The journey to this manga finale was so agonizing and that's solely because of the rollercoaster type of chapters Wakui had for the readers, especially after certain choices he decided to pursue in the storyline. With that said, this review will contain spoilers so look at this with caution if you haven't finished reading it yet. Tokyo Revengers is a manga that involves both of my favorite things about different troops: time-lapping and gangs, but certainly those concepts were morphed into something more mystical to say at least, but it was fun while it lasted.
The story has Takemichi Hanagaki, our MC, a regular young man
...
who had not prospered very well at the moment due to his difficult circumstances during his younger days and knows about the death of his high school girlfriend by the dangerous gangs in Tokyo that lead him to be pushed to the railroads to his imminent death, time-travels 12 years in the past and decides to take this chance to make things right. What he did not know was that the more he tried to save his girl, the more people would be getting the consequences of his actions which would trigger his intentions to save everyone he gets to encounter on his journey.
With that premise, it was obvious that Takemichi had to find himself the people involved in the Tokyo gangs in the future, and that was a huge task on his hands. Here is where I would like to stop and talk about two very important aspects: The story and the characters' roles in said story.
I'm pretty sure Wakui had a lot of ideas since he inspired his work from Black Emperor, a gang he was involved in -or that is what the media reports- during his youth, as well as the grasp he got from the time-traveling concept, which made things a lot more convoluted in future chapters. The idea of Takemichi getting to know, interact, and bond with almost every single member of different gangs as a way to introduce consequences to certain events was brilliant; it worked as a mechanism to give our MC a proper development through the arcs as well as the chance for characters related to each moment to grow. Takemichi, going back to the future and discovering how different each timeline was due to his choices and inevitable events was certainly engaging because who would've thought about the reasons for so much hatred and violence in all the possible futures? But then, with each character being introduced and how Takemichi's powers were evolving and working in those scenarios, the storyline went to something I did not expect, and I'm sure people will agree, was becoming whatever after the 1st wedding timeline, and here is when the characters and their roles enter by Wakui's logic and creativity.
I really enjoyed the whole Takemichi's motivation thing, to save his girlfriend and his friends, to gather the courage to not be a wimp about every single negative situation, and to actually take action as well as how his growth as an individual and skills was built...
But how are you gonna present to the reader a whole power that allows our MC to get premonitions, use it conveniently in very specific situations and never address it ever again? Why it took so much to explore the triggers of each timeline but not this power-up that came from nowhere? People would let that pass -actually, I did because even if it left a taste of plot-armor artistry, it gave space for Takemichi to act, specifically in the two last arcs. I'm a believer that if a power-up that special is introduced in the final moments of a story, is because it was being dragged for so long to a point where Wakui was probably asked to end it and pulled his last efforts to rush it in the most logical way possible and it felt that way, sadly...
Other proof of this belief is the most unfortunate pseudo-relevancy of characters and their final chances of proper development during the plot. It still seems unbelievable how Senju, the leader of Brahman, was hyped up so much for her same-level skills as Mikey, being part of the Three Deities, and yet she was almost a lady in distress if it wasn't for her physical skills. It was so contradictory to let her brother treat her as a capable member and still tell her to stay away from the battles knowing her reputation among the gangs and her own strengths. Hanma Shuji, an actual headache for the main characters, was given an actual chance to tell his story in front of his only friend and Wakui forgot about it, it was literally never addressed unless it was a metaphorical way to say how the rest of the manga would go on, which seems unnecessary due to the lack of depth it was given to him, an actual enemy on this story, in that precise moment. Kisaki, which I think is a great villain, by the way, is the only real enemy for who I felt something good in this area and that is because Wakui kept it real and all that motivation came from loving a woman, which is more likely to happen in real life tbh: changing for someone to be a better self. Mikey, a controversial yet hyped character in the main cast, became frustrating to see. The dark impulses plot was expanded in such a way that being described as a CURSE at the end felt laughable -great explanation made by Sanzu in the middle of a battle btw-.
In contrast, the story of Shinichiro Sano and the reveal of the second timelapper was so well done; I think Wakui had it already planned and it felt well planned and so the final arc was great for a moment. All the characters had significant experiences in all the arcs and learned how to carry on in their lives and then Wakui came with the most pulled-out-of-your-ass final I've seen. Because with a simple trip to their childhood, the whole cast's journey of growth became nothing. It felt weird to only see children Mikey and Takemichi casually meeting and gathering all the members as if nothing happened.
The finale is rather a scenario that I would've loved if a reset did not happen at all. The reader will know by then that only Mikey and Takemichi will remember the whole story, and even though this happy ending was for all the characters who might never know about the struggles lived in multiple timelines, it felt nice to see that Chifuyu had notions of it. Again, with the rushing to end this story, it can only be assumed that the other characters and triggers, especially Naoto Tachibana, the first and main trigger for Takemichi, had the same blurry memories of the past timelines. It was nice to see all those characters happy but was throwing all their stories and redemption moments into the trash worth it? Wakui had the chance to make a positive message out of this finale because I've seen a lot of people struggling with their circumstances, working on their traumas, and embracing their experiences to make themselves a better person, so knowing that all told stories in this manga were basically erased in this timeline was counterproductive -I will never forgive Wakui for this, Mitsuya had such a great development after Draken's passing... How sad-.
Good for them though! Takemichi managed to save all his beloved ones!
This is not the first work Ken Wakui has done, but it was his moment to improve his artstyle which I currently like. I really loved his previous works and first volumes ' artstyle, he managed to keep his characters almost realistic with the features he draws and later became something more anime-esque with more cartoonish aspects which will be assumed is for the sake of productivity on weekly releases. The art in Shinichiro's story with the expressions and effects in the panels was amazing and truly one of my favorites to see. It can also be noticed how important is fashion when it comes to his characters, his taste in outfits for each character's volume cover and special illusts was perfect and it shows in the way every character was dressed in their uniforms and casual fits as well as the creations Mitsuya has done in the story. The wedding dresses for Hinata Tachibana in both wedding timelines were lovely. So much to say about his art and how it progressed to the peak that it was Shinichiro's past- for real, the really angry Shinichiro panel was exquisite~- but so many written words already lol.
So...
Did I enjoy it? Yes, very much. The plot is engaging, the amount of action and fighting moments were great and the art is amazing. Each character is likable in their own way, it may resonate with the reader depending on their own stories or outcomes and the constant curiosity of knowing how the future will change with each step Takemichi did was thrilling.
Was it worth it? The answer is debatable. The Mixed Feelings recommendation is the only way I could put this. For others, it may be the worst manga finale, almost of bad taste. For me, it was an okay finale for such an amazing story but that was only because I let myself be in a state of almost faking dementia to let all the shitshow of the final arcs go as nothing lol.
So my overall rating is actually an 8. The whole story can not be left to rot in a corner just because of a mid ending. The art is great, the characters are cool and you can tell the love Ken Wakui has poured into his work.
TL,DR: If you enjoy some gang shit action with time-lapping in the companion of the realest MC out there, then Tokyo Revengers is a good story to jump in. Be careful while reaching the end though, it's better to be prepared for some of the weirdest asspulls of the year.
Nov 16, 2022
Tokyo卍Revengers
(Manga)
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The journey to this manga finale was so agonizing and that's solely because of the rollercoaster type of chapters Wakui had for the readers, especially after certain choices he decided to pursue in the storyline. With that said, this review will contain spoilers so look at this with caution if you haven't finished reading it yet. Tokyo Revengers is a manga that involves both of my favorite things about different troops: time-lapping and gangs, but certainly those concepts were morphed into something more mystical to say at least, but it was fun while it lasted.
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