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Nov 28, 2024
Here's the thing: I entered Jujutsu Kaisen Season 1 hoping for something exciting—something that would really stand out in the sea of shonen anime. Instead, what I got was a show that is simply.fine. Not bad, but certainly not great. If anything, it's the textbook definition of average.
The story starts with Yuji Itadori, your average sweetheart of a protagonist, whose life takes a sharp turn right after his grandfather's passing. His grandpa was speaking about helping others to the very end, giving Yuji an overly simple moral compass. He managed to swallow a cursed object long story and became the host for Sukuna, the ridiculously
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powerful demon. Cue the standard shonen setup: Yuji is spared from execution because someone has a "genius plan" to have him consume all of Sukuna’s cursed fingers, only to kill him later and eradicate Sukuna completely. It’s a decent premise, sure, but it feels like something we’ve seen a dozen times before in other series.
The middle portion of the show is essentially a loop: Yuji and his team come across curses, fight them, and continue. The fights? They're fine. Some choreography is straight-up insane, and MAPPA did a pretty good job on the animation. But let's be honest—most of the time, the animation and the visuals are merely above average. It's not jaw-dropping nor groundbreaking, despite what the hype might make you believe.
Now, the characters… oh boy. Yuji, Nobara, and Megumi are fine, but that's the problem—they're just fine. Nobara has her moments, sure, but none of them have the kind of depth or originality that makes you think about them long after the episode ends. Even Gojo, who's supposed to be the scene-stealer, feels like a trope: the overpowered, carefree mentor we've seen a million times before.
Let's talk about the villains in Jujutsu Kaisen Season 1 because, honestly, they're just… there. They're supposed to be these creepy, mysterious curses with a "high boss" pulling the strings behind the scenes, but it all comes across as so childish. Like, sure, they try to give them this air of superiority, acting like they're above humans and all, but at the end of the day, they're just monsters pretending to be deep.
And then, of course, there's the huge attack during the school tournament. Seriously? Of all times, that's when the bad guys decide to come? It's just so cliché, and it has little impact in the first place. They come, they get their butt kicked, and that's it. No depth, no dimension, no feeling of risk that lingers. They are mid-tier villains at best, trying to be more than they are and failing miserably.
Ultimately, Jujutsu Kaisen is watchable. It's fun enough and fight scenes that will keep you invested; there is nothing, however, that screams "special." It is a good distraction, but if you're seeking a shonen that will break the mold, it isn't it. For me, it is 5/10 –average, mid, forgettable. If you saw one shonen, you basically see this one too.
Reviewer’s Rating: 5
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Nov 28, 2024
Let me talk about BlueLock, because wow, I have some feelings. Season 1? It was interesting. I'll give it that. It took a sports anime cliché, chewed it up, and spit out something fresh. Forget unity and teamwork—this was about egoism. Everyone wanted to be the star, and honestly, it was a unique, refreshing take. The first episode hit hard: crisp visuals, fiery characters, and enough intensity to make you think, "Yeah, this might be one of the best sports anime ever."
And then… episode 2 happened. The animation stumbled, not faceplanting, but enough to make you notice. It wasn't bad—it was "above average," let's say.
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As episodes went by, the dialogue went cringe sometimes, but somehow it felt part of the charm. It was a shonen battle anime masquerading as football, and I gave it respect for that. It had its peaks, troughs, and by the end of the 24 episodes, I thought to myself, "You know what? Worth it."
Then Season 2. Oh my god, it was an absolute trainwreck. Episode 1 left us with a false sense of security. The characters stood around, waiting for their next mission, and because not much action was required, no one was paying attention to the storm brewing in the horizon. The art style looked good, the drawings were solid, and you were thinking, "Okay, maybe this season will deliver." But in retrospect, it was the calm before the disaster. No one realized how much worse it was going to get.
And then came Episode 2. Friends, I've seen motion in 1940s Godzilla films that's smoother than this. BlueLock Season 2 has mastered the ancient art of sliding PNGs across the screen. Forget running, kicking, or even blinking—there's no movement here. They throw in motion lines to fool you into thinking something is happening, but it's not. One time, they just flat-out used a PowerPoint transition for a scene change. I wish I were kidding. I have seen kindergarten kids do better animations with macaroni art.
By Episode 4, I was done. I couldn't take it anymore. I had read the manga for this arc—the U-20 match! It is one of the best arcs for BlueLock. The hype, the stakes, the story—are all there. However, this adaptation? The manga is insulted to even be compared with something such as this. The mouth isn't moving because "they are always running." Guess what? They don't even have animated running. They only move characters around like doomed cutouts from a bootleg sticker book.
BlueLock Season 2 is not taking shortcuts. It's cutting through the whole damn fabric of animation. There's nothing good about it. NOTHING. Watching this season felt like they weren't animating football—they were animating my suffering. I'm angry, I'm disappointed, and frankly, I'm sad for the manga. If you love BlueLock, save yourself the agony. Stick to the manga. Don't let Season 2 ruin your life.
Reviewer’s Rating: 1
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Nov 28, 2024
Chainsaw Man isn't just some run-of-the-mill anime series; instead, it depicts something raw, unflinching with regard to human nature, particularly at a stage where one thinks little more than evil and good could prevail. End. Instead, it delves into how circumstances shape us, how even the kindest person can break under pressure, and how even the most flawed individual can show moments of grace. It’s about the line between good and bad being blurred, about how fragile and malleable humans really are.
Denji, the protagonist, is the most realistic and human character I’ve ever seen in anime. At 16, he is not chasing some grand, lofty
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dream or a world-changing ideal. Having grown up in extreme poverty, all he wants is a normal life — a roof over his head, good food, maybe a girlfriend. His desires are simple and raw, which makes him deeply relatable. Denji doesn't even know what it means to have "big dreams" because his idea of happiness is built on the simple things he's never had. That is what separates him from your typical shonen hero: he's imperfect, down-to-earth, and very human.
The supporting cast mirrors this same realism. They aren't perfect, noble heroes; they're deeply flawed, selfish, and vulnerable in ways that make them feel real. Even the ambitious people aren't made glamorous; the movie has managed to weave up their complexities and show through this that even the greatest ambitions made someone alienated and isolated. Such character depth comes from their contradictions—the initial appearance may seem shallow; you begin to watch a long time to realize their full, profound layer.
While there is nothing too special with its characters, art and creativity really stand out in Chainsaw Man. It has brutal but meaningful fights, really distinct character designs, and just so much detail to the point that it's fresh, and not just a borrower from other series-it actually creates something that influences, rather than imitates.
What makes Chainsaw Man truly special is the way it combines gritty realism with philosophical depth. It does not only entertain; it makes you think about human nature, survival, and morality. This is a masterpiece that sets the new standard for anime, and I wholeheartedly recommend it.
Reviewer’s Rating: 10
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Nov 17, 2024
Alright, so let me start by saying this: I’ve been a Bleach fan for a long time, and even watching it from the lens of 2024, I can still appreciate what made it stand out in the past. Ichigo, in the early days, was this bold, confident character who was better than everyone else. He wasn’t some brooding, self-deprecating protagonist—you know, the usual “I’m different from others but don’t fit in” shtick. No, Ichigo was someone who straight-up didn’t care about being hated for his orange hair or his strength. He was that guy—stronger than everyone around him, unbothered by it. The characters, the power
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system, the fights—they all felt fresh, creative, and emotionally impactful. Bleach felt like a breath of fresh air in the shonen world.
Now, fast forward to Bleach: Thousand-Year Blood War - Part 3, and what the hell happened? This season is so mid, I don’t even know where to begin. It’s as generic as it gets. There’s nothing here that stands out. The villains have zero layers. They’re basically just there to exist. No depth, no personality, no real motivations—they’re just bad guys for the sake of being bad. It’s a bunch of “who’s stronger than who” fights, and it’s all just physical battle after physical battle. The philosophical or ideological conflict that made Bleach interesting in the past? Gone. It’s just one big slugfest where the most powerful one wins. That’s it.
Let’s talk about the main antagonist for a second. This guy’s goal is to destroy all three worlds and create a new one where death doesn’t exist. Fine, whatever. But then, when he absorbs the Soul King’s power—basically becoming almighty and omnipotent in the Bleach universe—what does he do? Does he go and obliterate the Soul Reapers who are coming for him? Nah, he just chills in his new royal castle, sitting on his throne, doing absolutely nothing. It’s like the writers didn’t even try to make this villain interesting. He’s just sitting there waiting to be attacked. And when the Soul Reapers finally come to attack, he doesn’t lift a finger. Instead, he sends his minions to do the dirty work. What’s the result? A group battle with random minions, and after some predictable back-and-forth fights, the heroes win. That’s it.
I mean, seriously, where’s the creativity here? There’s no substance, no emotional stakes, no complex battles of ideals—just a bunch of guys punching each other to see who’s stronger. Bleach was once something special, but this? This is just another shonen series following the most played-out, generic formula. If you’re hoping for something fresh or exciting, you’ll be sorely disappointed. It’s honestly disappointing to see a series with so much potential fall into such a lazy pattern.
And while we’re at it, can we talk about Orihime? What the hell is going on with her character design? Her boobs get bigger every single time she’s on screen. It’s like the animators had a meeting where someone said, “You know what would elevate this scene? More cleavage.” Why? For what purpose? This over-fetishization is completely unnecessary and honestly just embarrassing. She’s walking, she’s talking, and somehow it feels like the entire focus is on her chest rather than anything she’s actually saying or doing.
And it sucks, because I used to like her. Orihime was once a loving, caring character with genuine charm. Now, she’s been reduced to the most wasted, one-dimensional character in the series. And let’s throw Chad in there too, because what even is Chad’s role anymore? They’ve both been sidelined to the point of irrelevance. Oihime’s there for fanservice—plain and simple. Chad? He’s just there because Ichigo needs a token friend who doesn’t even participate in meaningful battles anymore.
But back to Orihime: what even is her outfit? Everyone else gets armor or a uniform that makes sense for their abilities or fighting style. But her dress? It’s practically designed to show off her cleavage for no reason other than, what, fanservice? From a logical point of view, it makes no sense. From a storytelling point of view, it’s trash. And as a viewer, it’s just plain cringy.
These characters deserve better. Orihime and Chad used to have depth. Now? They’re background props, and in Oihime’s case, a walking, talking excuse for unnecessary fanservice. It’s frustrating to watch, and it only highlights how much this series has lost its way.
So yeah, that’s my take. Bleach: Thousand-Year Blood War - Part 3 is mid, pure and simple. And it's such a letdown after everything that came before it.
Reviewer’s Rating: 4
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