Blue Period
Available on Manga Store
New
Aug 5, 9:17 PM
#1
Don't get me wrong, I find this manga to be pretty good, mainly because of its compelling characters (Kinemi is my favorite). But ... what am I missing? I was told this manga would change my perspective on art, and maybe even life. Why is my perspective on art the exact same after reading it? I was told it debunks the idea of "talent", but the fact that the protagonist became a better artist in two months than I have in over three years just shows that he does have talent. I was told that it deconstructs young prodigies and is a must-read for those who envy those teenage Michelangelos with thousands of followers, but the manga has yet to touch upon that subject. Am I just so dense that everything has gone over my head? Why hasn't this manga affected me like it affects everyone else? |
Some of you never watched Bakugan Battle Brawlers on TeleToon in 2008 and it shows. |
Aug 5, 10:28 PM
#2
I think that the people who don't get Blue Period are the ones who told you that stuff. I only see the stuff about the "talent" being present on the manga but the other themes... I don't think so 🤷 What do you think about Blue Period? I think that's more interesting. |
Aug 5, 10:30 PM
#3
every art (manga included) its up to interpretations, your interpretations is as valid as those who told you in my opinion. |
Aug 6, 12:55 AM
#4
who told you all that 😂, I was told nothing and I really like it |
Aug 6, 1:52 AM
#5
ryan77999 said: Don't get me wrong, I find this manga to be pretty good, mainly because of its compelling characters (Kinemi is my favorite). But ... what am I missing? I was told this manga would change my perspective on art, and maybe even life. Why is my perspective on art the exact same after reading it? I was told it debunks the idea of "talent", but the fact that the protagonist became a better artist in two months than I have in over three years just shows that he does have talent. I was told that it deconstructs young prodigies and is a must-read for those who envy those teenage Michelangelos with thousands of followers, but the manga has yet to touch upon that subject. Am I just so dense that everything has gone over my head? Why hasn't this manga affected me like it affects everyone else? I think everybody has a different interpretation of the manga and maybe, based on personal experience, everyone can focus on a different point that the manga makes. I'll try to explain. For me, for example, the part that was more emotional was the beginning, when the main character got into art because he found something that he loves and he is passionate about. It is true that he has no talent for art, meaning that he isn't a prodigy and he needs a lot of more practice compared to other people, but he tries is best and puts all his effort in making art. I aspire to be an artist aswell, and based on my personal experience in art and in life, I believe that I'm probably more talented than him, but he made more progress than me because, personally, the idea of making art and the comparison with other people scares me and i'm very inconsistent with practice. The manga encourages me a lot because he is practicing hard to get better, and even with the comparison with other artist, he keeps going. So to sums up all this yapping, I think everybody understand the manga on a different level and I believe you got a different interpretation based on you personal life experience. |
Aug 6, 9:02 AM
#6
Reply to UglyPixel
I think that the people who don't get Blue Period are the ones who told you that stuff.
I only see the stuff about the "talent" being present on the manga but the other themes... I don't think so 🤷
What do you think about Blue Period? I think that's more interesting.
I only see the stuff about the "talent" being present on the manga but the other themes... I don't think so 🤷
What do you think about Blue Period? I think that's more interesting.
@UglyPixel I think it's a compelling story. I really like the characters (especially Kinemi). It's just that I went in expecting it to change my life like it has for many others and I came out disappointed. The manga isn't finished yet though, so maybe I'm calling it too early. |
Some of you never watched Bakugan Battle Brawlers on TeleToon in 2008 and it shows. |
Aug 6, 9:03 AM
#7
Reply to HikaruLuce
ryan77999 said:
Don't get me wrong, I find this manga to be pretty good, mainly because of its compelling characters (Kinemi is my favorite).
But ... what am I missing? I was told this manga would change my perspective on art, and maybe even life. Why is my perspective on art the exact same after reading it?
I was told it debunks the idea of "talent", but the fact that the protagonist became a better artist in two months than I have in over three years just shows that he does have talent.
I was told that it deconstructs young prodigies and is a must-read for those who envy those teenage Michelangelos with thousands of followers, but the manga has yet to touch upon that subject.
Am I just so dense that everything has gone over my head? Why hasn't this manga affected me like it affects everyone else?
Don't get me wrong, I find this manga to be pretty good, mainly because of its compelling characters (Kinemi is my favorite).
But ... what am I missing? I was told this manga would change my perspective on art, and maybe even life. Why is my perspective on art the exact same after reading it?
I was told it debunks the idea of "talent", but the fact that the protagonist became a better artist in two months than I have in over three years just shows that he does have talent.
I was told that it deconstructs young prodigies and is a must-read for those who envy those teenage Michelangelos with thousands of followers, but the manga has yet to touch upon that subject.
Am I just so dense that everything has gone over my head? Why hasn't this manga affected me like it affects everyone else?
I think everybody has a different interpretation of the manga and maybe, based on personal experience, everyone can focus on a different point that the manga makes. I'll try to explain. For me, for example, the part that was more emotional was the beginning, when the main character got into art because he found something that he loves and he is passionate about. It is true that he has no talent for art, meaning that he isn't a prodigy and he needs a lot of more practice compared to other people, but he tries is best and puts all his effort in making art. I aspire to be an artist aswell, and based on my personal experience in art and in life, I believe that I'm probably more talented than him, but he made more progress than me because, personally, the idea of making art and the comparison with other people scares me and i'm very inconsistent with practice. The manga encourages me a lot because he is practicing hard to get better, and even with the comparison with other artist, he keeps going. So to sums up all this yapping, I think everybody understand the manga on a different level and I believe you got a different interpretation based on you personal life experience.
@HikaruLuce He does have at least some talent; he became a better artist in two months than I have in over three years. |
Some of you never watched Bakugan Battle Brawlers on TeleToon in 2008 and it shows. |
Aug 6, 9:28 AM
#8
ryan77999 said: @HikaruLuce He does have at least some talent; he became a better artist in two months than I have in over three years. I wouldn't say that he has talent. Because he wasn't good at the beginning, he struggled a lot to get things right. The story for now is set in the time span of 2 years. He started the last year of High School, he went to a yobiko where he practiced a lot and now he is at university, where he practice a lot more. A person that has talent gets better way faster at the beginning, but he doesn't, he works really hard and he struggles to get good artwork like Yotasuke, the real talent here. If you think Yatora is better than you because he has talent, I don't think that's the case. Sometimes you can't get good because you practice in the wrong way and you need more time to get better because of this. Idk if you are pursuing a career as artist or if you are studying at an art university, but my understanding of blue period is about how hard he works because he doesn't have talent, so he has to work a lot, and you can actually see his struggles because of this. He is surrounded by very good artist, more talented than him and with more experience, he is there because he worked very hard. That's the point that people make when they talk about crashing the idea of talent, they talk about the hard work of Yatora to get there and the fact that you don't need to be "talented" to get good, but you need passion and a lot of hard work. Idk if I explained myself properly. |
Aug 6, 9:30 AM
#9
Reply to HikaruLuce
ryan77999 said:
@HikaruLuce He does have at least some talent; he became a better artist in two months than I have in over three years.
@HikaruLuce He does have at least some talent; he became a better artist in two months than I have in over three years.
I wouldn't say that he has talent. Because he wasn't good at the beginning, he struggled a lot to get things right. The story for now is set in the time span of 2 years. He started the last year of High School, he went to a yobiko where he practiced a lot and now he is at university, where he practice a lot more. A person that has talent gets better way faster at the beginning, but he doesn't, he works really hard and he struggles to get good artwork like Yotasuke, the real talent here. If you think Yatora is better than you because he has talent, I don't think that's the case. Sometimes you can't get good because you practice in the wrong way and you need more time to get better because of this. Idk if you are pursuing a career as artist or if you are studying at an art university, but my understanding of blue period is about how hard he works because he doesn't have talent, so he has to work a lot, and you can actually see his struggles because of this. He is surrounded by very good artist, more talented than him and with more experience, he is there because he worked very hard. That's the point that people make when they talk about crashing the idea of talent, they talk about the hard work of Yatora to get there and the fact that you don't need to be "talented" to get good, but you need passion and a lot of hard work. Idk if I explained myself properly.
@HikaruLuce If he has "no talent", then is it possible for someone to have "negative talent"? I've been drawing for over three years and haven't improved at all. |
Some of you never watched Bakugan Battle Brawlers on TeleToon in 2008 and it shows. |
Aug 6, 9:46 AM
#10
ryan77999 said: @HikaruLuce If he has "no talent", then is it possible for someone to have "negative talent"? I've been drawing for over three years and haven't improved at all. I can't tell you exactly why you aren't improving faster, I can only assume why and maybe give you some advice on what I would do. I follow a lot of artists on YouTube that post a lot of tutorial and lessons and they help a lot the community. I would recommend you to try get a look at them to see if you are practicing in the right way and most importantly if you are practicing the right things. I would recommend you artists like samedoesart, Marc brunet, Proko; for inspirations and new ideas about art I would say Jazza, nerdforge, drawfee show. They are good youtubers that help a lot. also, you are probably getting better at drawing, but with you getting better, you are also getting better at seeing mistakes, this thing may trick you into thinking that you aren't getting better because you keep seeing mistakes, but they are probably different mistakes compared to the first ones you did when you started to draw. I really hope this helps and I wish you luck on you art journey. Don't give up and keep trying if you love what you are doing. |
Aug 6, 9:50 AM
#11
Reply to HikaruLuce
ryan77999 said:
@HikaruLuce If he has "no talent", then is it possible for someone to have "negative talent"? I've been drawing for over three years and haven't improved at all.
@HikaruLuce If he has "no talent", then is it possible for someone to have "negative talent"? I've been drawing for over three years and haven't improved at all.
I can't tell you exactly why you aren't improving faster, I can only assume why and maybe give you some advice on what I would do.
I follow a lot of artists on YouTube that post a lot of tutorial and lessons and they help a lot the community. I would recommend you to try get a look at them to see if you are practicing in the right way and most importantly if you are practicing the right things. I would recommend you artists like samedoesart, Marc brunet, Proko; for inspirations and new ideas about art I would say Jazza, nerdforge, drawfee show. They are good youtubers that help a lot.
also, you are probably getting better at drawing, but with you getting better, you are also getting better at seeing mistakes, this thing may trick you into thinking that you aren't getting better because you keep seeing mistakes, but they are probably different mistakes compared to the first ones you did when you started to draw.
I really hope this helps and I wish you luck on you art journey. Don't give up and keep trying if you love what you are doing.
@HikaruLuce I've already watched plenty of videos by Proko and Jazza but they haven't really helped. Thanks for the other suggestions though! |
Some of you never watched Bakugan Battle Brawlers on TeleToon in 2008 and it shows. |
Aug 6, 10:43 PM
#12
Yatora draws and paints every day for two months. That’s not talent that’s hard work. I have friends who just picked up a pencil and made the most beautiful art, but I was shit and had to work on it. The manga is about the essence of art. Most people who didn’t have to work for their talent take it for granted and never put in the work to dig deeper into their art, which is what the anime is about. The most beautiful pieces are the ones made from artists suffering through the journey of art. The manga has characters who are naturally talented suffer from creativity, originality, and overall dedication. It’s actually one of the best portrayals of artists in my opinion. |
Aug 7, 1:54 AM
#13
Truthfully, if you go into any piece of media expecting it to change your life, it will not. |
"Molly Ringwald" out right now - check my Linktree! |
Aug 7, 1:40 PM
#14
Like any other show, blue period affects people differently. To me particularly, i identified with something Yaguchi were going through, probably because I'm also studying on an Art Collage. You see, a panel of the manga that got me deep was one that mentioned how the phase we are in life affects the way we interpret and like anything really in life, not just art. And coincidence or not: i read this part right after i had re-watched the anime, man that was literally what happened to me! Fist time i'seen the show i was still on high school, with no clue whatsoever of my future course, but when i saw the show again and kept reading the manga it made me identify with so many things, i kinda saw myself in characters and situations. Maybe you don't feel as changed or affected cuz of the fase of your life or even your own story, you know? See i'm a Brazilian girl whom felt connected with a male Japanese protagonist, even though our cultures are not similar at all i found confort and a mirror on that show, that once was a 7 and now is 10/10 (to me). So basically: It's not the same for anybody, not even for the same person watching/reading it twice. |
Aug 7, 1:56 PM
#15
Nevasca3301 said: Like any other show, blue period affects people differently. To me particularly, i identified with something Yaguchi were going through, probably because I'm also studying on an Art Collage. You see, a panel of the manga that got me deep was one that mentioned how the phase we are in life affects the way we interpret and like anything really in life, not just art. And coincidence or not: i read this part right after i had re-watched the anime, man that was literally what happened to me! Fist time i'seen the show i was still on high school, with no clue whatsoever of my future course, but when i saw the show again and kept reading the manga it made me identify with so many things, i kinda saw myself in characters and situations. Maybe you don't feel as changed or affected cuz of the fase of your life or even your own story, you know? See i'm a Brazilian girl whom felt connected with a male Japanese protagonist, even though our cultures are not similar at all i found confort and a mirror on that show, that once was a 7 and now is 10/10 (to me). So basically: It's not the same for anybody, not even for the same person watching/reading it twice. I also think that, more than a show that changes us, it's rather a story that makes us aware. I don't think i've changed after Blue period, but it definitely made me notice particular things about me (the artist) and my consequences (my art). I understand my tastes, my trace, my desires and my way of seeing art and life a lot better. To me, i don't know about others cuz well i'm not them, BP brightened me as an artist rather than added or transformed anything in me. Maybe that's the answer you want, maybe not. |
Aug 13, 8:31 AM
#16
TL;DR The show is only inspiring if you can find points to relate to. It mostly points out that there are many approaches to art, and raw talent can be quickly polished with graft. If you don't "get" it or don't find inspiration in Blue Period, find what inspires you. I think some of it can depend on where you are in your artistic phase. This manga/anime sparked my passion for painting and creating again briefly. I went into it, I think, off a vague referral by a friend, or maybe I just stumbled across it on Netflix. Either way, I entered with no expectations at an all-time low with art. I related to Yaguchi in a few ways, though he has a lot more raw talent in some areas than I do. However, we both gravitated towards non-objective or abstract works as artists while being inspired by some works that were more grounded in realism. Like many things, I think this series, while extraordinary, in my opinion, was pitched to you in a way that overhyped it. I was brought to your attention as a marvel, something that would change you. That's not good for art. It's also not good for an aspiring artist. Going into a piece with a specific view will change your view on that piece. As for the talent end, I think Blue Period shows that you can polish raw talent more so than get across that anyone can be an artist. Maybe if it knew it would have a green light for multiple seasons, it would have taken a different angle. Or perhaps it will get a spin off that will show us the road for another character in the series that may have had to graft to just be good enough to be taken seriously in high school but failed to break into the professional art world. Honestly, I think this series showed me that I'm not an artist, I'm a guy who does art. Blue Period shows that to be an artist, you have to love the process, not the product. If you don't find these messages or any inspiration in the series, that's fine. I can say my most recent spark was found when I was reading Sayonara Football/ Farewell, My Dear Cramer, created by the writer and illustrator of Your Lie in April, Naoshi Arakawa. It is a manga about high school girls' soccer, and it brings out something from deep within me. I'm a 20-something man, and every time I read about these girls playing soccer, it gets me amped up. I got so inspired that it threw me into this manic episode where I completed three of my half finished works over the course of 4 hours and started another one. Their love of the game and the competitive spirit resonates with me as I used to play baseball in college and I was seeking to play some level of pro ball but when the world shut down so did my opportunity to go play in Europe that I had set up. Now, it eats me alive that I didn't get to pursue it. I tried to quit, and I haven't played in a while, but it's like a drug. You can quit, but a small part of you will always gnaw at the back of your head and try to pull you back in. Anything can inspire you to create. You just have to go find what speaks to you, not what speaks to others. |
Aug 13, 9:35 AM
#17
Reply to Karupentaru-chan
TL;DR The show is only inspiring if you can find points to relate to. It mostly points out that there are many approaches to art, and raw talent can be quickly polished with graft. If you don't "get" it or don't find inspiration in Blue Period, find what inspires you.
I think some of it can depend on where you are in your artistic phase. This manga/anime sparked my passion for painting and creating again briefly. I went into it, I think, off a vague referral by a friend, or maybe I just stumbled across it on Netflix. Either way, I entered with no expectations at an all-time low with art. I related to Yaguchi in a few ways, though he has a lot more raw talent in some areas than I do. However, we both gravitated towards non-objective or abstract works as artists while being inspired by some works that were more grounded in realism.
Like many things, I think this series, while extraordinary, in my opinion, was pitched to you in a way that overhyped it. I was brought to your attention as a marvel, something that would change you. That's not good for art. It's also not good for an aspiring artist. Going into a piece with a specific view will change your view on that piece.
As for the talent end, I think Blue Period shows that you can polish raw talent more so than get across that anyone can be an artist. Maybe if it knew it would have a green light for multiple seasons, it would have taken a different angle. Or perhaps it will get a spin off that will show us the road for another character in the series that may have had to graft to just be good enough to be taken seriously in high school but failed to break into the professional art world. Honestly, I think this series showed me that I'm not an artist, I'm a guy who does art. Blue Period shows that to be an artist, you have to love the process, not the product.
If you don't find these messages or any inspiration in the series, that's fine. I can say my most recent spark was found when I was reading Sayonara Football/ Farewell, My Dear Cramer, created by the writer and illustrator of Your Lie in April, Naoshi Arakawa. It is a manga about high school girls' soccer, and it brings out something from deep within me. I'm a 20-something man, and every time I read about these girls playing soccer, it gets me amped up. I got so inspired that it threw me into this manic episode where I completed three of my half finished works over the course of 4 hours and started another one. Their love of the game and the competitive spirit resonates with me as I used to play baseball in college and I was seeking to play some level of pro ball but when the world shut down so did my opportunity to go play in Europe that I had set up. Now, it eats me alive that I didn't get to pursue it. I tried to quit, and I haven't played in a while, but it's like a drug. You can quit, but a small part of you will always gnaw at the back of your head and try to pull you back in. Anything can inspire you to create. You just have to go find what speaks to you, not what speaks to others.
I think some of it can depend on where you are in your artistic phase. This manga/anime sparked my passion for painting and creating again briefly. I went into it, I think, off a vague referral by a friend, or maybe I just stumbled across it on Netflix. Either way, I entered with no expectations at an all-time low with art. I related to Yaguchi in a few ways, though he has a lot more raw talent in some areas than I do. However, we both gravitated towards non-objective or abstract works as artists while being inspired by some works that were more grounded in realism.
Like many things, I think this series, while extraordinary, in my opinion, was pitched to you in a way that overhyped it. I was brought to your attention as a marvel, something that would change you. That's not good for art. It's also not good for an aspiring artist. Going into a piece with a specific view will change your view on that piece.
As for the talent end, I think Blue Period shows that you can polish raw talent more so than get across that anyone can be an artist. Maybe if it knew it would have a green light for multiple seasons, it would have taken a different angle. Or perhaps it will get a spin off that will show us the road for another character in the series that may have had to graft to just be good enough to be taken seriously in high school but failed to break into the professional art world. Honestly, I think this series showed me that I'm not an artist, I'm a guy who does art. Blue Period shows that to be an artist, you have to love the process, not the product.
If you don't find these messages or any inspiration in the series, that's fine. I can say my most recent spark was found when I was reading Sayonara Football/ Farewell, My Dear Cramer, created by the writer and illustrator of Your Lie in April, Naoshi Arakawa. It is a manga about high school girls' soccer, and it brings out something from deep within me. I'm a 20-something man, and every time I read about these girls playing soccer, it gets me amped up. I got so inspired that it threw me into this manic episode where I completed three of my half finished works over the course of 4 hours and started another one. Their love of the game and the competitive spirit resonates with me as I used to play baseball in college and I was seeking to play some level of pro ball but when the world shut down so did my opportunity to go play in Europe that I had set up. Now, it eats me alive that I didn't get to pursue it. I tried to quit, and I haven't played in a while, but it's like a drug. You can quit, but a small part of you will always gnaw at the back of your head and try to pull you back in. Anything can inspire you to create. You just have to go find what speaks to you, not what speaks to others.
@Karupentaru-chan Blue Period shows that to be an artist, you have to love the process, not the product. Do you know if there's a way to force myself into loving the process, or if someone who doesn't love the process can still get good at it? |
Some of you never watched Bakugan Battle Brawlers on TeleToon in 2008 and it shows. |
Aug 13, 10:02 AM
#18
Reply to ryan77999
@Karupentaru-chan
Do you know if there's a way to force myself into loving the process, or if someone who doesn't love the process can still get good at it?
Blue Period shows that to be an artist, you have to love the process, not the product.
Do you know if there's a way to force myself into loving the process, or if someone who doesn't love the process can still get good at it?
@ryan77999 Not to be overly philosophical or too stuck up, but you need to do some soul searching it sounds like. I can't tell you for sure, art is a purely expressive field. Yes there's realism and a lot of math and stuff but it is all expressing something at the end of the day. What do you want from art? Do you just want it to be a cool side hobby? Do you want to do it for money? What type of artist do you want to be a "real artist" or a sell out? If you're forcing yourself to love the process find out the barrier that you hate. Do you hate conceptualizing, shading, sketching? Maybe you're just working in the wrong medium. For instance I hate sketching and my relationship with drawing has gotten so bad that when I draw I legitimately get anxiety attacks if I'm actively trying to draw a subject. Drawing stencils for spray paint is fine but actually drawing has become toxic for me. I used to paint a lot but have found myself gravitating to new methods that I love more. One method is layering a canvas with multiple layers of colored duct tape and carving out the subject so you have physical layers. I have also really enjoyed doing string art on scrap wood where I unravel baseballs and use the stitching, leather, and various string inside the ball to create unique patterns. You can search for a process you love, forage a relationship of steel with the process, or find some other compromise. However, at the end of the day your relationship with art should be treated like that of a person. You should struggle, have highs and lows. And at some point you should define what your relationship with art should be. Are you going to be a status artist, an industry artist, and artist that will starve to death in the pursuit of their craft, or just someone who can appreciate art and likes to create on the side. Any path you choose is fine and perhaps you will even change paths as you grow. Idk what age range you are and it doesn't matter cause we all grow until we're 6 below. Sorry for the long responses but I am passionate about art, even if it hasn't always been the nicest to me. The only other thing I can say is there is if you truly want it, you have to be ready to make some sacrifices to get there. Time, money, energy, blood, sweat, and tears. If you just want to be a little better as a personal skill, look up some tutorials, read some books, find something that makes you feel and go create based off how you feel, take risks in pieces don't play everything safe and open yourself up to criticism so you can improve. Hope you can find something in this that helps. I'm always interested in art as a subject if you have anything else you want to ask, Eben if it's just on a MAL forum. |
Aug 13, 10:02 AM
#19
Reply to ryan77999
@Karupentaru-chan
Do you know if there's a way to force myself into loving the process, or if someone who doesn't love the process can still get good at it?
Blue Period shows that to be an artist, you have to love the process, not the product.
Do you know if there's a way to force myself into loving the process, or if someone who doesn't love the process can still get good at it?
@ryan77999 Not to be overly philosophical or too stuck up, but you need to do some soul searching it sounds like. I can't tell you for sure, art is a purely expressive field. Yes there's realism and a lot of math and stuff but it is all expressing something at the end of the day. What do you want from art? Do you just want it to be a cool side hobby? Do you want to do it for money? What type of artist do you want to be a "real artist" or a sell out? If you're forcing yourself to love the process find out the barrier that you hate. Do you hate conceptualizing, shading, sketching? Maybe you're just working in the wrong medium. For instance I hate sketching and my relationship with drawing has gotten so bad that when I draw I legitimately get anxiety attacks if I'm actively trying to draw a subject. Drawing stencils for spray paint is fine but actually drawing has become toxic for me. I used to paint a lot but have found myself gravitating to new methods that I love more. One method is layering a canvas with multiple layers of colored duct tape and carving out the subject so you have physical layers. I have also really enjoyed doing string art on scrap wood where I unravel baseballs and use the stitching, leather, and various string inside the ball to create unique patterns. You can search for a process you love, forage a relationship of steel with the process, or find some other compromise. However, at the end of the day your relationship with art should be treated like that of a person. You should struggle, have highs and lows. And at some point you should define what your relationship with art should be. Are you going to be a status artist, an industry artist, and artist that will starve to death in the pursuit of their craft, or just someone who can appreciate art and likes to create on the side. Any path you choose is fine and perhaps you will even change paths as you grow. Idk what age range you are and it doesn't matter cause we all grow until we're 6 below. Sorry for the long responses but I am passionate about art, even if it hasn't always been the nicest to me. The only other thing I can say is there is if you truly want it, you have to be ready to make some sacrifices to get there. Time, money, energy, blood, sweat, and tears. If you just want to be a little better as a personal skill, look up some tutorials, read some books, find something that makes you feel and go create based off how you feel, take risks in pieces don't play everything safe and open yourself up to criticism so you can improve. Hope you can find something in this that helps. I'm always interested in art as a subject if you have anything else you want to ask, Eben if it's just on a MAL forum. |
More topics from this board
Poll: » Blue Period Chapter 72 DiscussionMegamiRem - Yesterday |
1 |
by landofthekwt
»»
5 hours ago |
|
Poll: » Blue Period Chapter 71 DiscussionMegamiRem - Nov 28 |
1 |
by Niaahs
»»
Nov 29, 3:53 AM |
|
Poll: » Blue Period Chapter 70 DiscussionFerhat2K - Sep 24 |
2 |
by MegamiRem
»»
Nov 28, 7:09 PM |
|
Poll: » Blue Period Chapter 69 DiscussionDarkHumor04 - Jul 31 |
5 |
by MegamiRem
»»
Nov 28, 7:08 PM |
|
Poll: » Blue Period Chapter 67 DiscussionPentaDace - May 24 |
14 |
by Suiely_c-ute
»»
Oct 16, 7:28 PM |