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Nov 28, 2021
This is one of those shows that right from the first episode I knew exactly what it’s going to be. Humanity faces a threat, and only a small group of heroes can save them. That’s not necessarily a bad thing, it’s just that there aren't many good qualities beyond that. The plot is pretty standard. A long time ago demons walked the earth, threatening humanity. Then out of the ether spawned these deities called “Idaten.” They defeated the demons and sealed them away forever, sacrificing themselves in the process. Eight-hundred years later Rin, the granddaughter of one of the Idaten, along with other Idaten that
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she created, are the only ones that exist today. Since there isn’t much of a threat anymore, they pretty much neglect any training Rin tries to give them, besides one. Turns out there is a threat. Somehow demons still exist, and they’re much more intelligent than they were eight-hundred years ago. Of course our “heroes” aren’t prepared for this, hence the name “The Idaten Deities Know Only Peace,” or TIDKOP for short.
I like the overall idea, but it’s the details that are lacking. The characters for one aren’t that interesting. They have their quirks, but not much else. They have their roles in the plot, but they don’t really develop. The fact that their “training” consists of them just hitting each until they get stronger doesn’t help either. They don’t learn how to better utilize their abilities beyond increasing or decreasing their weight (yes that’s an ability they have) and punching harder. There is one that uses magic, but that hardly matters. Rin is so much more powerful than anyone else in the show that it makes her pretty much invulnerable. The other demigods, while not as powerful as Rin, don’t die very easily either. So basically you never feel like our heroes are in any danger. Maybe it would be better if there was some kind of power system, so we know what the rules are. It would definitely make the fights more interesting at the very least. The demons aren’t any more interesting than the main characters. Most of them just spawn tentacles or whatever and just want to destroy humanity, and they also have their quirks.
If I were to compare this show to something else, it would be Jujutsu Kaisen, which ended earlier this year. Everyone in that show is a badass and just fights demons. There is also a “sensei” type character that is pretty much invulnerable. I would give that show a similar rating, only TIDKOP looks better.
The best thing about this show is the production value. I like the simple, colorful character designs. Their simplicity gives them a pretty soft texture, complemented by their purple outlines. There is also plenty of great animation or “sakuga” in pretty much every episode. The background art is also pretty colorful and fits the characters quite well. If the show didn’t look so good, I’d probably drop it.
Overall it wasn’t bad. If you want to see plenty of action and quirky characters, then this is the show for you. Don’t expect much more than that.
Reviewer’s Rating: 6
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Nov 13, 2021
Sonny Boy is one of those shows where it definitely has some ideas, but it doesn’t know what those ideas are or how to express them. When it does try to express them, it is pretty vague or has no meaning.
The show centers around a group of highschoolers who develop supernatural powers for no reason and find themselves in a different world. They end up traveling to different “worlds” trying to find their way back home. A lot of random stuff kind of just happens, and you don’t know why. The characters do have their own personal feelings they are working through. That’s what
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you’d expect from teenagers. That part makes sense. It’s just that none of them are that interesting.
It’s hard to say whether they’re even driving the story forward. Half way through the show, these kids find out that they are just one of many different versions of themselves. I guess there are multiple universes. Also their principal, or used to be principal, is God. Apparently he didn’t choose them as the main ones. So they get to live in purgatory forever. From there they all just kind of wander around until everything goes back to normal in the end.
This show sucks because it fails in every aspect. The characters are bland and uninteresting. The plot makes no sense, and any themes it may have are extremely vague. The whole time I’m asking myself how much are the main characters doing and how much is “God?” I don’t think it matters either way.
While I don’t care for the show at all, I do understand the appeal. It’s a bunch of kids in a situation they have little to no control over, trying to figure out who they are. The plot is just there to facilitate them. It just isn’t good at it. That’s why it was a slightly below average experience for me.
Reviewer’s Rating: 5
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Sep 24, 2021
The Duel:
I guess it’s a Kurosawa meets Star Wars kind of thing? I haven't even seen a Kurosawa film. I just know through pop culture. While I’m not a fan of CG, they did do something special here. I like the black and white mixed with sketchy textures. It’s a fine “lone samurai” kind of story. It didn’t really need to be a Star Wars story though.
5/10
Tatooine Rhapsody:
I like the chibi character designs and the animation was good. The story was cheesy. It didn’t make me care about the characters at all. The CG background shots were out of place and unnecessary.
5/10
The
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Twins:
This one is the most aesthetically pleasing. The twin Vaders’ suits and stormtroopers are designed really well. They have this kind of smooth quality, like a marshmallow. Characters with strong conflicting morals and the epic finale is definitely Trigger-esque. Studio Trigger put a lot of effort into this one. It made pretty good use out of the star wars setting. It’s exactly what I expected from them.
6/10
The Village Bride:
It’s another cliche imperialist colony vs the natives narrative. It does have a soft texture, along with a color palette to match. It goes well with its themes of nature.
5/10
The Ninth Jedi:
It’s pretty much what I expected from Production I.G. It made the best use of the Star Wars setting. The story about the sith trying to eliminate the jedi was interesting. It definitely FEELS the most like Star Wars. From the aesthetic, locations, music, and story, it almost makes me want a full length show.
6/10
T0-B1:
I think this one was the most creative. While it did feel like an entirely different universe, it did have a lightsaber battle at the end. Its really soft, cutesy aesthetic made it a joy to watch.
6/10
The Elder:
This was a fine master and apprentice story. It’s much different than the other trigger short in just about every way. It had a couple of light saber battles and a lesson at the end. It’s whatever.
5/10
Lop and Ocho:
A tale of two sisters who drift apart. It has some of the best “sakuga” of the whole series (mainly at the end). I really like the bunny girl’s character design.
5/10
Akakiri:
Science SARU really delivered on this one. The aesthetic and atmosphere really gave this one a unique flavor. There was a really good use of color in certain scenes that elevated the story a lot. Out of all the short stories, this one was directed the best.
7/10
To sum up my overall opinion on this anthology series, I would have to say that most of them lack a “vision.” I don’t mean that they didn’t know what they were doing. I mean that they rely too much on the Star Wars brand. I know that that was the purpose of the project, but I’m speaking in terms of quality. Most of them seem as if they’re part of or are the beginning of a bigger story. They don’t really stand on their own as a short story, and just hope you’ll be satisfied that it exists at all. The only exceptions are the ones made by the studio Science SARU and Kamikaze Douga. While they do feel like part of a larger story, they still managed to be creative enough that I could consider them their own thing. Maybe none of them actually care about Star Wars and just wanted a chance to work on something fresh. Maybe they just wanted some exposure. That’s fine. It just isn’t what I want out of anime.
Reviewer’s Rating: 6
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Sep 20, 2021
Kemono Jihen is one of those stories where the main character is kind of a self-insert. It’s not quite the same as a typical isekai protagonist, in that it is just a power fantasy. Though that could be a part of it. That just isn’t the sole focus. It’s more like he is the catalyst for the rest of the characters. He is stronger than most, has the ability to heal indefinitely, and can summon even more strength if need be. Basically he’s an overpowered badass that assures you that everything will be alright. There isn’t anything inherently wrong with that, but it does make
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things less interesting being aware of this. It doesn’t help that he’s a blank slate with little to no emotion. Of course that doesn’t ruin the show.
There are plenty of other aspects of the show to enjoy, like the setting. The world of Kemono Jihen is nothing special. It is pretty much set in the real modern world with supernatural elements sprinkled in. There are spirits, beasts, and everything in between. Kabane, our main character, is what you would call a hanyo. It’s a combination of a human and a khoular, a “bloodless demon.” There are other classifications for human-beast hybrids, but it doesn’t go into much more depth than that. It’s really only important in regards to Kabane to explain why he is overpowered. I guess if you inherently like this type of show then it’s for you.
As for the other characters, they are fine. You’ve got Akira, who has ice powers, who is from some snowy ice village occupied by mostly females. Males are born every 100 years. I’m not sure how that’s supposed to work. I guess that explains why they have such a low population, but even that must be hard to maintain. Maybe the women FREEZE their eggs. Who knows? Akira and his brother Yui, who also has ice powers, were currently the only males living there. Of course they were mistreated, so they ran away. Yui is a bit over protective, and it all comes to a head in the final arc of the show. It’s all very heartfelt and kind of cliche. Then there is Shiki, who has the power of silk like a spider, who had a traumatic incident involving his mother as a child. There was a conspiracy and some betrayal, but it didn’t end too badly. That’s really all the interesting characters.
Overall it was a fun supernatural action show. The main character is a bit lacking, but maybe that’s on purpose. I think it could have used more world building and a more in-depth power system. It has a pretty high production value, so that’s a plus also.
Reviewer’s Rating: 6
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Aug 28, 2021
Vivy’s Fluorite Eye’s Song is an action sci-fi thriller with some time travel thrown in. It is set in the future where AIs and androids are prominent enough to be a part of everyone’s daily lives. While the show does make it clear what the AIs function in society is, it doesn’t go into how they function in society. It doesn’t go into the technology nor its sociological effects. While certain things are shown such as space hotels, android idols, and people marrying androids, it doesn’t have much to say about these things. Of course it doesn’t have to go that in depth, but it
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would make the story much better, especially regarding the main plot.
The plot is this: In the future humans seem to rely on androids for everything. From servitude to entertainment, they are pretty much ingrained into society. For some reason all the androids of the world go haywire and start exterminating humans. One scientist, Dr Matsumoto, realizes what is going on and sends an AI 100 years into the past to prevent this from happening. This is where Vivy comes in. Apparently she is the only android that hasn’t gone haywire in the future. So basically her and this AI will try and prevent the downfall of humanity over the course of 100 years by intervening in key events that apparently led up to the android/human revolt.
The weird thing about this method is that it isn’t made clear how these events led up to androids genociding humans. I assume that it was written this way so that there could be a “twist” at the end. Of course the ending is exactly what you’d expect. The giant collective AI “network” has decided that humans should be exterminated. Now this is a tired trope that so many sci-fi stories like this use, and it’s no different here. It could have been less cliche if the show went into more depth about why AI wants to destroy humanity, but it just wants to be a plain old action sci-fi thriller. That’s fine.
Reviewer’s Rating: 5
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Aug 8, 2021
***THIS REVIEW CONTAINS SPOILERS***
Jobless Reincarnation is an average show. While it does have a few elements that I like, it doesn’t do much in terms of story or structure.
Like many isekai it starts off with the main character, Rudeus, being hit by a vehicle, and his soul is then reincarnated in some fantasy world. In this fantasy world he is born with an affinity for magic, and he is weak in other areas. I like this aspect of his character. He has to hone a specific set of skills instead of being an omnipotent god like in most isekai. You see him practice and
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get better over time. He doesn’t just find some exploit to get to max level. I mean he can’t, since this world doesn’t operate like a video game. Once he gets a little older, his parents find out about his magic abilities, which he had been hiding up to this point for some reason. His parents then find him a magic tutor, Roxy, who then trains him for a year and then leaves. They had a nice relationship. It was cool seeing the main character develop his skills naturally.
Roxy did help Rudeus with one important thing: his fear of going outside. This is an important development for him because of who he was in his past life. He was severely bullied in school, which made him become a hikikomori who just sat in his room and played video games, watched anime, jerked off, etc. His family then threw him out for being a useless idiot. He then gets hit by a vehicle while wandering the streets, and now he’s a child prodigy in another world. This new life is like a second chance for him. He obviously failed at life the first time, so he gets to give it another try. This development only lasts for the first couple of episodes, but it’s better than nothing.
What lasts throughout the entire show is his perversion. Since Rudeus is reincarnated, his spirit and memories from his past life were transferred to another body. So even when he was a baby, he still had the consciousness of a 34 year old. He just couldn’t physically do much. How this works exactly is never explained because it probably can’t be. He just thinks perverted things as a child. I assume this is for comedy, but I just don’t buy it. Though his adult consciousness is important beyond that of course.
Which brings me to the main plot of the show. Rudeus wants to go to a magic school to further increase his skills, along with a girl he met. Since his family doesn’t have enough money for that, his father sends him off somewhere to earn it. His job will be to train a red headed girl named Eris. Of course she’s a typical tsundere and just a straight up pain in the ass. They bond and train together. It’s whatever. They get transported to the middle of nowhere by a mysterious plot device later on. They meet a “Superd,” named Ruijerd. They head to a city, do some work for money, and I don’t remember the rest. Although this show does have some quirks, I found it quite generic.
Verdict - 3 of Ghislaine’s abs out of 6
Reviewer’s Rating: 5
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Jul 30, 2021
Combatants will be Dispatched is the best comedy I’ve seen in a while. It’s a fun action adventure show with science fiction and fantasy elements mixed in there.
Combat Agent No.6 works for the Kisaragi Corporation with the goal of conquering the universe. He is accompanied by a support android named Alice Kisaragi, who is made to look like a little girl. Why this is, of course, is never explained. I guess it’s just funny that a loli is helping take over the universe. I also find it funny how the android is given a proper name while the protagonist is referred to as the
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number 6. It’s possible that he has a real name, but that doesn’t matter. It’s funny either way. These partners in crime are teleported to a planet in hopes of conquering it. To do this they’ll have to infiltrate the kingdom that rules there and take it over from the inside.
The show has a good setup for a comedy. In fact it’s quite similar to Konosuba, which makes sense considering it is an adaptation of a light novel from the same author as Konosuba. You’ve got the perverted asshole main character, Combat Agent No.6, who isn’t as quick-witted as Kazuma but is somehow more competent. Grimm is a bumbling fool who can cast magic, but it has a 20 percent chance of affecting herself instead of her target. She rides around in a wheelchair because she once tried to curse someone with the inability to use footwear, but it affected her instead. She’s kind of the Darkness of the group. Grimm isn’t as masochistic as her. She is just accident prone. Rose is some human/dragon chimera that is obsessed with eating meat. She is similar to Megumin in that she has a happy go lucky attitude and is focused on one thing. Then there is Snow who is definitely the Aqua of the group. She was the highest ranking knight but was demoted and is now stuck with this band of misfits. Snow is much more of a hard ass than Aqua but also has an immature side. In summary, most of the show’s characters are morons, except for Alice. Of course that’s part of what makes this show enjoyable.
The most interesting aspect of the show for me is the point system. The corporation that No.6 works for has a system set up so that he can earn points for each evil deed he commits. He can exchange points for any type of gear on his mission. Throughout the show it’s pretty clear that it was a necessity. So not only is Combat Agent No.6 a mischievous, perverted asshole, but he is incentivized to be one. Now that’s good business. Of course since No.6 is an idiot he constantly screws himself and the whole team over following this system. Alice has to make up for what he lacks. That’s probably what she’s there for. Even when No. 6 isn’t screwing up, all the other characters are taken aback by his malicious way of doing things, except for Alice of course. Though it’s only to rack up points, so it’s all good.
Just like Konosuba, this show loves it’s repetition. Snow is constantly getting her sword destroyed, even though she hasn’t finished paying off the loans for them yet. I wonder how much debt she’s in? Grimm is so clumsy that she takes herself out before almost every fight. Just so many jokes are repeated over and over again. Though the show is consistent if anything. It didn’t get too old. If that is something that you don’t like then this show is not for you. Overall this show was pretty fun. It isn’t the pinnacle of comedy or anything, but it definitely has thought put into it.
Reviewer’s Rating: 7
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Jul 22, 2021
***THIS REVIEW CONTAINS SPOILERS***
This is probably one of the most pointless movies of the year. It's about two kids who run into each other. They both take each other's phone by accident, which is so cliche. It was obviously just an excuse so they have to meet again. They then start helping this old man find an old record made by his deceased wife. That's pretty much the whole story. One of the kids, the boy wears headphones all the time and is afraid of public speaking. The other kid, the girl, wears a mask all the time to cover up her buck teeth, even
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though literally everyone else likes them. These are just small quirks given to the characters to make them feel somewhat like real people. It's lame. There is a lot of characters standing around talking about nothing while the same track plays over and over again. There was so little going on that I could go on my phone and still not miss a thing. I was a bit disappointed with this one considering how good it looks and that the same guy who did the soundtracks for Devilman Crybabay and Ping Pong did the soundtrack for this one too. Of course it's nothing special. At the end they find the record and the boy tells the girl he likes her. The end.
5/10 - Generic as hell
Reviewer’s Rating: 5
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Jul 14, 2021
Wonder Egg Priority is one of those shows I really wanted to like, but it didn’t quite do it for me. It has some interesting ideas, but I don’t think it completely delivers. It starts off with a beetle approaching Ai Ohta and leading her to an egg. Already the show had me hooked. The atmosphere, the artwork, and the music all came together to create this mysterious, uneasy feeling. From there the beetle leads her to an egg which hatches a red headed girl. Ai is tasked with protecting this girl as knife wielding midgets chase them throughout their school. Ai saves the day
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by turning a pen into a giant weapon and smashing a giant monster with it. Throughout the first episode there are little hints throughout the environment that point to bullying or trauma of some kind. We also get some flashbacks of Ai’s friend getting bullied into killing herself. At the end of the episode she is told that she can bring her friend back if she saves enough people. I’d say this first episode is good. It sets the tone for the whole series. It also sets up our main character and her motivation. Though it is a bit abstract in its “world building.”
For the first few episodes they pretty much play out the same but with a new female character added each episode up till the fourth. They each have their past traumas and motivations. Ai Ohto is dealing with her friend’s suicide. Neiru Aonuma is dealing with her sister’s suicide. Rika Kawai is a former idol who is dealing with the guilt of a dejected fan’s suicide. Momoe Sawaki has the least going on. Her thing is looking too much like a boy? That doesn’t go anywhere. Regardless of their motivations, they all have the same goal: bring someone back to life.
Once the character introductions are out of the way we get into the petty drama. Ai’s mom and her teacher are dating. Rika wants to find her father, but her mother won’t tell her because she doesn’t know. Yikes! Neiru is apparently the president of a company. Her friend and coworker performed experiments on herself until she became a vegetable. How is a teenager able or even allowed to run a corporation? I’m not so sure if this part was necessary, and it definitely didn’t make much sense. Momoe is just being a tomboy I guess. This show is obviously about girls’ hardships and how they deal with them, but the show wants to add a bunch of other stuff in there too. In the last third of the show, apparently the people who have been giving the girls their missions, Acca and Ura-Acca, have been causing their friends’ suicides the whole time. What exactly is the point of that? Who even are these entities? Was it to make the story feel more grand than it already is? I don’t think they explained why or how they were doing this, so it just made the story make even less sense. It was clear that the suicides were obviously caused by their own emotional traumas, not some supernatural force. So it recontextualizes everything that came before. Of course it doesn’t stop there. Apparently Acca and Ura-Acca were once human scientists who made an android in the form of a fourteen year old girl, named Frill. She was indistinguishable from humans. Acca fell in love and had a daughter. Frill was jealous and started acting up. She was then locked up. Years later, when Acca’s daughter became a teenager, she killed herself. Somehow she was “influenced” by Frill the android to do so. How exactly the android was able to do this, I’m not sure. Magic? Technology? Maybe it’s both. I have no idea. This world makes no sense at all.
Which brings me to the question of what time period this is set in. It seems like modern day with supernatural elements. Then of course there’s the android. Why aren’t there more androids running around? Are Acca and Ura-Acca just that smart? There are way too many questions and almost no answers. I get that this show is more focused on the themes and characters than anything else, but that’s no excuse.
If world building and plot aren’t important then don’t focus on them. Definitely don’t add a story about an android who somehow makes specifically girls kill themselves, which takes away any of the thematic and emotional weight that was established early on. The show kind of ends ambiguously without any real conclusion. I’m not sure what the girls’ fates are or if they succeeded in bringing anyone back to life. I still don’t understand how the whole wonder egg thing works. Maybe the special episode will tie it all together, but I doubt it.
Reviewer’s Rating: 5
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Jul 7, 2021
Fumiya Tomozaki is an outcast in society. He thinks of himself as not being able to fit in. As if he is some avatar in a video game with low stats in this “garbage game” called “life.” That’s why he calls himself a “bottom tier character.” Of course he is right, but this label is self imposed. He has decided to not play by life’s rules and just get good at video games instead. It’s kind of funny how in the first episode he literally says, “Don’t blame the game, blame the player,” when playing a fighting game called Takfam with someone else. His lack
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of self awareness is why he is so miserable in the first place. He thinks life is unfair and that he just can’t compete. Though he makes no effort to recognize his own faults and act as if the game is rigged. This game is the only thing he’s good at. He’s the #1 player in the world in fact. With his life being nothing but Takfam, he is invited by the #2 player in the world to a meetup. Of course when they meet, Tomozaki is surprised to see that it’s Aoi Hinami, one of the more popular girls at school. Could this be the start of a beautiful love story? No. Though it is the start of something much more important: Self improvement. Hinami sees someone in need, who is broken, and she can fix him. Why she is so willing to put so much effort into one person I’m not sure. Maybe it’s their mutual love of a game, or she’s just that caring of a person. Regardless, this is a new endeavor for Fumiya Tomozaki. He’s on his way to conquering the god-tier game of life.
The thing I like most about this show is its psychological and sociological aspects. I don’t know how much this story relies on the actual studies of psychology and sociology if at all. It could all be pseudoscience. Though all of it does make perfect sense within the context of the story, so it probably doesn’t matter. Most of this comes from Aoi Hinami who serves as a mentor to our protagonist. She has mastered the art of social interactions making her the opposite of Tomozaki in just about every way. She even takes notes on her conversations: Everyone’s personalities, how each person interacts in conversations, even subjects to bring up. She studies them and uses them to improve herself. Now is the time to pass on this knowledge to Tomozaki. I really like how much detail Hinami goes into when training Tomozaki. She talks about how each person has their social role. For example, in the second episode she calls one of her friends, Minami Nanami, a “people pleaser.” She usually just goes along with the group consensus, which probably makes it easier for her to fit in anywhere she goes. Also her bubbly and playful nature help endear her to other people. This type of stuff is very important. It helps Tomozaki in understanding how to socially interact with others.
Unfortunately, less than half way through the show, these aspects start to fade. Hinami still gives Tomozaki “lectures” every now and again. It just kind of becomes more of a drama than anything else. Tomozaki does obtain a love interest which plays out like a typical romance. It is a part of his character development and the broader narrative of the show, so that makes sense. Where the show hits its low point is in the mid section. Apparently Aoi Hinami beat Minami Nanami in a basketball game a long time ago, and Nanami can’t let it go. So ever since then she’s been competing with Hinami in various ways. I guess you could say that she has an inferiority complex. Her backstory is taken way too seriously for what it is. It’s a simple story of jealousy. It comes out of nowhere. It wasn’t foreshadowed in any way. It kind of clashes with her personality. Maybe that was the point? She’s a super friendly person on the outside but an envious biaaatch on the inside. Maybe if this dynamic was explored more it wouldn’t be so bad, but it goes on way too long and is never mentioned again. It’s not what makes the show interesting anyway. To be honest, this whole arc should have been left out. Fortunately, after that the show starts to return to what it is good at. Some other characters develop, and Tomozaki continues to train his dating skills. Though towards the end a big shift happens. Tomozaki realizes what he wants in life. He starts to resent Hinamai’s cold and calculated approach to life and wants to pursue his own goals. Despite Hinami’s proficient social skills she doesn’t have a firm grasp on what she wants. In other words she isn’t in touch with her emotions. So instead of it being a student - master relationship, it’s now a mutual one. She will continue to mentor Tomozaki, and he will help her find what she wants. While I do think this is an interesting shift in the narrative, by the end it doesn’t return to what made the show so interesting to me in the first place. With that being said, I’d be happy to watch a second season to see if it ever does.
Reviewer’s Rating: 7
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