Kusuriya no Hitorigoto

Maomao, an apothecary's daughter, has been plucked from her peaceful life and sold to the lowest echelons of the imperial court. Now merely a maid, Maomao settles into her new mundane life and hides her extensive knowledge of medicine in order to avoid any unwanted attention.

Not long after Maomao's arrival, the emperor's infant children inexplicably begin to experience grave symptoms—almost as if a curse has been cast. The curious Maomao easily solves the mystery and, to remain out of the limelight, attempts to leave an anonymous tip. Unfortunately, the dashing and perceptive eunuch Jinshi sees through it and manages to single her out.

In recognition of her talent, Maomao is promoted to lady-in-waiting for the emperor's favorite concubine, Gyokuyou. As Maomao continues to remedy the numerous ailments afflicting the imperial court, her pharmaceutical expertise quickly proves indispensable.

[Written by MAL Rewrite]

Maomao Main

Yuuki, Aoi Japanese

Jinshi Main

Ootsuka, Takeo Japanese

Gyokuyou Supporting

Tanezaki, Atsumi Japanese

Kan, Lakan Supporting

Kirimoto, Takuya Japanese

Gaoshun Supporting

Konishi, Katsuyuki Japanese

Lihua Supporting

Ishikawa, Yui Japanese

Loulan Supporting

Ah-Duo Supporting

Kaida, Yuuko Japanese

Meimei Supporting

Han, Megumi Japanese

Pairin Supporting

Koshimizu, Ami Japanese

Morishita, Katsuji Producer

Mutou, Hiroshi Producer

Okamoto, Junya Producer

Fujimura, Tomoko Producer

Reviews

Jan 23, 2025

Serkan_kun

Recommended

Before watching the anime The Apothecary Diaries, I had a slightly different expectation. When I read the premise, I thought that the anime would be about a weak and kidnapped girl who falls into a difficult situation and that I would watch her curing the mysterious illnesses of important people with the medicines she prepared. Honestly, this premise alone was enough to get me excited for the anime. But after watching the first 3-4 episodes of the anime, I realized that I was watching something different from my expectations. The main character Maomao is very different from the female characters we are used to. The ... anime starts with her being kidnapped and showing her immediately getting used to the palace life. Since this situation was introduced so suddenly and Maomao calmly accepted this situation, I was a little surprised and felt strange when watching the first episodes. But as the series continued and new events happened, I began to understand Maomao's true personality and the stones fell into place: Maomao became one of my favorite moments in the anime. Strong, cool, rational, intelligent, Maomao is unique and stands out from typical female characters. Although she appears masculine on the outside, Maomao, who actually has a feminine side, is the shining star of the show. It is rare to see such female characters who break stereotypes in most modern anime. Another thing that makes Maomao an interesting character is her eccentric personality. Maomao, who has a special interest in poisons, conducts poison research on herself and develops immunity to poisons in her body by drinking poisonous substances. If we can say so, Maomao is the mad scientist of the palace. Maomao goes crazy when she sees rare medicinal plants and becomes the happiest person in the world when she imagines the experiments she will conduct. She is also able to show her tough and radical side when necessary. It was quite entertaining to watch Maomao try to survive in this world built on social hierarchies through her intelligence. I agree that Maomao can sometimes make feel like an overly perfect character, and this can reduce the believability of the character, but since I love strong female protagonists, this didn't stop me from enjoying her.

The Apothecary Diaries is a mystery anime. The story revolves around Maomao solving various palace mysteries with her intelligence and skills. The anime has a bit of a detective vibe, as Maomao tries to solve the mystery by paying attention to details that most people don’t notice. In fact, most of the mysteries in the anime are episodic in nature and are solved quickly. Some mysteries may seem uninteresting to the viewer because they are simple and predictable, but although many of these simple cases seem unrelated to each other, in fact, as the story progresses, it turns out that there are invisible connections between these events and the story takes us to a larger plan. I really liked this feature of the anime, the story manages to surprise the viewer by connecting such simple mysteries within the framework of logic, but in an unexpected way. These mysteries gives us details about not only palace life, but also Maomao’s life. Although we don't know anything about Maomao at the beginning of the story, as the series progresses, many mysterious and interesting facts about her are revealed, make the viewer to suggest theories about Maomao's family. But Maomao is not the only mysterious character in the anime. Her mentor and romantic interest, Jinshi, is also a very interesting and mysterious character. Although the story introduces him as a eunuch who became a harem lord, after a few episodes you easily understand that Jinshi is actually hiding his true role in palace life and has a higher rank. Although the anime gives small hints about his role, it does not reveal Jinshi's true purpose until the end and saves the details about him for the next season. By the way, the interactions between Jinshi and Maomao were quite fun to watch. Although Maomao addresses Jinshi as "-sama", they have a friendly relationship, not a master-servant relationship. The anime doesn't want to spend too much time on the romantic relationship between these two characters yet, and manages to entertain the viewer by using more humor in the interactions between the characters. One of the things I like about The Apothecary Diaries is that it has an interesting ensemble of supporting characters. I agree that some of the supporting characters feel underdeveloped in the story, but the interactions with Maomao and Jinshi manage to arouse interest in those characters in the viewer. The palace concubines play an important role in the story, and many of the mysteries that the anime tries to solve in the story are related to these concubines. I really liked how the concubines are different from each other in terms of personality and appearance.

I want to talk a little about the anime's magnificent visuals and animation. Their use of vibrant colors perfectly reflects the "colorful" palace life of the concubines. In general, the character designs and background details related to the palace are amazing. Attention to detail creates a fluid and well-groomed environment in the anime, which fits perfectly with the anime's historical setting. In particular, the attention to plant and flower details, and the extensive use of green color perfectly emphasize Maomao's identity as a pharmacist and her interest in medicine. I especially liked the vibrant character designs of the palace concubines and prostitutes. Whether it is the makeup details, clothing and accessory details, they both distinguish the characters from each other and emphasize the work they do. The big-eyed character designs reminded me of the shojo style. A very good job was also done in terms of animation. The Apothecary Diaries is a joint work of two studios (OLM and Toho). Although it's rare for two studios to make an anime, I'm happy with the result. The animation is fluid and kinetic. I really liked the use of chibi designs for the funny scenes.

Reviewer’s Rating: 9

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Jan 23, 2025

Blue_Orangutang

Mixed Feelings

World-Building 8/10
I love the setting for this anime. Chinese Imperial Court life has always fascinated me, so when I saw this anime I knew I had to give it a watch. The visual designs do it justice and the different hierarchies within the forbidden city are well established.

Tone and Emotional Depth 3/10
Here’s the problem with this anime, it feels like a slice of life and the characters act like they are at some kind of preppy girl school. Enslaved women and emasculated men are portrayed in a way that completely glamorizes and glosses over the reality of their situation. It’s so bad that ... it veers on historical whitewashing.


Characters: 5/10 Interesting designs, can’t say they aren’t original, but they suffer because of the issues mentioned above. Jinshi could have been an opportunity to make a layered and nuanced portrayal of a eunuch, but instead we get a Shoujo love interest with a pretty face and minimal depth. Maomao reacts so nonchalantly to her situation and everything that happens that it seriously makes it impossible for me to care about her.

Story: 4/10: Some interesting plots that expand the world but basically just a lot of the same thing repeating itself. Somebodies been poisoned (again) and guess who can fix it? In comes Maomao with her boyish voice, she happens to know the cure to everything. Pretty ladies hate her and she’s bailed out by beautiful man with no balls.

Reviewer’s Rating: 6

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Jan 16, 2025

Ryan_the_Bread

Not Recommended

Funny

Am I a fucking asshole or does this shit suck?

I suppose both can be true, but that doesn’t ease the sheer fatigue that enduring The Apothecary Diaries, fraught with truly horrendous flaws as it is, can bring upon a person.

From the response online, I’d anticipated a mature period piece; y’know, a historical drama with sprinklings of mystery tied together through investigations performed by an, if the internet is to be believed (which it obviously isn’t), exceptionally interesting and compelling protagonist... And I’m going to just have to start assuming that anything released in the last ~5 years with a score of 8 or above ... on here is just flagrantly bullshit, because c’mon – utterly shallow and perfunctory character dynamics, a setting that’s not near as interesting as its potential should have it be, bogus mysteries and resolutions and a protagonist for which the label of “Mary Sue” has never been more fitting are, on a macro scale, just a small sampling of what leads The Apothecary Diaries to absolute ruin.

Starting off light, this show is not nearly as pretty as fellow commenters would have you believe; the animation seldom reaches territory beyond basically just fine, and the character design (perhaps besides the unusual garb) is about as bog standard as it gets. The environments are maybe *a bit* more detailed than your standard anime, but how they’re realized is completely conventional. To make that make sense, I’ll point out that I’m talking about art DIRECTION, not style.

The art STYLE is basically a dime a dozen. Were it not for the show taking place in 15th century China (or at least some approximation), there wouldn’t be any sort of unique visual identity to speak of. How that’s all portrayed (the direction) is mind-numbingly uninspired. Seldom are the visuals used to elevate or enhance what’s being discussed; everything is terribly plainly shot. Even now, I’m struggling to recall any interesting or potentially probing shots – nothing’s communicated visually that isn’t arduously explained through dialogue. The entire composition of the show is flat, and thus watching it is often tremendously boring.

I wouldn’t usually go on for multiple paragraphs JUST about the art of a show, but I feel like what people think of it as and what it actually IS couldn’t be any more in conflict. It’s shot flatly, the characters move like Half-Life 1 scientists and their designs are ordinary to the point of, I don’t know, me feeling it necessary to spend multiple sentences discussing it. The environments work, but they never inspired a sense of awe in me or anything. It’s not even like the looming red walls of the palace are used to convey anything on their own besides it just being what old Chinese palaces ACTUALLY looked like. In short, I was always annoyingly aware that I was watching a 2D show; the sense of dimensionality is severely lacking.

Truthfully, everything else wrong with the show (and there’s A LOT to cover there) stems from one thing and one thing alone: its protagonist, Maomao.

What a monstrous ego one must have to either write a self-insert protagonist like this, or to watch the show and earnestly relate to her. What, I ask you dear reader, what could POSSIBLY be compelling about a character whose buffs are so great that they, time and again, negate ANY tension the story’s trying to build? Maomao’s a character whose mere presence necessitates the rest of the cast having to have the mental acuity of a steaming pile of dog shit. Maomao’s skills are so numerous, her reputation’s so grand, and her flaws so non-existent that it’s almost offensive that the show ever tries to get me to care about her, let alone become seriously invested in what she does and what happens to her.

I’d liken her to an RPG character with maxed out stats, but I think comparing her to playing with developer tools enabled is more appropriate. Nobody is allowed to be smarter than Maomao - nobody is allowed to be better at ANYTHING than Maomao. Who the fuck is she to be inventing the tit job before numerous seasoned courtesans did, and with a flat chest and intact hymen? Before anybody thinks otherwise, Maomao is NOT a resourceful character – there’s never a conclusion she reaches that isn’t wildly speculative and insultingly quick. Her asspulling massive amounts of knowledge on subjects she hasn’t previously displayed experience in (and honestly just shouldn’t know anything about – she’s a fucking 15th century serf for goodness sake) is NOT how to write resourcefulness, improvisation, whatever.

Generally, good detective work (or at least *interesting to watch* detective work) involves more than a cursory glance at the crime scene and sees a good amount of twists and turns as the case evolves. The Apothecary Diaries, utterly inept as it is, lacks these things wholesale. It can be something that happened miles away that Maomao had no prior knowledge of, but she’ll always almost immediately jump to an absurd, and ALWAYS correct, conclusion based on next to no evidence.

When the precedent is set early on that the investigations are more performative than anything, because Maomao is obviously ALWAYS going to get her man... Well, what the fuck should I give a shit? Her deductive abilities are like L, Columbo and Poirot on steroids, and she’s never emotionally invested in what she’s doing besides. It’s basically anti-drama; there’s no reason for me to care what happens next because the status quo is so obviously never going to be disrupted, and even if it was I’m afraid I don’t care enough to muster any emotion.

Hell hath no fury like a ludicrously poorly written anime protagonist. Should call Maomao “Dale Earnhardt” with how she’s intimidatin’ everyone. Seriously, she’s like 4ft nothing and effortlessly giving everybody the business. Colossally muscular soldiers, veteran prostitutes, her superiors – doesn’t matter, everybody better watch out when Maomao’s mad. Of course, she shows no fear or trepidation when the time comes to mercilessly put someone (regardless of their position relative to her own) in their place. That’d be displaying weakness (i.e. HUMANITY) and, for some reason that escapes me completely, that’s not a strategy the writer ever deigned to use.

There’s a scene early on where Maomao, in her oh so righteous defiance, open hand slaps and KNOCKS OUT one of the empress’ right-hand ladies for her incompetence. You think the woman she slapped ever tries to get revenge? Of course not, Maomao’s too scary :( You think Maomao faces any punitive measures? Of course not, she’s ALWAYS right and justified in her actions. You think Maomao ever reflects on and regrets what she’s done because although she was “correct” she handled it unprofessionally? If you think that’s what would happen, then I have a bridge I’d like to sell you.

This is not a character any sane person would honestly believe is interesting to watch. I can count on one hand how many actual “flaws” Maomao has in-universe, and that’s only because I can curl my fingers to look like a zero. There’s something to be said for aspirational characters; characters a viewer aspires to be like, but she’s even a terrible example of that.

Superman is an aspirational character too (assuming Maomao is actually meant to be aspirational – I just think the author’s a hack lacking in self-awareness), but he actually reflects on things he’s done and what he could’ve done differently. Self-doubt creeps into his mind the same way it does with you or me. There’s something to relate to there, even though his circumstances are far more exceptional than yours or mine. Maomao’s confidence (in anything) is never shaken and all of her flaws are self-inflicted.

Fellas, is choosing to be ugly relatable? No? People don’t feel like they choose to be ugly, but rather think of it as an affliction? Wild. Couldn’t be Maomao. Despite the fact that she’s beautiful in everyone’s eyes in-universe with or without her freckles, she chooses to put them on to lessen the chances of being abducted or raped. This shit drove me up a wall because:

1 – It didn’t fucking work. She gets abducted, like, 2 minutes into the first episode.

2 – How is this NOT offensive towards actual victims?

Because, what, people who aren’t conventionally attractive never face these things? Years of research contradict that, but go off I guess. Not like nuns, children, the elderly, men, and even fucking animals have ever been the victims of sexual assault.

It’s also at odds with her characterization otherwise. So you’re telling me Maomao, whose reaction to being kidnapped was no more intense than the mild irritation I experience when I’m told to pull the car around because my order in the McDonald’s drive thru is taking a little long, puts on fake freckles every morning to avoid that exact thing happening? One would think that if it’s a true, deeply held fear of hers, then her reaction to it ACTUALLY HAPPENING TO HER would be a little more than just, “Damn, caught me slippin'.”

The, like, ONE time Maomao actually fails something it’s bullshit. Jinshi (her superior, eunuch – it’s a whole thing) makes her take an exam for... something. I honestly can’t remember; I needed as much herb as Maomao was playing with to get through this shit. Anyway, she fails the test spectacularly. Now I, naively, thought this might lead to some strife within Maomao that’d have her questioning her abilities. I might be incapable of learning. Or I was just giving the show way more credit than it ever deserved. It doesn’t lead to her feeling self-doubt or anything because, “Why would you expect me to pass? It doesn’t have anything to do with my abilities.” I’m crashing out, man.

This is a very uncreative person’s idea of a well-written and intelligent character. She’s never limited by her own abilities, only a lack of resources and the morons surrounding her. One of those morons is the aforementioned Jinshi, who acts as an unwanted love interest. He’s a “eunuch”, and I put that in quotations because I never believed for a second that this dude didn’t have a dick.

Okay, so the way Maomao and Jinshi’s dynamic works is thus: Jinshi is the subject of considerable swooning from all of the other girls in the palace. He’s just soooooo dreamy, even in spite of the whole not-having-a-dick thing. The only girl he actually wants, however, is the emotionally vacant and standoffish Maomao. Maomao, despite being wanted by the single most desired man in the palace, doesn’t give a shit about him (the author insert here is frickin' killing me) and just wants to test poisons. That’s it, really.

Lest you think their relationship sees actual development, their feelings towards each other basically don’t change from the first episode to the last. Maomao never gets to properly “liking” Jinshi and Jinshi never takes the fucking hint. It’s a tiring dynamic that wasn’t at all worth committing to the screen.

So when you have an extremely emotionally distant, near-clairvoyant super genius who’s never once bothered by anything anybody does or says to her, who barely seems to take joy in most of what she does and only does a lot of that because people she hates ask her to, then you probably shouldn’t be surprised when someone watching doesn’t care about or connect with her in any way. This all came to a head for me when she gets cracked with a bat and is sent flying down a flight of concrete stairs... Only to just not register the pain and continue arguing with her attacker, who is made to step aside because NOBODY can beat Maomao’s facts and logic.

What was probably meant to have me concerned for her well-being, instead, led to me jumping out of my chair and shouting, “LET'S GOOOOOOOO!” Now, lest you think that’s overly callous, I’d like to remind you that I was never once swindled into believing in Maomao as a real person, let alone anything approaching a well-realized and sympathetic character.

The entire climax (if you can even call it that, bleh) to her arc about finding out what really happened to her parents, in her own words, DOESN'T IMPACT HER EMOTIONALLY. She finds out the truth and just kind of goes, “Whatever, I don’t really give a shit.” What an abortion of a protagonist. Oop, but what the fuck do I know - it’s the 23rd highest rated show on this site. Fuck me.

Y’know, in a better show, Maomao not being emotionally affected or phased by ANYTHING would be a huge sore spot for her. It’d be treated as a massive character flaw, tantamount to sleepwalking through life. Not here, though. “I’m crushingly lonely and can’t let anyone into my heart, but I highkey just don’t give a fuck.” Awesome way to endear your protagonist to viewers. Jeezus. Like, if someone puts a razor blade in my salad and my tongue finds it before my eyes do, I’m probably not going to be super jazzed to finish the rest of that salad. Maomao is the razor blade in this metaphor, and the salad is the show. I could also compare her to a cancer that’s running roughshod through someone’s body, destroying everything in its path and making it impossible to ever have fun.

I think it’d stand to reason that most of the people who do like Maomao like her in a pretty shallow way. That’s not a dig; she’s a shallow character. It’s probably similar to how I like Z Broly – he looks cool as shit and has awesome one-liners; he’s a whole mood. Thing is though, I’m not about to pretend he’s anything more than that.

Maomao, by my count, is an expert botanist, chemist, metallurgist, carpenter, doctor, toxicologist, florist, homicide detective, makeup artist, calligrapher, sex advice giver (despite being a virgin oh my god this show’s so fucking bad), and dancer. If that’s a believable 15th century Chinese serf’s skillset to you, then I just... I don’t know. With all that knowledge, you think her internal thoughts would be a bit more interesting, but nah. “Wow. This room’s really hot. It must be because that stove’s been left on.” Like gee, what stunning insight. Writing like this is truly unparalleled in the medium.

Listen, I’ve got more to cover, so if you don’t agree with anything I’ve said then feel free to verbally abuse me in my comments section. Or, you know, make a compelling argument for why you think I'm wrong. Don’t hit that “confusing” button, we all know it ACTUALLY means “disagree” and nothing I’ve said here is all that confusing. We speak the same English.

Anyway yeah, the show’s quest to make me give a hoot about ANY of the characters was doomed as soon as I saw that nobody was allowed to be smart except for Maomao. I mean, duh, right? If 95% of the cast just exists for Maomao to be snarky to and annoyed by, and they’re shit blisteringly stupid besides... Yeah. *fart noise*

Remember Dora the Explorer? Remember how she’d always ask for YOUR help to locate, like, a map or an island or whatever? Can you imagine how enlightened I feel to know that actually trying to help her is pointless? You see, with or without your input, her ass is always gonna find what she’s looking for. Linear entertainment! It’s a foregone conclusion that she and Boots will always get what they’re after, so why bother to be invested? For a reason BESIDES it being a children’s show, anyway.

The Apothecary Diaries is basically just that: kiddie baby corner. You’d have to have never consumed a fictional story to believe that anything’s going to significantly challenge Maomao after, like, episode 3. But it’s weird, then, that it covers topics like prostitution, rape, murder, etc., because covering such mature topics is totally at odds with how dogshit and immature the writing is.

Speaking to which, the main antagonist, Lakan, gets his own Disney animated movie sympathetic backstory to show you just why and how he came to be a complete bastard. He’s supposedly smart, but he does also agree to a game of Go that’s so obviously rigged against him that it’s shocking it wasn’t played for laughs. Also, I feel like most of his buildup as a villain was just him walking into a room, saying something weird and ominous, and then just walking out. Never cared about him or what he was up to.

A few miscellaneous things before I depart:

- In episode 10 there’s a pretty (unintentionally) funny scene where Maomao covers up most of her face to help somebody remember her quicker... despite that person already having seen Maomao’s full face. This doesn’t make any goddamned sense.

- Maomao tries growing roses at some point and has to hurry baskets of them to a greenroom when it starts raining. She says something to the effect of, “Shame you can’t control the weather.” I’m disappointed she never tried to, seems like she probably could.

- Someone say “comedy”? This show is where comedy goes to die. It shares a sense of humor with Your Lie in April, meaning that it’s impressively unfunny. I’m not sure when slapstick, pseudo-chibi gags became the anime standard for comedy, but I’d really like to move on from it. Sometimes Maomao is depicted like a cat for comedic effect. Because curiosity killed the cat and Maomao’s curious, kinda? I wish this cat would kill itself.

- One could make an argument that Maomao’s “oppressed” by her society, but I wouldn’t entertain it. I think she’s oppressed by her society in the same way that white men are “privileged” in America. Like, yeah, most of the richest men here are white old dudes, but the majority of white guys are too busy losing money on crypto or killing themselves for me to consider it real “privilege.”

- At one point Maomao, seemingly, intimidates Jinshi via astral projection. Is she fucking 1998 Undertaker?

- What could possibly be the message to take away? What did Maomao learn that could be applied to our lives? “Be good at everything and, uh, profit?”

Utterly baffled at the success of this show. Mediocre art and animation, limp and grating character dynamics, possibly the worst protagonist I’ve ever bore witness to in the medium, and a shockingly uninteresting and poorly plotted, uh, plot.

But, again, 23rd highest rated anime on this site. Outrageous. Sucks to have my “old man yells at clouds” moment before I’m even old enough to rent a car, but good god anime will never improve so long as shit like this is hailed as the second coming of Christ. Show this to any film buff and they’ll, rightfully, call it the piece of shit that it is. I implore any self-described otaku out there to get out of the anime bubble for even just a little bit (or at the very least watch some shows or movies that came out before 2018) to see what you’ve been missing out on. I assure you that this is not the peak of storytelling and character writing.

So yeah, The Apothecary Diaries... Get off my lawn.

Reviewer’s Rating: 2

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	Poll: Kusuriya no Hitorigoto Episode 24 Discussion ( 1 2 3 4 5 ... Last Page ) Stark700 - Mar 23, 2024	304 replies	by PetalEdge »» 7 hours ago
	Poll: Kusuriya no Hitorigoto Episode 23 Discussion ( 1 2 3 4 5 ) Stark700 - Mar 16, 2024	217 replies	by PetalEdge »» 8 hours ago
	Poll: Kusuriya no Hitorigoto Episode 22 Discussion ( 1 2 3 ) Stark700 - Mar 9, 2024	109 replies	by PetalEdge »» 8 hours ago
	Poll: Kusuriya no Hitorigoto Episode 21 Discussion ( 1 2 3 ) Stark700 - Mar 2, 2024	110 replies	by PetalEdge »» 11 hours ago
	Poll: Kusuriya no Hitorigoto Episode 20 Discussion ( 1 2 3 ) Stark700 - Feb 24, 2024	123 replies	by PetalEdge »» 11 hours ago