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Dec 17, 2020 12:47 PM
#51
Jin_uzuki said: Tsukumo_Yuuma said: Gar_Logan said: After the way ep 2 went, I am kind of surprised like Hanyuu never showed up again or was mentioned even so far. It was confirmed in the Gou manga that Hanyuu disappeared (ascend or something) so Rika can continue her life normally like any other person (If you remembere Saikoroshi, Hanyuu told Rika she will "go to a deep sleep" or "ascend" later and will no longer be in the human world). That's why Hanyuu told Rika that she doesn't know anything, she's not with Rika anymore. I don't remember any line about that in Saikoroshi (Novel)? She only tells she made a new friend and the next time Rika dies, she will accept that. I assume Hanyuu fading in Gou is related to the true nature of the new setting/new mystery and possibly Featherine awakening. It seems i misremembered a little bit, it was after Rika found out that her mother was the reincarnation in that world/fragment and told Hanyuu, Hanyuu then told her that the Hanyuu of that world had disappeared after making contact with a human after 1000 years of waiting, so maybe i assumed that our Hanyuu will disappear later when she lives more time with Rika happily like what happened to the other Hanyuu. (for some reason i remember Hanyuu saying exactly to Rika that she intend to disappear/sleep later but i can't find that line at all) |
Dec 17, 2020 12:49 PM
#52
random_weirdo said: I'm really wondering: does Rika remember Minagoroshi in Gou? In Matsuribayashi, she wasn't able to remember Mina at all. But last ep she talked about this world not being lost yet and Keiichi being able to tear fate apart like wet paper. And this ep she says the last thing again and also cuts K1 off when he is about to tell her to not toss around the word "fate" so lightly and says it for him. Both of these happened in Mina, so it would imply she somehow remember. I believe Rika only forgets her last day of Minagoroshi (how she dies and who's the "mastermind"). She should still remember previous events like the protests against CWS and the conversations between K1 and Rika you mention. There is nothing much to comment on this episode but Ooishi's appearance and Teppei destroying the statue seem odd. Everything appears to go well so far so I'm excited to see how things can take such a sharp turn next episode. K1 once again shows what a strong-willed and compassionate character he is. His arguments against the elders and Oryou are some of the most epic scenes of the original visual novel in my opinion. I'm also extremely curious if there will be any change to the GHD next episode. Watadamashi-hen suggests that Takano's plan might go differently as Tomitake appears to cooperate with her this time. It's likely that Takano isn't the mastermind, too, so GHD might either be executed by another person, happen in a different form, or replaced by a completely different conclusion. I'm so intrigued by how the next episode would wrap up the first cour of question arcs and transition to the second cour of perhaps greater deviations from the original or further revelations about the meta world and connections to Umineko (like who sends Rika back in time in Gou because Hanyuu no longer has the power to do so) |
Dec 17, 2020 1:03 PM
#53
dcg-vr said: I believe Rika only forgets her last day of Minagoroshi (how she dies and who's the "mastermind"). She should still remember previous events like the protests against CWS and the conversations between K1 and Rika you mention. No, Rika doesn't remember ANYTHING from Minagoroshi in Matsuri-hen, she was very surprised when Hanyuu told her that they managed to save Satoko from her uncle. (what you said only applies to other fragments but not Mina) dcg-vr said: I'm also extremely curious if there will be any change to the GHD next episode. Watadamashi-hen suggests that Takano's plan might go differently as Tomitake appears to cooperate with her this time. It's likely that Takano isn't the mastermind, too, so GHD might either be executed by another person, happen in a different form, or replaced by a completely different conclusion. I'm so intrigued by how the next episode would wrap up the first cour of question arcs and transition to the second cour of perhaps greater deviations from the original or further revelations about the meta world and connections to Umineko (like who sends Rika back in time in Gou because Hanyuu no longer has the power to do so) GHD doesn't happen at all in Gou, in Onidamashi Rika dies and Keiichi wakes up after some time and Mion is still alive and doesn't mention anything about the village being destroyed, in Watadamashi Keiichi return from the hospital later and GHD didn't happen (maybe this time it was 1 day so we can't be sure but in Onidamashi it was +2 days) |
Dec 17, 2020 1:20 PM
#54
Ooishis voice actor changed, why? Loved the former one. Did no one notice this? |
Dec 17, 2020 1:22 PM
#55
Tsukumo_Yuuma said: (for some reason i remember Hanyuu saying exactly to Rika that she intend to disappear/sleep later but i can't find that line at all) I think that may have been the manga, which has some alterations both in Kai and Rei. |
Dec 17, 2020 1:37 PM
#56
GatsuLTU said: Ooishis voice actor changed, why? Loved the former one. Did no one notice this? Don't think it actually did. The credits still list Chafurin as his VA, same as always. |
Dec 17, 2020 1:39 PM
#57
GatsuLTU said: Ooishis voice actor changed, why? Loved the former one. Did no one notice this? it's the same VA.. |
Dec 17, 2020 2:30 PM
#58
ssjokg said: That face Mion did when her mother got to close to Kei-chan. It is a same that we all know how badly this will end and the wait for how different the end will be is killing me. Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Tsukumo_Yuuma said: ssjokg said: . Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Yeah more than half of Mina is so boring, i'm happy they kinda speedran it here and the previous episode wasn't bad (this new one is kinda boring like Minagoroshi) but at least we got this out of the way now. Oh man, I can't disagree more guys. Minagoroshi is the arc where the majority of the questions get answered and it feels so good seeing how every deadlock gets resolved. I can't begin to describe how satisfying it is to see the gang (especially Keiichi) divert from the cruelty fest of Watanagshi, Meakashi, Tatartigoroshi, and Tsumihoroboshi and come out on top. Even the final revel and everyone's death still, in a way, feels like a victory, because they got the two final pieces for the win: the identity of the murderer and Hanyuu's cooperation. And this doesn't get old with every rewatch. As much as I want to see how this arc will differ from Tatari/Minagoroshi, I'm loving seeing some of my favorite scenes from Minagaroshi (like Shion's chair and Keiichi threatening Oryo) get readapted like this. In fact, it's scenes like this that make me low-key wish GOU is successful enough that they consider an actual straight remake. |
Dec 17, 2020 2:44 PM
#59
astroprogs said: ssjokg said: That face Mion did when her mother got to close to Kei-chan. It is a same that we all know how badly this will end and the wait for how different the end will be is killing me. Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Tsukumo_Yuuma said: ssjokg said: . Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Yeah more than half of Mina is so boring, i'm happy they kinda speedran it here and the previous episode wasn't bad (this new one is kinda boring like Minagoroshi) but at least we got this out of the way now. Oh man, I can't disagree more guys. Minagoroshi is the arc where the majority of the questions get answered and it feels so good seeing how every deadlock gets resolved. I can't begin to describe how satisfying it is to see the gang (especially Keiichi) divert from the cruelty fest of Watanagshi, Meakashi, Tatartigoroshi, and Tsumihoroboshi and come out on top. Even the final revel and everyone's death still, in a way, feels like a victory, because they got the two final pieces for the win: the identity of the murderer and Hanyuu's cooperation. And this doesn't get old with every rewatch. As much as I want to see how this arc will differ from Tatari/Minagoroshi, I'm loving seeing some of my favorite scenes from Minagaroshi (like Shion's chair and Keiichi threatening Oryo) get readapted like this. In fact, it's scenes like this that make me low-key wish GOU is successful enough that they consider an actual straight remake. You arent wrong. And this is the problem. Even tho Minagoroshi is so important the way it is set up/executed makes you think that everything you read till the "two pieces" was filler. I believe that Minagoroshi would be better if it was treated like anime Tsumihoroboshi(not sure how the VN did it I just know that Rena survives only in the anime and is used later in ep 1 of Kai). Show them succeed and then make it apparent that it wasnt enough. Just dont make it a massacre Watching them all work together, succeeding only to lose it all, leaves a worse taste in my mouth than the other dead ends or Umineko EP7. |
Dec 17, 2020 3:04 PM
#60
dcg-vr said: random_weirdo said: I'm really wondering: does Rika remember Minagoroshi in Gou? In Matsuribayashi, she wasn't able to remember Mina at all. But last ep she talked about this world not being lost yet and Keiichi being able to tear fate apart like wet paper. And this ep she says the last thing again and also cuts K1 off when he is about to tell her to not toss around the word "fate" so lightly and says it for him. Both of these happened in Mina, so it would imply she somehow remember. I believe Rika only forgets her last day of Minagoroshi (how she dies and who's the "mastermind"). She should still remember previous events like the protests against CWS and the conversations between K1 and Rika you mention. That's what happens in most fragments, but for some reason Rika couldn't remember anything from the Mina fragment. Her last memories in Matsuri were from leaving the hospital after Rena attempted to blow up the school and, as @Tsukumo_Yuuma said, she's very surprised when Hanyuu tells her they were able to save Satoko. dcg-vr said: There is nothing much to comment on this episode but Ooishi's appearance and Teppei destroying the statue seem odd. Everything appears to go well so far so I'm excited to see how things can take such a sharp turn next episode. K1 once again shows what a strong-willed and compassionate character he is. His arguments against the elders and Oryou are some of the most epic scenes of the original visual novel in my opinion. I'm also extremely curious if there will be any change to the GHD next episode. Watadamashi-hen suggests that Takano's plan might go differently as Tomitake appears to cooperate with her this time. It's likely that Takano isn't the mastermind, too, so GHD might either be executed by another person, happen in a different form, or replaced by a completely different conclusion. I'm so intrigued by how the next episode would wrap up the first cour of question arcs and transition to the second cour of perhaps greater deviations from the original or further revelations about the meta world and connections to Umineko (like who sends Rika back in time in Gou because Hanyuu no longer has the power to do so) Teppei destroying the statue did seem odd (not because he is a good person but because he prefers taking out his assholery on living people), but I guess it was mostly for exposition: to prove that Teppei is still alive and kicking (many people have been theorizing Teppei is dead) and to show people believe the curse will get the Houjous. I agree with you about Keiichi's epic speeches: Tsumi and Mina K1 is the best due to how he manages to give heartfelt speeches, stand by his opinion and make even the most stubborn people come around. I'm hoping that next episode we will get more info on what's going on, but given that they haven't even reached Watanagashi that seems unlikely. I don't think there is any GHD this time around, as both arcs Keiichi is alive after what can be surmised to be a long hospital stay and neither Ooishi nor Mion mention anything about everyone in Hinamizawa dying. It could be a misdirection for all we know, just like how in the OG we didn't get any hints of the disaster in the first two arcs, but by the time that has passed I don't think so. However, I hope we see a taste of the mastermind's endgame and how it ties into Featherine. |
Dec 17, 2020 3:08 PM
#61
ssjokg said: astroprogs said: ssjokg said: That face Mion did when her mother got to close to Kei-chan. It is a same that we all know how badly this will end and the wait for how different the end will be is killing me. Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Tsukumo_Yuuma said: ssjokg said: . Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Yeah more than half of Mina is so boring, i'm happy they kinda speedran it here and the previous episode wasn't bad (this new one is kinda boring like Minagoroshi) but at least we got this out of the way now. Oh man, I can't disagree more guys. Minagoroshi is the arc where the majority of the questions get answered and it feels so good seeing how every deadlock gets resolved. I can't begin to describe how satisfying it is to see the gang (especially Keiichi) divert from the cruelty fest of Watanagshi, Meakashi, Tatartigoroshi, and Tsumihoroboshi and come out on top. Even the final revel and everyone's death still, in a way, feels like a victory, because they got the two final pieces for the win: the identity of the murderer and Hanyuu's cooperation. And this doesn't get old with every rewatch. As much as I want to see how this arc will differ from Tatari/Minagoroshi, I'm loving seeing some of my favorite scenes from Minagaroshi (like Shion's chair and Keiichi threatening Oryo) get readapted like this. In fact, it's scenes like this that make me low-key wish GOU is successful enough that they consider an actual straight remake. You arent wrong. And this is the problem. Even tho Minagoroshi is so important the way it is set up/executed makes you think that everything you read till the "two pieces" was filler. I believe that Minagoroshi would be better if it was treated like anime Tsumihoroboshi(not sure how the VN did it I just know that Rena survives only in the anime and is used later in ep 1 of Kai). Show them succeed and then make it apparent that it wasnt enough. Just dont make it a massacre Watching them all work together, succeeding only to lose it all, leaves a worse taste in my mouth than the other dead ends or Umineko EP7. I don't know, I felt much more like I was reading/watching filler during Onikakushi and Watanagashi's SoL moments than during any part of Minagoroshi. I know many of those scenes actually foreshadow events or show character personalities, but Minagoroshi's struggle to save Satoko and seeing all those relationships the main cast had built over 6 arcs finally bear fruit, then seeing the biggest solutions to the mystery, then hoping that Rika and friends would make it only to see their heartbreaking end, not to mention the village's end... I was really invested through it all. Never got bored. |
Dec 17, 2020 3:10 PM
#62
Keiichi really has balls of steel to threaten to kill the yakuza grandma twice. I'm just glad that everything is working out so far. I wonder if they're gonna be able to succeed next episode, or if something else is gonna throw a wrench into their plans. We haven't even seen satoko at all this episode! |
Dec 17, 2020 3:15 PM
#63
random_weirdo said: ssjokg said: astroprogs said: ssjokg said: That face Mion did when her mother got to close to Kei-chan. It is a same that we all know how badly this will end and the wait for how different the end will be is killing me. Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Tsukumo_Yuuma said: ssjokg said: . Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Yeah more than half of Mina is so boring, i'm happy they kinda speedran it here and the previous episode wasn't bad (this new one is kinda boring like Minagoroshi) but at least we got this out of the way now. Oh man, I can't disagree more guys. Minagoroshi is the arc where the majority of the questions get answered and it feels so good seeing how every deadlock gets resolved. I can't begin to describe how satisfying it is to see the gang (especially Keiichi) divert from the cruelty fest of Watanagshi, Meakashi, Tatartigoroshi, and Tsumihoroboshi and come out on top. Even the final revel and everyone's death still, in a way, feels like a victory, because they got the two final pieces for the win: the identity of the murderer and Hanyuu's cooperation. And this doesn't get old with every rewatch. As much as I want to see how this arc will differ from Tatari/Minagoroshi, I'm loving seeing some of my favorite scenes from Minagaroshi (like Shion's chair and Keiichi threatening Oryo) get readapted like this. In fact, it's scenes like this that make me low-key wish GOU is successful enough that they consider an actual straight remake. You arent wrong. And this is the problem. Even tho Minagoroshi is so important the way it is set up/executed makes you think that everything you read till the "two pieces" was filler. I believe that Minagoroshi would be better if it was treated like anime Tsumihoroboshi(not sure how the VN did it I just know that Rena survives only in the anime and is used later in ep 1 of Kai). Show them succeed and then make it apparent that it wasnt enough. Just dont make it a massacre Watching them all work together, succeeding only to lose it all, leaves a worse taste in my mouth than the other dead ends or Umineko EP7. I don't know, I felt much more like I was reading/watching filler during Onikakushi and Watanagashi's SoL moments than during any part of Minagoroshi. I know many of those scenes actually foreshadow events or show character personalities, but Minagoroshi's struggle to save Satoko and seeing all those relationships the main cast had built over 6 arcs finally bear fruit, then seeing the biggest solutions to the mystery, then hoping that Rika and friends would make it only to see their heartbreaking end, not to mention the village's end... I was really invested through it all. Never got bored. Maybe using the word filler was a bad choice. I didn't feel bored either. I only felt that it was pointless(or filler as I said) only after I finished it and realized what just happened. |
Dec 17, 2020 3:16 PM
#64
ssjokg said: random_weirdo said: ssjokg said: astroprogs said: ssjokg said: That face Mion did when her mother got to close to Kei-chan. It is a same that we all know how badly this will end and the wait for how different the end will be is killing me. Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Tsukumo_Yuuma said: ssjokg said: . Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Yeah more than half of Mina is so boring, i'm happy they kinda speedran it here and the previous episode wasn't bad (this new one is kinda boring like Minagoroshi) but at least we got this out of the way now. Oh man, I can't disagree more guys. Minagoroshi is the arc where the majority of the questions get answered and it feels so good seeing how every deadlock gets resolved. I can't begin to describe how satisfying it is to see the gang (especially Keiichi) divert from the cruelty fest of Watanagshi, Meakashi, Tatartigoroshi, and Tsumihoroboshi and come out on top. Even the final revel and everyone's death still, in a way, feels like a victory, because they got the two final pieces for the win: the identity of the murderer and Hanyuu's cooperation. And this doesn't get old with every rewatch. As much as I want to see how this arc will differ from Tatari/Minagoroshi, I'm loving seeing some of my favorite scenes from Minagaroshi (like Shion's chair and Keiichi threatening Oryo) get readapted like this. In fact, it's scenes like this that make me low-key wish GOU is successful enough that they consider an actual straight remake. You arent wrong. And this is the problem. Even tho Minagoroshi is so important the way it is set up/executed makes you think that everything you read till the "two pieces" was filler. I believe that Minagoroshi would be better if it was treated like anime Tsumihoroboshi(not sure how the VN did it I just know that Rena survives only in the anime and is used later in ep 1 of Kai). Show them succeed and then make it apparent that it wasnt enough. Just dont make it a massacre Watching them all work together, succeeding only to lose it all, leaves a worse taste in my mouth than the other dead ends or Umineko EP7. I don't know, I felt much more like I was reading/watching filler during Onikakushi and Watanagashi's SoL moments than during any part of Minagoroshi. I know many of those scenes actually foreshadow events or show character personalities, but Minagoroshi's struggle to save Satoko and seeing all those relationships the main cast had built over 6 arcs finally bear fruit, then seeing the biggest solutions to the mystery, then hoping that Rika and friends would make it only to see their heartbreaking end, not to mention the village's end... I was really invested through it all. Never got bored. Maybe using the word filler was a bad choice. I didn't feel bored either. I only felt that it was pointless(or filler as I said) only after I finished it and realized what just happened. Ok, I can see where you're coming from. That's how I felt after reading the aptly named Himatsubushi... |
Dec 17, 2020 3:22 PM
#65
random_weirdo said: ssjokg said: astroprogs said: ssjokg said: That face Mion did when her mother got to close to Kei-chan. It is a same that we all know how badly this will end and the wait for how different the end will be is killing me. Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Tsukumo_Yuuma said: ssjokg said: . Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Yeah more than half of Mina is so boring, i'm happy they kinda speedran it here and the previous episode wasn't bad (this new one is kinda boring like Minagoroshi) but at least we got this out of the way now. Oh man, I can't disagree more guys. Minagoroshi is the arc where the majority of the questions get answered and it feels so good seeing how every deadlock gets resolved. I can't begin to describe how satisfying it is to see the gang (especially Keiichi) divert from the cruelty fest of Watanagshi, Meakashi, Tatartigoroshi, and Tsumihoroboshi and come out on top. Even the final revel and everyone's death still, in a way, feels like a victory, because they got the two final pieces for the win: the identity of the murderer and Hanyuu's cooperation. And this doesn't get old with every rewatch. As much as I want to see how this arc will differ from Tatari/Minagoroshi, I'm loving seeing some of my favorite scenes from Minagaroshi (like Shion's chair and Keiichi threatening Oryo) get readapted like this. In fact, it's scenes like this that make me low-key wish GOU is successful enough that they consider an actual straight remake. You arent wrong. And this is the problem. Even tho Minagoroshi is so important the way it is set up/executed makes you think that everything you read till the "two pieces" was filler. I believe that Minagoroshi would be better if it was treated like anime Tsumihoroboshi(not sure how the VN did it I just know that Rena survives only in the anime and is used later in ep 1 of Kai). Show them succeed and then make it apparent that it wasnt enough. Just dont make it a massacre Watching them all work together, succeeding only to lose it all, leaves a worse taste in my mouth than the other dead ends or Umineko EP7. I don't know, I felt much more like I was reading/watching filler during Onikakushi and Watanagashi's SoL moments than during any part of Minagoroshi. I know many of those scenes actually foreshadow events or show character personalities, but Minagoroshi's struggle to save Satoko and seeing all those relationships the main cast had built over 6 arcs finally bear fruit, then seeing the biggest solutions to the mystery, then hoping that Rika and friends would make it only to see their heartbreaking end, not to mention the village's end... I was really invested through it all. Never got bored. My only problem with Mina is that they took TOO MUCH TIME (i only read the VN, maybe the anime was faster), like 80% of the arc was about saving Satoko, they go to the CWS have some talk, they say no, K1 goes to get more people and then repeat x100 (not to mention that he had another cringy scene with Kameda where they started referencing other games or smth for 10mins or so), if the rescue thing thing was shorter a day or two it would've been much better imo (because we already got what R07 wanted to say but he just kept it going) + (i don't like some scenes like Keiichi and Rena hitting an old man in front of everybody). ps: I love every Higurashi arc i'm not saying Mina was bad, but it could've been better. |
Dec 17, 2020 3:31 PM
#66
random_weirdo said: ssjokg said: astroprogs said: ssjokg said: That face Mion did when her mother got to close to Kei-chan. It is a same that we all know how badly this will end and the wait for how different the end will be is killing me. Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Tsukumo_Yuuma said: ssjokg said: . Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Yeah more than half of Mina is so boring, i'm happy they kinda speedran it here and the previous episode wasn't bad (this new one is kinda boring like Minagoroshi) but at least we got this out of the way now. Oh man, I can't disagree more guys. Minagoroshi is the arc where the majority of the questions get answered and it feels so good seeing how every deadlock gets resolved. I can't begin to describe how satisfying it is to see the gang (especially Keiichi) divert from the cruelty fest of Watanagshi, Meakashi, Tatartigoroshi, and Tsumihoroboshi and come out on top. Even the final revel and everyone's death still, in a way, feels like a victory, because they got the two final pieces for the win: the identity of the murderer and Hanyuu's cooperation. And this doesn't get old with every rewatch. As much as I want to see how this arc will differ from Tatari/Minagoroshi, I'm loving seeing some of my favorite scenes from Minagaroshi (like Shion's chair and Keiichi threatening Oryo) get readapted like this. In fact, it's scenes like this that make me low-key wish GOU is successful enough that they consider an actual straight remake. You arent wrong. And this is the problem. Even tho Minagoroshi is so important the way it is set up/executed makes you think that everything you read till the "two pieces" was filler. I believe that Minagoroshi would be better if it was treated like anime Tsumihoroboshi(not sure how the VN did it I just know that Rena survives only in the anime and is used later in ep 1 of Kai). Show them succeed and then make it apparent that it wasnt enough. Just dont make it a massacre Watching them all work together, succeeding only to lose it all, leaves a worse taste in my mouth than the other dead ends or Umineko EP7. I don't know, I felt much more like I was reading/watching filler during Onikakushi and Watanagashi's SoL moments than during any part of Minagoroshi. I know many of those scenes actually foreshadow events or show character personalities, but Minagoroshi's struggle to save Satoko and seeing all those relationships the main cast had built over 6 arcs finally bear fruit, then seeing the biggest solutions to the mystery, then hoping that Rika and friends would make it only to see their heartbreaking end, not to mention the village's end... I was really invested through it all. Never got bored. I just checked, the anime took about 3~4 episodes for saving Satoko and stuff, in the VN it took about 8~10 hours, so that's why i'm saying it could've been better if it was shorter. |
Tsukumo_YuumaDec 17, 2020 3:40 PM
Dec 17, 2020 3:34 PM
#67
random_weirdo said: ssjokg said: random_weirdo said: ssjokg said: astroprogs said: ssjokg said: That face Mion did when her mother got to close to Kei-chan. It is a same that we all know how badly this will end and the wait for how different the end will be is killing me. Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Tsukumo_Yuuma said: ssjokg said: . Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Yeah more than half of Mina is so boring, i'm happy they kinda speedran it here and the previous episode wasn't bad (this new one is kinda boring like Minagoroshi) but at least we got this out of the way now. Oh man, I can't disagree more guys. Minagoroshi is the arc where the majority of the questions get answered and it feels so good seeing how every deadlock gets resolved. I can't begin to describe how satisfying it is to see the gang (especially Keiichi) divert from the cruelty fest of Watanagshi, Meakashi, Tatartigoroshi, and Tsumihoroboshi and come out on top. Even the final revel and everyone's death still, in a way, feels like a victory, because they got the two final pieces for the win: the identity of the murderer and Hanyuu's cooperation. And this doesn't get old with every rewatch. As much as I want to see how this arc will differ from Tatari/Minagoroshi, I'm loving seeing some of my favorite scenes from Minagaroshi (like Shion's chair and Keiichi threatening Oryo) get readapted like this. In fact, it's scenes like this that make me low-key wish GOU is successful enough that they consider an actual straight remake. You arent wrong. And this is the problem. Even tho Minagoroshi is so important the way it is set up/executed makes you think that everything you read till the "two pieces" was filler. I believe that Minagoroshi would be better if it was treated like anime Tsumihoroboshi(not sure how the VN did it I just know that Rena survives only in the anime and is used later in ep 1 of Kai). Show them succeed and then make it apparent that it wasnt enough. Just dont make it a massacre Watching them all work together, succeeding only to lose it all, leaves a worse taste in my mouth than the other dead ends or Umineko EP7. I don't know, I felt much more like I was reading/watching filler during Onikakushi and Watanagashi's SoL moments than during any part of Minagoroshi. I know many of those scenes actually foreshadow events or show character personalities, but Minagoroshi's struggle to save Satoko and seeing all those relationships the main cast had built over 6 arcs finally bear fruit, then seeing the biggest solutions to the mystery, then hoping that Rika and friends would make it only to see their heartbreaking end, not to mention the village's end... I was really invested through it all. Never got bored. Maybe using the word filler was a bad choice. I didn't feel bored either. I only felt that it was pointless(or filler as I said) only after I finished it and realized what just happened. Ok, I can see where you're coming from. That's how I felt after reading the aptly named Himatsubushi... Weirdly enough that along with the anime original ep1 of Kai are some my favourite parts of Higurashi. |
Dec 17, 2020 4:24 PM
#68
Dec 17, 2020 4:25 PM
#69
wow K1 got a juicy ass. |
Dec 17, 2020 4:27 PM
#70
Wow that episode felt like 5 minutes. When God's syndrome started playing I checked the time because I didn't think it was already over. I love Akane and Oryou's new design. I honestly can't tell if the next episode is the last or not. Tatarigoroshi was 5 episodes but this is Minagoroshi hen content. It would make sense if next episode is the last because ending at episode 13 would be appropriate for the first cour. But with the way this episode and Minagoroshi hen in general is paced I have no idea. Speaking of the ending, I feel like anything could happen. The arc definitely isn't gonna end the same way as Minagoroshi hen for obvious reasons but with the way the episodes have been set up make it seem like the tatarigoroshi hen ending seems very unlikely. I'm expecting it to be like Onidamashi hen and Watanadamashi hen where the arc ending is completely original. Regarding Satoko, I'm hoping that she gets saved like the minagoroshi hen route but I can't help but doubt it. I have a feeling something will go wrong. |
Dec 17, 2020 5:25 PM
#71
I really dislike Satoko's bratty nature and Satoshi is just boring in general so I didn't like this arc even in the original. This time it's even worse because there's no payout. astroprogs said: I can't begin to describe how satisfying it is to see the gang (especially Keiichi) divert from the cruelty fest of Watanagshi, Meakashi, Tatartigoroshi, and Tsumihoroboshi and come out on top. We've had no cruelty fest to divert from in this anime. In gou we've only had a watered down Onikakushi with almost no scenes that make you care for the characters or scenes that show K1 going full paranoia (which was the really disturbing part of that arc and the thing that hooked most people into higurashi) and a watered down Watanagashi with again not many scenes that make you care for the characters and underwhelming violence. This show has no high and lows so this snore-fest of an arc is just terrible, even if they rushed it. The only time this episode got me to smile was when K1 told Rika "Please stop it with the unmei crap, you've been making me cringe for 3 episodes now." |
Dec 17, 2020 5:27 PM
#72
All I could think about for this episode was Mion's/Shion's mom... |
Dec 17, 2020 6:26 PM
#73
Ahh.. the fuking old granny i always hated is here xd Well, Keiichi was the mvp this episode, his speeches, i must say, really well thought of. He says everything RIGHT, he literally says the things that need to be said during the situation at hand. And now he managed to convince the sttuborn villagers, nicee. As for the fuking granny, wasn't easy at the beginning because of Satoko being a Hojo and judging her just because of her name (same as the villagers), but Keiichi once again strikes with the genious speech. Well done my man, now lets see if you can change these course of events. Rika's last sentence tho :) interesting ^^ Waiting for next week! |
Dec 17, 2020 6:35 PM
#74
alright this fucking babaa forgot about her was like KEIICH-kUN go off! throw some hands and then he almost got to it lol, still about ready for this arc to end though |
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Dec 17, 2020 6:37 PM
#75
Tsukumo_Yuuma said: random_weirdo said: ssjokg said: astroprogs said: ssjokg said: That face Mion did when her mother got to close to Kei-chan. It is a same that we all know how badly this will end and the wait for how different the end will be is killing me. Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Tsukumo_Yuuma said: ssjokg said: . Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Yeah more than half of Mina is so boring, i'm happy they kinda speedran it here and the previous episode wasn't bad (this new one is kinda boring like Minagoroshi) but at least we got this out of the way now. Oh man, I can't disagree more guys. Minagoroshi is the arc where the majority of the questions get answered and it feels so good seeing how every deadlock gets resolved. I can't begin to describe how satisfying it is to see the gang (especially Keiichi) divert from the cruelty fest of Watanagshi, Meakashi, Tatartigoroshi, and Tsumihoroboshi and come out on top. Even the final revel and everyone's death still, in a way, feels like a victory, because they got the two final pieces for the win: the identity of the murderer and Hanyuu's cooperation. And this doesn't get old with every rewatch. As much as I want to see how this arc will differ from Tatari/Minagoroshi, I'm loving seeing some of my favorite scenes from Minagaroshi (like Shion's chair and Keiichi threatening Oryo) get readapted like this. In fact, it's scenes like this that make me low-key wish GOU is successful enough that they consider an actual straight remake. You arent wrong. And this is the problem. Even tho Minagoroshi is so important the way it is set up/executed makes you think that everything you read till the "two pieces" was filler. I believe that Minagoroshi would be better if it was treated like anime Tsumihoroboshi(not sure how the VN did it I just know that Rena survives only in the anime and is used later in ep 1 of Kai). Show them succeed and then make it apparent that it wasnt enough. Just dont make it a massacre Watching them all work together, succeeding only to lose it all, leaves a worse taste in my mouth than the other dead ends or Umineko EP7. I don't know, I felt much more like I was reading/watching filler during Onikakushi and Watanagashi's SoL moments than during any part of Minagoroshi. I know many of those scenes actually foreshadow events or show character personalities, but Minagoroshi's struggle to save Satoko and seeing all those relationships the main cast had built over 6 arcs finally bear fruit, then seeing the biggest solutions to the mystery, then hoping that Rika and friends would make it only to see their heartbreaking end, not to mention the village's end... I was really invested through it all. Never got bored. My only problem with Mina is that they took TOO MUCH TIME (i only read the VN, maybe the anime was faster), like 80% of the arc was about saving Satoko, they go to the CWS have some talk, they say no, K1 goes to get more people and then repeat x100 (not to mention that he had another cringy scene with Kameda where they started referencing other games or smth for 10mins or so), if the rescue thing thing was shorter a day or two it would've been much better imo (because we already got what R07 wanted to say but he just kept it going) + (i don't like some scenes like Keiichi and Rena hitting an old man in front of everybody). ps: I love every Higurashi arc i'm not saying Mina was bad, but it could've been better. Yep, it did take a lot of time, but I really liked that part so I didn't mind. It's a matter of what you're invested in, I guess. But for me, it was when the relationships Keiichi built throughout the series came into play so I felt it was rewarding and that kept me interested. Something else that was really long was the explanation for the Hinamizawa Syndrome, Tokyo and the Yamainu. The anime kept it to the point, but I remember very well how long it was in the VN because I started reading the last chapter (when Rika wakes up in her last day) about 6 pm and finished almost at midnight. The Kameda scene was sooo cringy. I don't understand how so many people like those scenes with him. The more they cut out, the better. Although I like how K1 bribes him into letting them win in Tatari, just not the part about eating girls and cake haha. I agree that Ryukishi tends to ramble a lot and overemphasize his points. My "favourite" is how he says something, then he says "in other words" and says the exact same thing. I really love his writing style, but I realize it isn't perfect and I wish someone had edited those parts. This gets specially obvious in Mina and Matsuri, where I guess he was big enough that editors didn't dare cut down his work. Without his overstating things, both those arcs could have been a good 2 hours shorter, maybe more. ssjokg said: random_weirdo said: ssjokg said: random_weirdo said: ssjokg said: astroprogs said: ssjokg said: That face Mion did when her mother got to close to Kei-chan. It is a same that we all know how badly this will end and the wait for how different the end will be is killing me. Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Tsukumo_Yuuma said: ssjokg said: . Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Yeah more than half of Mina is so boring, i'm happy they kinda speedran it here and the previous episode wasn't bad (this new one is kinda boring like Minagoroshi) but at least we got this out of the way now. Oh man, I can't disagree more guys. Minagoroshi is the arc where the majority of the questions get answered and it feels so good seeing how every deadlock gets resolved. I can't begin to describe how satisfying it is to see the gang (especially Keiichi) divert from the cruelty fest of Watanagshi, Meakashi, Tatartigoroshi, and Tsumihoroboshi and come out on top. Even the final revel and everyone's death still, in a way, feels like a victory, because they got the two final pieces for the win: the identity of the murderer and Hanyuu's cooperation. And this doesn't get old with every rewatch. As much as I want to see how this arc will differ from Tatari/Minagoroshi, I'm loving seeing some of my favorite scenes from Minagaroshi (like Shion's chair and Keiichi threatening Oryo) get readapted like this. In fact, it's scenes like this that make me low-key wish GOU is successful enough that they consider an actual straight remake. You arent wrong. And this is the problem. Even tho Minagoroshi is so important the way it is set up/executed makes you think that everything you read till the "two pieces" was filler. I believe that Minagoroshi would be better if it was treated like anime Tsumihoroboshi(not sure how the VN did it I just know that Rena survives only in the anime and is used later in ep 1 of Kai). Show them succeed and then make it apparent that it wasnt enough. Just dont make it a massacre Watching them all work together, succeeding only to lose it all, leaves a worse taste in my mouth than the other dead ends or Umineko EP7. I don't know, I felt much more like I was reading/watching filler during Onikakushi and Watanagashi's SoL moments than during any part of Minagoroshi. I know many of those scenes actually foreshadow events or show character personalities, but Minagoroshi's struggle to save Satoko and seeing all those relationships the main cast had built over 6 arcs finally bear fruit, then seeing the biggest solutions to the mystery, then hoping that Rika and friends would make it only to see their heartbreaking end, not to mention the village's end... I was really invested through it all. Never got bored. Maybe using the word filler was a bad choice. I didn't feel bored either. I only felt that it was pointless(or filler as I said) only after I finished it and realized what just happened. Ok, I can see where you're coming from. That's how I felt after reading the aptly named Himatsubushi... Weirdly enough that along with the anime original ep1 of Kai are some my favourite parts of Higurashi. Not gonna lie, the Himatsubushi thing surprises me haha. I like it too, and especially how we see Ooishi being a relatively cool dude before getting consumed by revenge, but it didn't stand out to me. I agree with you about the first episode of Kai. That part was brilliant and seeing Rena like that never fails to hit me hard in the feels. |
Dec 17, 2020 7:26 PM
#76
Man, I love Rena. She was great this episode and of course our boy Keiichi. So far, this has pretty much been Minagoroshi but, there's definitely going to be some big revelations next episode assuming its only 5 chapters which it most likely is and I can't fucking wait for next episode. |
Dec 17, 2020 9:20 PM
#78
Keiichi, my man. The balls he grew during this arc have no comparison. His speeches, he was about to go full hands with an entire Yakuza group for Satoko and even ended up with a milf looking his way. B r a v o. Such a shame it seems things will still end up backfiring somehow considering how awfully optimistic everything has gone so far. I mean, Satoko didn't even show up this episode so she might as well be dead right now. Who knows. Anyways, another strong episode. Looking forward to seeing how cruel the twist will be next week. |
Dec 17, 2020 9:35 PM
#79
The possible way this might end badly is either Satoko says no or already dead for some reason. Either way, can't wait to see how this turns out and finally move to a new arc. Hopefully an original one. |
Dec 18, 2020 12:14 AM
#80
Interesting deviation from Tatarigoroshi-hen!!! I can't believe they're pretty much skipping Tatarigoroshi plot and going straight into Minagoroshi. They're trying to ffw some of the plot, and I expect the real change like what we saw in the key visual with the two Rikas to be in the latter cour. Honestly, I like it better like this — that way, first-time viewers get to the Answer arc right away and rewatchers get to look forward to some new content. That has me excited for what's to come! |
herricklukDec 18, 2020 12:20 AM
Dec 18, 2020 1:52 AM
#81
TKNion said: I really dislike Satoko's bratty nature and Satoshi is just boring in general so I didn't like this arc even in the original. This time it's even worse because there's no payout. astroprogs said: I can't begin to describe how satisfying it is to see the gang (especially Keiichi) divert from the cruelty fest of Watanagshi, Meakashi, Tatartigoroshi, and Tsumihoroboshi and come out on top. We've had no cruelty fest to divert from in this anime. In gou we've only had a watered down Onikakushi with almost no scenes that make you care for the characters or scenes that show K1 going full paranoia (which was the really disturbing part of that arc and the thing that hooked most people into higurashi) and a watered down Watanagashi with again not many scenes that make you care for the characters and underwhelming violence. This show has no high and lows so this snore-fest of an arc is just terrible, even if they rushed it. The only time this episode got me to smile was when K1 told Rika "Please stop it with the unmei crap, you've been making me cringe for 3 episodes now." But this is exactly why Tataridamashi is a question arc, not an answer arc. I was talking about the actual full-blown Minagoroshi, which this is not. We've only been on Satoko's part here. Minagoroshi actually tried to solve all the previous arcs and so it's understandably long and cathartic and needed the ingredients the previous arc presented. On the other hand, Tataridamashi is a question arc, so it doesn't try to solve the previous arcs. Tataridamashi is clearly about Rika and Keiichi trying to shortcut Tatarigoroshi into Minagoroshi and failing miserably. It doesn't divert from previous cruelty fests because it doesn't try it. That's not the point of the arc. They aren't trying to achieve the same thing. I think it's safe to say that the answer arcs of GOU are going to be different from the original. We've already seen those arcs get resolved before. We're not going to see them get resolved the same way again when there's clearly a new element throwing a wrench in the works. ssjokg said: astroprogs said: ssjokg said: That face Mion did when her mother got to close to Kei-chan. It is a same that we all know how badly this will end and the wait for how different the end will be is killing me. Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Tsukumo_Yuuma said: ssjokg said: . Tbh, compared to the others arcs, Minagoroshi While it greatly adds in the lore and the character, what is supposed to be its core feels like filler till the bad end and the reveal arrive. Yeah more than half of Mina is so boring, i'm happy they kinda speedran it here and the previous episode wasn't bad (this new one is kinda boring like Minagoroshi) but at least we got this out of the way now. Oh man, I can't disagree more guys. Minagoroshi is the arc where the majority of the questions get answered and it feels so good seeing how every deadlock gets resolved. I can't begin to describe how satisfying it is to see the gang (especially Keiichi) divert from the cruelty fest of Watanagshi, Meakashi, Tatartigoroshi, and Tsumihoroboshi and come out on top. Even the final revel and everyone's death still, in a way, feels like a victory, because they got the two final pieces for the win: the identity of the murderer and Hanyuu's cooperation. And this doesn't get old with every rewatch. As much as I want to see how this arc will differ from Tatari/Minagoroshi, I'm loving seeing some of my favorite scenes from Minagaroshi (like Shion's chair and Keiichi threatening Oryo) get readapted like this. In fact, it's scenes like this that make me low-key wish GOU is successful enough that they consider an actual straight remake. You arent wrong. And this is the problem. Even tho Minagoroshi is so important the way it is set up/executed makes you think that everything you read till the "two pieces" was filler. I believe that Minagoroshi would be better if it was treated like anime Tsumihoroboshi(not sure how the VN did it I just know that Rena survives only in the anime and is used later in ep 1 of Kai). Show them succeed and then make it apparent that it wasnt enough. Just dont make it a massacre Watching them all work together, succeeding only to lose it all, leaves a worse taste in my mouth than the other dead ends or Umineko EP7. That'd take away from the last arc, though. It'd no longer be about escaping this unbelievably cruel fate, but about not letting that one or two characters die. It can't be this close to a complete victory. Not to mention, their actions led to the murderer revealing themselves in full to them. This meant that they all had to die. It doesn't make sense for the story or the character to let any of them live with that knowledge. If there were to be a next arc, the gang had to lose. And if the gang had to lose while revealing the murderer's identity they all HAD to die. Minagoroshi solves the previous arcs. All of those events prior to the final reveal have to happen because they're the payoff to the other arcs. Not the reveal. Not Hanyuu's cooperation. But those events. They're not pointless, and they're not filler. Without them happening, the previous arc would remain cruel for cruelty's sake. Defeating the murderer is just one part of the payoff of Higurashi. |
astroprogsDec 18, 2020 2:09 AM
Dec 18, 2020 4:53 AM
#82
Really just love the scenes when Rika intervenes and calls everyone including the elders by their name withno honorifics. It's like she "ranks" above everyone else. Or that she just views them all the same, beneath her. lol Loved this episode. Lot's of K1 aggression which I like especially with the Oryu. Can't wait to see how it will all fall apart next episode ;) |
Dec 18, 2020 6:56 AM
#83
I wonder what first time watchers thought of this episode and this arc. I'm alright with it but... i gotta say, i still prefer the way the original series went, if only because it was more exciting. |
Dec 18, 2020 7:02 AM
#84
like, imagine this is your first time watching higurashi. this is supposedly a horror anime. but then suddenly we went into a lengthy and very dry, strange protest movement to get CPS to take a case seriously, trying to get the support of characters we have literally never seen before. i can only imagine your reaction would be: xull said: this show is stupid I can't even fault this reaction, it's completely understandable. I am still so opposed to the creator saying you don't need to see the first season to get into this season. I think I'm even to the point of going this season was a mistake. It's completely unnecessary and makes Higurashi look... Really mediocre actually.. |
Dec 18, 2020 8:16 AM
#85
Child Support still useless as before... Keiichi once again with his Great Speach, successfully convinc Kimiyoshi and the villagers to helps satoko.. God damn Oryo baba are fcking annoying... Very Intense moment with Keiichi vs Oryo.. Keiichi is a Savage and don't give a fck. Holy shit, he want to smash her head LMAO Finally got approval from Oryo Baba, now we can do something... Let's help Satoko-chan Destiny can be Broken, Thanks to Keiichi... Closed the Episode with Nipaa 😊 First Arc with 5 Episodes... I think next week is the end.. |
davidyodo24Dec 18, 2020 8:27 AM
Dec 18, 2020 8:24 AM
#86
FragOutFire said: like, imagine this is your first time watching higurashi. this is supposedly a horror anime. but then suddenly we went into a lengthy and very dry, strange protest movement to get CPS to take a case seriously, trying to get the support of characters we have literally never seen before. i can only imagine your reaction would be: We already have horror elements in previous arc, but also Higurashi not just about horror... There is many tags on the genre... I think at this point if you care about the characters like i do, you would not thinking about only horror anymore... Satoko-chan " we have literally never seen before?" |
Dec 18, 2020 8:30 AM
#87
ChetanS said: So KEIICHI & friends have somehow convinced the elders & MION's grandma. It's always during such times, something unexpected happens. The ending song is my favorite part. Hell yeah i feel like the ending really fit to be an ending song... |
Dec 18, 2020 9:18 AM
#88
I said put yourself in the shoes of new viewers. Why would new viewers care anything about the politics of the town? "I thought this show was supposed to be scary, why are spending several episodes on this boring stuff?" This is the first time new viewers would see the Sonozaki matriarch, the mayor and the town council, but they have not been given a reason to care about any of these characters. This town's dynamics wouldn't even make sense to new viewers of this series, "why do we need to get permission of this yakuza woman to go to CPS?" This show is missing nuance. It's missing foundation. It's missing suspense. Because it already assumes the viewer is familiar with the story. |
Dec 18, 2020 10:19 AM
#89
FragOutFire said: like, imagine this is your first time watching higurashi. this is supposedly a horror anime. but then suddenly we went into a lengthy and very dry, strange protest movement to get CPS to take a case seriously, trying to get the support of characters we have literally never seen before. i can only imagine your reaction would be: xull said: this show is stupid I can't even fault this reaction, it's completely understandable. I am still so opposed to the creator saying you don't need to see the first season to get into this season. I think I'm even to the point of going this season was a mistake. It's completely unnecessary and makes Higurashi look... Really mediocre actually.. I wholeheartedly agree. I'm glad I decided against introducing my friends to higurashi with this anime. This series is a mediocre cash-in. davidyodo24 said: We already have horror elements in previous arc, but also Higurashi not just about horror... There is many tags on the genre... I think at this point if you care about the characters like i do, you would not thinking about only horror anymore... Last arc had no horror whatsoever thanks to the bland direction this whole anime has. Just a few spooky bits with Takano explaining Hinamizawa's backstory completely ruined by K1 overreacting, Bernkastel being ominous for less than 2 minutes and the dumb ladder scene that just doesn't work because there's no reaction to it. He was talking about kimiyoshi and oryo. FragOutFire said: I said put yourself in the shoes of new viewers. Why would new viewers care anything about the politics of the town? "I thought this show was supposed to be scary, why are spending several episodes on this boring stuff?" This is the first time new viewers would see the Sonozaki matriarch, the mayor and the town council, but they have not been given a reason to care about any of these characters. This town's dynamics wouldn't even make sense to new viewers of this series, "why do we need to get permission of this yakuza woman to go to CPS?" This show is missing nuance. It's missing foundation. It's missing suspense. Because it already assumes the viewer is familiar with the story. This show is a mediocre cash-in that adds little to nothing. It shamelessly uses the past shows and VNs as a crutch. I really hope they weren't lying when they said Tataridamashi would be the last non-original arc. You know the annoying recap episodes you feel forced to watch because there might be 30 seconds worth of new dialogue? This whole show's premise is to be THAT. But with the recap somehow missing or botching the best scenes. To make matters even worse Funi's handling the subbing but that's the least bad part. |
Dec 18, 2020 10:51 AM
#90
FragOutFire said: I said put yourself in the shoes of new viewers. Why would new viewers care anything about the politics of the town? "I thought this show was supposed to be scary, why are spending several episodes on this boring stuff?" This is the first time new viewers would see the Sonozaki matriarch, the mayor and the town council, but they have not been given a reason to care about any of these characters. This town's dynamics wouldn't even make sense to new viewers of this series, "why do we need to get permission of this yakuza woman to go to CPS?" This show is missing nuance. It's missing foundation. It's missing suspense. Because it already assumes the viewer is familiar with the story. Ah I see, i miss read that... My bad.. Higurashi Questions Arc a mean to be confusing... Even when I'm watching the original i feel the same but I'm curious about it... And i want to learn more... I think the dam protest already been mentioned several time before... And also about Hojou family... Some hint have already been dropped "why do we need to get permission of this yakuza woman to go to CPS?" Not everything need to be answered right away... We might learn more in the next episode... again there is a Mystery aspect, there is also a Psychological.. If new people just assumed is all about horror, then the problem was on the viewer to have that expectations.... |
Dec 18, 2020 12:42 PM
#91
TKNion said: -snip- Gou has done an ironically better job at adapting the VN than DEEN ever did. Higurashi is not all about horror. R07 specifically writes hopeful happy scenes, to lead up to the despair and cruelty that eventually befalls his characters. TKNion said: This show is a mediocre cash-in that adds little to nothing. It shamelessly uses the past shows and VNs as a crutch. I really hope they weren't lying when they said Tataridamashi would be the last non-original arc. The fact that you say this means you aren't even paying attention to the real mystery at play. Hell, in the VNs there would be at least 10 hours of SoL content before anything bad happens to the characters. Just because you can't see the mystery and you think it doesn't exist doesn't mean it's there. And you can whine about it being a cash grab all you want, but you haven't even been able to look beyond the surface level of the anime. These are question arcs, and this isn't a remake of Higurashi. The tone of Gou is much more like Umineko than Higurashi, and it shows, especially from your reactions. Umineko focused on the mystery first, and didn't try to shock the reader with horror. This is not a story about the old arcs, and their mysteries. These are new arcs, which are disguised to look like the old arcs. These arcs are providing the bare essentials for Higurashi's settings, and that's it. They are stories written by an individual who does not understand what made Higurashi, Higurashi. (I'm looking at you individual with crescent horns and the hime cut) You are all disillusioned because you just want it to be a straight horror series, when that isn't what Higurashi ever was. Sure it has horror, but the horror only took up 1/3 of any particular episode, everything else was SoL. Gou is 100% a more authentic Higurashi Experience than anything DEEN ever made. |
Dec 18, 2020 1:01 PM
#92
Good episode. Not many people have the (almost stupid) courage that K1 has |
Dec 18, 2020 2:13 PM
#93
jaw20 said: Hell, in the VNs there would be at least 10 hours of SoL content before anything bad happens to the characters. ... most of which was just padding and pandering as expected from most VNs. Please don't compare umineko with this dumpster fire. Umineko wasn't interesting JUST because of the various mysteries. The interaction between the characters in the meta-world was a big part of its charm....and there's no such thing in Gou. Umineko's first arc had more horror in it than most of what Higurashi had to offer. jaw20 said: This is not a story about the old arcs, and their mysteries. These are new arcs, which are disguised to look like the old arcs. These arcs are providing the bare essentials for Higurashi's settings, and that's it. If it was really like that, we would be following Rika as the protagonist and skip most of the scenes but we're not. Or at the very least, we would not be spending this much time in this arc. This series was marketed as "a remake of higurashi" first, then it changed to "an entry point in the series for new fans" and now it's a "mystery for old fans to figure out". The direction is a mess. jaw20 said: You are all disillusioned because you just want it to be a straight horror series, when that isn't what Higurashi ever was. Sure it has horror, but the horror only took up 1/3 of any particular episode, everything else was SoL. Gou is 100% a more authentic Higurashi Experience than anything DEEN ever made. DEEN's adaptation wan't full horror. It included enough of the SoL to give meaningful attachment to the characters. I am disillusioned because it's bland and boring. Both in the horror AND in the SoL. It feels like an anime that was made to appeal to the lowest common denominator while throwing a bone here and there for older fans.... which again, is just using the existence of old material as a crutch. If I wanted higurashi but full horror I'd go for Shiki instead but the story there was absolute garbage. |
Dec 18, 2020 7:42 PM
#94
It was good. I liked it. I’m watching and being like, what could go wrong. And the more that feeling stays worse will be the downfall. And i cannot wait to see it. :) |
Dec 19, 2020 2:07 AM
#95
Well at least in satokos route everyone have hope unlike the other routes... Hopefully they save satoko but it's a horror so god knows what's gonna happen lmao |
Dec 19, 2020 4:34 AM
#96
They're really flying through this arc. Kinda glad they did, though, because it's a long and dragged out arc. Excited to see what's going to happen next! |
Dec 19, 2020 8:53 AM
#97
I don't think Gou has added anything to the franchise so far. While DEEN had very little budget and famous "quality" scenes, their creative choices were a lot smarter than the new one's. It's a bit hard to focus on what's going on when the characters faces look like they were drawn in a rush (and they most likely were), it's really distracting. The animation quality keeps dropping with every episode, and within the same episode too. That lack of consistency throws me off... It really is a pity. The first 2 episodes got me very excited, but everything from that point started going downhill. It's just not cutting it for me. The pacing for the dialogue and jokes is also off, except for the K1 confrontations scenes (and some other exceptions), but many of the scenes that are remade from the "original series" are just inferior versions, with very nice looking stills here and there. For me Higurashi was never about the horror and the blood, but the mystery. The terror. The gap between how happy and carefree their lives are and the horrible tangled truth creeping in on them. Gou isn't doing the characters justice. Oh, and I missed the train of the character design discussion. I'm all in for moé garbage designs, but some of their design choices man... Ooishi? Absolutely obliterated. Awful. Can't take him seriously. He's so puffy. Why's everyone going nyanya :3 all day with their mouths. It suits Rena and Rika, and some of the other girls sometimes, but it's too much. I just... I don't know what to think. At this point, if Higurashi Gou didn't exist I would be okay with it. The only good thing is that more Higurashi merch, events, etc are popping up, but this season is looking pretty bleak when you line it up with the rest. Except Kira of course. Kira is... special... But then again, Kira doesn't take itself seriously. I am looking forward to the closing of this arc and what the future season will bring. I'll most likely rewatch all of Higu again after this + dive into the manga to get hyped for the next season. Yeah. PS: I did not play the games. Still can't get past the original art... It's too intense for me. I may give them a shot before the other half/next season airs. Edit: Ok, there are things Gou added and I enjoyed. They are all from Gou so they aren't spoilers, but just in case: 1. Mion getting the doll from K1 was heartwarming and satisfying 2. Rena neatly arranging her weapons on the first arc of Gou, while talking nonchalantly. That was nice 3. Rika's adversion to Takano on this last episode, refreshing and frustrating! I'll add more if I think of any. |
StalkingDec 19, 2020 9:12 AM
Dec 19, 2020 4:39 PM
#98
Grandma doesn't take anybody's bullshit. She definitely stands up for herself. But I didn't like this episode, but at the same time I enjoyed the intensity of it. |
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Dec 19, 2020 11:14 PM
#99
From all the arcs so far all of it end badly so idk what to expect maybe this will be bad ending also or not Btw i like to commend how pretty Mio and Shion mother or auntie wow also Rena for how helpful and smart she was after the 1st arc. |
B O C C H I S W E E P |
Dec 20, 2020 3:38 AM
#100
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