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The season finale of Senpai is an Otokonoko delivered a strong emotional conclusion, addressing critical themes of identity, acceptance, and trauma. What sets this series apart is how it explores LGBTQ+ topics without falling into the trap of stereotypes, while maintaining a strong character-driven narrative. The characters are nuanced, particularly Makoto, whose journey in reconciling his gender identity with familial expectations is both compelling and heartfelt.

One standout aspect of the anime is the balanced approach between drama and moments of light-heartedness. Makoto's relationship with his mother, stemming from her unresolved trauma, drives much of the conflict. Her evolution in accepting her son mirrors his personal ... growth, culminating in a reconciliation that felt earned, despite some moments feeling rushed. Ryuji’s character, though with limited screen time in the final episodes, remains central to the story, offering unwavering support that subtly influences Makoto’s journey.

The use of concise and meaningful interactions between Makoto and his father highlights the importance of family in this series, especially in contrast with Makoto’s complicated relationship with his mother. The father’s quiet support is pivotal, offering a model of unconditional love and understanding that many anime parents lack.

The visual storytelling, while not groundbreaking, complements the emotional beats well. The trip to Kyoto, for instance, is not only a visual spectacle but also deepens character relationships. However, the pacing towards the end of the series felt slightly rushed, particularly the interactions between Makoto and his grandfather, where more dialogue could have added emotional depth.

One of the unique strengths of Senpai is an Otokonoko is how it portrays gender and identity. Makoto, as an Otokonoko, navigates his identity with complexity, and the series handles this sensitively. At the same time, the ambiguity in Makoto’s affections adds depth to the character dynamics, especially when it comes to his relationships with Aoi and Ryuji. The narrative leaves space for interpretation, making it accessible to a broad audience.

Despite its heavy themes, the series doesn’t dwell excessively on melodrama, blending humor into key moments. The comedic timing, especially in Ryuji’s daydreams, provides much-needed levity amidst the emotional weight of the story.

With a movie planned for release in early 2025, there’s hope that unresolved plot points, especially regarding Ryuji and Aoi, will get their due attention. The film promises to tie up the remaining loose ends and offer more time for reflection on Makoto’s journey.

Overall, Senpai is an Otokonoko is a standout anime of the year, offering a fresh perspective on LGBTQ+ themes in a way that’s accessible and relatable. While not perfect, its nuanced character development, combined with a mix of humor and heartfelt moments, makes it an anime worth watching.

This is my first review for MyAnimeList, so I'll keep it brief. This anime is different from the usual. Based on the material, it would typically be a 5-minute anime, but the comedic and action tones make it stand out. The BDSM elements are quite interesting, and by the end of the season, you’re left wanting to see what happens next since part of the plot is resolved in episode 12. I’d also say that a male version of this anime would be interesting—I bet fujoshis and fudanshis would really go for the material and story.


Utena is the star of the show, along with ... the Three Magics. You can tell that the author of the original material is a big BDSM enthusiast. The comedic elements are excellent; they made me rewatch this anime three times because it never loses its charm. The spicier scenes are also well done, though I'm not a fan of the 'fruit' shown, but it’s both funny and hot. I recommend this to anyone looking for a subversive take on magical girls, not to mention that the anime references several famous magical girl shows.