"It could have been a lot worse."
That's the best thing I could say about Xenoglossia. Given all I've heard about it, this show's worth seemed to be somewhere between a cow's droppings and the lint that accumulates between your toes after wearing socks all day. What Xenoglossia actually was, however, was a true standalone show, referencing only the character names and the term "iDOLM@STER." I expected references to 765 Pro or a "producer" of some sort, music shoehorned into the mecha battles, and plethora of comedic hijinks clumsily meshed with rushed drama to provide some semblance of a plot.
Well...one of those were present. We did have a quirky comedic start that spiraled into drama, but that was it. There were no references to the main series beyond names and character designs, which allowed Xenoglossia to exist as its own series, rather than a glorified commercial or a cheap cash in. Still, the show wasn't without its problems. The show's very purpose seemed vague until the second half, as character motivations took forever to be defined. The manner of which the Idols functioned still seems ill defined, as the connection between Idol and Master was a huge point in the first half, while by the end, the Idols seemed to function based on plot necessity, despite ongoing quarrels and emotional traumas. The idol theme in of itself impacted very little, as music hardly had a presence in the show. Biorhythm and the "sounds" the Futami sisters weren't really music per say, so it's still a loose connection. I'm also surprised at the lack of interaction between Haruka and Chihaya, though in this universe, they have little to do with each other.
Actually, that brings me to my greatest confusion: why iDOLM@STER? Why couldn't these characters have been new characters unrelated to anything? I'm sure if the characters were replaced by random made-up characters, nothing would have changed. By not referencing the main iDOLM@STER series, it allows Xenoglossia to exist on its own merits, but it then makes the connection meaningless. But, to put this in another way,because Xenoglossia exists on its own merits, you can talk about it as its own series, pointing out its successes and downfalls without bringing the main series into the conversation. A non-fan of The iDOLM@STER could walk into this and get a straightforward mecha show, without having to learn the quirks, history, and nature of the main series. If Xenoglossia did anything right, it was this.
As far as how the show actually fared, it didn't do anything out of the ordinary. It was a fun ride that didn't bring anything new to the table ,except for maybe an all-girls mecha piloting cast that didn't annoy me, unlike Lagrange for example. Characters grew, things were lost and found, and while I don't completely understand why time and space was gonna get screwed sideways, there was a feeling of impending doom, but with a good amount if breather episodes to ease - not dispel - the tension in the air. I'm also surprised the show had the guts to kill off its characters, as I was certain it would go the optimistic, idealistic route. Without saying it was the better route, it did make more sense within the context of Xenoglossia.
So, at the end, Xenoglossia was a competent anime, but not one worth noting. It's far better than what popular opinion had led me to believe, but not enough to recommend anyone to watch. Knowing The iDOLM@STER franchise, this iteration affects me very little, as it makes no attempt to reference the franchise, much less deface. There were ups and downs, repeating the steps of similar anime it followed, contributing only another stepping stone in the path to anime's future.
Also, Makoto surviving did not at all influence my views. Just as a heads up. |