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Jul 26, 2020
I have always been interested in media depicting the theme of justice - in particular, punishment of criminals. Back in 2011, I was fascinated with Death Note and Code:Breaker's themes; I was young and still forming my own set of values, and I was debating on whether or not I'm in favor of death penalty and cruel treatment of criminals (read: I'm not in favor of them).
When I first heard of Deadman Wonderland, its concept immediately got me hooked. The premise is that one middle school student is falsely accused of a crime and sentenced to death penalty. He gets sent to this prison,
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Deadman Wonderland that also functions as a theme park. Basically, the prisoners are made to work on this theme park and are sometimes the performers themselves - one such spectacle in the start of the manga is a race featuring deadly obstacles that could kill the participants. The visitors get to watch them as they get sliced up or electrocuted, and there are whispers about violating human rights, or "whatever, they're criminals anyway". Going good, right? The chapters are too few back then so I put it on hold (and kinda forgot about it) until this year. (I've also already forgotten how the anime went.)
Since I still remember this feeling of fascination for the series, I proceeded to reading it with the highest expectations I could give. I mean, even a lot of reviews from 2013 to 2015 say it's an 8 or 9.
Well apparently, we all had bad taste during those years. Deadman Wonderland (DW) was plain disappointing.
The most fundamental problem I have with this series is the fact that it decided to base the narrative on one main character - Ganta - but chose to have a plot-driven storyline rather than character-driven. This approach exposed how linear and one dimensional Ganta's characterization is. His "development" is just a reaction to the events that happen, nothing but a forced measure to keep the plot going. It's especially obvious in particular chapters where he's all gloomy and depressed at the first half, and he immediately gets a comeback by the end of that chapter. Yes, in the same chapter. Now, I've read a lot of manga that has those kinds of chapter, but it's tiring to read in the case of DW because there are several chapters of this kind. It's like the authors can't decide on whether Ganta has gotten over his melancholy or not. With the continued use of this formula, Ganta's depressive episodes become plain annoying rather than something I sympathize with.
The other characters are also as linear as they can be. They are admittedly interesting characters (albeit stereotypical) and had interesting backstories, but they were only given meager flashbacks during their fights and that's that. There were attempts by the end to develop their characters, but I had no more feelings of excitement at that point because of continuous disappointment. It's really a let-down, because I imagine that this cliched cast would still be able to entertain me if they just have been properly executed with just the right character dynamics and actual buildup at an earlier point. Well perhaps my irritation still stems on Ganta - at one point, he's just a 'wimpy kid' and got looked down upon, but he gets a powerup and the side cast goes like "Ganta's strong!" And then he gets at a low point again and everybody's saying how much of a baby in diapers he still is, and then we get a new development again. The lack of consistent characterization in Ganta really influenced the side characters a lot since as what I've already mentioned, he's the anchor of the story. The result: also a lack of good characterization for the others.
To be fair, Shiro was really well thought out. From the start, she's made to be a 'walking contradiction' and her presence always compels the readers to think that there's something disturbing that's about to be revealed. She has the most consistent writing of all the characters, and you can't help but sympathize with her situation and development.
As for the plot, it gives the impression that it's just randomly thought of because of various small mistakes. Most especially, the public 'prison theme park' was what sparked my interest, but they barely remember that premise during the developments they had written. The setting comes underground at an early point (in fact, just right after the obstacle race that I mentioned, meaning after just one event) and so the theme park goes useless in the story. There's also no proper buildup for the relevant plot points i.e. no believable motivations and development, and they randomly introduce characters that are almost irrelevant to the story. Pacing was a mess. I was really struggling to finish this because it's just a disaster.
The art is actually likable especially the colored volume covers, but the action is hard to follow. The battles themselves are lacklustre - the designs felt like a waste.
Sigh. I just had to finish the series because I was hoping that it could redeem itself, but the characterization part really was fundamental. Every development just seemed ridiculous because of this failure. Deadman Wonderland was a waste of time.
Reviewer’s Rating: 3
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Jun 15, 2020
As a fairly highly-scored anime in MAL, I had high expectations for this anime - much to my dismay. I'd say this anime is good at the least, but my disappointment makes me want to score this at 6, 5, or even 4.
The story takes place during an old era of Japan when the use of the sword and killing techniques are still the norm. The anime is narrated like a monogatari - a tale, which is fitting of the time period and which gives off the allure of adventure and soul-searching. I find this aspect attractive as I do have an interest in Japan
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culture and this kind of storytelling is one that might be unique to the culture.
Now in a twist of fate, Togame seeks Shichika to help her collect the 12 Deviant Swords. Until their meeting, Shichika lived in a secluded island with his sister. He practices the style of Kyotouryuu - a swordless style of swordmanship. It's basically martial arts but meant to be used in a sword fight, so the person - Shichika - is the sword himself. As a sword, he had very little "human" feelings and had no desire whatsoever to leave, but hearing about Togame's backstory and their fateful connection made him "fall in love" with her and thus start the tale of katana-searching.
It was indeed very interesting at the start. The start of the journey, although superficial and somehow forced, is tolerable. It's one that I could just accept as a plot device.
The problem is the anime soon became bland. It promised action but I got nothing. The characters love saying and explaining their moves which take up most of the airing time and the fight ends with just a black screen without showing the move itself. Every character was made to appear very strong only to be defeated with a blink of an eye. Hell, the 12 Leaders of Maniwa Corps were shown as menacing shadows at the start of the anime, but they are apparently just disposable characters that could make someone else appear stronger. In a particular episode, I was looking forward to a duel with an interesting character who was introduced to have a "beautiful style" but he was just magically killed off without the duel itself being shown. More others were also not given justification, mostly because of the fact that they didn't even land a hit at all or just barely damaged Shichika. That's a crucial mistake, because with someone not even receiving a blow, that wouldn't be a fight at all. They totally gave up on producing quality action and fighting choreography by writing the face-offs that way.
I was also promised of Togame's intellect prowess and the ability to come up with schemes to defeat the enemy, but the first half of the anime did not show any of that. The schemes at the later episodes were also not as impressive as I thought they would be, given her pride of her thinking skills.
Shichika and Togame were also interesting characters at the start but there seems to be something lacking in their character development. Shichika got a more direct development - from a man who only thinks like a tool for killing to a man who is more like a person and could think for himself. That's good and all, but the pacing might have made it a little forced on the way. I liked Togame at episode 1 for her bluntness, her pride and poker face while saying that she's weak as a paper wall, and her idiocy despite saying that she's an intelligent strategian. But from episode 2 she was matched with bad writing and just came off as that typical anime girl who gets violent at every little thing despite being so useless herself. Moreover, the last episode didn't do justice to that little development that happened in the last 11 episodes. The resolution wasted all the other episodes.
Visual-wise, the anime is really great. Although cartoon-ish and a bit too colorful, the art style is fun and lovable. It's like a pastel version of Kill la Kill. It looked like the animation had potential too, so it's really sad that they didn't choreograph impressive fighting scenes.
The sounds are just OK, nothing really remarkable. They are fitting to the monogatari theme. At some point, I got tired of the monotone exchange of Shichika and Togame. Even "cheerio" got so annoying.
TLDR I expected too much and got hella disappointed. I think I would have enjoyed it if they just didn't tag the anime as action. But then, I would still get disappointed at the final episode because it revealed a weak writing.
Reviewer’s Rating: 5
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Apr 15, 2020
Man, I really wonder how this anime has such a high score. I mean, okay, it's pretty decent. That is, if we set the bar at a low level.
It was written as if a fan, upon watching a lot of shounen anime, suddenly had an idea about a story and then went off on a writing spree. Of course he'll include an overpowered MC - an intelligent one with great physical ability on the side. And then a sexy woman who acts as if she's a good-for-nothing but is actually really strong and would be the MC's master. Ah, and then another woman who is
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also very strong but in another sense, it would be good if there are two masters. "Not sure what that other sense would be, but I'll probably have an idea of her background later on." And then a whole bunch of other cliched characters that would serve to make the MC look stronger.
As for the story, he had this one concrete idea for the start, until a little of what's after. And then, he suddenly got lost later on because there's literally nothing going on aside from the training. He got no more idea on how to push the MC to become stronger, most likely because he hadn't established anything beforehand as to what kind of major conflict (e.g. villain) would there be just like in other shounen anime. "Ah, I messed up." So he started to consult fellow fans for ideas and also watched other anime for references. In one way or another, he managed to sew up all sorts of ideas until the anime ended. (And there's even a sequel ugh but that's for another rant--- I mean, review).
It really was a pretty decent watch at the start - it helped that I didn't have any expectations. I was willing to forgive the lack of a concrete story framework and dismiss it as a new writer's fiction. My curiosity got the best of me and I wondered how the MC would master the technique he's studying, how it would be when he meets up again with his long-distance friend who seems to also grow stronger and stronger, and how he would use his techniques on a real battle. But no, I didn't get anything. Somehow, other characters really were just written to make the MC look stronger and then they got forgotten for the next scenes. Potential rivalry and camaraderie were abandoned, and no characterization was established. Even the MC and his masters are inconsistent. Obu (the good-for-nothing but strong master) would be the most consistent of them all, but I lost interest when she got into a fight and then there's no battle choreography at all, even special techniques to show that okay, she's powerful. Somehow, she was also granted the "OP spell" at this point.
Moreover, the last episodes really just looked like a tangle of external ideas that didn't go well with each other. The characters are at their most incoherent at this point and there are sudden developments between characters at the last episode which I really wouldn't call as such since there are no build-up or hints beforehand. It looked as if the editor just noticed that the anime's going nowhere, so they suddenly put together something, whatever it is. Heck, I watched some episodes of the sequel and it differed a lot from this first series, and that is a major proof of the anime's inconsistence.
So there. Nothing went on, and if you're ever gonna watch it, best expect it to be just a time-killer. It's a good past time if you don't bother yourself with the details. But well, I don't really recommend it. The only merit I probably got in this anime is the great opening song by Soraru and Mafumafu. The animation was also pretty at the start, until it suddenly got lousy at the middle.
Reviewer’s Rating: 4
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Apr 15, 2020
(Note: this a review for both Shounen Hollywood: Holly Stage for 49 and its sequel, - for 50.)
Shounen Hollywood tackles the lives of 5 boys as they work towards being idols - idols who shine, who inspire others, idols who are worth being looked up on. Quite the grand set-up, don't you think? One would expect a "kira-kira" fest, or a wave of "ikemen aura" seeing as it's about Japanese idols.
Except that this anime is actually so simple and realistic. It's so average - so average that it is, in fact, brilliant. From the media we consume (Jpop and Kpop), we have developed some high
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expectations of our idols, and oftentimes we complain about how they are so different from us, how they are so unreachable. However, in this anime, we get to see their journey on how they are before they were idols and what comes after debut. And no, don't expect dramatic scenarios like in Dream High (a kdrama about idols-to-be).
Story: 6.8 + Characters: 8
The episodes are almost on a day-by-day basis. Often, each episode focuses on one character to narrate their thoughts, their circumstance, and then show a development to their character at the end of the episode. It is a slice of life through and through especially with the slow pace and the normal-ness of the setting, not really too appealing if one is not a fan of the genre. The actual plot is actually not so much, I mean, the setting is there - the boys train to become and work as idols. The story works because of its focus on the characters and character development. It shows how normal the boys are, how they are in fact a far-cry from our image of idols - but with the slow pacing of the story, the idol lessons every day, the internal struggles of the characters, I can't help but be attached.
The characters are as normal as they can be. They actually seem so close to us: I mean, they are struggling like us! Sometimes they act so immature and selfish. Sometimes they doubt themselves. There's nothing extraordinary about the boys that sometimes, even I would doubt how these guys are going to be idols. The boys' talents barely pass the average level. In this sense, the story actually captures the essence of the idol system in Japan - the audience would see their struggle first, then see their growth and improvement throughout the years. I think that maybe the normal-ness of the anime is actually a tribute to this system. Japan's idol system after all induces the thought that idols are also humans, and any one can become an idol if they want to (so different from Korea's, where the idols should be as perfect as possible).
Even so, the anime does not show a "Just be yourself" vibe at all. Throughout the series, we see the boys develop to become more idol-like, whatever that is, and slowly grow up as they age. Moreover, the anime also doesn't go all omni-like. Sometimes it may seem that the president of the company has this all-knowing vision for the boys, but often everyone just really don't know how everything would go on. Just like in real life. There's no one babbling about "correct" ideals. Everyone just develop as they slowly collect experiences and meetings with people. The anime just really successfully shows the reality of people.
One more attractive note about the characters is how they are sometimes unpredictable (to me, at least). When we watch a lot of anime, we tend to predict their next actions based on the patterns and tropes from other anime, right? It's fun to see how my predictions would be debunked as the characters go do or say other stuff that I didn't expect.
Btw, 49 shows the story of the boys pre-debut, and 50 shows their lives as actual idols.
Art: 7
The art style also helped to the brilliancy of the story. It's one of those realistic style, so the characters don't have extraordinary and prince-like visuals as one would usually expect in idol anime. The characters have distinct faces, so one would know that the main boys do have good enough visuals (compared to the others) to be scouted to become idols.
Sound: 7
The soundtracks are all, again, average. They're the type that are not so remarkable on the first listening, but I do admit that some songs are actually my type and I liked them right away (as someone who actually likes Jpop). The voice actors did a great job with their characters: Makki's voice is tough but also playful, Kakeru's is calm like his character, Shun's is that boyfriend-type kind of voice (if you know what I mean lol), Tomii's is so distinct with the nasal sound and the VA did great with the optimistic character of Tomii, and Kira's is really good with the volume control and VA portrayed Kira's personality effectively with his technique.
Overall:
Honestly, this isn't for everyone. I think this would be more appealing to those who already has background on the JPOP scene. Personally, I got bored at the start and put it on-hold first because of the realistic art style, which I wasn't used to, and also because of the pacing. I found myself binge-watching it when I actually craved for a slice of life though, so I guess that's also one condition.
Reviewer’s Rating: 7
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Jan 1, 2013
Being a reader with varied interests, I found myself downloading this series because it is finished and it's been a while since I've read something with a yandere on it. I had nothing to do, and since I've downloaded all of it, I read it all in one go knowing that I would feel guilty anyways if I don't.
Well, it is not very regrettable, but it's quite disappointing.
I have no complaints on the art. It is not the best, and this kind of art is not really my type, but it suited the series as it should be. Akise's the only bishie there (well,
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in my opinion) and so there are less "kyaa-ing" around for fangirls and more focuses on the story. Gasai, violence and bloodbath? Oh oh oh, they are sooo good. The art is enough to satisfy your gore-loving nature.
The story is very good actually. The God of Time and Space is nearing his death and so he makes a game of survival in which the last one standing will succeed him and become the next god. Decent foundation. The God of Time and Space aka Deus Ex Machina is the imaginary friend of the outcast Amano Yukiteru who writes on his diary about his surroundings because he has nothing better to do. Then one day, Deus Ex Machina gives him a future diary which records about the future and Yukiteru will be one of the contestants. Decent introduction to the essence of the series. But why did I not rate it a 10 or 9? The characters are to blame for that.
I find Akise and Rea the only likeable characters there (yes, Akise again). The others are annoying. Why? Well, here goes:
Yukiteru's annoying from the very start. He brought upon himself the current social status he has and then he goes crying like a baby. For the whole game, he is a coward who relies on Yuno because he is so worthless. His resolve doesn't have the right to be called a resolve because he is easily wavered by the words of other people and his shitty feelings. Yuno is an idiot in love. Minene's so annoying because she always say "I, the Great Minene" even when it's only her thoughts. Nishijima all of a sudden fell in love with Minene. I must say, Minene and Nishijima's character development is so ridiculous. It's like the mangaka just forced it in and he really didn't thought of it before. The same goes for other characters.
Well people, please don't judge me. I normally love evil characters like Gasai. I normally go "oohh" or "whoa" in a good sense when there are character developments.Even I can't explain why I suddenly hate almost all the characters. The only explanation I could think of is that the characters are very shallowly developed and I can't feel them at all. You know the feeling of sympathizing with the characters? I didn't feel it at all while reading this. Even when Yukiteru experienced that tragedy or Gasai experienced that abuse. I was in pokerface mode for all the hours I've read this. The only scene that really made me stay on one page is the Akise-Amano kissing scene where I squealed for like 5 minutes.
Okay, I enjoyed the manga at some point but it's just really disappointing. It is a good read, and I recommend it for gore lovers. But it's definitely a no-go for those harsh anime and manga reviewers who will clearly look into the series and list all the loopholes they find because they are going to have a long list if they do.
Thanks for reading.
Reviewer’s Rating: 7
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Aug 23, 2012
Honestly - I like this anime. It just turned out to be a leveled-up romance-comedy series with all those perverted thoughts and scenes. In my opinion, it's not really that much of a hentai, well, compared to Sekirei. It's just an anime full of perverted thoughts, humongous boobs, comedy, and the vain love of the girls.
I should say, the concept is pretty good. The plot is well-arranged too, and the pervertness is balanced out with the comedy. It's also good that the main characters are all dense rather than just only a character being one.
The drawing is pretty good too. Kosuda's as-if-he-is-not-the-main-character look is a
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refreshment, considering that almost all anime have bishies as main character. Well, the big boobs are still bothering me though. How can one get a natural G cup anyway?
Anyways, it's good that the mangaka substituted "the thing down there" and "libido" with an erogami or the characters' chibi-fied self rather than drawing the real thing or do the traditional covering of it. It added to the comedy and broke the usual way.
I really find the theme songs very cute and sweet, thanks to Yukari Tamura's cute voice. They also fit the anime, or so I guess. And the "B Gata H Kei" song that is always present when there's a perverted scene is also quite good.
I guess this anime is an 8.7 out of 10 for me. I recommmend this to the perverted bored ones there who don't mind soft ecchi. Well then, off I go.
Reviewer’s Rating: 9
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Aug 18, 2012
For someone who has lived a painful life, someone whose dreams and loved ones he can't defend, for someone who led an extremely unfair life and died in an unfair way - welcome to the Afterlife School.
I see this anime everywhere - anime magazines, web sites, forum signatures, recommendation lists and et cetera, so I figured that it is so great of an anime to be that popular. And it turned out that I am not wrong about this thought.
The concept of this story is really touching. Giving the extremely unfortunate people another chance to experience the life they actually want to have sure is
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another refreshment for me. The plot, too, is very great. Misunderstandings influenced by their pasts and fears produced a great story. In addition to that, I really love the comedic sense of this anime. I had my ass rolling on the floor and my mouth opened wide because of laughing at scenes where the characters ignore the supposed drama or when making funny scenes go dramatic with the addition of soft music. These innovations really made funny scenes go funnier. What's more, this comedy is balanced with drama shown throughout the whole series. Besides from drama, there are good fighting scenes and good quotes. I must say - THIS IS SUCH A WILD ANIME.
The characters are greatly drawn and their attitudes as individual and as a whole makes me jealous and go wanting to have a group like I-Ain't-Deatd-Yet-Battlefront. Tenshi's and Otonashi's personalities are too common though. And anyway, I really love love TK, Hinata and Naoi.
The theme songs fit the anime perfectly. They are very melodramatic and peaceful. The songs of Girls Dead Monsters are good too. Oh! And it was really great that they had a rock version of the opening song too.
Angel Beats is really magnificent and it's one of the few dramas I love. It is a must watch for all sexes and all ages.
Reviewer’s Rating: 10
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Aug 17, 2012
Ryugamine Mikado, Masaomi Kida, Sonohara Anri - three highschool friends, each with secrets and something to do with the urban legends flying around in the normal yet extraordinary city of Ikebukuro.
My first impression for this anime is "sounds cool, even with the strange name." Fortunately, I am not mistaken. The animation style, plot, story progress, characters - all refreshing and amazing. Though this anime's name still remains as a mystery to me. I'm too lazy to do some research.
I really love the plot and style of animating the series. Every episodes have different POVs, making the story clearer. Of course that also brought up some
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complaining like "Aww man, can't you realize it already?" and "Don't be such an idiot!" but I guess that sort of thing is just normal. The thing that makes it cooler is the overlapping of events. Also, the use and role of technology in the series made it more awesome.
My classmates didn't like the distinction of colors e.g. the color of the crowd is gray while the known and focused characters are fully colored at some scenes, but I think it actually made the anime cooler as it matches up pretty perfect for the series. It also helped in concentration and determining the focus of the viewers.
The character designs and attitudes - ohmygod! They are so great! Well the main character is the same old "kind type" (you know, every shounen is like that, helping everyone out) but his acting like he didn't know about the Dollars to gather opinions of the others is just so refreshing. It made me start to think that he's pretty cool too. Anyway, the whole set of characters in this anime despite the fact that their featured personality is already common and have been seen for a lot of times not only in the world of anime & manga but as well as other literature pieces. Violent, wicked, helpful, innocent, victim, hero, etc. - all matched up perfectly together. In addition to that, I also liked the art style.
Hmm, my favorite character? That has to be Orihara Izaya. Why? His weapon is a knife. 'Nuff said.
No, really. He's very cute when he teases Shizuo. I'm really attracted with that smirk on his face whenever he sees Shizuo. His attitude and personality is cool too. Besides, he is an information broker. I actually want to be one someday too :) Anyways, I also liked Shinra Kishitani. I like his attitude - getting all excited when it comes to Celty and showing her his love. And he's a doctor.
Moving on...
Even the opening and ending theme songs are great. The animations for the opening are really amazing, and the important characters are introduced there too. Well, I won't say that I especially like the animation for the ending songs, but I do love both songs and all the 4 songs are rightful additions to my playlist.
The only complaint in this anime is Izaya did not have his own episode, or the episode with his POV. Anyways, I think it's pretty okay already, since there's always a glimpse of what he's doing every episodes.
I love Durarara and I would re-watch it whenever I'm bored and have time. It is a masterpiece, so I rate it a perfect 10.
Reviewer’s Rating: 10
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Aug 12, 2012
Beck by Harold Sakuishi is a really surprising manga. It is about a band with a rags-to-riches story, a comedic theme and a splash of love. The band's name is Beck, derived from their guitarist's Frankenstein-ly dog's name. Later on, they also got known as Mongolian Chop Squad.
The first thing I noticed about this manga is the art. It is actually not very good. The gag faces are fine, but there are times when the mangaka fits a character's full body in a small panel, resulting in bad body proportions. Well at least the character designs are realistic, the eyes are not very big and
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their poverty was shown perfectly :)
Next is the plot. I SO LOVE IT. It's very real and full of unexpected happenings. Unlike the usual stories where in the series of darkness comes in light in every conflict, here in Beck, the flow of unfortunate events is very long and the people barely get lucky, which adds to the comedy. There are even times when I predict that their luckiness would come in at the last minute and then I end up being wrong. There was even a scene when Ryuusuke is missing and the band needs to perform, and there was a fan looking forward to seeing Ryuusuke because people says he is handsome (and she is the first person to send a letter to the band too). At the last minute before the performance, a man from the guitar shop where Koyuki buys volunteered to be Ryuusuke's substitute. He is VERY ugly, so the fan ended up being disappointed.
Anyways, for the plot, the only problem I saw is Sakuishi-sensei didn't illustrated the story's progress finely sometimes.
This series is not popular yet unexpectedly magnificent. I recommend this one especially to the people who are tired of the mainstream manga and want something different. Yes it is about music and being no expert in that field may make this manga corny, but then, I really like it and it's cool the way it is. Yes it is about music and that may make you say "It is better in anime" since manga is only drawing and text, but then, the mangaka successfully illustrates the feeling he wants the readers to feel while the characters perform. This is an awesome manga and I rate it 4 out of 5 so you guys - BETTER ADD THIS TO YOUR MUST-READ MANGA LIST. No, BETTER READ THIS NOW.
Credits: mangatraders.com, stoptazmo.com, mangareader.net and my classmate codenamed JF for recommending this to me.
NOTE: If you are planning in watching the anime instead of reading the manga, BETTER dispose of that plan. The anime can be boring for first-timers of the series. It is better to read the manga first and then watch the anime second. Well, that's just my opinion. Go on and watch the anime if that's what you really want. And there's also a live action movie of the series, though the plot was really messed up there.
Reviewer’s Rating: 9
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