Piano no Mori (TV) 2nd Season

With the start of the Chopin piano competition, Kai Ichinose, Shuuhei Amamiya, and many other hopeful musicians from around the world strive to reach the top. The stakes have never been higher, and the judges are rigorous when it comes to selecting the winner out of the plethora of talented pianists. This competition is so harsh that even famous prodigies can be easily eliminated.

Some play for the money, some play to fulfill their duty to their families, and yet others play for their music to be heard. However, the only one who can reach the top is the one who embodies the spirit of the music Frédéric Chopin crafted for future generations. With the stakes higher than ever before, rivalries, friendships, and family ties will be tested, and each pianist will find their own sound.

[Written by MAL Rewrite]

Ichinose, Kai Main

Saitou, Souma Japanese

Amamiya, Shuuhei Main

Hanae, Natsuki Japanese

Ajino, Sousuke Supporting

Suwabe, Junichi Japanese

Ichinose, Reiko Supporting

Sakamoto, Maaya Japanese

Maruyama, Takako Supporting

Yuuki, Aoi Japanese

Pang, Wei Supporting

Nakamura, Yuuichi Japanese

Adamski, Karol Supporting

Konishi, Katsuyuki Japanese

Szymanowski, Lech Supporting

KENN Japanese

Ormesson, Sophie Supporting

Ise, Mariya Japanese

Amamiya, Namie Supporting

Miyake, Marie Japanese

Bezerra, Wendel Producer

Maesaka, Eiji Producer

Takahashi, Yuuichi Producer

Yamaga, Hiroyuki Director

Reviews

Sep 2, 2021

loreeellaii

Recommended

I really like the story. I come from extreme poverty (USA standards), a single parent, and Kai Ichinose's story really resonates with me. The ending had me crying for sure.

We'll start with the positives:

- Kai's story is amazing and his "rivalry" with Amamiya is really well done. The line blur between best friends and archenemies is really well done.

- In season 2, everybody is extremely well fleshed out. If you like characters, season 2 is filled with them. Nearly everybody competing in the competition has their motivations to win.

- The "corruption" is also a really nice touch and well-needed aspect to the story.

- The Ending ... is very true to Kai's character.

- The comedy aspect is very refreshing and well done!

Now, for the cons...

- I can't NOT mention the fact that the 3D animation during the performances is abysmal. It looks like the performer becomes a Fortnite character.

- The performances take an extremely long time. I was a band geek, but I can understand why others wouldn't enjoy them. I would recommend they just fast-forward through them, in that case. You don't lose much in the story if you do that.

If you have 1-3 days to kill, this is a great one to see through to the end, with a great message as well! Very cute.

Reviewer’s Rating: 7

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Feb 26, 2020

Disfemisef

Recommended

The 2nd season of Piano no Mori was basically a tournament arc that featured talented musicians taking on each other in the International Chopin competition in Poland. This season was a definite step up from the first and you could see that the animation was more polished. They also cut out that weird 2D to 3D thing they were doing in the first season which made many of the performances hard to watchThat said, where S2 really shines is with the characters. I came to love Kai (MC) and even though Amamiya (his rival) was annoying most of the time, his redemption arc was very ... pleasing to see. The relationship between Kai and Amamiya was portrayed as a little more than friendship, but it was nice to see it develop. There was also Kai's teacher, Ajino, who was lovely and easy to admire. There were other characters that received some development and it thought it was really smart to use the minutes where the piano was being played tk further explore some of these characters' backstories.

Additionally, the finale was immensely satisfying, so much so, that It literally improved the show's rating in my eyes. The music was on point for classical music lovers. But, it did get frustrating when they'd cut out of one song to move to another in a scene, this wasn't done seamlessly, so you noticed the change and it was jarring at timesWith that said, it wasn't all good. The animation was an improvement from the first season but still wasn't that great and the art wasn't to my liking. I also found that some characters were wholly unnecessary and added nothing to the central plot. Also, again when I compare this to other music anime I've loved over the years, it doesn't rank highly in that regard either. So, this was a great season that was well worth a watch, the story ended well and was entertaining.

Reviewer’s Rating: 8

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Apr 20, 2019

PyraXadon

Mixed Feelings

I think more than ever I wish the characters in this show would just shut up.  Because the plot is so focused on playing the piano and the sound that comes from it, not having just pure peace and letting the notes fly is a weird detriment to the whole thing.
Story:

Piano no Mori continues the story back in Poland where our dual protagonists of Ichinose Kai and Amamiya Shuhei move onto the next stage of the Chopin competition, using the rest of the runtime to find themselves in the realm of music and their reason to play the piano.

Compared to the whimsical and often time ... storytelling-like presentation in season one where the setting of 'Forest's Edge' and the power of letting music flow sets the tone for the core themes of nature vs. nurture in the realm of music, season two takes a step back from that concept and instead does the complete opposite of what I expected Piano no Mori to do: spend time on less worthwhile characters.  In this season, instead of just having Kai or Shuhei stand as the characters that earn the most screentime due to their role as protagonists, a lot of the early to mid sections of the story are instead devoted to other contestants in the competition, consistently using episode after episode to give apparently necessary backstories with enough depth and weight to them in order to warrant their motivations to win and succeed as musicians while also putting them on an equal pedestal to our protagonists.

This choice comes with a duality of problems.  First, the stories essentially BECOME the characters.  Each new contestant that gets even half an episode's worth of screentime essentially has their backstory simply define them without much exploration beyond that.  As such, it's not uncommon for the show to have Wei or Lech constantly drone on and on about their stance against Ajino and dedication to their sister respectively, which despite the surprisingly well-paced backstories (that're mostly just told instead of shown in a meaningful light), only muddies the plotline as the story is forced to take a different turn to accomodate them.  The other issue arises with our dual protagonists, who until the last couple episodes of the series, are not the main focus.  Shuhei and Kai get about a third of the show dedicated to their characters, which is a choice I feel hurts the show in the long run because honestly, what's the point of having them be the protagonists if they're forced to share the spotlight with a bunch of new characters that the audience has little to no attachment with?

Numerous other smaller plot threads litter the show as well, including corruption within the contest, Amamiya Sr. just being the biggest piece of shit this show has to offer well beyond shitty tabloid people, all contribute to ultimately squander the runtime that Piano no Mori had left.  I honestly wish that the series just stuck to having Kai and Amamiya as the focus, as their personalities, the dichotomy of their upbringings, and their different approach to the instrument and styles are the things that made the show so interesting to begin with.  But as it stands with the treatment of their characters, I personally don't get the full satisfaction that I got with season one because I only barely get to see these two boys grow up to become better musicians compared to the prior installment.

Characters:

Lumping Kai and Shuhei isn't something I'm happy about doing, but there isn't much to go on this time around.  While Shuhei's story is certainly more fulfilling as him coming to terms with his upbringing in conjunction with his self expression as an artist comes to light, it only happens for about two episodes in the middle of the show.  After that, he kind of gets shoved into a supporting role, and that one fact is enough to dock the show a few points because they made one of the key characters in their story act as nothing but a stepping stool towards the other's victory, which is an awful way to tell a story.  Kai in contrast doesn't really have much character dichotomy this time around, as the show puts the boy on such a pedestal that his impact is only seen by the characters rather than the boy himself, earning one of two reactions: "He's so good", and "He's good, but I don't want to like it".  His character only really shines when Ajino is concerned, and even then it's not about him, but Ajino, which I appreciate, but again, shows that Kai just lives on this god-tier pedestal of piano playing.

And because this series won't shut up about them this time around, you really can't go this show without talking about the other contestants, most of whom are given names, but hardly any of them really matter.  Wei, Lech, Sophia, the twins, Daniel, etc, etc, I honestly don't really care about any of these characters because their stories feel forced.  My main issue rises from presentation since their stories are just dropped on the audience right after their names are established, which doesn't give a good impression because now the audience is forced to take these characters into account even though they did nothing for the narrative prior.  This trend continues for the rest of the series, and eats away so much of it that any runtime regarding the competition and furthering that plot would result in only half a show.  

Much of the side cast, especially in regards to any characters we met in Season one, get pushed to the wayside unless your name is 'Ajino Sousuke'.  Most if not all of the more notable ones like Shuhei's dad is set aside for plot reasons to create a tangental plot thread that doesn't feel like it should really be there, while others simply exist to fill out a census.  Seriously there are so many side characters in here with names.  The cast is so chock filled with people that don't matter that I'm genuinely surprised that they decided to do multiple plot threads insinuating corruption and ulterior motives in regards to how the competition ultimately turned out.  Because someone there REALLY should've called out bullshit because there was CLEAR bias that was never resolved or acknowledged.

Aesthetics:

I'm not surprised that Piano no Mori doesn't look that great due to Gaina being such a small studio, but I didn't expect the show to have worse quality than its prior season.  Often times the show would have different character models for much of its cast, so consistency is a major issue especially when something like Wei's hair flap becomes weirdly softer over time as the series goes on and on nearing the end.  Colors are the same sort of drab color like season one, but backgrounds definitely clash with the foreground seeing as how Gaina's dwindling budget caused them to layer what's essentially a photo of a location behind the foreground.

And the lacking budget doesn't end there.  Animation for this show is sorely lacking to the point that a good half of the show doesn't even really have animation.  Piano performances are plentiful in this series, which gave the studio an easy way out to have what's essentially a slideshow of still images panning from one side to the other before changing to another, and another, and another.  It also doesn't help that a lot of the characters have internal monologues too, which can easily eat up a good thirty seconds of runtime, again showing either how little budget this show had, or how cheap Gaina were willing to go to produce this.  (Also audience clapping is done with only two frames of animation)  

This is probably the first time I've ever seen a show fully reuse an OP.  The OP for the second season is the exact same as Season 1, which again, really begs the question what the show was like on the financial side.  Because if they couldn't even be bothered to get another piano recording and another set of pictures for a similar slideshow for a new OP, there's something going on.  Thankfully at least they have a new ED in "Hajimari no Basho" by Rie Murakawa.  Personally I don't really care much for this song, but it's nice to have something new for this series because copy pasting the OP is quite a red flag.

Adding to that, there is certainly a lot of beautiful piano playing which is something I asked in the intro to just have all characters fucking shut up while it's happening.  Because so many characters feel the need to commentate on everything internally, it's actually kind of hard for the viewer to just enjoy the music along with the characters for a more immersive experience.  Not having that was kind of a crapshoot, especially because there were plenty of monologues happening once the pieces were over and the audience in-series were clapping.  That being said, I feel like Gaina just reused the same recordings over and over again since multiple people play the same songs (competition rules) and despite having music experience, I for the life of me couldn't tell the fucking difference when it came to two people playing the same song, and how one was objectively better than the other.

Final Thoughts:

I got into Piano no Mori purely for the reason of it being a piano series and music series based on the music just interest me and bring me back to a time when it was a staple in my life.  Not only that, but the narrative of nature vs. nurture brought about some interesting questions in music philosophy on technical playing vs. playing by feel.  Shuhei and Kai I feel really helped play out this dynamic and were a main force as to why I had the urge to watch and finish this series.

Yet despite that, I was really bored watching this show.  Coupled with an obvious conclusion to the competition given the buildup given prior to the results, I didn't really feel the urge to sit down and really watch/enjoy this show.  Poor aesthetics aside since I expected the show to not be all that visually appealing, I expected this show to have a great narrative where the protagonists herald the story forging their own destinies in the field of music.  But it wasn't that.  Instead I got backstories I didn't care about, pure Poland worship for 'reasons' as everyone in the audience was screaming "OUR POLAND!" the moment someone performed a pieces to a consensus liking, so much mention of Chopin that even I feel like Chopin wouldn't appreciate, and a dissatisfying conclusion for Shuhei because it didn't feel like he got the payoff he deserved.  

There were certainly some good aspects like the ending after the credits and the reappearance of my favorite character (for like a grand total of maybe 10 minutes.  Thanks for bringing Aoi Yuuki back for that, knobs), but the journey ultimately just has too many bumps in the road for me to really recommend this.  And that's a shame because in concept alone I feel like Piano no Mori is a fine show.  But because of its consistent blunders and focuses put on the wrong things, I just think it's best to just ignore this show.  I'd rather have just a better first movement than a closing second movement to make the whole thing less than the sum of its parts.  

Reviewer’s Rating: 5

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