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Jan 13, 2021
This is the first work of Kumiko Saiki's to get an official English licensing (still holding out hope that the sequel to it will get picked up, as well), which is a shame because Saiki has a remarkably fun storytelling and art style. I don't really write reviews but I desperately want more people to pick this work up; it's a real treasure.

I can't examine how much realism this work has in regards to revue theatre, or schools for that, but that's not why someone reads a Josei work. This has the emotional realism you would hope for from a Josei work. The two main ...


It’s time to ditch the text file.
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