Though thoroughly serious in nature, this was a really good, emotionally powerful episode. It considerably diminished the lighthearted tone of the show, in favor of a focused approach on dramatic storytelling, which is a satisfyingly natural progression of the narrative. As such, there was a greatly effective contrast between this episode and the last, superbly illuminated by the divergent developments within each, as a particularly melancholic atmosphere pervaded throughout nearly every interaction between the characters, thus temporarily altering, ever so slightly, the complex dynamic of the group. Though this change could be perceived as inconsequential, it was, in fact, substantially profound, evoking a maturity that had only ever been marginally examined before.
My favorite sequence, by far, was the exceptionally well-directed and emotionally painful conclusion to the episode, in which Sanae, after violently pleading with Rikka to stay, tearfully remarked on Yuuta’s disregard for what, in her mind, is ultimately best for Rikka, as she recounts Rikka’s heartfelt confidences in her, from Yuuta's mention of the Ethereal Horizon to the moment she had cried after forming the new contract with him. Following her words, Yuuta's harsh utterances of realistic truths and Sanae’s subsequent breakdown were remarkably convincing. The impressive direction deftly captured Rikka’s subtle expressions and Sanae’s exaggerated movements extremely well, allowing for an incredibly integral moment to appear meticulously constructed, emphasizing a plethora of scattered emotions in a singularly restrained fashion. The minimalistic shot of the train's interior, in particular, was fantastic, as it complemented Rikka's disappointed isolation really well.
One of the most emotionally poignant moments was the scene in which Sanae attempts to dazzle Rikka into indulging her youthful repressions, providing Sanae with the first meaningful realization that Rikka's detached state was one of potential permanency, which causes her to cry hysterically, culminating with Shinka and Sanae’s highly satisfying hug. Another impressive sequence was Yuuta’s conversation with Rikka beneath the bridge and the starlit sky, as it possessed a peculiar, noticeably fleeting tranquility. The framing of Yuuta and Rikka’s contemplation against the train in the distance was beautifully simplistic, evoking a wistful sort of connected seclusion, while brilliantly foreshadowing the conclusion to this episode. I also enjoyed Sanae’s first confrontation with Rikka, as the effects of Rikka’s significant adjustment are momentarily glimpsed, displaying a noticeably subdued personality.
Rikka’s gradual development has been immensely compelling. The chaotic, uncertain nature of her sudden development into a somewhat falsified maturity has extensively illustrated the necessity for a more deliberate growth. The struggles in her attempts to refrain from slipping into her seemingly forgotten adolescence were really well-portrayed. As such, Rikka’s decision to disband the club, rather than seeming forced, was quite insightful, since it insinuated that Rikka, more than legitimately disdainful of her past ventures, was, in fact, fearful of their tempting presence, so, in turn, along with her array of previously felt emotions, she sought to abandon them altogether, which is understandable, but definitely naive. Of course, Rikka shouldn't fully return to her adolescence either, since, above all, such a conclusion would render the last several episodes and her considerable development partially irrelevant and ultimately meaningless.
Throughout this episode, both Yuuta and Rikka complacently maintained and consequently followed their individualized expectations of society’s ideals, as they were each conflicted with Rikka's attempts to construct a partially unsuitable identity, since, along with discarding her chuunibyou side, she’s deemed it necessary to conform to her flawed perception of a “realistic personality”, in which all individuality has been seemingly stripped from her, essentially creating this hollow shell. This episode illustrates the fragility of Rikka’s emotions whenever they are directly influenced by those that are close to her. As such, though previously touched upon momentarily, Yuuta has unintentionally assisted in fracturing her comparatively pleasant façade and, consequently, her identity, perhaps irrevocably, however unlikely that eventuality is. This is certainly for the best though, since Rikka should come to terms with the reality that she's perpetually surrounded by, without, of course, losing herself to a severed indifference.
Shinka was excellent in her intermittent appearances throughout this episode, revealed, once again to be the most perceptive of them all, especially throughout her conversation with Yuuta in the library, in which they discussed Rikka’s altered personality, since it appeared as though Shinka, unlike Yuuta, to an extent, was distinctly aware of the consequences brought about by such a drastic change. Shinka and Sanae have effectively been mutually developed as a third relationship throughout the show, particularly in this episode, and, as such, though their consistently amusing antics were relatively absent, this episode displayed the most significant development in their dynamic. The subtleties of their appreciation and denied admiration towards one another were comprehensively accentuated by the terrific scene in which Shinka comforted her.
Though Sanae’s inability to react in a receptive manner towards Rikka’s unsettling normalcy was altogether predictable, these moments of emotional turmoil were handled with a delicate touch that was quite satisfying, evoking a complex depth to Sanae’s friendship with Rikka that hadn’t been properly portrayed until this episode. I was expecting that her continued refusal to let Rikka’s chuunibyou inclinations vanish would be somewhat irritating, but, surprisingly, due to the subtle nature of her gradual deterioration emotionally, it was, instead, incredibly effective.
Musically this episode was quite good, but somewhat repetitious, particularly throughout the first half. The faded aesthetic, though not entirely appealing, was appropriately suitable to the nature of this episode, and the entirety of the latter half of the narrative, for that matter. This episode excelled visually, particularly during Yuuta’s nighttime conversation with Rikka, as this sequence was suffused with several instances of striking imagery. Despite the occasional infusion of dichotomous elements and emotions throughout the latter half of the show, they have, for the most part, worked very well, despite the potential for faltering into a slight tonal dissonance, which, so far, it has skilfully managed to avoid, which is indicative of a rather satisfying narrative balance. The dramatic elements of the story have been excellently foreshadowed, so, thankfully, the filtered emotions and heightened dramatics didn’t feel unnecessarily contrived, since they drew from a plethora of fragmentary elements within Rikka’s prior characterization.
All in all, Chuunibyou continues to easily be one of the best shows of the season, impressing considerably with it's highly satisfying romance, engaging characters, and it's narrative execution. It will be interesting to see the manner with which Yuuta will resolve to rectify his mistakes that were unfortunately derived from a ceaseless adherence towards Touka’s partially misinterpreted suggestions. I’m hoping and expecting that a balance will be realized, as Rikka could potentially be compelled to only reestablish certain aspects of her chuunibyou tendencies without fully reverting to her well-worn adolescence, while Yuuta should willingly sacrifice several obstinate nuances of his flawed perception towards his youthful condition. This would, in turn, be the most satisfying direction to take their characters, as such developments would refrain from tarnishing prior characterization or ruining the lasting effect of the momentous developments that have recently occurred. |