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This somehow made me wanted to #doneclaim the Nissin noodle Industry with Indomie Instead, Indomie with some Indonesian Figther themed would be pleasing with LOFI music as its complement damn if only i worked in Indofoods i would make this as a project

Btw Indomie is a brand of instant noodle produced by the Indonesian company Indofood. Indofood itself is the largest instant noodle producer in the world with 16 factories. Over 15 billion packets of Indomie are produced annually. Indomie is also exported to more than 90 countries around the world.

Instant noodles were introduced into the Indonesian market in 1969.[5] Indofood is one ... of Indonesia's largest pre-packaged food companies which was founded in 1982 by Sudono Salim, an Indonesian tycoon who also owned Bogasari Flour Mills.

The Indomie instant noodle brand was first produced in 1972[6] by PT Sanmaru Food Manufacturing Co. Ltd. with the Indomie Kuah Rasa Kaldu Ayam (chicken stock) flavour and followed by the Indomie Kuah Rasa Kari Ayam (chicken curry) flavour in 1980. In 1982, PT Sanmaru Food launched its first dry variant (served without soup), Indomie Mi Goreng, which quickly became popular in the Indonesian market.[5]

In 1984, PT Sanmaru Food was acquired by PT Sarimi Asli Jaya, which was owned by Bogasari flour mills, before they merged into PT Indofood Sukses Makmur Tbk in 1994. Indomie accounted for around 70 per cent of the instant noodle market in Indonesia in 2010.[7]

Indomie won several awards including the Lausanne Index Prize (L.I.P.), Indonesia Best Brand Award (IBBA), the Most Effective Ad award, the Indonesia Consumer Satisfaction Award (ICSA), and the Indonesia Best Packaging Award

“So this is where we end, a abid you farewell”
That's the impression and thoughts I get from the experience of watching evangelion 3.0+1.0 Thrice Upon a Time,
I was very surprised and overwhelmed because everything was neatly wrapped in the finale of this film and I felt the sensation of watching it in my own way i.e. I swallowed a lot of cynicism from the fandom and cynicism of the hater as well as some spoilers to get a sense of empathy and understanding of Anno in the 1997 End of Evangelion.
From the experiment I was quite surprised because it still feels I was watching evangelion ... blindly and isolated from the outside influence and this makes me amazed still hard there is nothing predictable from this film and I admit this golden for a writing of a Scifi franchise and this is where I think there will be some problematic things in terms of always centered on the heart of evangelion that is social commentary and philosifisnya theme, I was surprised because this film really has a personal misfortune, egoism, nihilism of the End of Evangelion. As if WTFINDO (an Indonesian web series that confront Youtube and vlogging) culture executed with good faith and a message that is easier to receive than just a stage play of complaining and nihilism.
From here it also gives a very meta spot to evangelion fandom long ago without having to roughly give them reflections like the end of evangelion. Where here is much better where than we got drowned in nihilism and depression we are given a solution to overcome those bad faith and reflection as a fan of a franchise.
For the writing of Scifi Hideaki Anno is very-very reliable to provide cinematography Camera ala arthouse films such as Shiki-Jitsu The Ritual (2000) and Love and Pop (1998) which is very effective give story telling visually and verbally accompanied by musics composed by Shiro Sagisu which for me 10/10 is very difficult to determine which is the best because all of them feel like sewn like a king coil brand mattress. This is quite very exciting for lovers of Philosophy and cinema because this is a replay value of a cinema-piece where we get action pieces and information scattered even details in the form of facial expressions Gesture movements that have meaning and information on each key-frame that has an explanation of the world building and lore from Evangelion.

For character writing then I can say it is very effective to give them a spotlight to give their glasses to the audience and I am quite very accepting of a decision on a relationship because that's where Evangelion humanizes his fictional character so that the audience does not project themselves too much on them because here every character is a human being who is a social being and which I also like is to give thematic explanation through hid experience up their respective and as well as the lens of asian society that collectively built a Post-third Impact civilization that gave Life a value instead of isolation and loneliness of the End of Evangelion. And as a shipper I declared defeat and accepted his final decision. The weight of expectations is the joy of reality. The film still gives a message about the dangers of nihilism, escapism and depression alos self loathing. So all decisions are made as possible to be meta-context implied messages for greater good

And I'm quite amazed technically from the cgi mechanism I'm sure there are still shortcomings but precisely what I'm amazed the shortcomings are assembled in a Narrative and thematically then the deficiency looks like an intention that gives the impression of reality vs fiction and for me this will open the opportunity for anime genre of mecha to shine back like the old days with visual blueprints in this film. In fact I feel like I'm watching Gaspard Noa or Lars von trier visually on the cgi VFX and its editing (oh yes suggest I'm still holding Strong about Hideaki Anno is Japan's Stanley Kubrick) And that's definitely homage to Evangelion's ancestors, the Ultraman, Gundam, And Tokusatsu-tokusatsu series and homage to Anno's colleagues from Ghibli and Ex-Gainax. So Can I officially declare Congratulations Hideaki Anno Congratulations Khara Farewell Evangelion.

First, for the cinematography aspect, the Gundam Hathaway anime movie which will become a trilogy feels very inspired by Christopher Nolan's film in the remaining 1/4 of its duration and for 3/4 of the film it feels like a combination of a Gundam-style James Bond film & something like Hideo Kojima or Ergo Proxy. .
Actually, the problem is that in the story about the relevance of Gigi to the main character, the motivation is not clear, but Gigi Andalucia are a typical trope that is mushrooming in the anime industry, the female trope model "Genki-girl" is a kind of cool girl who usually sticks with ... the MC.

Gundam Xi & Penelope's design is closed because the fight is mostly night operation, although I don't really like Penelope's design because it's a bit impractical and THICC CHONKY is like Chicken.
And what I want to point out is the last Gundam that shows really collateral damage like a Gundam 0080 war film War in Pocket.

And that's where the strongest aspect of Gundam Hathaway is, collateral damage and film escape art because the tension of civilians is trapped between the Gundam and Zaku Messer battles with beam radiation and Missfire scattered throughout the city.

Overall Goodluck for Gundam Franchise 🚀🚀🚀 I hope this trilogy can be concluded well later.

So after watching it 2x, I finally tried watching it again and I really like this dementia-pyschological-Thriller-Horror 1 because it not only offers shock value or lore, but also offers criticism of moe culture and idol culture in the Otaku community.
Obsession is a strong theme that plays in this film and not only there, this film also gives a gloomy picture of the backstage of Idol Culture in Japan in the 90s, which was the time of the collapse and outbreak of the Japanese Economic Bubble.
Overall, this film may not be as relevant as it used to be, but it remains a timeless ... classic time capsule that can provide a realistic picture of the Idol Industry in Japan's Heisei Era.

Physics Online Classroom wrapped in the Godzilla series. but the Cgi, Cinematography and Writing sides are very detailed and graceful.

This is the best experimental anime for Godzilla Kaiju Franchise i liked it honor and tributed alot of past Godzilla Franchise as a refrence in Key Visuals or easter eggs in this anime.

I also liked this is also the first time Godzilla try to implement Hard Scifi into Godzilla in Anime format. as like back in the 90s anime era when anime had scifi with a hard scifi elements implented in their narrative and lore tends to be very Otakuish at some point but i liked ... when Kaiju culture got into this deep of level nerdiness.

And for Art i liked the way they implement 2.5D in this anime its very good and suitable with the art style. and the music really made me think of some type of Ghost in the shell type of mystery vibe to it also for action pieces its very epic

Plot Review :
when it comes to apocalypse Hideaki Anno made his won vision of the " beuty of destruction and the joy of Rebirth" End of Eva hasnt been defeated or replaced in past 25 years of its legacy even in the rebuild movies when it comes to the idea of apocalypse its based on real world "samawi" religion myths and eastern mythos and tragedy.
this movie will always the number one spot for an apocalypse movie in generation untill someone takes a risk to make bold and brave innovation of imagery and mythos of apocalypse and ancentral race.

Philosophical Review :
Hideaki Anno knows how to deconstruct ... otaku culture tropes of the era, and hes probably the eastern Stanley Kubrick because of his cynical and critical view of east society and otaku culture. its nice breath since most of apocalytic medium always using the west POV and Value but with this movie not only we witness the end of this mankind but also a introspection for us the viewers and Anno's self as he criticise the bad side of escapism and his art as someone's escapism

Cinema Review :
This guy is Japanese Stanley Kubrick the Otaku Stanley Kubrick

overall : 3rd Impact/10