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Oct 20, 2021 6:54 AM
#51
While there are some points which I agree on such as not actually using music for the fights and more just a gimmick backdrop to fall upon, I don't really agree with the idea that there is no potential for character development and that this is bad writing. If you could point out the parts that poke out like a sore thumb for you, that would really help because frankly I'm not seeing the same thing as you are. Takt as a character is pretty interesting in itself once you think about the reasons as to why he's so bland personality wise. From what we know, he has likely lost both of his parents and there's no relative or close friends shown other than Cosette and Anna which seemed more like a caretaker at the start of episode 3. So that's why I believe that his closed up and cold personality fits because there's really no one else in his life so the only things he has to protect and stand up against the world with are his memories and the piano. I mean of course you could also see it as an easy excuse from the writers to be lazy with creating a multi-faceted and a character with deep personality. But to say that Takt has no room for character growth would be false. In the scene where Takt played the piano together with Cosette, there was a clear moment where Cosette became someone more than just a caretaker to Takt and it was a moment where he was slowly opening up to someone for probably the first time in his life. And this scene stands out even more from the events that play out later because swapping out the bubbly and positive Cosette for a blank and seemingly uncontrollable Destiny acts as a mirror for Takt, forcing him to reflect on his previous interactions with Cosette and how he treated her. Making him aware that he had something else that was precious to him (through the removal of it) other than the piano. As for Destiny, if you look closely at the way she behaved between the first episode and the third episode, you can actually see slightly more personality from her on the first episode because that was sometime further down the timeline. This means that Destiny as a character isn't doomed to be always a plain and robotic character, in fact we can even see that she has emotions like in the scene where she realised she was hurting Takt through the use of her powers. And this for me paints a picture where the interactions between Takt and Destiny will definitely grow as they experience more events together, each event acting as a brush stroke on the blank canvas that Destiny currently is. Finally, someone mentioned that Takt being able to use his powers without any training is asspull-y but the thing is, if we had to stop and explain every single little detail while being super scientific and logical about how such things happened, then fantasy and fiction will become really restricted. If you want some kind of explanation, I think Destiny's instinctual knowledge of where the D2s are and the use of her power from get go (like some genetic thing built into the power) can apply to Takt as well since apparently Destiny is consuming him in some way. |
Oct 20, 2021 7:08 AM
#52
Its not good because its cringe? So basically most animes |
Oct 20, 2021 7:18 AM
#53
sankansuki said: I think it was mainly just the lack of character in episode 3, where they essentially ignored all the narrative changes to focus heavily on the plot. The first episode established the characters, but didn't develop them (for obvious reasons, however the point remains). I can't help but feel the second episode was more of an outlier than the standard. But I'll get into that more with your second paragraph.While there are some points which I agree on such as not actually using music for the fights and more just a gimmick backdrop to fall upon, I don't really agree with the idea that there is no potential for character development and that this is bad writing. If you could point out the parts that poke out like a sore thumb for you, that would really help because frankly I'm not seeing the same thing as you are. sankansuki said: I think the issue is exactly as you have described it, that this is the least effort means of creating a complex sympathetic character. I never said he had no room for growth, but that I didn't see enough evidence of good writing to believe he would ever get any. Takt as a character is pretty interesting in itself once you think about the reasons as to why he's so bland personality wise. From what we know, he has likely lost both of his parents and there's no relative or close friends shown other than Cosette and Anna which seemed more like a caretaker at the start of episode 3. So that's why I believe that his closed up and cold personality fits because there's really no one else in his life so the only things he has to protect and stand up against the world with are his memories and the piano. I mean of course you could also see it as an easy excuse from the writers to be lazy with creating a multi-faceted and a character with deep personality. But to say that Takt has no room for character growth would be false. In the scene where Takt played the piano together with Cosette, there was a clear moment where Cosette became someone more than just a caretaker to Takt and it was a moment where he was slowly opening up to someone for probably the first time in his life. And this scene stands out even more from the events that play out later because swapping out the bubbly and positive Cosette for a blank and seemingly uncontrollable Destiny acts as a mirror for Takt, forcing him to reflect on his previous interactions with Cosette and how he treated her. Making him aware that he had something else that was precious to him (through the removal of it) other than the piano. I do love that piano scene, but I can't help but feel it was story beat that had to be made for the "tragic backstory" checkbox to be ticked off. A plot point so common and intuitive that any writer with the minimum level of competency to be in the industry would have gone for the same thing. As for Cosette's transition to Destiny, while I hope it affects Takt and Anna similarly to how you have described, this is exactly the kind of characterisation we needed in episode 3 - directly after the incident, since that's when the most character progression should occur in the shortest amount of time. Since we didn't get it, that isn't a good sign for the future IMO. sankansuki said: I noticed that too, and I think I've made it clear that I have no problem with destiny's character on a surface level. Going deeper, I don't think there are really any problems with her character at all. Being a blank canvas and slowly becoming more human means that she arguably shouldn't have a complex personality. For what they are going for, there really aren't any problems with her character. Although that isn't to say she is particularly unique or different to the hordes of other "robot waifu" characters that you can see permeating anime. It's less to do with what she does right or wrong, and more to do with what hasn't been done at all. As for Destiny, if you look closely at the way she behaved between the first episode and the third episode, you can actually see slightly more personality from her on the first episode because that was sometime further down the timeline. This means that Destiny as a character isn't doomed to be always a plain and robotic character, in fact we can even see that she has emotions like in the scene where she realised she was hurting Takt through the use of her powers. And this for me paints a picture where the interactions between Takt and Destiny will definitely grow as they experience more events together, each event acting as a brush stroke on the blank canvas that Destiny currently is. sankansuki said: That's a poor defence. Shonen itself is able to avoid this problem most of the time, that's the level of poor writing it is. However it is just one moment and more than likely because of a lack of continuity than incompetent writing. Finally, someone mentioned that Takt being able to use his powers without any training is asspull-y but the thing is, if we had to stop and explain every single little detail while being super scientific and logical about how such things happened, then fantasy and fiction will become really restricted. If you want some kind of explanation, I think Destiny's instinctual knowledge of where the D2s are and the use of her power from get go (like some genetic thing built into the power) can apply to Takt as well since apparently Destiny is consuming him in some way. The show hasn't exactly made it clear whether Takt gets a boost in capability (can't tell whether it's intentional or not that a shut in pianist just casually did a 500 metre sprint after vaulting a fence). But I don't think there is any level of instinctual support. Perhaps I'll be proven wrong, but the evidence seems to suggest Destiny may share sensory information with Takt, but I don't think combat prowess has any part in it. And even if we were to assume as much, that still doesn't change the fact that it diminishes the emotional impact of what just happened to have the Takt shrug off a life changing incident so easily. |
Oct 20, 2021 7:20 AM
#54
faynboy said: how did you take that away from what I said?Its not good because its cringe? So basically most animes |
Oct 20, 2021 7:47 AM
#55
Someone is talking about 25+ episodes, it is confirmed or we are going to take 13 episodes? |
Oct 20, 2021 8:06 AM
#56
Clearly is overrated. People are praising this anime only because of its awesome visuals. |
Oct 20, 2021 8:30 AM
#57
Agree with the OP there is no coming back from such a stupid premise, I don't care how good it looks. |
Oct 20, 2021 9:17 AM
#58
theGodde said: DamonElix said: I've talked a lot of shit, so I guess I'll put my money where my mouth is.1. What do you even mean by "unexplored potential" dude? Its been 3 episodes. They only showed what happened in the past and all three episodes were great. First of all - unexplored potential - I'm referring to the characters. In terms of plot, I have no problems because there's not enough plot to have problems. I can see the beginnings of some potential problems, and if they manifest then I'll point them out. DamonElix said: Yes their dynamic is well set up. They way each of them are set up to riff with each other is certainly entertaining and compelling. However there's nothing beyond that. There's no depth to their behaviour, and we've reached a point in the story where I can concretely state there should be depth. I've mentioned it in the OP and multiple times in this thread. None of the characters grow or change as a result of Cosette becoming Destiny. There's no attempt to explore how Cosette's sudden transformation affects our main cast. 2. How is the script bad? Just because you said so? The story so far has been really well executed. The characters are fun, especially the 3 lead trio. DamonElix said: I find Destiny to be incredibly bland and uncreative. However that is perfectly fine if her role within the narrative is unique and creative. That's not what I was talking about. Episode 3 had some of the worst exposition dialogue I have heard this season. 3. How is the dialogue cringe? Can you give any example? Destiny's monotone voice and dialogue delivery is so pleasant and funny to watch. The voice actors are doing a great job. DamonElix said: The second episode was telling a very simple story - and the character setups were ok. But if that is your equivalent of "incredible" then you have very low standards. Sure the dynamic between them was heart-warming, but the actual development itself was nothing impressive or complex. And the episode that followed it destroyed any complexity that did remain. 4. You say character development is surface level but 2nd episode had some really great moments. In fact, MC instead of being a little crying bitch decided to face the situation head on. The piano scene was incredible character development. DamonElix said: You seem to either have very low standards for anime, or are rather imperceptive. I also don't think it's particularly perceptive of me to point out that this show (aside from its premise) is incredibly unoriginal, and has followed the most safe version of this story that could possibly be told. Almost every cliche shonen beat has been hit - tragic backstory, - troublemaking protagonist, - edgy one-note female sidekick, - 3 person team dynamic, - good guy power structure with a rank-based hierarchy, - hordes of faceless enemy monsters to mow down en masse. All you'd need is the power of friendship and the shonen cliche collection would be complete. You're just talking out of your ass for some reason. The show is absolutely great. Stop talking trash. lmao this anime is just fine as of now, not bad and not that good either, altho the plot isn't the most original the concept of the musicarts is definitely quite unique, you are definitely judging this anime way too early |
Oct 20, 2021 9:38 AM
#59
It's an advertisement for a mobile game take it for what it is, eye and ear candy. If your looking for actual substance go watch Heike Monogatari or Blue Period |
Oct 20, 2021 11:33 AM
#60
Dinxama said: Cottard29 said: Dinxama said: Cottard29 said: Dinxama said: Cottard29 said: I absolutely agree! For a 12 episode show I really don't see it getting too extraordinary. Which doesn't surprise me as it's hyped (mostly by newer anime fans, in my opinion they don't know which animes are actually good. They seem to watch for animation only) I wrote on a discussion elsewhere "I feel like people only watch this show for the action." And someone wrote "Well it is an action anime." DO PEOPLE ONLY WATCH ACTION ANIME FOR THE ACTION AND NOT THE PLOT, CHARACTERS, ETC!?!?! Because I'm beginning to think so. Because this show is one of the most bland I've ever seen. "Well maybe it isn't your thing." You know what? It isn't. But I can tell whether an anime is decent or not. 🤷🏼♂️ Technicly it could be a 24 ep show(we havent got any info on the number of eps)and it have a high chance of a 24 ep show bc how slow they are aproaching the story sooooooooooooo....... As far as what I read for confirmation it is 12/13 episodes. Curious on where you got the info bc i didnt see any info on the episode count and MAL is still on ??ep I literally looked up info on it's production. Just Google Takt Op Destiny release schedule https://animenewsandfacts.com/takt-op-destiny-release-schedule-episode-1-12/ An example. Its the release schedule for the next 12 ep,not the series have 12 ep lol Read harder my guy No, you read harder "my guy" read the entire page. Don't be upset that you are wrong. "It has been announced that the “Takt Op. Destiny” anime will have a total of 12 episodes and which will air from October 6, 2021, to December 22, 2021. A new episode will be released every week on Wednesday at 12:00 AM JST." |
Oct 20, 2021 11:39 AM
#61
I agree with u totally, is both the untapped potential that i dropped it :c |
Be gentle w me if u get angry for my answers |
Oct 20, 2021 11:49 AM
#62
I don't get your criticism. How can character development happen in just 3 episodes? It takes much longer than this. The first couple of episodes was just focused on the introduction of the characters. If we don't get to know them, then there would be no point in development. Sure, the first impression I got from them was incredibly weak. They all seem one dimensional but I still hope there would be a change of pace in their personalities in the upcoming episodes. And with Cosette aka Destiny being almost robot-like, I don't see how there would be any development for her but there is some potential for Takt I guess. But then again, if one character's development may not happen, then I don't see how it will happen for the other. And Anna just seems like a filler character. 4Tad said: I agree with u totally, is both the untapped potential that i dropped it :c Did it even had any potential to begin with? The concept of Monsters banning music already sounds stupid enough. |
ScordoloOct 20, 2021 11:56 AM
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Oct 20, 2021 11:49 AM
#63
Horiz0nt said: Someone is talking about 25+ episodes, it is confirmed or we are going to take 13 episodes? "It has been announced that the “Takt Op. Destiny” anime will have a total of 12 episodes and which will air from October 6, 2021, to December 22, 2021. A new episode will be released every week on Wednesday at 12:00 AM JST." |
Oct 20, 2021 1:28 PM
#64
Definitely too early for that criticism. You probably just like stories that focus way more on characters and psychological content, with less plot points and a minor setting. It's been 3 episodes and we're just getting acquainted with the characters and premise. That's all there is to the show right now. Nothing else. There is no room for "character development", we don't know the characters neither do we care about them. We don't know the setting and the plot. We know little about everything and the episodes are just introducing them piece by piece. The characters also didn't know a lot. It wouldn't make sense for Takt and Anna to cry and ruminate about what happened to Cosette when it just happened now and they didn't even know what Destiny was and if she was still Cosette. If these feelings are going to be explored deeper, it would be in the next episode or throughout the show. A writer has to balance plot and characters, this is natural. It doesn't make sense to create drama over information that neither the readers/watchers nor the characters have a understanding of. That being said, if this is a 12/13 episode show, the pacing might be too slow, and either it will take off very fast soon, or it will have a poor continuation most likely. We'll see. |
Oct 20, 2021 1:38 PM
#65
You don’t really see many anime that has character development 3 episodes in, even if you did put that excuse in your thread. So of course it’ll get better along the line. If you have a problem with dialogue, idk what to say. Nothing was cringe and it seemed fine to me honestly. I don’t need to dissect every single part of a show to think it’s good. I would say this show is doing better than most that I’ve watched with this sort of premise. |
The right mindset when watching an anime is hoping that it will break your top 10 |
Oct 20, 2021 1:54 PM
#66
Agreed. I also kinda feel like it's a big show-off of studios skills. They are great, everybody know that, but it's like they gave everything in the actions animation and barely anything on the storyboard or on characters (they are really bland and boring). And like I join others thinking the second episode should have been the first one |
CainaelOct 20, 2021 2:00 PM
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Oct 20, 2021 2:04 PM
#67
SSL443 said: The biggest disappointment for me, though, was how horribly they underutilize the premise of the show. Hey, combat via music, sounds like a cool if not totally original concept. But the fight scenes are nothing more than generic video game cutscene swill, except the MC is waving a baton in the background like a clown. That's my biggest complain too. The whole thing is literally based on music, they go on and on about it in every episode, and yet they don't actually use music to fight, not even sound waves or anything remotely related to music. Wasted potential. |
Oct 20, 2021 2:11 PM
#68
I agree that 3 episodes in and I dont feel this is going to entertain me. but there have been times when either things drastically changed for me or the animes grew up on me. so i will see to the end of the season. Idk whether you watched this show called durarara but when i started it and watched like 11 episodes, i already had an image declared into my mind abbout what kinda show it is and felt that it is never going to be able to entertain me. i kinda understood what kinda show it would be by 6th or 7th episode and already decided that writing is fundamentally bad. Well thats what i thought. when i watched 12th episode it blew my mind. whatever i felt about the show, i completely forgot and started having new perspective at the show. so i am going to see untill the end of the season. all i need is invest 20 minutes a week, im not even binging so i will wait and see. |
Oct 20, 2021 3:08 PM
#69
Sheklon said: It's been 3 episodes and we're just getting acquainted with the characters and premise. That's all there is to the show right now. Nothing else. There is no room for "character development", we don't know the characters neither do we care about them. official_brown said: You don’t really see many anime that has character development 3 episodes in, even if you did put that excuse in your thread. Character development refers primarily to fleshing out of things like traits, personality, motivations, and relationships. It also encompass character progression, or character arcs, but it isn't limited to these latter concepts. In this show, this development has been either lacking, superficial, or unoriginal. Anna's character is a good example of the former. Her scenes keep hitting the same beat over and over again, depicting her as the put-upon older sister and the voice of reason in the group. The problem is, the repetition becomes so excessive by the third episode that she has become one-dimensional. Supporting characters will generally lack the same development as a protagonist, but in that case she should simply get less screen time. As it is, the anime belabors the point with regards to her character. Takt and Cosette (including Destiny) aren't much better. Everything we know about them can be summarized in a few sentences, but we've already had three episodes of this slog. Maybe things will improve from here on out, but it doesn't change the fact that the opening of this anime was drawn out way more than it needed to be. In my experience, its fairly rare for the writing in a show to improve. It happens, but it isn't my default assumption. Second, Takt and Cosette have a superficial relationship. She seems drawn to him because he can play the piano (badly, I might add), despite the fact that he is a dour, moody, and unlikable. This kind of tenuous connection between characters is a mainstay of poor writing, where things get waved away by lofty concepts like destiny. Finally, Takt's background is unoriginal. He has a tragic backstory and has become a troubled soul as a result. The problem is, the show has yet to do anything more with this to give it an original direction. He doesn't appear to have the drive to act as an instigating force for the narrative. Instead, he seems vaguely invested in taking not-Cosette to the Symphonica to maybe "fix" her. This is despite them having a fairly one-sided relationship up until her untimely demise. Clearly, the show is trying to work the angle where Takt is an empty shell following the death of his father, and the events of the story pull him back from the depths of despair. It just has yet to present this premise in a creative or interesting way. A well written story is going to hit the ground running with characters, making it clear what defines and motivates them. Not only the first episode but the very first scene in Sound! Euphonium establishes the central characters and begins the work of setting a foundation for their motivations and personalities right through the end of the series. In the immediately following scenes, the main character is constantly presented with situations and characters that allows the audience to learn about them via their reactions to these circumstances. |
Oct 20, 2021 3:14 PM
#70
I'm only judging it once the series is finished. |
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Oct 20, 2021 3:19 PM
#71
People like action, people like music, it's popular and high-rated so people copy others, they forget about everything else. Honestly, the plot makes zero sense, and it isn't "unique", it's just "fight random monsters" with a musical instrument. "D2 very quickly banned all music" lmfaoooo, logic. I could say the same for Soul Eater, Kingdom Hearts, etc. because at its very basis those are both "fight random monsters" anime but with a twist. But with this show, I don't see plot being given to the monsters anytime soon, they'll just exist to exist. |
BunilleOct 20, 2021 3:24 PM
Oct 20, 2021 3:21 PM
#72
SSL443 said: you have summarised it better than my sleep deprived brain ever couldA well written story is going to hit the ground running with characters, making it clear what defines and motivates them. Not only the first episode but the very first scene in Sound! Euphonium establishes the central characters and begins the work of setting a foundation for their motivations and personalities right through the end of the series. In the immediately following scenes, the main character is constantly presented with situations and characters that allows the audience to learn about them via their reactions to these circumstances. thank you |
Oct 20, 2021 3:53 PM
#73
I fully agree with ya there like the art is gorgeous and music is ok too but like the story just is non existent and I just couldn’t bring myself to like the characters (except the Lenny guy). |
Oct 20, 2021 3:56 PM
#74
SSL443 said: Sheklon said: It's been 3 episodes and we're just getting acquainted with the characters and premise. That's all there is to the show right now. Nothing else. There is no room for "character development", we don't know the characters neither do we care about them. official_brown said: You don’t really see many anime that has character development 3 episodes in, even if you did put that excuse in your thread. Character development refers primarily to fleshing out of things like traits, personality, motivations, and relationships. It also encompass character progression, or character arcs, but it isn't limited to these latter concepts. In this show, this development has been either lacking, superficial, or unoriginal. Anna's character is a good example of the former. Her scenes keep hitting the same beat over and over again, depicting her as the put-upon older sister and the voice of reason in the group. The problem is, the repetition becomes so excessive by the third episode that she has become one-dimensional. Supporting characters will generally lack the same development as a protagonist, but in that case she should simply get less screen time. As it is, the anime belabors the point with regards to her character. Takt and Cosette (including Destiny) aren't much better. Everything we know about them can be summarized in a few sentences, but we've already had three episodes of this slog. Maybe things will improve from here on out, but it doesn't change the fact that the opening of this anime was drawn out way more than it needed to be. In my experience, its fairly rare for the writing in a show to improve. It happens, but it isn't my default assumption. Second, Takt and Cosette have a superficial relationship. She seems drawn to him because he can play the piano (badly, I might add), despite the fact that he is a dour, moody, and unlikable. This kind of tenuous connection between characters is a mainstay of poor writing, where things get waved away by lofty concepts like destiny. Finally, Takt's background is unoriginal. He has a tragic backstory and has become a troubled soul as a result. The problem is, the show has yet to do anything more with this to give it an original direction. He doesn't appear to have the drive to act as an instigating force for the narrative. Instead, he seems vaguely invested in taking not-Cosette to the Symphonica to maybe "fix" her. This is despite them having a fairly one-sided relationship up until her untimely demise. Clearly, the show is trying to work the angle where Takt is an empty shell following the death of his father, and the events of the story pull him back from the depths of despair. It just has yet to present this premise in a creative or interesting way. A well written story is going to hit the ground running with characters, making it clear what defines and motivates them. Not only the first episode but the very first scene in Sound! Euphonium establishes the central characters and begins the work of setting a foundation for their motivations and personalities right through the end of the series. In the immediately following scenes, the main character is constantly presented with situations and characters that allows the audience to learn about them via their reactions to these circumstances. Lol you're critiquing like it's supposed to be some ground breaking character study when it's a just a high budget advertisement for a game. It's like whining that the He-Man and GI Joe cartoons from the 80's didn't have good character development. Its just eye candy and dumb fun, treat it as such |
Oct 20, 2021 3:59 PM
#75
Well, we still got 9 Episodes Let's See what it has to show. Then we can see about that. |
Oct 20, 2021 4:51 PM
#76
LeoDrago said: _Weeb_NxMC_02 said: is it confirmed to have 25+ episodes? I thought it was 13?Yeah... as you said this is the 3rd episode...out of 25. I can't say "I dislike the show", however character development in a 25+ episode anime has, at times, surprised me. But yeah that's just my opinion it'll have a 12 episodes not 13. |
Oct 20, 2021 5:37 PM
#77
Dude you got me so butthurt, if you don't like it then don't watch it! lmao, all jokes aside tho I agree with you about the story being disappointing, this show is like 1/4 away from ending I don't really think it will improve. not only the story is disappointing but also the characters the ost is ok but the animation is supposedly impressive and supposedly good like ufotable's animation but this animation doesn't even come close to fate/zero, not even kara no kyokai. the animation is very standard but it's not really impressive. |
Oct 20, 2021 5:38 PM
#78
SSL443 said: Sheklon said: It's been 3 episodes and we're just getting acquainted with the characters and premise. That's all there is to the show right now. Nothing else. There is no room for "character development", we don't know the characters neither do we care about them. official_brown said: You don’t really see many anime that has character development 3 episodes in, even if you did put that excuse in your thread. Character development refers primarily to fleshing out of things like traits, personality, motivations, and relationships. It also encompass character progression, or character arcs, but it isn't limited to these latter concepts. In this show, this development has been either lacking, superficial, or unoriginal. Anna's character is a good example of the former. Her scenes keep hitting the same beat over and over again, depicting her as the put-upon older sister and the voice of reason in the group. The problem is, the repetition becomes so excessive by the third episode that she has become one-dimensional. Supporting characters will generally lack the same development as a protagonist, but in that case she should simply get less screen time. As it is, the anime belabors the point with regards to her character. Takt and Cosette (including Destiny) aren't much better. Everything we know about them can be summarized in a few sentences, but we've already had three episodes of this slog. Maybe things will improve from here on out, but it doesn't change the fact that the opening of this anime was drawn out way more than it needed to be. In my experience, its fairly rare for the writing in a show to improve. It happens, but it isn't my default assumption. Second, Takt and Cosette have a superficial relationship. She seems drawn to him because he can play the piano (badly, I might add), despite the fact that he is a dour, moody, and unlikable. This kind of tenuous connection between characters is a mainstay of poor writing, where things get waved away by lofty concepts like destiny. Finally, Takt's background is unoriginal. He has a tragic backstory and has become a troubled soul as a result. The problem is, the show has yet to do anything more with this to give it an original direction. He doesn't appear to have the drive to act as an instigating force for the narrative. Instead, he seems vaguely invested in taking not-Cosette to the Symphonica to maybe "fix" her. This is despite them having a fairly one-sided relationship up until her untimely demise. Clearly, the show is trying to work the angle where Takt is an empty shell following the death of his father, and the events of the story pull him back from the depths of despair. It just has yet to present this premise in a creative or interesting way. A well written story is going to hit the ground running with characters, making it clear what defines and motivates them. Not only the first episode but the very first scene in Sound! Euphonium establishes the central characters and begins the work of setting a foundation for their motivations and personalities right through the end of the series. In the immediately following scenes, the main character is constantly presented with situations and characters that allows the audience to learn about them via their reactions to these circumstances. I guess thoughts about characters are subjective. I like all of their personalities. It’s kinda annoying when every character is a ball of energy. I never really care about if characters are “original” or “unoriginal” anymore because usually an anime copies an anime copied an anime, same thing with most shounen/isekai/harem/romance protags. People said the same thing about Vivy when the anime came out, people said that she was boring, but I think she was a good character. I think characters can act boring but be written well. I’m not saying Takt and Cosette are. But It makes sense why Takt is the way he is, I would say his personality is a normal one in the real world. But I get what you mean. Characters/anime tastes are purely subjective. |
The right mindset when watching an anime is hoping that it will break your top 10 |
Oct 20, 2021 5:51 PM
#79
billybub said: Lol you're critiquing like it's supposed to be some ground breaking character study when it's a just a high budget advertisement for a game. It's like whining that the He-Man and GI Joe cartoons from the 80's didn't have good character development. Its just eye candy and dumb fun, treat it as such I'm critiquing it like any other piece of media. I know exactly what it is, as well as what it is trying--and failing--to be. That okay with you? Boss? official_brown said: I guess thoughts about characters are subjective. I like all of their personalities. It’s kinda annoying when every character is a ball of energy. I never really care about if characters are “original” or “unoriginal” anymore because usually an anime copies an anime copied an anime, same thing with most shounen/isekai/harem/romance protags. People said the same thing about Vivy when the anime came out, people said that she was boring, but I think she was a good character. I think characters can act boring but be written well. I’m not saying Takt and Cosette are. But It makes sense why Takt is the way he is, I would say his personality is a normal one in the real world. But I get what you mean. Characters/anime tastes are purely subjective. Takt sucks, but let's say for the sake of argument he is likable. Great, so what is the story doing with his character? There are plenty of great movies that explore a character with inner demons, sometimes overcoming them, sometimes succumbing to them. With this anime, it's been a lot of nothing for three episodes. I get it, he's dead inside because his father was killed by a cartoon monster right in front of his eyes. That doesn't make him inherently interesting. There's a difference between copying something and taking inspiration from it. They key is adding something new, or realizing it in an interesting and distinct way. This show has specifically failed to make good on the unique aspects of its premise, which leaves it with nothing to stand on but derivative nonsense. And characters do not need to be high energy to be well written or likeable. Not sure how you got that out of my comment in the first place. |
Oct 20, 2021 5:56 PM
#80
SSL443 said: billybub said: Lol you're critiquing like it's supposed to be some ground breaking character study when it's a just a high budget advertisement for a game. It's like whining that the He-Man and GI Joe cartoons from the 80's didn't have good character development. Its just eye candy and dumb fun, treat it as such I'm critiquing it like any other piece of media. I know exactly what it is, as well as what it is trying--and failing--to be. That okay with you? Boss? official_brown said: I guess thoughts about characters are subjective. I like all of their personalities. It’s kinda annoying when every character is a ball of energy. I never really care about if characters are “original” or “unoriginal” anymore because usually an anime copies an anime copied an anime, same thing with most shounen/isekai/harem/romance protags. People said the same thing about Vivy when the anime came out, people said that she was boring, but I think she was a good character. I think characters can act boring but be written well. I’m not saying Takt and Cosette are. But It makes sense why Takt is the way he is, I would say his personality is a normal one in the real world. But I get what you mean. Characters/anime tastes are purely subjective. Takt sucks, but let's say for the sake of argument he is likable. Great, so what is the story doing with his character? There are plenty of great movies that explore a character with inner demons, sometimes overcoming them, sometimes succumbing to them. With this anime, it's been a lot of nothing for three episodes. I get it, he's dead inside because his father was killed by a cartoon monster right in front of his eyes. That doesn't make him inherently interesting. There's a difference between copying something and taking inspiration from it. They key is adding something new, or realizing it in an interesting and distinct way. This show has specifically failed to make good on the unique aspects of its premise, which leaves it with nothing to stand on but derivative nonsense. And characters do not need to be high energy to be well written or likeable. Not sure how you got that out of my comment in the first place. Idk man, I think he is better than most protags so far. It’s more original than others. That’s why I said like characters is subjective. |
The right mindset when watching an anime is hoping that it will break your top 10 |
Oct 20, 2021 5:58 PM
#81
theGodde said: Such a shame that a show with an awesome premise, awesome animation, and unique musical identity could be let down in arguably the most important area. I would like to think the most important area of an anime themed entirely around music would not be the writing but the uhh.... idk... music? |
My taste is trash. So is yours. |
Oct 20, 2021 6:15 PM
#82
official_brown said: Idk man, I think he is better than most protags so far. It’s more original than others. That’s why I said like characters is subjective. Fine, but what's the point of telling me if you can't articulate why? I don't care about random opinions any more than the next person. |
Oct 20, 2021 6:46 PM
#83
Yeah I agree if you think about it, it's not that great. But I didn't come here to think; I went into this with next to no expectations and the result is me having quite a great time. I'm just here for mappa x madhouse and that's good enough for me! But if you're looking for a masterfully-written script, then look elsewhere. If these 3 episodes are adequate enough of an indication of what the rest of the show will be like, then what we're getting is a shallow story with some basic characters. All that said, I'm still personally really enjoying this and am satisfied with what it's giving me: a simply good time. |
Oct 20, 2021 6:46 PM
#84
As for me, I like the anime. The story development is great and interesting. Why I said the story development is great because: When in 1st episode, we just suddenly watch Takt playing grand piano in the middle of the town, D2 came, Takt and Destiny fight them. After that, Anna came to pick them up. Takt and Anna keep calling Takt's musicart as "Cosette" instead of "Destiny". Why and how does this happen? How Takt have musicart? Why they call Destiny, "Cosette". So, they explain it in episode 2. When in episode 3, they explain why the 3 MC go in journey to the New York, it is because of Destiny's abnormality. Well for me the story is building up just nice and it is getting interesting every time we watch it. Well, at the end this is just my opinion it is up to you if you want you watch it or not. One thing I want to say is, just don't complain about something just it doesn't suit your taste, if you don't like it don't watch it but it will be nice if you keep watching it so we all will know what happens next. Ps: I respect your opinion and this is just my opinion replying to yours ( ╹▽╹ ) Pss: I think many people will disagree with me (٥↼_↼) |
Oct 20, 2021 6:47 PM
#85
SchizoidRonin said: writing is the foundation for every show. Even if the hook is music, that doesn't change the fact that the writing is essential - more essential even than the premise itselftheGodde said: Such a shame that a show with an awesome premise, awesome animation, and unique musical identity could be let down in arguably the most important area. I would like to think the most important area of an anime themed entirely around music would not be the writing but the uhh.... idk... music? |
Oct 20, 2021 6:49 PM
#86
theGodde said: SchizoidRonin said: writing is the foundation for every show. Even if the hook is music, that doesn't change the fact that the writing is essential - more essential even than the premise itselftheGodde said: Such a shame that a show with an awesome premise, awesome animation, and unique musical identity could be let down in arguably the most important area. I would like to think the most important area of an anime themed entirely around music would not be the writing but the uhh.... idk... music? That's a nice opinion you have there. |
My taste is trash. So is yours. |
Oct 20, 2021 6:50 PM
#87
SyHaqi said: you haven't said anything I disagree with fundamentally aside from Ps: I respect your opinion and this is just my opinion replying to yours ( ╹▽╹ ) Pss: I think many people will disagree with me (٥↼_↼) SyHaqi said: I'm not complaining but pointing out flaws with the show. I don't think I said anywhere that I hate this show. I actually like it a lot - especially the premise. But that hasn't prevented me from seeing flaws with the writing. One thing I want to say is, just don't complain about something just it doesn't suit your taste |
Oct 20, 2021 6:53 PM
#88
Dixoncider8142 said: I dunno if you're an altLmao he gave demon slayer a 9? what a joke. demon slayer is so generic literally the show is overhyped for no reason as well. the fan base is just full of brain-dead idiots who just care about the animation and use their last brain cells to tell people what is good about it. the comedy is so cringe that it makes me believe that only people with a mental disorder would laugh at these jokes. the characters have no personality they literally have 1 character trait and that's it. the dialogue sucks, the story sucks. everything sucks about demon slayer but don't worry if it changes studios it will get no hype and if it ends no one will like it but idk I'm just trying to save everyone because god damn these modern anime fans are pathetic they only care about animation, they have no standards. but Demon Slayer was the very first anime I'd ever watched. Its score is a legacy of my old scoring method which I changed but forgot to update a lot of the earlier shows I watched. I still rate it quite highly and you are more then welcome to debate it with me in dms or even on my profile. But don't derail this thread with another unrelated show |
Oct 20, 2021 6:54 PM
#89
SchizoidRonin said: wow the 'ol subjectivism card. You care to elaborate on why good writing being the most important foundation for tv and movies of all mediums is subjective and not an objective statement that can be proved or disproved?theGodde said: SchizoidRonin said: theGodde said: Such a shame that a show with an awesome premise, awesome animation, and unique musical identity could be let down in arguably the most important area. I would like to think the most important area of an anime themed entirely around music would not be the writing but the uhh.... idk... music? That's a nice opinion you have there. |
Oct 20, 2021 6:55 PM
#90
theGodde said: sorry but the way you say it looks like you don't like the show so... Sorry for misunderstandingSyHaqi said: you haven't said anything I disagree with fundamentally aside from Ps: I respect your opinion and this is just my opinion replying to yours ( ╹▽╹ ) Pss: I think many people will disagree with me (٥↼_↼) SyHaqi said: I'm not complaining but pointing out flaws with the show. I don't think I said anywhere that I hate this show. I actually like it a lot - especially the premise. But that hasn't prevented me from seeing flaws with the writing. One thing I want to say is, just don't complain about something just it doesn't suit your taste |
Oct 20, 2021 6:56 PM
#91
theGodde said: writing is the foundation for every show. Even if the hook is music, that doesn't change the fact that the writing is essential - more essential even than the premise itself I just find it interesting that you think writing is THE foundation of a medium called Anime. You know... short for animation |
My taste is trash. So is yours. |
Oct 20, 2021 6:59 PM
#92
SchizoidRonin said: animation is simply a medium for communicating stories with artificially created - animated - production. It being anime doesn't invalidate the fact that a show without a story (or an incredibly poor one) will be bad no matter what medium it's produced intheGodde said: writing is the foundation for every show. Even if the hook is music, that doesn't change the fact that the writing is essential - more essential even than the premise itself I do find it interesting that you think writing is THE foundation of a medium called Anime. You know... short for animation |
Oct 20, 2021 7:04 PM
#93
I thought I saw this name somewhere before. You are also the dude who criticised 86. I might have to take your word with this as being a disappointment, though 1 agreement isn't enough I'd say. I can only have a look through before I feedback. Someone else said this was kinda bad too so idk what to see, but I will get there. |
Oct 20, 2021 7:04 PM
#94
I agree with you that writing makes up a portion of anime. I don't agree with your opinion that is the SOLE foundation of the medium. theGodde said: animation is simply a medium for communicating stories with artificially created - animated - production. It being anime doesn't invalidate the fact that a show without a story (or an incredibly poor one) will be bad no matter what medium it's produced in Lack of comprehension of an art medium such as animation or music isn't justification of writing it off as a objectively bad. Sorry mate. Maybe just try reading some stories you like? |
BorderlineSchizoOct 20, 2021 7:07 PM
My taste is trash. So is yours. |
Oct 20, 2021 7:07 PM
#95
NextUniverse said: It isn't as abrasive as the early episodes of 86 were, and it's certainly not irredeemably bad (just like 86) but it does have many flaws - and a lack of character development that would suggest this show isn't going to be much more than a generic but visually engaging action shonenI thought I saw this name somewhere before. You are also the dude who criticised 86. I might have to take your word with this as being a disappointment, though 1 agreement isn't enough I'd say. I can only have a look through before I feedback. Someone else said this was kinda bad too so idk what to see, but I will get there. |
Oct 20, 2021 7:08 PM
#96
theGodde said: I don't mean in terms of hype. This story has so much unexplored potential. There's so much opportunity for great, nuanced characters. But this script is just bad. The dialogue is cringe inducing at times, and the character development is so incredibly surface level. Most people are going to say "it's only the third episode, just give it a chance". But this isn't one of those things that improves with time. What we're seeing here is a fundamental writing problem that won't improve unless they hire a new screenwriter for the remaining episodes. Such a shame that a show with an awesome premise, awesome animation, and unique musical identity could be let down in arguably the most important area. What do the rest of you think about this show? Also I'd love if I am proven wrong further down the track, but realistically thinking I'd say this ship is already sinking. Bro the show is literally on ep 2 lmao |
Oct 20, 2021 7:18 PM
#97
SchizoidRonin said: I never said it was the SOLE foundation. This is a result of your inability to provide actual arguments to back up your own point of view - instead having to resort to making blanket statements about me having a lack of comprehension.I agree with you that writing makes up a portion of anime. I don't agree with your opinion that is the SOLE foundation of the medium. theGodde said: animation is simply a medium for communicating stories with artificially created - animated - production. It being anime doesn't invalidate the fact that a show without a story (or an incredibly poor one) will be bad no matter what medium it's produced in Lack of comprehension of an art medium such as animation or music isn't justification of writing it off as a objectively bad. Sorry mate. Maybe just try reading some stories you like? My point is that if there is one facet of anime that is the most important - it is the writing. I never said it was the only thing that was important. By that logic you have been arguing this entire time that animation quality is the only thing that matters. Production is more difficult to place. Better production makes a work objectively better, however there are many anime with poor production but incredible writing that are considered by the vast majority of critics to be objectively good. I would say the very idea that animation is the most important component of anime devalues the medium as a whole. Just like how whenever an animated show of high quality gets released in the west, people question why it wasn't made in live action. There is this stigma that animation can only be used to tell visually engaging stories that can't be done in live action and I think that is just inherently wrong. Animation as a medium is just as legitimate as live action or manga, or LNs, or any other form of storytelling. And the only way to treat animation as a legitimate medium is to judge the story first and the animation second. To place animation as the highest priority is to admit the medium of animation is only for cheap spectacle |
Oct 20, 2021 7:18 PM
#98
GGPoke said: you can't count to three?theGodde said: I don't mean in terms of hype. This story has so much unexplored potential. There's so much opportunity for great, nuanced characters. But this script is just bad. The dialogue is cringe inducing at times, and the character development is so incredibly surface level. Most people are going to say "it's only the third episode, just give it a chance". But this isn't one of those things that improves with time. What we're seeing here is a fundamental writing problem that won't improve unless they hire a new screenwriter for the remaining episodes. Such a shame that a show with an awesome premise, awesome animation, and unique musical identity could be let down in arguably the most important area. What do the rest of you think about this show? Also I'd love if I am proven wrong further down the track, but realistically thinking I'd say this ship is already sinking. Bro the show is literally on ep 2 lmao |
Oct 20, 2021 7:30 PM
#99
theGodde said: I never said it was the SOLE foundation. This is a result of your inability to provide actual arguments to back up your own point of view - instead having to resort to making blanket statements about me having a lack of comprehension. Well actually that's exactly what you said, multiple times and that was my point. That it's not the foundation. The foundation of a house consists of multiple areas that each take a part of the load. Here's some examples: theGodde said: Such a shame that a show with an awesome premise, awesome animation, and unique musical identity could be let down in arguably the most important area. writing is the foundation for every show. Even if the hook is music, that doesn't change the fact that the writing is essential - more essential even than the premise itself You care to elaborate on why good writing being the most important foundation for tv and movies of all mediums is subjective and not an objective statement that can be proved or disproved? Not only did you say it you said it was an objective statement lol. This is why I don't need to provide any "argument" because my point was made. Especially after you backpedaled and made your initial post and argument invalid. You said that the show is bad even though you also stated that it was a "show with an awesome premise, awesome animation, and unique musical identity". Clearly contradicting yourself in your last point of saying there are multiple facets that make a show good and invalidating your entire point you were trying to make in the initial post. So now you see my point of view and even adhere too it in your most recent comment. You seem to be interested solely in arguments and I'm not. So have a nice day. |
BorderlineSchizoOct 20, 2021 7:33 PM
My taste is trash. So is yours. |
Oct 20, 2021 7:33 PM
#100
SSL443 said: official_brown said: Idk man, I think he is better than most protags so far. It’s more original than others. That’s why I said like characters is subjective. Fine, but what's the point of telling me if you can't articulate why? I don't care about random opinions any more than the next person. I already did in previous threads. But I’m not really commenting to have convo about how he is decent. I’m just saying I think he is. Simple as that. |
The right mindset when watching an anime is hoping that it will break your top 10 |
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