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Feb 9, 2021
Man what a disappointment this season was. I'm not sure where to start. Keep in my mind that this is a preliminary review and it might change later but I highly doubt it by the direction this anime is heading to.
First of all, this review is going to contain spoilers of the first 5 episodes but if you don't care then keep reading.
Wow, I can't believe they literally cut out half of the story from the manga. I know that it wasn't CloverWorks fault but man the mangaka massacred his own anime. I don't know why he thought rushing and cutting out half
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of the story was a good idea for the anime. They even removed a key character from the goldy pond arc who was going to be relevant in future plot points. But no they rushed all of goldy pond in like 2 or 3 episodes.
Even if we set the manga aside, the anime is really terrible. Like it's so underwhelming and lackluster. Norman's reveal was so wack. One of the worst executed scenes I ever seen. The anime really out here giving BS time-skips without explaining anything. Also don't make me get on the characters, THEY ARE SO BAD. For example, Emma and Ray are literally making out of character decisions. You know how Emma is self-sacrificing in s1? Where she cared about everyone and would risk her life to protect them? Yeah, in s2 in order to test out if a food has poisoning they drew out LOTS. What the hell. Then when to kids were it Emma said "No complaining". This isn't the Emma we know and love in s1. How on earth did Ray even agree to this?? This man actually went ahead with the 2 kids to taste if the food has poisoning together. This isn't the Ray we know. If it was s1 Ray he would've thought out a plan to test if a food had poisoning or not without putting anyone in danger. Additionally, in the entirety of s2 so far, Ray hasn't said a single smart thing he would normally say in s1. They shafted his character and he looks like a normal character with no personality. The characters literally look like cardboard cut outs and nothing interesting in them. They really turned a whole psychological thriller horror anime into a whole badly executed adventure anime. At this point, the anime not making any sense and the direction and execution is very weak. Anime original? Where? All I see is so many scenes and arcs being rushed. I can't believe we waited 2 years for 11 episodes worth of rushed garbage.
Reviewer’s Rating: 5
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Jan 11, 2021
I'll come to the heart of the matter. There are various reasons why Attack on Titan is perhaps the best anime to actually be delivered ever. Beginning on livelinesss, it is simply unimaginable they have made such distinctive scenes. It seems like each casing is painstakingly drawn, and the battle takes the crowd in another point as though they are encountering it as well. With regards to characters each character has a task to carry out in specific circumstances and Isayama has conveyed. The manga is staggering, associating bits of the past and the future uniting the present. In the event that you've perused the
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manga, at that point you as of now have understand what's coming will be nothing not exactly perfect shounen dramatization arrangement you'll actually watch. I'm not going to imagine that the arrangement isn't monstrously well known yet the publicity is only a small amount of what it is, which is a disgrace on the grounds that with this later season the arrangement has advanced and changed such a lot of that as somebody who's at first tepid about the arrangement, I think where it is correct now it turning out to be the best anime of the cutting edge age(I don't plan to utilize those words daintily).
Story ~ 10
What makes it an extraordinary arrangement is that it doesn't follow regular narrating , so that implies that anything can occur whenever. There are a bigger number of turns than titans in this arrangement so there are a not many possibilities that you can foresee something occurring. Sort of like Game of Thrones.
The characters in Attack on Titan don't fall into any generalization all things considered. For instance a feeble character could become more grounded or a solid character could show shortcoming. At times, an apparently irrelevant character could out of nowhere turned into a central participant later on in the story.
Workmanship ~ 9
The visual movement by Wit Studio is a work of acclaim. I could locate some other studio to deal with this anime. The liveliness is staggering and it worked really hard to make the titan alarming and awfulness once again.As soon as I heard that MAPPA was going to assume control over I was kinda stressed what they would think about this arrangement however I surmise those concerns disappeared when I had the opportunity to see a couple of scenes.
Sound ~ 9
The music has it's own taste to it where as the visuals of both the opening and the consummation appeal to you from numerous points of view. The initial melody simply acquires an orchestra of such a smoothness and unexpected dread inside and out.
Characters ~ 10
There's not a lot to be said with regards to the characters everybody surpasses themselves the their improvement is immaculate indeed.No one leaves their limits to accomplish something shocking.
Pleasure ~ 10
Initially I planned to compose a short survey on how great the new season will be, at that point the more I chipped away at it the more I understood I truly couldn't do equity without discussing the whole excursion every individual who has each watched this show to arrive. Since each season is so immeasurably extraordinary that it adds on to the generally speaking experience.Because it's my method of saying that you should drop everything since this season is totally justified, despite any trouble.
By and large ~ 10
Assault on Titan is an unquestionable requirement show for anybody if they appreciate anime. The writing in this show is extraordinary, you should watch it to trust it. The story is dull however lovely, and the movement is the best anime has to bring to the table. The show has an incredibly decent speed, with a mix of horrible tense activity scenes and ardent character minutes. The characters in this show are so exceptional and unmistakable, each character feels genuine and three dimensional, in spite of their intermittent senseless anime style chitchat (which is engaging in its own right). The soundtrack is likewise among the best any TV program has created, and it communicates the tones of the show and makes each scene far superior. 'Vogel im Kafig' is a melodic work of art, and I suggest you give it a listen regardless of whether you haven't seen the show. The show's exciting bends in the road are on another level, and the uncovers are fabricated well to the point that each plottwist will leave your jaw on the floor. This show is really a work of art, and you should see it. It is fundamentally a developed substance show and on the off chance that you are grown-up there is no disgrace in watching anime.
Reviewer’s Rating: 10
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Dec 28, 2020
Nekomonogatari: Kuro is the third adjusted portion of the Monogatari arrangement, a variety of light books composed by Nisio Isin. It fills in as an antecedent to Bakemonogatari and highlights Tsubasa Hanekawa during the occasions of Golden Week, in which she gets controlled by a neko (deciphered as "feline") and unpredictably assaults individuals in the city to mitigate her developed pressure. Watchers of Bakemonogatari may review references and flashbacks to this episode especially in the Tsubasa Cat curve, and here we at last observe it uncovered in detail.
Presently coming from the especially immense accomplishment of both Bakemonogatari and the dubious Nisemonogatari, fans may probably
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enter this third portion with a couple of misgivings. All things considered, Nisemonogatari sometimes acted like a totally unexpected arrangement in comparison to its archetype Bake, with the most troublesome issue being its more productive fanservice. What's more, presently watchers are left contemplating whether Nekomonogatari will proceed with the strides of Nise or track back towards the more "regular" accomplishment from Bake (all things considered, at any rate more traditional than Nise). The outcome?
A blended peculiarity.
Primarily, Nekomonogatari resembles a peculiar youngster conceived from an awful yet strangely appealing interbreeding among Bake and Nisemonogatari. It takes the best parts of both arrangement and attempts to crush them into its own marvelous heading. Be that as it may, the outcome is less an all out show-stopper than a general extraordinary however not amazing unique: Neko flourishes but at times experiences the extremely incorporated perspectives it depends on.
On an all encompassing level, the story follows Bakemonogatari's circular segment recipe intently. It begins—much like a visual novel or eroge—with a few appearances of the "see young lady at that point converse with young lady" type. Here, it remains happy in its parody while throwing in some clever exchange between our explicitly disappointed Araragi and one of Nekomonogatari's few supporting characters. The general secret is then presented, some character improvement and macrabre-like dramatization results, an answer is at last acknowledged, and the norm is accomplished once more.
While this recipe is the same old thing coming from the five the same circular segments in Bakemonogatari, it is in any case executed in an all around woven and profoundly agreeable way. Truly, this similarity to Bakemonogatari is really one of Neko's qualities, as it keeps the plot structure new and fascinating coming from the increasingly slow easygoing speed of its archetype Nisemonogatari. Indeed, even the abrupt, quick moving activity scenes including some type of an Araragi slaughter keep on being stunningly eye-holding and energizing, not just in its unexpected difference in speed coming from the weighty discourse, yet in addition in its striking subtlety and liquid liveliness. It is no misrepresentation that these very bloody scenes cause watchers to remain alert and high on the anticipation, regardless of whether these scenes are simply essential for the curve equation to arrive at the end resolution. All things considered, being the subject of mutilation is Ararararagi-kun's usual methodology, a lose to win situation, and he positively doesn't baffle in being the best washout there is (I'm awful at plays on words).
Presently beside the story structure, what the Monogatari arrangement genuinely sparkles in is its drawing in, clever exchange. Nekomonogatari is surely no sloucher, as it promotes the absolute best soliloquys in the arrangement and keeps on utilizing its craft heading in keeping the exchange hefty content really enamoring. With respect to subject of a significant part of the exchange itself, Nekomonogatari acts more like Nise in utilizing a raunchier corruption and boning up the sexual pressure to the biggest tip. This isn't to state conversely that Bakemonogatari is the Virgin Mary of anime, yet the sexual hints and fanservice in Bake is apparently done in a more fun loving and "scholarly" way, however it actually has something reasonable of ecchi(- ish?) droll satire and empty humor.
This carries us to the most questionable theme in the arrangement—fanservice.
Regardless of whether you might be in the "to an extreme" or "excessively little" classification, there is no uncertainty that the Monogatari arrangement lives by its interesting craftsmanship bearing, solid characters, and clever, regularly explicitly charged discourse. These components, including fanservice, are similarly as successive in Neko as they were in Nise, and whether it's talking about pornography and caressing bosoms with your sister or licking work areas and expanding at an insufficiently clad Hanekawa-nyan, Nekomonogatari doesn't keep down on its fanservice—regardless.
Notwithstanding, there is a ton to be said about the source material here. This four-scene arrangement remains pretty consistent with the light novel it adjusts to, and does a significant great job at gathering the whole novel into just 96 minutes. All things considered, the fanservice might have been significantly more common given the exacting craftsmanship and colorful panache of the novel (where's our 2-page bluster on Tsukihi's pantsu??). Actually, I locate an intermittent inconspicuous fanservice more pleasant than the unrefined masturbatory symbolism done in most fanservice-prompting arrangement or specials; and in this regard, I figure Neko makes a nice showing with giving enough fanservice to remain consistent with the novel and pander to fans, yet less that it totally bans one from appreciating the story or characters.
Character advancement astute, the story investigates Araragi's affection for Hanekawa in extraordinary detail, as he addresses whether his recently discovered love is one dependent on sentiment or one dependent on desire. There is unquestionably a plenty of extraordinary investigation here given Neko's association with Bake and Nisemonogatari. For one, we have an unmistakable juxtaposition between Araragi's relationship with Hanekawa and his relationship with Senjougahara. In Neko, for example, Araragi examines Hanekawa's feline issue with Oshino, and Araragi expeditiously affirms, "No one but she can save herself." And yet in early Bake, Araragi talks about Senjougahara's crab issue with Oshino, and it isn't Araragi yet Oshino who rambles exactly the same line. Is Araragi maybe more ready to save Senjougahara than Hanekawa? All the more strangely enough, this turns out to be incidentally undermined: Senjougahara basically beats her crab issue by her conviction alone, while Hanekawa conquers her feline issue not by her own will, but rather by direct mediation from Araragi himself (indeed, actually it was Shinobu however you get the point).
Hanekawa's improvement alone is additionally very solid, however little can be said without spoilers. In an early scene where Hanekawa discloses to Araragi why her progression father hit her, she sabotages herself in her progression father's guard, saying that she was a "seventeen-year old that talks like she knows it all," a disruption of her very notable expression, "I don't know it all, I simply understand what I know." Ah, what a lady.
Other supporting characters get a considerable measure of detail also. While Nekomonogatari highlights a more modest supporting cast (for the wellbeing of congruity), this is entirely advantageous given the restricted 96 minutes, as Neko doesn't need to manage adding short fanservice appearances to each and every character in presence. It is not necessarily the case that Nekomonogatari doesn't experience the ill effects of this issue notwithstanding, as Karen makes an outrageously short appearance with a little job in the story and a major part in the fanservice.
In any event, notwithstanding, the remainder of the supporting cast get their appropriate reward. We get some genuinely necessary cooperation with Tsukihi, who was generally ailing in Nisemonogatari as her sister Karen took up practically all the spotlight—even in Tsukihi's own circular segment! Oshino additionally makes a couple of extraordinary appearances in Neko, and it's fascinating to see his character again considering the conversation encompassing his way of thinking from Nise's finale. Furthermore, maybe a significantly more imperative character, Shinobu gets a decent arrangement of much required broadcast appointment also. With her scaring yet even more charming inclination, she keeps on being the approaching lolicon vampire gatekeeper that we've all come to cherish from the previous two seasons, potentially the most fleshed-out character of the supporting cast. While she actually hasn't stood out enough to be noticed she merits as a forthcoming fundamental lead, it will unquestionably be fascinating how her job will happen in the occasions of Kizumonogatari.
Movement insightful, SHAFT craftsmanship by and large has consistently been dubious. Some think of it as a delightfully unique course while others think of it as a costly slide show. Nekomonogatari is positively the same than its archetypes in its creation quality. Accordingly, we get a decent amount of joke screen slides, SHAFT head inclines, eye-trimmed shots, and preposterously diverting exploded perspectives to make the current circumstance more absurd than it as of now is. The arrangement can quickly move from economically made 5-second-long stills to the most delightfully hand-energized craftsmanships in presence, taking the "unexpected move in workmanship style" saying to the absolute extraordinary. Nekomonogatari's scrupulousness here is magnificent, with a dynamic exhibit of tones and generally solid use in appropriating the lighting and actual setting to suit the current environment. Truly, in the event that you've viewed the past portions or any cutting edge SHAFT work, at that point you know precisely what's in store, and at any rate, it's undisputedly better than two talking heads in a fixed worked out shot. If you're a fanatic of SHAFT's unconventionalities, movement style is tied in with supplementing and upgrading the story, and an exchange weighty arrangement—anyway great the content might be—simply wouldn't be really convincing without better approaches to keep watchers aroused.
Reasonably in such manner, it is significantly more imperative that the seiyuus work superbly at passing on legitimate feeling and keeping watchers engaged. Also, Nekomongatari unquestionably doesn't disillusion, utilizing a similar splendid cast. The soundtrack is really good, and similarly as with Bakemonogatari circular segments and their individual OPs, Nekomonogatari's OP "wonderful sleeps" is made by Satoru Kosaki, verses by meg rock, and vocals by Hanekawa's seiyuu Yui Horie. It's a pleasant sound to hear.
Reviewer’s Rating: 10
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Dec 27, 2020
Kizumonogatari is back at it again with it's 3rd film and all I can say it was extraordinarily amazing.
Spoiler Warning below*****
Story 10/10
We start the film at a short discussion between the characters of Oshino Meme and Araragi Koyomi talking how it is incredible how Koyomi figured out how to overpower the trackers that were after his life and his lord, Kiss-Shot Acerola-Orion Heart-Under-Blade.
The film advances as we see a wild return of the expert articulation of visuals, imagery and long talks that have left a blemish on anime by the now known "The Monogatari Series". Reiketsu joins the presence of Monogatari by
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showing thought and cycle of our fundamental character Araragi Koyomi and the recognizable Monologues as we se how Araragi opens up his cognizant and spills it just before us all and notice how he has changed. Reiketsu shows us how could it be that Araragi came to be as characters and show the progress to us all of us separating the cycle.
As on Tekketsu, Kizumonogatari is Visceral as it spoke to human impulse of its crudeness yet in addition incorporated a discussion situated introduction that conveyed the main demonstration.
Nekketsu zeroed in additional on youth, The young people of our characters reminding us exactly how over their heads the primary hero are, being Hanekawa Tsubasa and Araragi Koyomi. It forced the widespread sexuality and the inner self of our characters and it delivered activity to the table that incredibly contrasts from the primary demonstration, Tekketsu.
Reiketsu in the other hand consolidated the entirety of that, and presented to us the current recipe of Monogatari as the last bit of the riddle is opened and we get those essential internal talks indicating us the how! of in what manner can somebody who lives on being unconstrained and show us the outcomes that it convey. It additionally shows us the aftereffect of illegal information, as the more you know, the less more secure the world becomes.
Reiketsu everywhere, It can be known as the earliest reference point of the establishment of The Monogatari equation, it can likewise be simply the beginning of arrangement however covered in all that, Reiketsu was the end and acknowledgment to the furthest limit of customary day to day routines that will starting now and into the foreseeable future experience knowing about the powerful.
Art -10/10
Shaft truly did something extraordinary for themselves with this last curve, and brought us greater smoothness we ever envisioned off to the screen outperforming the first movies toward visuals and their crudeness, the mix of 3D CGI with 2D aestheticness top notch displayed on a capricious however completely working introduction that the set of three is. just as respecting the way of life of activity since it has become a well characterize normal for the new culture of japan, that greatly draws in fresh blood to japan tempted for the ever more up to date heap of commitment to society with sway on worldwide scale.
Sound - 10/10
The sound course was bewildering, as it was the voice entertainers on their A game. followed by all around formed OSTs and keeping the outdated repulsiveness feel you'd typically feel from Alfred Hitchcock, the same number of reference and utilization of bearing plainly referred to the style and with new wind to the introduction of the film.
Characters - 10/10
Our characters, Oshino Meme, Araragi Koyomi, Kiss-Shot Acerola-Orion Heart-Under-Blade lastly Tsubasa Hanekawa were associated on exceptionally strange ways that your standard introduction, As their communication feels timelined of progress helped by very much coordinated visuals and ever exact sound headings.
Our characters are weaved on the string of obliviousness, youth and experience. weaving them contrastingly at the end of the day introducing us in split acts the meeting up of an arrangement and the buiding squares of a character we've delighted in for quite a long time on the Monogatari establishment.
Enjoyment - 10/10
I've sat tight for this for quite a while, because of work I unfortunately missed this film while on theaters in view of work. Know this however, any outrage I held and all lament that tormented me as I calmly hung tight for obviously merited each second since I've seen the last film.
In case you're a monogatari fan, I energetically suggest it and in case you're not try it out, For it is entirely conceivable you'd be one of us and appreciate of the worldwide concordance and being a fan that encompasses The Monogatari Series.
Reviewer’s Rating: 10
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Dec 26, 2020
This anime was such a dumbster fire. It was so trash to the point where I thought Jun Maeda's writing became worse after his surgery. It must have changed him because the script for this anime was horrendous. Let me start with the story.
1/10 - Storytelling/writing
The plot is terrible and trying to copy Clannad's flow. It ended up worse than I imagined. The plot was very generic and predictable and the "plot twist" was very bad because it was seen from a mile away and it didn't feel impactful more like a cryfest. They should've stuck with the world ending scenario, it would've been
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at least tearjerking seeing all the characters die. Also its writing was soo 2010, fun and giggles in the beginning and then on the later half comes with it's trash plot twist incident that felt incomplete. You might be saying "this hater just hating with backing up reason's why" let me explain. The plot is bad because you can tell he copy and pasted from other works and nothing from this anime is original. Its so pathetic that no part of the story had enough thought to it. Especially the latter half of the series, it was so unfufilling that they could've handled it better. Idk how but a part of me says its unfufilling. It's a feeling you can't explain
SPOILERS WARNING******
1/10 - Characters
revolves around Yota which is the main character and the world revolves around him by using Hina's powers (the girl who proclaimed to be a god) to his own benefit. Hina's power is to see the future so naturally she's omnipotent. He uses it to his advantage and tries to ask out his crush which is kyouko and gets rejected. So the power doesn't work right away but this dude keeps trying to get kyouko's attention not caring of how she feels. That's why the hate this generic bland main protagonist. He's a piece of shit that don't care for others. He's probably attracted to her looks and doesn't consider how she feels. Then we get her character arc and we get her backstory that her mother died and she suffers chronic depression but Yota didn't help her when he needed to until someone tells him directly. After he helps her and they reconciled, THE ANIME ENDED UP MAKING THE RELATIONSHIP IRREVELENT. SO ALL OF THAT WAS A WASTE OF TIME. Also its comedy is unfunny using the oldest trick in the book. Yota is one of the worst main characters I ever seen. He even yells too much for the dumbest reasons.
TD;DR: Trash carboard cut out characters with each of their stereotypes but not handled decently. Is what describes the characters in this show. It's so fucking bad that it's frustrating to watch this anime.
1/10 - Art
Don't get me wrong the art looked decently good quality but they didn't get to use it to it's highest potential unfortunately.
1/10 - Sound
The soundtrack was so fucking generic I swear. P.A Works actually copied Charlotte's soundtrack and made it worse. Nothing memorable.
1/10 - Enjoyment
I did not enjoy this trash not one bit. Felt like Jun Maeda was high while making the script. I can't believe his work now lost it's originality and am very disappointed in him. That surgery changed him alot.
1/10 - Overall
It was very appalling and I wouldn't reccomend it to anyone at all. If you wanna watch actual sad animes I reccomend you to watch Clannad, Angel Beats, Your Lie in April, Anohana, Charlotte, and I want to eat your pancreas. All of them are actually written well and have better characters than this abomination.
Reviewer’s Rating: 1
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Aug 30, 2020
This show is outstanding, marvolous, amazing period. Everything about it is great. You shouldn't drop the show because of furries it has a lot more to it. Easily the best part about Beastars is the detail Itagaki puts into the world. Carnivores can't have meat, since that would be eating the flesh of their allies. They can, however, eat eggs to get their protein. Luminous and enchanting, this series takes anime world-building to new, noirish heights -- and it's definitely not for kids, revolving as it does around barely leashed lusts both sexual and sensory. Beastars takes the traditional horny high school anime and adds
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emotional weight and commentary while also loading it full of furry fanservice. Beastars compellingly tangles some of the mundanities of human high school life (Oh no! Drama in drama club!) with some weird world-building within an anthropomorphic reality. This is the first anthropomorphic anime I've watched apart from the cartoon Bojack Horseman. Although the underlying theme of the struggles between prey vs predator was nothing new, the way that this series draws out emotions coupled with spotless animation was enough to lure me in. Some may think of this as another furry anime with fan service, but it's so much more than that.
The story is fire 10/10 The story is so good I was the edge of my seat or if you like the edge of my bed. I was like oh my god and I ended up coming everywhere cause it's so good.
The art is fire 10/10 The art had me on something else. I was spraying everywhere because the art be looking like god made it.
Sound is fire 10/10 Whoever made the sound is a legend because the sound was music to my ears.
The characters is fire 10/10 The characters are really good because of their character development and other good stuff.
Enjoyment 10/10 Each episode had me craving for more so I would always refresh gogoanime to see if a new episode came out.
Overall the whole anime is a masterpiece and I can't wait for season 2 -10/10 IGN
Reviewer’s Rating: 10
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