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Jun 24, 2018
Tokyo Ghoul:re is a highly misunderstood anime. Manga readers condemn it for its rushing of the plot; anime-onlys enjoy it for its fresh storyline and decent action. To enjoy TG:re to the max, you have to find a balance between these two common opinions by acknowledging that the anime and manga are two different entities that should be viewed - and enjoyed - separately.
Ishida is a phenomenal storyteller. There are a plethora of brilliant scenes that you can tell have been crafted perfectly and could not be any better. For instance, while the overall drive of the plot felt rushed and unnecessarily accelerated in
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some aspects, the focus on Haise regaining his memories was designed and paralleled perfectly with the original Tokyo Ghoul series; it made me feel nostalgic over Ken Kaneki's tragic tale. ("If you were to write a story with me in the lead role, it would certainly be a tragedy.") The only criticism of the story, for me, would be the rushing of the plot (and in the process) ignoring certain scenes from chapters that add to the atmosphere of the series. However, as previously mentioned, it is my belief that an anime and manga should be enjoyed - or hated - separately, in order to get the most out of it.
Some people hold the opinion that the animation is lacking in particular departments. This could be referring to the action scenes, the character stills, and/or the overall art. It is true that during some action scenes, the animation could have done with a new animator. In fact, the reason as to why some animated scenes flumped is because the anime was outsourced, which means that different studios work on different episodes, so quality can, and often will, vary from episode to episode. In spite of this, it is important to remember that TG:re and TG are not action-driven works (shounen) - they are, without a doubt, character-focused stories. Even more so, I personally prefer the new colour tint and animation style when it comes to the still scenes. Especially when Haise was the main focus on the screen - he looked fucking great.
One thing that distinguishes TG from other anime is its superb soundtrack. During the original TG, we were blessed with the work of art commonly known as 'Unravel'. Its closing soundtrack, written by the J-Rock band 'people In The Box' didn't fall behind the legacy of unravel much further, either. Ignoring the atrocity of the second season and its horrendous soundtrack, the opening song to TG:re, Asphyxia (written by Co Shu Nie) is almost as angelic as unravel. Some fans even prefer thus opening to its first, perhaps because of the chaotic buzz and fervent energy it installs in you as you watch and headbang to it.
Another thing that distinguishes TG from other anime is its ability (or rather, Sui Ishida's) to construct groundbreaking characters that you can't help but adore to watch. Whether her is Haise or Kaneki, I love this character as if he were my child. Not to mention the warm and fulfilling relationship between the QS members, which is something worthy of a prize itself. But in relation to Haise/Kaneki, this character glowed brighter than any other character so far, as he does in every season he is in - because that is the final product of Ishida's hard work and spectacular storytelling.
Overall, TG:re is a fantastic addition to the series. Now that the manga is coming to a close, the anime successfully provides its fans with the chance to fill their empty hearts as they wait - and beg - for another manga series in the future. As a whole, it is a work of art when you look at it from an outsider's perspective and refrain frm comparing it to the manga as an abundance of fans like to. Either way, if you read the manga or not, it is highly likely that you will find yourself enjoying the anime adaptation of TG:re, and hopefully, like me, end up adoring it.
Reviewer’s Rating: 10
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May 2, 2018
Boku dake ga Inai Machi tells the tragic tale of a suburban village with a killer on the loose. It is a story that combines supernatural powers, time travel, mystery, and romance into one thrilling journey.
The story begins with the main protagonist going about his daily life as a pizza deliverer - however, this anime immediately throws you into its exciting premise: the intriguing powers of the supernatural, and how with one rewinding moment, the future can be changed forever. It quickly builds upon this premise and crafts a wonderful story that is captivating and exciting; it pulls you by tackling issues such as
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time travel, amnesia, and time as an entity. But as a whole, the story lasts for 12 episodes and wastes no time in reaching its drive. The only limitation of Boku dake ga Inai Machi is the certain twist nearer to the end was not exactly a twist; you can obviously guess the identity of the nefarious killer from the 4th episode, which unfortunately removes the mystery element.
The characters were, to put it bluntly, cliche and stereotypical: there is the knight-in-shining-armour, the antisocial girl, the curious bookworm and, of course, the creepy killer. However, they all fit into the story well, and unlike much other anime, Boku dake ga Inai Machi wastes no time in using drawn-out flashbacks nor inner character monologues. Embedded within these characters are hints of comedy, traces of humour, and vestiges of jealousy. This, to me at least, enabled the story to flow easier and added the chance for additional sub-plots (which were mostly left unfulfilled.)
All in all, Boku dake ga Inai Machi is a fun and intriguing ride for those who want something different from mainstream anime, yet similar in its writing to those like Death Note and 91 days. It will draw you in, leave you feeling unsatisfied at some parts, but for the majority, pondering of what will happen next
Reviewer’s Rating: 8
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Apr 17, 2018
Golden Boy tells the story of Tokyo University dropout Kintaro Oe and his perverted adventures through means of job-seeking and job-hooping. At its core, Golden boy is a simple and straightforward story: each episode focuses on Kintaro's exaggerated reactions to new environments while exploring his fetish cravings towards countless female characters. But that is what makes this anime special: it is a veritably simple story told in a complex way. The plot will not confuse, bewilder, and in most aspects, amaze anyone; however, it is perfect for those who want a binge session of comedy anime. If there were more substance to the story and
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potentially more detail in his character, Golden Boy would definitely be worthy of mainstream recognition. And if there were 12 episodes in lieu of only 6, it would be far more enjoyable. But overall, to fully appreciate this anime, one must enjoy it for its simplicity.
Reviewer’s Rating: 7
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Apr 14, 2018
Kimi no Na wa is a story of fate, destiny, and the influx of the past and present. And while it can be considered to fit into the genre of romance, or love, it is much more than this; instead, it blissfully incorporates various genres so that to squeeze the film into one or three would underestimate the power of Kimi no Na wa.
The plot commences with an incredible shot of the sublime comet that is frequently revisited throughout the film (and in that sense, it serves as a symbol for many things.) Immediately we are drawn into the calm and peaceful life of
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Mitsuha, only to be thrown into the hustle and bustle of Taki Tachabana's Tokyo-centered existence. It is the rush and thrill of this story that gives the film its beauty and magnificence; the film is more than a movie, as it beautifully captures a plethora of themes - ranging from love, loss, longing, and life - which ultimately leads me to conclude that Your Name transcends prerequisite expectations and stands as a philosophical outlook on existing. The story had me feeling a range of emotions, all spiralling from one end of the spectrum to another.
It would be foolish to compose a review of this film without mentioning the profound style of art. Some scenes are so captivating and eye-grasping that if, perchance, the story was utterly rubbish, the idealism of the scenery and art as a whole would be enough to continue watching. It is also important to emphasize the colour scheme and the vibrant hues of dark and light colours that intertwine in an extraordinary way. In this sense, the art that is painted from this film is enough to possess the right of having its own documentary/stand-alone film.
Although this film is dynamic and complex in the tale it tells, and the messages it conveys, there are slight faults that come along with it. Firstly, it is only to be expected that with a detailed and rich story that is Your Name, the prevalence of plot holes would be apparent. It is also worth mentioning that the reality of the time travel and exposition of cause and effect is questionable, and often left me pondering of the connection between two different stimuli that resulted in a beautiful outcome.
It is this wonder and lust for more which Kimi no Na wa pulls from you that keeps you watching. Chances are that you are a fan of one of the many themes and matters the film explores, which should be enough to convince you to watch it. But if you are skeptical and need more convinving, then all I can say is this: turn it on, and let the first 20 mins transport you to another world.
Reviewer’s Rating: 8
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Apr 7, 2018
It is a common belief that a sequel season can never match the thrill and lure of its predecessor, but Overlord 2 proves that statement wrong on many levels.
The story commences where the last season ended: the fate of Shaltear. By picking matters up where they were previously left, this season immediately demands your attention and interest in a most rewardable way. Throughout this season's story, we are introduced to a plethora of new, controversial characters - some unlikeable, some likeable. However, it seems as if these characters were drawn this way - as if the writers wanted us to feel like this for
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one way or another. For example, the lizard clans were strange and suspicious to watch since it is logical to want to see more adventure within Ains Ooal Gown. And while the story seemed to drag on and persist in conjuring up unknown characters, it ultimately becomes clear that they are intended to intertwine in the most satisfying way with the protagonists that we hold so dearly.
To lead this further, I cannot begin to comment on the adoration I bear for some of the characters. And thus, I feel a need to emphasize how carefully the creators have crafted Lord Ains since certain scenes - which entail internal monologues from the Undead king himself - in an attempt to highlight his transition from a human-like state to an immoral and power-hungry ruler. But it is this thin line between morality and immorality the writers create through some of the characters that hold us in place and keeps us wanting more and more Overlord. It is this craving we bear for them and their adventures that permits us to indulge in watching multiple episodes in one sitting.
However, this season is not without its faults. As many fans will agree, there is a particular scene with two lizards that felt unnecessary and stupid, to say the least. And because a single scene cannot be held accountable for all the faults of a season, it is important to mention the lack of lore and backstory for some of the characters - who are they? where are they from? - that threw us into their individual stories and expected us to watch with acquiescing. This left me feeling slightly unsatisfied and desiring more...substance when it came to particular characters.
Overall, if you are a fan of the 1st season then you will undoubtedly enjoy the follow-up (if you pay no attention to certain silly scenes and move onfrom them). I would recommend it for viewing if you have the time and committment for it.
Reviewer’s Rating: 7
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Mar 31, 2018
Overlord is what SAO should have been; there is no other way to describe it.
Overlord begins by throwing you straight into the action and dynamics of the game, with the main focus being on Ainz Ooal Gown - a coterie (or intimately close guild) that plans to take over the land of Yggdrasii. While some may argue that this can be daunting or rather, offputting at first, the immersive story and brilliant dialogue keep you wanting to digest more information about this intricate online game. Its plot can be rocky at times and, not to mention, there are some episodes that seem too rushed.
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However, the depth of these episodes and how far they delve in exploring the relationships between the numerous characters feels enriching.
And that leads me to my next point.
The characters are a work of art themselves. They are each, for the most part, imbued with different and complex personalities: lord Ains comes across as cold, callous, and calculating at first - however when his outer mental wall is stripped away, we get to see his finitely caring and selfless temperament. And sometimes, the characters need not possess depth; instead, their deep love and intense admiration (to the point of idolization) for Lord Ains is funny and strangely gripping on its own. The only problem is that there is just not enough of them.
There is a wealth of lore and history within the land of Yggdrasil - even a blind man could see that. And that, on its own, serves as effective temptation to draw you in. But one thing the anime lacks is the motive and time to dig up this knowledge and explore the different magic types and combat skills (online gaming paraphernalia) in enough detail that would be satisfying. This kind of 'skimming over' is my main problem with the anime.
It is also obligatory to mention that the combat is on another level. From the range of magic attacks cast by Lord Mormonga, or the physical parries by Shaltear, almost every action scene leaves you on the edge of your seat - wanting, desiring, and craving more.
All in all, if you were left feeling unsatisfied with the undelivered potential and promise of SAO, Overlord will make up for the faults of its inferior predecessor and add more depth and lore, in measure of plot, combat, character, and plot.
Reviewer’s Rating: 7
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Mar 16, 2018
Gantz is one of those shows where you either love or hate it. Like Marmite, people either vigorously enjoy the show for its chaotic action and the thrilling pace, or religiously condemn it for its perpetual plot holes and shallow nature.
Gantz follows the story of Kei Kurono: a selfish, cocky, and rather porn-obsessed adolescent, and the trials and tribulations he faces in fighting the plethora of aliens that Gantz conjures. At first, this sounds promising. However, it is not until the second half of the 2nd season that the show becomes monotonous: fight alien(s). survive, repeat. fight alien(s), survive, repeat. fight alien(s), survive, repeat.
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So the repetitive nature of the show becomes too dull and slightly boring to watch.
Until you realise that one of the best things about this anime is the character development in Kei. Don't get me wrong: the change in person does not occur until fairly late. But it feels right and most appropriate for Kei to have evolved under such pernicious circumstances.
Furthermore, to put it frankly, the CGI and overall animation are terrible; at times it felt like you were watching a 2D school-project movie made by an 11-year-old. There are frequent (and repetitive) moments when one character runs and the screen moves but the character almost seemingly stays in the same position, albeit with their legs moving. You'll see what I mean if you were to watch it.
Reviewer’s Rating: 6
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