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Feb 1, 2015
Breathtakingly beautiful, but that's about all it is.

I really wanted to like this film, but I can't. I understand that Makoto Shinkai is known for romantic dramas that explore the human condition, but I feel that sometimes the way he goes about it is really contrived. There are clear attempts within Shinkai's directing to relay symbolism and other "subtle" insights into the characters' emotional conditions, but they ultimately fall short. Sometimes the "camera" (from a directorial standpoint--I know there isn't actually a camera) lingers on certain things to insinuate deeper meaning--her heels at the end of the film, for example--but there isn't anything significant about ...


It’s time to ditch the text file.
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