them, or neither of them. Those two comics' demographic is seinen. It is meant for adult readers who should be aware that a gore manga with sexual violence depicted in it may actually have those elements, huh.

For anyone rustled by me somewhat criticizing one element of Berserk: no need to. I like Berserk and I respect Kentarou Miura as an artist. I just referred to the fact that it was brought up in the discussion as a manga presumably doing the same stuff as Kyoko, but way better. What's more, one mediocre element appearing at times in Berserk won't change the fact that it's an extremely solid manga loved by many.
AdnashOct 7, 11:49 PM
Oct 8, 2:02 AM
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Jun 2016
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Reply to Adnash
Well, I am also not a fan of that kind of narrative regarding nudity and sexual violence and using them as just basic, cheap tools. However, seeing Berserk brought up in this context, as a manga showing that kind of scenes in a right way, without turning them into mere plot devices filled with shock value and pornographic content, was weird. Disturbing, even. Let me explain. Berserk is full of scenes that can be compared to those shown in Kyoko. Heck, it has a decent amount of stuff that younger readers would call "coomerbait for deranged people". In example, Casca sexually assaulted over and over again, many times in a shocking-looking way, with her breast exposed in a pornographic manner, is only one element of it.

We can cherrypick by picking up Golden Age arc, sure. We can mention its climax moment, or the very beginning of this arc, to note how well-constructed and meaningful to the plot were disturbing scenes containing gore, nudity and sexual violence. But it'd be a fallacy to pretend that said arc has no other Kyoko-like (let's call them like this) moments (*cough* *cough* Wyald); and even bigger fallacy to casually forget about similar scenes from the other arcs, who arguably were even worse than most of similar scenes in Kyoko. If it ain't a fallacy, then we can easily say that porn movies are full of passionate romance, because most of scenes push the plot onward and depict sexual intercourse of all kinds. Sounds weird, but accurate in this context.

It's also unfair to graduate the role of those scenes in both manga, when both of them present similar intensity of them. Relatively, of course. Kyoko is way, way shorter than Berserk, which is still yet to be concluded.
There are scenes important, or even pivotal, to the plot in both Berserk and Kyoko. Same goes with scenes that were not, and sometimes felt unnecessary or excessively graphic, as if they were meant to be a sick form of fanservice. And yet, both had their purpose - to show something shocking, excessive, controversial, to place emphasis on how evil the people responsible for acting in such way were.

I didn't write spoilers on purpose. If someone is familiar with Berserk manga, then they for sure will get what I was referring to, unless they are blinded fanatics. If someone is not familiar with the manga, then no need to write spoilers about it in a thread dedicated to a different story.

So, in other words, not to play devil's advocate, but let's be fair when comparing two pieces of art. No matter if we like both of them, or one of them, or neither of them. Those two comics' demographic is seinen. It is meant for adult readers who should be aware that a gore manga with sexual violence depicted in it may actually have those elements, huh.

For anyone rustled by me somewhat criticizing one element of Berserk: no need to. I like Berserk and I respect Kentarou Miura as an artist. I just referred to the fact that it was brought up in the discussion as a manga presumably doing the same stuff as Kyoko, but way better. What's more, one mediocre element appearing at times in Berserk won't change the fact that it's an extremely solid manga loved by many.
@Adnash That's a very insightful take from you. But I would like to point out that the way I talked about it may not have been clear as to how I feel about Berserk as a whole. I referenced the scene with Casca in the Eclipse and stated that I found the way Miura structured the arc to have the scene be a pivotal moment, to be greatly executed. But I personally do not like that Casca was used in that way, but I understand why Miura did it because the story was already headed that direction and it was structured to be the integral point in the story at that point in time. As a reader it left me feeling helpless and in despair for a few weeks in my own real life. That is the kind of impact it had on me personally. It was used to show a certain character's true motivations, the relationships, trust and the moral limitations they were willing to break for the sake of those motivations.

Berserk as a whole is not perfect, with many seemingly unnecessary (in my opinion) depictions of sexual violence that didn't need to be included. It is a dark story, as you said that's what the demographic is expecting, but some scenes in particular didn't need to be included. We already know it's a dark story, we don't need those scenes hammered over and over again. In a different reply somewhere I mentioned something along the lines of "good taste is shown in restraint rather than constant use" I'm paraphrasing, but I meant that when it comes to heavy and sensitive scenes where you're going to be endangering a character in such a way, as an author you must structure it well and execute it so that the impact of the scene is actually something that makes the audience feel the emotions you're looking to create, therefore the use of sexual violence is justified in terms of its necessity in the story. In the Eclipse arc, the Casca scene does that, but that is not to say every single instance of those types of scenes in Berserk hold the same weight. I personally love Berserk, definitely in my personal Top 5 manga, but I am not so blinded to overlook the flaws that it does have.

Now, you have shown criticism in the way I compared the two, Kyoko and Berserk, but as a relatively short manga I feel that it doesn't have enough content to compare it to the whole of Berserk. You said it's a fallacy to ignore the other times sexual violence was used in the Berserk, but in my previous post, I didn't mean to make it seem like some untouchable standard of writing. I used the most important instance (you can say there are several other moments in Berserk that are just as or even more important, but in terms of iconic the Eclipse scene is definitely deserving of that label) of sexual violence being used meaningfully in Berserk while excluding the rest of the times it includes those scenes in the manga, because I was comparing Kyoko's overall writing to an instance of good writing in another manga (although not as a whole). In Kyoko, the author centres the whole story about a rape and its survivor's journey to revenge, but reading the way the author introduces new characters and uses sexual violence to burn the "fuel" of the main character's fire (or reason for why she is doing what she is doing) shows poor execution and justification of why these scenes took place in the first place. The most memorable example of this for me is when...



Now, in the context of the story that could be justification for how the plot progresses. However, there was no need to include that in the first place. That character already had an emotional attachment to Kyoko, and her motivations, that was solid enough to be the reason as to why he was helping her. He was a secondary character who had ties to Kyoko's love interest. There were already depictions of sexual violence in scenes before that one that showed the capabilities of the enemies of the story, so there wasn't a necessity for the audience to witness another one with this new secondary character. Again, in a previous reply somewhere (speaking on a different author and manga), I pointed out that the author loves to beat a dead horse. I find this to be the case with Kyoko's author as well. Again, I repeat the sentiment of "good taste is shown through restraint rather than constant use" as I find that the more scenes are included like this, the more lazy the author feels in their approach to story structure. It's comparable to a fighter throwing the same combination of strikes over and over again, showing a lack of creativity.

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Poll: » Kyoko Chapter 14 Discussion

zomik - Jun 10, 2020

0 by zomik »»
Jun 10, 2020 11:11 PM

Poll: » Kyoko Chapter 13 Discussion

zomik - Jun 10, 2020

0 by zomik »»
Jun 10, 2020 10:47 PM

Poll: » Kyoko Chapter 12 Discussion

zomik - Jun 10, 2020

0 by zomik »»
Jun 10, 2020 10:09 PM

Poll: » Kyoko Chapter 11 Discussion

zomik - Jun 10, 2020

0 by zomik »»
Jun 10, 2020 9:56 PM

Poll: » Kyoko Chapter 10 Discussion

zomik - Jun 10, 2020

0 by zomik »»
Jun 10, 2020 9:44 PM
It’s time to ditch the text file.
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