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Nostalgia...
As older brother must always stay a few steps ahead of the younger one.
The younger now leads the older...

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STORY 9/10
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Uchuu Kyoudai (Space Brothers), originally a manga by Koyama Chuuya which won two manga awards as well as nominated for several more, revolves around the two Namba brothers Mutta (the older brother by 3 years born on a day of agony) and Hibito (the younger brother born on a day of glory) who both vow to become astronauts after encountering an UFO in their childhood. However, as time passed, the younger brother seemed to be the only one to achieve the goal as he becomes the ... first Japanese man to step foot on the moon, where as Mutta, the older brother, gets fired from his job and is black listed from his industry. After much reflection and some encouragement from Hibito, Mutta once again pursues his promise to Hibito and tries to pursue going to space. With some unexpected help from his parents and brother Mutta is accepted to a Japanese Astronaut training program by JAXX. The rest is up to Mutta, his luck, and his own will. Now it will be the younger brother leading the older.

What I particularly like about the story thus far is the realism it takes, that the trials that Mutta encounters, can't be soley blamed on "bad luck" or being "born on a bad date" although the story makes that information available, it by no means takes the route of destiny, hence opening the anime to a much deeper discussion of personal attitude and ability.

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Art 7/10
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Brilliantly adapted into an anime produced by A-1 Pictures (Ano Hi Mita... , Ao no Exorcist, Kannagi, Gash Bell!, etc) and YTV (Cardcaptor Sakura, Detective Conan, etc) directed by veterans Watanabe Ayumu (Pretty much all the Doraemon's) and art director Kato Hiroshi (Sayonara Zetsubo Sensei!), the art takes a older look to it reminiscent of BECK. The character designs are rather untextured and less "clean" many of the modern series.

The older style of art, however, really brings out more nostalgic feelings. The only drawbacks, however, would be the art quality cannot match many newer series using similar art styles.

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SOUND 8/10
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The sound of the series again screams out nostalgic. Opening them "Feel So Moon" by Unicorn (a Japanese rock band formed in 1993) has a classical rock vibe that resounds with the older brother because Mutta was born in 1993. Again nostalgia. The ED theme "This Wonderful World" (素晴らしき世界 Subarashiki Sekai) by Gira Mundo resonates more with the younger brother, being a more modern rock sounding track with a nice electronic beat. The two themes fit perfectly to sandwich the story of two brothers.

The voice acting featured veteran Hirata Hiroaki (Sanji from One Piece) as Mutta and newer voice Kenn (Jil from Druaga no Tou). The two voice actors compliment each other and their roles, as an older voice actor and a younger rising one. The voicing are done well and I can't say I have complaints as I don't have much to base my judgement on right now.

The background music, again nostalgic, features overtones by trumpets and retains a "old school" feel, if that makes any sense. However, I didn't quite particularly enjoy these sounds and so found them mediocre at best. Sorry to the music director.

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CHARACTER 8/10
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The characters introduced so far are few, featuring the brothers Mutta and Hibito, their parents, and several randoms (such as bosses can co-workers). However, only Mutta and his brother Hibito are really explored farther than just a few lines.

Mutta is in appearance far my ragged than his younger brother, with curly unruly hair and a unshaven face, he looks rather like a NEET than anything else. His character is portrayed as one who us more or less hopeless, rash and lacks boldness to "step forward" as he says himself. As the series hasn't progressed far enough, I'd have to say he didn't have enough depth yet and that potential in his development are huge.

Hibito is the younger brother who looks cleaner with a shorter hair cut, shaved face and cleaner brighter skin, looks like a professional or a ideal male protagonist in some Jousei drama. That being said, he contrasts his brother sharply and is has opportunities which his brother does not. He is portrayed as a hopeful, bold and caring young man almost everything the older brother "should" be.

by now the 3rd episode, character developments are taking root primarily as we learn about Mutta. However I do hope to see the development of the younger brother aswell

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ENJOYMENT 9/10
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Did I enjoy this? Hell yes. Mainly because of how the story resounds with me, an underachieving older brother who is wasting away in university spending his nights writing anime reviews. Just kidding.

But jokes aside, I think the story is really well done and takes a very wholesome and realistic approach at the lives and circumstances of the two brothers. It hints at the ideas of destiny and fated good/bad luck. However, it merely mentions it so that viewer who see it that way can relate while it slowly shows reality of how the circumstances are products of individual choices and feelings, not of just "luck". Mutta was fired for head butting his boss, pretty real, not unlucky. Hibito became an astronaunt beause of his boldness and passion (as seen by his quick response as a child), real, not just luck.

The realism really proved to be refreshing after all of the unrealistic, having circumstances thrust upon and fixed animes I've been watching recently.

Another thing I liked is how I could feel the older brother's anguish as his pride was stepped on by having his younger brother surpass him and his parents shame him. He's not a wimp, rather, realistically like an adult man, he sheds a few tears in secret and doesn't say word about his pain. *resonating feelings

My only criticism would be that I feel like they didn't cover enough ground so far, that there are many other feelings that should be portrayed that are missed. And that they could have made Mutta's suffering even more relatable by delaying his tears.

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OVERALL 8/10
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Ok so I know I've been pretty generous this whole review, but mainly because I think its a show worth watching and I want to encourage everyone to check it out.

The Story is sentimental and is adapted into a tangible form of nostalgia that makes you think. Utilizing the sounds and characters, Uchuu Kyodai really causes sympathies to run rampant and makes one reflect about their own usage of life so far.

Overall I'd give it the 8/10 for its ability to convey a consistent atmosphere fitting of the series thus far and the brilliant choices of music, voice actors and animation styles to compliment the story and characters.

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Expect Updates After Each Episode, the plot section won't change very much but other sections might.

COMMENTS AND SUGGESTIONS ARE ALWAYS WELCOME!

Life is the crazily raging river running from past to future. There is a bridge called society and expectations that lets us cross over the river, should we, like most people take it.

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The story of 'Arakawa under the bridge' revolves around male protagonist Ichinomiya Ko, born with a silver spoon in his mouth, an elite of society in every regard (good at everything), and has strong family tradition to never rely on anyone. The opening episode is him on this bridge crossing over the river. Much like how he is progressing forward, but crossing over what true "life" is.

In an unexpected turn ... of events, Ko meets the female protagonist Nino who saves his life. Feeling indebted to Nino, Ko attempts to pay her back and follow the family policy of never relying on anyone. Oddly enough, Love becomes the one thing that bind Ko to Nino. The other residents of the river are slowly introduced and thus begins the crazy daily happenings of Life under the bridge as Ko learns about himself and people under the bridge, develops to a different human being, and as he fights of his father's plots to take him back.

The only flaws to the story I found was that it didn't quite settle on a solid "plot" or a "slice of life" direction. Many episodes seemed to be uncorrelated and had no continues plot, while other had more serious plot ideas (ie. v.s the Ichinomiya group). If there was a more serious direction it may have been more easy to follow.

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The art for the series is quite beautifully and uniquely done, particularly as it involved drawing irregular characters, like buff nuns, frequently. Directed by Akiyuki Shinobu (Negima!, Sayonara Zetsubo Sensei), and animated by Shaft Studio (Monogatari, Negima!, Sayonary Zetsubo Sensei) I expected no less than absolute quality, which they did deliver.

The clarity of the animation style (thicker outlines) combined with the environmental designs had me hooked from the beginning. The detail used in the setting (the bridge, river, grass) was exceptional, but cannot be compared to Makoto Shinkai (5cm per second). Overall, I really enjoyed Shaft's output and consistency in animating the odd characters while maintaining environmental clarity and integrity.

The only issues i found with the animation was the lack of diversity in environment. This may be a "me only" thing, but I found that they used the same settings for pretty much everything, that the "backdrop" for a scene "here" or scene "there" would be used over and over. It'd barely noticeable, but for me I'd like to have a larger diversity of areas.
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The sound for the series never disappointed me. To begin, OP "Venus to Jesus" by Etsuko Yakushimary caught my ear. The opening had a very unique feel to it and the song is a bit awkward but yet sounds great. It caught me unexpectedly as I'm usually exposed to the more cliché opening (ie. j-rock/hip). Aside from the tender opening, the ending was interesting as well with "upside-down bridge" by Suneohair producing a contrast from the opening, but really helped to close the episode off. The random OP in a certain episode also added to the comedy.

The sound throughout the series was great, background themes worked well and weren't over used, coupled with the character voicing that were consistent with the characters made this series have the irregular slice of life atmosphere I appreciate. It also helped to mediate the plot in areas where silence or other themes would've been awkward.

The only issues I found with the "sound" was that nothing really "stood out" beyond what is said above. There isn't the strong immortalized emotional melodies during emotional scenes, or distinct "theme" music for characters per se.

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The characters were a broad and diverse bunch who carried unique pasts (most of which we'll never know about) and who provide very critical social commentary. A brief introduction of the characters will prove to show the diversity and commentary.

Protagonist Ichinomiya Ko, nicknamed "Ric" or "recruit" is the new addition to the riverbank and the story flows showing his development as he expressed the usual and societal ideologies of "life" and "values". Being, in reality, a super successful elite, he represents what regular people aspire to. Oddly enough in the upsidedown world of Arakawa, he is meerly the a "leech" in the least. His confrontations with his short comings and with other things he finds valuable in life are the key points of his developement and will keep you thinking. Voiced by Hiroshi Kamiya (Teiria-Gundam00, Izaya-Durara, etc), the expressions of Ko to situations is diverse and draws attention and sympathies.

Female protagonist, Nino, is the self proclaimed Venusian who brings Ko, as a lover into the group. Little is known about her and her past. But she expresses the purest form of humanity, much like a child she accepts things and takes things oddly seriously. Her love for Ko is uniquely expressed and her lack of expression makes her very interesting to watch. She directly contrasts Ko in both values and traditions as she knows seemingly nothing of the surface world, or its values. She knows of love and caring for other people, sometimes blissfully ignorant of many facts. Her comments about Ko's responses to kindness, or forcing him to show it provide insightful commentary for how society perceives those around them.

The village chief, or the kappa, is a self proclaimed Kappa who is obviously some guy in a costume. The general hilarity of seeing a character completely believing in their own decided existence makes him fun to watch, particularly how his character does not change. Kappa, dare I say represents nature or the earth. Part of life, yet barely recognized (and recognized less and less though the years).

Hoshi, or Star, is the rival of Ko for the love of Nino. He is also a musician. The comedy of him and Ko's onesided rivalry is fun to watch in itself. But, truly it is his expressions in situations and how he completely delves into the world of Arakawa and combines it into his rivalry that is the most interesting. I think he is a major reason that Ko is able to integrate into the community, and an even greater reason that Ko is able to truly appreciate Nino. Hoshi represents one extreme of expressionism, muscianship. In society, those that pursue music to an over extent are critqued and excluded.

Other characters that are introduced each present their own very unique expressions of reality and uniqueness. Each commenting on individual ghosts of past and on societal reconciliation with said people. For the sake of length, I've excluded an indepth analysis of the other Characters:
- Sister (the Military male Nun)
- P-ko (the cute gardener girl)
- Iron Twins (the two kids with iron helmets)
- Maria ( sadist, and farmer)
- Stella (the little girl)
and other minor characters (Takai, Billy, Jacqueline, Last Samurai, Shimazaki, father Ichinomiya, etc).

If you'd like to hear my opinion about these characters please PM me.

The only flaw I found was that the characters were used very "on and off" the only character that was used consistently was Ko (expectedly). There are episodes that will no even touch upon characters for a long time. Billy, Jacqueline, and Last Samurai for example, do not even get fully introduced until the last episode of this season.

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I really enjoyed this series, not only because it had me laughing, crying, or nervous at the right times, but rather because of it's awkward uniqueness that resonates with the human soul. I started this series hoping for nice rom-com, which is supplies, but I found a deeper social commentary in the series. I was, throughout the series, reflecting on where my sympathies lie, and like any other anime fan ... What would I do if I met these characters in reality?

The abnormalities of the people in the series, in real life, would be the people we deem to be crazy, that we can't spend another day with. Indeed, having done lots of work with people in poverty, there are many people with delusions out there. In reality, we cast them aside, or rather acknowledge their insanity. Even though they live in crazy communities, we neglect their reality.

So when did crazy become so normal? I don't know at what point in the series that I finally accepted the Mayor as being a Kappa, or that Hoshi was a star, or Nino was actually from Venus. In fact, near the end I became part of Arakawa, finding Ko's surface level ignorance to be odd, finding that Ko was the crazy one.

So this was most enjoyable to me because It actually made me realize how immersed is was in the world or Arakawa.
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Overall, an amazing first season. PM me if you have any thoughts or comments about my review. I hope you check this series out.

Time changes everything. Give this series sometime and it will change your view of the brilliance that is Makoto Shinkai.

This being a work that touches upon the human concept of relational distance resonated with me, whom being away from my home(s) for schooling is seeing aspects of relationship deteriorate, as paralleled in the film. The enjoyment of the film was the tugging of heartstrings tied in with the blissful nostalgia of past relationships.

On a technical aspect, the illustrations were amazingly well done and rendered (watched in 1080). The backgrounds were sometimes in so much detail that the characters, drawn more or less in a ... simpler fashion, took the back seat (however stood out due to their simplicity). The music was also emotional in tone and further helped to mediate the message from the heart of Makoto Shinkai.

Definitely a good watch, one of my favourite anime OVAs of All time.

I never watched much .hack,
but now I'm quite interested in the series.

This series took me into the journey of the regular "what if games were real?",
but it had the touches of characters that were able to draw soft spots, (brilliant character designs). The emotions portrayed by the plot, were oddly relatable as the voice acting (japanese) was very well done. I would say, however, I enjoyed the action scenes the most, as they were well choreographed and the stayed very close to the "video game" motif.

Amnesia.

The same feeling the protagonist has at the beginning of this movie, and the same feeling I got while watching it. The beginning made me feel a bit lost as to what happened in between Higashi no Eden and the King of Eden - which was supposed to happen. But this lack of cohesiveness disappointed me in the form that it couldn't "build" up as much as it "should".

Overall, I enjoyed the rebuilding from "ground zero" and the quick pick up of pace that is selecao game. This middle piece lives little room for disappointment.

Incomplete.

This would be the sole word I would use to describe Paradise lost. It left me with a feeling of being unsatisfied, and that there /should/ be more. But regardless of what people say, I would need to comment on it being well enough paced. I found it had "Spurts" of action, however, this last part engaged the technical aspects of plot much thoroughly than it's prequels. I enjoyed the last part, but truly, truly, truly hope. No dream. of a third part to "complete" this brilliant series by Production I.G.

Ok, so in my thoughts, yes this middle part of the series is similar in terms of musical foreshadowing, and uses of characters. This series was particularly enjoyable as it introduces a new cast of characters, while retaining and re-introducing prequel characters (e.g. oboe guy). Sadly, however, the connections character-wise to the prequel were limited, bit was wisely chosen.

I enjoyed again the musical choices and integration of a music into the plot. And of course the romance aspect sent shivers down my spine. All I can say is that, as a guy, this series made me soft. As a musician, this series re-inspired me. ... As an anime-lover, this series was like a refreshing touch of idealistic reality in a sea of fantasy and sci-fi. Again a great watch.

Watching the PREQUEL is recommended, but not needed.

Overnight being a surpising new addition to my "favourite anime" list, Nodame Cantabile has indeed been enjoyable. Being the first part of the threequels, it really set up the foundation. What I enjoyed most about the series, however, was the intricate use of music as the centerfold for all aspects of character and plot development, expressing the personalities and plot artifacts without ever needing to explicitly "say" anything. Rachmaninov's Piano Concerto No.2 Mvt.1 was played during the a period of plot with tension, contemplation, frustration, despair, and hope - much like the song itself.

The use of the music as both a plot enhancer and foresight ... further brought out the richness of the music, and being a musician myself, I can't help but feel the warm tingly sensation that is Nodame Cantabile.

The first series to take the spot of "personal favourite" in my heart has been none other than the Nodame Cantabile series. This last part of the series proved to be an enjoyable watch like its prequels, however was lacking in the conclusiveness and depth of character development. I feel several plot articles were rushed and the end to not fully satisfy (hence needing me read the Opera-hen).

Regardless the finale of the anime, was very much, adagio cantabile. Song-like, floating and passing through all the twists and turns. The music used throughout the finale proved to be great selection, and the WAY the music ... was used brought out the nostalgic memories of old and worked my emotions into this series.

I strongly recommend watching the prequels prior to enjoying this amazing ending.

Overview (5/5)
Animated by Studio GAINAX, written by Kazuki Nakashima and directed by Hiroyuki Imaishi, Gurren Lagann is a stunning display of brilliance with its art style (1, 2, 3), character and plot development that was filled with dramatic highs and lows, plot twists and ability to pull on the heart strands of viewers by touching on philosophical aspects of fate and existence while incorporating well choreographed fight scenes and dialogue.


Story (5/5)
The story is a supposedly simple progressive campaign from the "depths of underground" to the "heavens". The initial start of the series quite standard as it provides no reason beyond "I want to" for ... the start of "adventure". Quite substandard for such a well writ anime, I thought. I quickly realized that this progression is consistent with characterization (Kamina) and with the "drill" motif carried through the rest of the series.


Characters (5/5)
The characters in this series are brilliantly done, not just complex and deep, but rather have intimate understandings and interactions with surrounding characters. Key characters I'd like to focus on are Kamina, Simon, and Viral. I'd like to also comment on the Helix King and romance aspect of this series.

Kamina, is by far the most "manly" character in the beginning of the series, prior to Simon 'becoming' Kamina. The importance of Kamina's drive in life, realization of purposefulness, leadership capabilities and ability to inspire people drove the series forward for the first section. His character is important in the development of Simon, Viral and pretty much all the other characters.

Simon, the protagonist of the story is just swooning in Kamina's shadow for the first bit of the anime leading me to care little of his existence (and even blame him for Kamina's death). The establishment of Simon as the scared digger who needed someone to support him. In an early struggle, Simon's depression made him an even less notable character aiding the introduction of Nia into the plot and making Nia, in contrast, even more lovable (and whose death more sad). The transformation of Simon into the more boss Simon makes this series particularly interesting as it parallels the how humans develop. We need leadership, we encounter loss and being lost, then we find our light and move on. The beauty of Simon's development and the re-establishment of a "main" character who epitomizes "epic" makes this series even better.

Viral, the immortal beastman who turns good, is another interesting character who begins as Kamina's rival, but only fights him twice. Viral expresses a "younger" Kamina, the one with drive and passion but not know where they are going. Opposite to Simon still. The development of Viral's motives and ideals make this series more of a charm to watch. This transformation mirrors Simon's but in a different direction and parallels humans who may not be "learning" but rather are "learned" and "comfortable" with life not seeing the more far reaching impacts.


Animation (4.5/5)
The Gainex and Imaishi combination proved very successful as anticipated. Animation I found was relatively high quality and consistent compared to other series out there, but not even close to Shinkai's. This consistency and ability to create nice backgrounds and realistic character developments (ageing of characters) made me like it. The unique style reminiscent of Evangelion, but also hinting at the styles at the later "Panty and Stocking with Garterbelt" further drew me deeper to appreciate it. In conclusion, I found the anime style very attractive with the majority of the series well done and engaging.

Sound (5/5)
The sound aspect of it was well done, and unique much like the animation. The pseudo hip-hop influence really carried the rash personalities and spontaneity of the characters and plot other than that there is little to comment on.

For a more comprehensive review please visit:
http://randomryanreview.blogspot.com/2011/12/qerqewrqewr.html