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Hitoribocchi no Chikyuu Shinryaku (Invading the World All Alone) is the missing link between Hoshi no Samidare and Spirit Circle, this is the closest you'll find of a new manga by Satoshi Mizukami. It starts with a similar premise "boy meets a girl who wants world domination" of hoshi no samidare, but even with this similar idea at the beginning it keeps evolving into it's own thing on a much bigger scale closer to spirit circle's. Maiko Ogawa's unique blend of slice of life, romance and sci-fi battle shonen is very distinct, the world and characters bleeds with melancholy.
The story have this samidare-esque style for ... 3 volumes, then on volume 4 there's a revelation that obviates to the reader what the manga really is: the tragedy of a girl who is searching to belong and be loved. This volume 4 brilliantly uses intertextuality with one of the most famous books of the 20th century (I won't spoil what book it is).

Comparisons with Satoshi Mizukami are inevitable, but it's not derivative at all. Invading the world all alone has it's own identity, this manga is so specific that you can almost descontruct in how much mizukami it is, how much of classic shonen sunday Mitsuru Adachi the art style take inspiration from, to even how much of Ghibli is in the story; The way that magic and supernatural elements work have an abstract ludic style, almost functioning on dream logic similar to how magic works in Howl's Moving Castle. The latter half of the manga is much weirder than the first half, Maiko Ogawa has an incredible skill in making slice of life and romance moments co-exist seamlessly with an epic battle shonen of cosmic scale; I don't know how she does it.

Saike Matashitemo is Tsubasa Fukuchi's masterpiece. From the side characters with small parts all the way to the main characters everyone have interesting development and amazing interactions, it's an evolution from Law of Ueki which had more of a one piece/gash bell style of character dynamic; Saike Matashitemo is akin to something like Hoshi no Samidare or even Fullmetal Alchemist's type of character development. Tsubasa Fukuchi might be the third best mangaka in terms of "fights with cool powers" (only behind Araki and Togashi): the fights are smart, inventive and often have a comedic edge to them.

It's reassuring to see such a heartwarming series have ... more depth and emotional weight with each new arc not at the expense of being sincere, as it has happened to other series that falls on the trappings of equating more depth to become more cynical and dark.