So I've recently finished the manga and I honestly thoroughly enjoyed the ending. I spent my time reading each panel a bit carefully and took into account the wording, panels presented, and conflicting ideologies present mixed with some imagery. Let me elaborate as to what I'm saying regarding that.
So first and foremost, basic stuff out of the way. We must note the contrast between the head priest (also referred to as the father) and the mother. Humans have longer and more sustainable life spans than vessels. Vessels are not physically sustainable and will break down over time. Conversely, the mother is a treasure trove of pure souls it seems. The black child (and other more sustainable vessels) are supposed to take human souls and return them to the hole of the mother. Most vessels that form from the infection aren't sustainable and turn into trees before reaching the mother. This creates a back and forth where humanity and the black creatures try to sway souls and physical life span in their favor creating a dichotomy of outside and inside; father and mother.
Ok, so that's the world-building element out of the way now onto characters. So now let's talk about Albert and Shiva. Albert was dying and found by the black child in his current state. The reason he was dying in the first place was due to the fact he sacrificed himself so his wife and child could escape from a group of townspeople. The black child's job as a vessel is simply to bring souls to the mother, nothing more or less, and eventually decay away and perish. However, in that moment of seeing Albert dying on the ground, something kicked into the black child, and she did the strangest thing. She split Albert's soul and broke off a piece of her (her head) and put it on Albert. This causes Albert to lose all his memories. The reason the black child does this is a key theme I will get to later, but just keep in mind the idea of "love" or "heart". Shiva is eventually found by the teacher (Albert)
This led to the black child developing a human form that the child had no full autonomy over despite being conscious of it, this is Shiva. Mind you vessels are kinda very automated and follow a sole purpose, but with a soul, they gain a level of personal consciousness that doesn't function with the bare purpose of a vessel which is delivering souls to the mother. Shiva is eventually found by teacher (Albert).
Side note, Shiva is highly resistant to the curse because she is a direct "child" of the mother. Children of the mother are essentially vessels directly made by mother (or something of the sort) that are more durable and resistant to the curse, in that they can more consistently deliver souls to mother instead of becoming trees.Eventually, Shiva gets the other half of the soul which makes Teacher/Albert begin to slowly become a tree as without a soul vessels just become trees. Shiva then gives back all the soul to teacher which also begins to make Albert recover his memories of his past life. The black child retakes her shape with minimal soul in them and offers an ultimatum to Albert, considering the degradation of the small amount of soul that's left. Keep the soul and die with the few days he has left with his memories of his past life, or risk his soul on the black child in hopes of reforming Shiva.
The Black child claims Shiva is not a real being, but this is false, Shiva is a separate consciousness from the black child that formed as a result of the soul. The black child essentially spectates Shiva from the first-person point of view when Shiva is the primary consciousness.
TLDR: Ok now all that stuff above is context, you can skip that if you want to just for this section. The black child essentially gets overtaken by a small part in them that remains of Shiva which makes them go back to Albert in the semi-final chapter. The black child offers Albert the same ultimatum of giving her the soul and becoming Shiva or dying with his final moments.
Essential Panel details: This leads Albert to undergo a personal journey where he goes through the 3 key stages in his life with Shiva next to him. His life before ever becoming a curse with his old family (notable when there's a child with short hair and a wife), his period of depression which is him alone, and his life with Shiva. The panels flash through these as he's pondering what he values the most. A lot of people question why Shiva isn't in the frame, and the reason I believe this is the case is not because of an ambiguous ending. However, the Author actively wants the reader to note the panels being presented, the final panel of the entire manga, and the actual cover of the 11th novel and discover for themselves the themes being presented more indirectly with the final panel confirming them. A bunch of contrasting words show up to further the dichotomy of mother/father and inside/outside toward the end as I mentioned prior in how the two worlds contrast each other.
However, the key thing that both worlds share is "heart" and a genuine form of love. It's why the black child saved Albert from death, to begin with, despite it not being in line with the black child's mission. This one quintessential element is what leads to the last panel, Albert and Shiva are both talking about memories and all and both hold onto a garland. They're both here right now and the ultimatum of the black child getting the soul, or Albert keeping the soul and being alone in his last moments and memories is completely rejected.
Instead, genuine love between two beings has the two share the soul in perfect harmony laying in the grass and mutually being able to express themselves in their purest selves, memories, physical forms, everything all thanks to love. And they express those final moments either A until the soul runs out and they mutually die, or B they continue living on and share the soul for a little while longer. The reasoning for B is because of the fact they're sharing the soul, which creates a more stable vessel that's able to keep the soul intact, but that's unknown information.The key element that showed ALL of this in the original manga chapter was the final panel, which showed Albert/father and Shiva sharing a garland laying in the pastures. But some people were still uncertain about the ending, so the author just straight up made the cover of the 11th novel that very panel, just further out to show them in full view.
I do agree the ending isn't perfect, it's a bit messy and disjointed, but man. That reveal, it hits you when you see it. Seeing that last panel flash and the two beings rejecting the philosophies of dichotomy and division that this world propagates. Instead, they share their last moments as genuinely as they can together with whatever soul they have left. Through a form of love unlike any other in this story's world. |