If you liked
FLCL
|
...then you might like
Dead Leaves
|
If you liked Dead Leaves, you'll like the same sort of crazy energy and action that's found all over FLCL. On the flip side, if you liked FLCL for it's heart, for it's smart usage of energy and action to tell a story about youth, responsibility, innocence lost, and for it's ability to transcend genre and medium to tell a compelling literary story, then Dead Leaves is not for you. This is really just a one way street. If you like Dead Leaves you'll like FLCL, the reverse, however, is not necessarily true. Dead Leaves is FLCL without the emotion and intelligence.
If you liked
Tokyo Godfathers
|
...then you might like
Toki wo Kakeru Shoujo
|
Both these films are grounded in a reality close to ours, and the animation reflects that, from the backgrounds to the character design. In addition they both use fantastical events, science fiction in one and a magical realism in the other, as a device to explore deeper human relationships and to a certain extent causality. They are both charming stories told with a light touch that don't try to hit you over the head with their themes like so much else out there. What they lack in similarities of genre, they more than make up for in similarities in tone, atmosphere and mature (as in intelligent) storytelling.
If you liked
Abenobashi Mahou☆Shoutengai
|
...then you might like
Suzumiya Haruhi no Yuuutsu
|
If the kids in this show grew up and went to high school they would fit right in with the main characters from who hang out with Haruhi Suzumiya. Both shows tackle magical subjects, and lead roles who try to avoid their harsh and often boring realities for worlds of their own creating, where fun and fantasy offer a needed escape. Though Abenobashi is a bit more whimsical than Haruhi, they both lampoon (to a certain extent) other typical anime genre's and conventions.
If you liked
FLCL
|
...then you might like
Suzumiya Haruhi no Yuuutsu
|
Both deal with the banalities or regular life vs. something more fantastic. Both come to similar thematic conclusions even though they go about it through very different means. They both deal with younger protagonists dealing with growing up, and feature a solid cast of well rounded characters that add both to the realism of emotion and suspension of disbelief for the wackier set pieces.