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Jan 22, 2025
This anime is truly remarkable. Mitsumi reminds me of many straightforward, innocent male protagonists from shonen anime, except here, the role is reversed. She’s the perfect narrator for this story. Her journey from a naïve girl from the countryside to someone gradually finding her place in Tokyo, all while retaining that genuine innocence, is the key thread that ties everyone together.
In contrast to many romance series where the main characters get all the spotlight, every supporting character here receives attention to their personal growth, and motivations, making you feel as if they’re part of your own circle of friends. The show also employs an
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uplifting sense of “everything will work out in the end.” It focuses on important moments in Japanese high school life, like festivals and summer break, but approaches them in a refreshingly different way. These events matter, but they’re not central story arcs but rather, they’re days or weeks that Mitsumi and her friends get to enjoy together. Plus, the anime highlights actual study life, showcasing how students genuinely spend much of their time, rather than glossing over this aspect so crucial to the school setting.
All in all, I found the anime thoroughly enjoyable. It offers a fresh spin on the slice-of-life and romance genres, features great pacing, has relatable characters, and portrays friendships that feel truly authentic. I hope others who give it a try will share the same enthusiasm.
Reviewer’s Rating: 8
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Jan 6, 2025
This show perfectly embodies the slice of life genre. I adore the laid-back and leisurely feel of each episode, along with the relaxed demeanor of the girls living in the Japanese countryside. The anime provides a highly realistic depiction of rural Japan, showcasing its isolation and sparse population, which can make it seem almost desolate with limited activities. However, the area's stunning natural beauty compensates for this, offering those who embrace it new and valuable perspectives on life. I appreciate that all five girls in the series are very active, continuously seeking to try new things and learn, despite their different personalities. They are always
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kind to one another and accept each other for who they are. Additionally, they work hard to fund their camping adventures. The show is also very informative and detailed regarding camping equipment, areas, and techniques, clearly reflecting the creator’s extensive research. I love how each episode gently encourages me to stay active and connect with nature while maintaining a calming and healing atmosphere. It's truly enjoyable to watch these girls hang out and grow together.
Reviewer’s Rating: 8
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Dec 30, 2024
This anime is a decent and enjoyable watch, but it falls short of its potential, leaving me frustrated with what could have been. My biggest issue lies with season two, which feels too “safe.” By the end of the series, there isn’t much new or significant information that changes what we already knew about the plot or characters from season one. While we do gain deeper insights into Llenn and Pitohui’s personalities and mindsets, their character arcs were already well-developed in the first season. That said, this aspect was handled competently.
Unfortunately, other characters like Fuka and M receive minimal development, and much of the focus
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remains on conflicts that were already resolved in season one. The game setting also feels outdated. While the concept worked well in 2018, by 2024, the mechanics, especially in the earlier episodes, seem dated. The constant tinkering by the developers within the game disrupts the flow, leaving the characters with little time to adapt or strategize properly.
Pitohui’s plans succeed far too often due to excessive plot armor: her reckless strategies prevail even when a single logical counteraction could have unraveled them. Additionally, there are no new characters introduced, and the story sticks to the same cast, same stakes, and same game. The final arc attempts to consolidate the cast and showcase new weapon types, but it doesn’t add much depth.
The lack of animation quality in episodes 9–11 ending is disappointing, especially when compared to the impressive visuals in the finale. However, the voice acting is a strong point, with Hisaka Youko’s energetic performance as Pitohui standing out.
Overall, while this anime is watchable and enjoyable, it plays things too safe. The production team seemed content with creating something decent rather than pushing for a standout project. What felt refreshing and exciting in 2018 now feels rather average in 2024, unable to truly stand out in today’s competitive market.
Reviewer’s Rating: 6
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Dec 25, 2024
The series is easy to watch and shows some potential but ultimately suffers from a lack of clear direction and a noticeable disconnect between the main storyline and the slice-of-life subplots. Watching the anime, I couldn’t shake the feeling that the author struggled to decide on the story’s identity. While major plot points, like the assassin organization or Hitoyoshi and Yuki's childhood trauma of abandonment and their struggles with self-identity, are introduced in a serious manner, the overall tone of the series is surprisingly light-hearted.
It’s reminiscent of the early stages of Katekyō Hitman Reborn, where, despite framing the story as a young yakuza boss
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learning his craft, the focus leaned more toward high school comedy and slice-of-life elements. As an anime-only viewer, I’m curious if the author plans to maintain this approach because, if so, the climax risks feeling anticlimactic. Even when potential rivals or assassins are introduced with the threat of killing, the conflicts are resolved quickly, often with adult characters acting immaturely.
The side characters, such as Hitoyoshi’s sisters or his classmates and friends, follow fairly basic anime tropes. While not inherently bad, it gives the impression that the author may lack real-life experience to draw from. The series also plays into a niche demographic, with the tall-guy/smaller-guy dynamic, which is admittedly entertaining to watch. Additionally, there’s a strange fixation on tonkatsu or tonkatsu sauce, as well as Yuki’s clumsiness and frequent crying. While these quirks might be personal choices by the author, making tonkatsu sauce an integral part of someone’s personality feels oddly excessive.
Some may argue I’m being too harsh since the show isn’t meant to be taken seriously, but the way the plot is framed forces viewers to view these issues as significant, only for the conflicts to be resolved in ways that feel trivial, almost like high school antics.
On a positive note, the animation is well-done, the opening and ending themes are catchy, and Ueda Reina’s voice acting brings Yuki to life in a compelling way. Overall, while it’s an easy series to consume, I’m not sure it did enough to merit a second season.
Reviewer’s Rating: 5
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Dec 23, 2024
It’s hard to add anything new to the discussion—*Dandadan* is undoubtedly an anime of the year contender, if not already the top pick. Across its 12 episodes, it’s been an exhilarating ride. What stands out most about Dandadan is its ability to seamlessly blend seemingly random and unrelated subcultures and genres, chosen purely because the author loves them, into a cohesive and innovative narrative.
The action scenes are breathtaking and inventive, constantly surprising viewers with fresh approaches to storytelling. From thrilling chase sequences in an old building to a reverse classroom filled with water, the show turns randomness into something logical and practical. Each
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major action sequence feels new and exciting, leaving viewers in awe of the creativity behind them.
The characters are another highlight. While their archetypes might seem familiar, their quirky interactions and mismatched personalities blend together refreshingly. The show feels like a love letter to the random, genre-blending series you watch for pure enjoyment. Even for viewers like me, with limited knowledge of Ultraman, aliens, or Japanese spiritual monsters, the author’s passion and clever integration of these elements make them compelling and worthwhile. It’s a reminder that what we watch and consume truly matters.
The series also knows when to be serious, delivering mature, emotional moments that hit harder than anything I’ve seen in other anime this year. The opening theme by Creepy Nuts and Science Saru’s unique animation style perfectly capture *Dandadan*'s tone and energy. If there’s one critique, it’s the repetitive post-battle interactions where the cast often devolves into chaotic antics. However, this is quickly followed by creative and refreshing new arcs and character introductions that keep things exciting.
Overall, *Dandadan* is 95% my anime of the year, and I hope everyone who gives it a chance has an amazing experience.
Reviewer’s Rating: 10
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Oct 31, 2024
The biggest issue with this show is its lack of a clear focus, making it hard to pinpoint what genre it aims for: romantic comedy, drama, or slice of life. It feels like a mix of *Bunny Girl Senpai*, *Kaguya-sama*, and harem ecchi elements, but without successfully capturing the appeal of any. While the last episode had a strong finish that slightly boosted my rating, the journey felt sluggish. The continuous, linear storytelling creates a semi-realistic vibe but ultimately dilutes the impact of each theme, leading to underdeveloped scenes and character arcs.
Alya’s character is reduced to a typical "tsundere" with a Russian-speaking quirk, and
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the secondary characters feel ambiguous in importance. It’s unclear whether they’re meaningful to the plot or just filler, as only the main couple, Masachika and Alya, get any real depth. Additionally, the show has a "semi-pretentious" tendency, making trivial problems seem overly serious. The student council drama lacks depth, and attempts at strategic plotting feel forced, more like excuses to introduce plot armor for the main characters. Although the 12 endings mostly showcase Alya’s beautiful appearance, they don’t necessarily improve the narrative or storyline quality. Ultimately, the show could have been stronger if it had focused on one narrative style or balanced its tonal shifts better.
Reviewer’s Rating: 5
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Oct 10, 2024
Season 2 picks up right where Season 1 left off, introducing new characters, events, and storylines while maintaining the unexpected humor and creativity that made the first season so enjoyable. It feels more like the second half of a 24-episode series rather than a separate season, though the two-year break allowed the studio to focus on the animation, which looks crisp and well-crafted. The new characters add fresh dynamics, and their interactions help make the world feel more alive. The author’s creativity shines in the variety of gags and humor, keeping the jokes and scenarios feeling fresh rather than repetitive: watch episode 12 and you’ll
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see what I mean. Overall, the show delivers once again, and I’m really hoping for a Season 3 in the near future.
Reviewer’s Rating: 8
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Oct 6, 2024
I discovered this show through *Re After Recording* and decided to give it a shot, being a huge fan of both voice actors Jun Fukuyama and Tamura Mutsukimi. It turned out to be a delightful surprise! Somehow, this anime had flown completely under my radar during its seasonal broadcast, and I’d even say it’s one of the most underrated shows when it comes to comedy, parody, and gag humor.
The anime draws a lot of inspiration from horror stories and the typical vampire-hunter trope, but it flips these expectations on their head, turning it into a refreshing comedy. Instead of portraying vampires as cool and merciless
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monsters, the show presents the main vampire as the weakest creature ever. While freeloading characters are common in comedy, it’s Draluc’s interactions with others that really make his personality shine. His dynamic with the hunter guild is particularly charming. Despite the guild members’ designs resembling archetypal hero classes, they all have distinct personalities.
The show’s world-building also makes sense, like how vampire hunters adapt to survive in the modern world. Each episode is fast-paced, packing two or three gags into 20 minutes, and the jokes are clever, often combining different events or settings to enhance the humor.
One thing I particularly appreciate is how the show handles its villains. The vampires remind me of those fun villains you’d often see in Cartoon Network or Disney shows. Instead of disappearing after a single appearance, they keep returning and become a part of the world. Each villain has unique abilities, and while some moments can be cringeworthy, they make for interesting challenges for the hunters.
The character designs are innovative, too. As a football fan, I found it hilariously iconic that the main character is named Ronaldo. John, the mascot, is an absolute gem, and Draluc’s personality lets Jun Fukuyama use both his voice ranges, reminiscent of his roles as Lelouch and Watanuki, which is awesome. Overall, I had a blast with this show and can’t wait to dive into season 2!
Reviewer’s Rating: 8
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Oct 1, 2024
"Code Geass: Dakkan no Roze" is finally a worthy successor to "Lelouch of the Rebellion." It doesn’t try to do anything overly flashy or new; instead, it takes everything that worked in the original series and remixes it just enough to feel fresh and attract an audience. Don’t get me wrong—the first half is amazing, largely because the formula has proven successful in the past, and for long-time fans like myself, the nostalgia hits hard. This becomes even clearer with the regular fan service in the form of old character cameos lasting a few minutes in each episode. Sakura Sumeragi lives up to the title
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of Lelouch’s successor and answers the fan question: what if the main character of Code Geass were a woman?
So, can Code Geass as a series thrive in 2024? The answer is both yes and no. My biggest criticism is how they rushed things to fit everything into a 12-episode anime. While the available material may not justify a full 24-episode season, and there might be budget constraints (despite the flawless animation), the story could easily have been expanded into 16-18 episodes. Even though the main revenue comes from the theater releases in Japan, they could have just made the 4 longer movies longer. Due to the pacing, most of the side characters are underdeveloped, feeling like remnants of the original cast. The show also goes out of its way to restrict the old characters, making every possible excuse to prevent them from easily solving the conflict.
The villains, on the other hand, are overpowered to the point of being unrealistic. Without spoiling anything, the financial and time investment needed for the villains' grand plan is absurd, and it’s hard to believe no one saw it coming. The use of Geass and tactical elements is also underwhelming. The series starts with an intriguing premise but gradually devolves into a typical mech battle anime. However, the final episode is incredibly hype, reminding me why I loved the series so much in the first place.
In summary, "Code Geass: Dakkan no Roze" is far from perfect, but it has a lot of potential and is definitely the best Code Geass spin-off compared to others. It has its flaws, most of which could have been avoided, but for a dedicated fan of the series, it’s still worth checking out.
Reviewer’s Rating: 7
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Sep 30, 2024
Overall, the movie is pretty good, but aside from the dynamic between Shirogane and Kaguya, which is, of course, the main focus. However, the side characters' stories still feel underdeveloped and underutilized. Maybe it’s the flashy animation in the opening featuring all the characters that gave me false hope, making me think Shirogane would come up with another grand plan like he did at the end of season 3. When he sat down to plan on December 23, I half expected another miracle from him, but the way the movie handled his health and ideology made sense, so I can't complain.
I also appreciated how
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the film delved into the darker aspects of their relationship, forcing both characters to confront each other's weaknesses, in contrast to the cat-and-mouse comedy from previous seasons. It sends a great message: to truly embrace love, you have to accept both the good and bad sides of the other person.
The biggest praise for the movie goes to voice actress Koga Aoi. Watching the subbed version, her solo performance during Kaguya's internal conversation was incredible. She used three different voice pitches, constantly shifting between them while clearly expressing all of Kaguya’s personas. It was truly impressive, hats off to her!
Reviewer’s Rating: 9
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