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Animation: 6/10
Character Design: 5/10
Main Story: 6/10
Supporting Character Development: 5/10
Protagonist Development: 7/10
Soundtrack: 5/10
Final Score: 6/10

The story follows the relationship between the introverted Sakurai Shinichi and the extroverted and lively Uzaki Hana, who insists on spending time with him and making his college life more "fun."

... The anime's premise is simple: to showcase the dynamic between the two protagonists and the "hilarious" situations that arise from their interactions. Sakurai is a calm and reserved college student, while Uzaki is energetic, teasing, and somewhat intrusive. She constantly annoys Sakurai with her pranks and persistence, but at the same time, it's clear that she cares about him.

Comedy was supposed to be one of the anime's strongest aspects. The humor mainly revolves around the cat-and-mouse dynamic between Uzaki and Sakurai, featuring numerous awkward situations and comedic misunderstandings. While the premise itself isn't the problem, the repetition of these gags throughout the episodes becomes tiresome over time.

The animation, produced by ENGI, is decent. The visuals are colorful but simple, with a "distinctive" character design (take that as you will). The character movement can often feel stiff, but as the episodes progress, viewers might get used to it. Uzaki stands out due to her exaggerated facial expressions and overall appearance, which some argue were designed to match her mischievous personality. However, this design choice was heavily criticized during the anime's serialization for being somewhat peculiar.

The soundtrack is forgettable. The opening theme, Nadamesukashi Negotiation, is lively and fits the tone of the anime, but the background music fails to enhance comedic moments or create any significant impact.

Character development is mediocre. While Sakurai and Uzaki share a fun dynamic and show some progress throughout the series, the narrative does not delve deeply into their backgrounds or potential romantic developments. And no, this is not the type of series where you should expect much development from the supporting cast—clearly, that is not its intent.

In my opinion, the main criticism of the anime (which also applies to the original material) is its lack of ambition. The premise is simple, meaning that for the series to truly stand out, it needs to be memorable in some way. Unfortunately, Uzaki-chan wa Asobitai! fails to do so, except for the somewhat controversial design choices of its main heroine.

Animation: 10/10
Character Design: 9/10
Main Story: 10/10
Secondary Character Development: 9/10
Protagonist Development: 10/10
Soundtrack: 9/10
Final Score: 9/10

86 (Eighty-Six) is an anime that stands out for its mature, emotional, and impactful narrative. Based on the light novel written by Asato Asato and illustrated by Shirabi, the series combines elements of war, politics, and social discrimination in a dystopian setting. With masterful direction and impeccable technical execution, 86 manages to deliver a captivating story filled with emotional moments.

The plot takes place in the Republic of San Magnolia, a country that claims to be fighting against autonomous machines known as Legion using unmanned drone armies. However, this is a complete lie: ... the real pilots of these machines are the Eighty-Six, an ethnic minority marginalized and deemed unworthy of citizenship by the government. The Eighty-Six are sent to the battlefield as disposable soldiers, with no hope for a better future.

The story follows Vladilena "Lena" Milizé, a Major in the Republic's military, and Shinei "Shin" Nouzen, the commander of a combat unit composed exclusively of Eighty-Six. Lena, one of the few elite members who cares about the fate of these people, tries to establish a humane connection with the troops, despite facing prejudice from her fellow citizens. Meanwhile, Shin, a battle-hardened soldier, carries a traumatic past and leads his comrades through desperate fights against the Legion.

The anime excels in its deep character development. Lena is not portrayed as a perfect heroine but as someone who, despite her good intentions, has limitations and needs to grow to truly understand the cruel reality of the Eighty-Six. Shin, on the other hand, is one of the most well-developed protagonists in the series, showing layers of suffering, leadership, and resilience throughout the story. The supporting characters also have their standout moments, making their stories even more impactful.

The animation, produced by studio A-1 Pictures, is simply spectacular. The battle scenes are fluid, with high-quality cinematography, impressive visual effects, and excellent CGI use for the mechas. The facial expressions and details in the characters are also well-crafted, enhancing the emotional impact of the narrative.

The soundtrack, composed by Hiroyuki Sawano and Kohta Yamamoto, is another major highlight of the anime. The music amplifies the tension and emotion of the scenes, providing an immersive experience for the audience. Tracks like Avid and Hands Up to the Sky are particularly memorable and contribute to the melancholic and intense atmosphere of the series.

Another remarkable aspect is how the anime addresses social and psychological themes. 86 raises questions about discrimination, political propaganda, and the emotional impact of war, never underestimating the intelligence of its audience. Unlike many mecha anime, 86 focuses more on developing human relationships and the emotional weight of the conflict rather than simply emphasizing action. This makes the story deeper and more memorable.

If there's one aspect that might be challenging for some viewers, it's the anime's pacing. While battles are well-distributed throughout the series, it also dedicates time to introspective moments and more complex dialogues. However, this slower approach allows for greater emotional impact, making the action scenes even more significant.

Although 86 (Eighty-Six) is an impressive and faithful adaptation in many ways, some elements of the light novel were not fully explored in the anime, which may have reduced the emotional and narrative impact for those unfamiliar with the original work. One of the main criticisms is the omission of certain dialogues and interactions between characters, which in the novel are more detailed and further deepen their connections.

Moreover, while the animation and soundtrack are impeccable, the adaptation’s pacing may feel inconsistent for some viewers. The first part of the anime (Cour 1) maintains a solid balance between action and character development, but in the second part (Cour 2), there are moments when the narrative slows down, potentially feeling dragged out—especially compared to the more dynamic pacing of the light novel.

Another aspect worth discussing is how some battles were portrayed. While the action scenes are visually stunning, some confrontations against the Legion seem less threatening in the anime than in the novel, where the oppressive atmosphere and constant sense of danger are conveyed more effectively.

Despite these points, 86 remains a top-tier adaptation, successfully capturing the essence of the original work and delivering an emotionally powerful and visually spectacular anime. For those who want to dive deeper into the story and characters, the light novel is highly recommended, as it adds more nuance to the plot and world-building.

Overall, 86 delivers emotion, thought-provoking themes, and incredible battle scenes, solidifying itself as one of the best recent titles in the genre. If you're looking for a war story that goes beyond the superficial, with complex characters and a strong narrative, 86 is a must-watch.

Animation: 10/10
Character Design: 10/10
Main Story: 10/10
Supporting Character Development: 10/10
Protagonist Development: 10/10
Soundtrack: 10/10
Final Score: 10/10

**Note: This review is for the complete work (1st and 2nd seasons, the movie, OVAs, and Ura-On!).

K-On! is one of those animes that warm the heart. Simple, lighthearted, and extremely pleasant, it captures the essence of youth with an irresistible blend of music, friendship, and comedic moments. Adapted from the manga of the same name by Kyoto Animation, known for its attention to detail and fluid animation, K-On! has become one of the most influential anime in the slice-of-life genre, winning several awards and even being named Anime of the Decade by ... Anime Trending.

The story follows Yui Hirasawa, a clumsy girl with no particular talents who impulsively joins the school’s Light Music Club, despite not knowing how to play any instrument. There, she meets Mio Akiyama, Ritsu Tainaka, and Tsumugi Kotobuki, forming the band Ho-kago Tea Time (After School Tea Time). Later, the talented guitarist Azusa Nakano joins the group. While the anime revolves around music, much of the series focuses on the daily interactions between the characters, filled with humor, cuteness, and relaxing moments.

The greatest strength of K-On! is its comforting atmosphere. The series doesn’t rely on major plot twists or deep conflicts; instead, it highlights the simplicity of school life and character growth. Yui, with her carefree and childish personality, perfectly balances Mio’s more serious nature and Ritsu’s playful behavior. Mugi adds a charming and quirky touch, while Azusa, the most musically dedicated, becomes the heart of the band. Their dynamic feels natural and genuine, making every episode engaging and fun.

Being a Kyoto Animation production, K-On! stands out visually. The animation is smooth, character expressions are richly detailed, and the soft, colorful aesthetic creates a cozy atmosphere. The character designs are charismatic, achieving a cute style without being over-the-top, making them easy to recognize and get attached to.

Since this is a music anime, the soundtrack is one of its strongest aspects. Songs like "Fuwa Fuwa Time," "No, Thank You!," and "U & I" are memorable and reflect the characters’ emotional growth. The openings and endings are vibrant and energetic, perfectly matching the show’s spirit. One impressive technical detail is the realism in the animation of musical performances—Kyoto Animation worked hard to ensure that the characters’ hand movements matched the actual notes, which is rare in music-themed anime.

Beyond the main series (Season 1 and 2), K-On! also includes Ura-On!, a collection of super-deformed (chibi) shorts released with the DVDs and Blu-rays. With a total of 16 episodes, Ura-On! and Ura-On!! present the characters in even more exaggerated and comedic situations. Additionally, the 2011 K-On! Movie serves as an epilogue, following the girls on a graduation trip to London. While keeping the same laid-back and humorous tone as the series, the movie adds a deeper emotional layer, dealing with the imminent separation of the group. The animation is even more refined, and the England setting brings a fresh perspective to the story. Overall, it is a beautiful and nostalgic farewell for fans.

Despite its strengths, K-On! might not appeal to everyone. Since it is a pure slice-of-life anime, it may not be the best choice for viewers accustomed to more comedy/romance-driven shows. However, for slice-of-life fans, this very simplicity is what makes it so special.

K-On! had a massive impact on the anime industry. It helped popularize the "cute girls doing cute things" (CGDCT) trend and proved that slice-of-life anime could be commercially successful. Among the awards it won, some of the most notable are:

Tokyo Anime Awards (2010 & 2011) – Best TV Animation
Animation Kobe Awards (2010) – Best Television Series
Japan Academy Prize (2012) – Nominated for Animation of the Year (K-On! Movie)
Newtype Anime Awards (2012) – Best Film (K-On! Movie)
Anime Trending – Anime of the Decade

In the end, K-On! is not just an anime about music—it is about the friendships formed within the club and the small joys of life. Whether through its lighthearted humor, engaging music, or the chemistry between characters, the series remains one of the most beloved slice-of-life anime of all time. Even years after its release, it maintains a dedicated fanbase and a lasting legacy.

Animation: 9/10
Character Design: 10/10
Main Story: 9/10
Side Character Development: 8/10
Heroine: ??/10
Protagonist Development: 10/10
Soundtrack: 9/10
Final Score: 9/10

Kuzu no Honkai stands out for its raw and realistic portrayal of human emotions, delving into the darker and more complex aspects of love and desire. The series is unafraid to tackle themes like emotional dependence, toxic relationships, and the pursuit of affection in the wrong places. It’s a divisive work: some see it as a poignant experience, while others find it disturbing and uncomfortable.
...
The plot centers on Hanabi Yasuraoka and Mugi Awaya, two students in love with people beyond their reach. They enter a relationship of convenience, pretending to be what the other desires, using one another to fill the void left by their unrequited loves. This setup leads to an emotionally charged narrative that explores the characters' flaws and contradictions. It's a psychological study on how the need to feel loved can drive people to self-destructive choices.

Kuzu no Honkai's greatest strength lies in the honesty of its storytelling. It presents its characters unapologetically, without attempting to soften their flaws or justify their actions. Hanabi and Mugi are deeply imperfect and often hard to sympathize with. Yet, this complexity makes them human and relatable, even if their decisions frustrate the audience. Watching their journey feels like confronting a distorted reflection of emotions that, at some level, everyone has experienced.

Studio Lerche (known for works like Classroom of the Elite, Given, Asobi Asobase) did an excellent job with delicate and introspective animation. The soft colors and detailed facial expressions convey the weight of the characters' emotions. Intimate scenes are handled with aesthetic sensitivity, avoiding vulgarity and focusing on emotional impact. The soundtrack further enhances the melancholy tone of the series, with music that reflects the characters’ loneliness and despair.

Despite its strengths, some viewers may find the pacing slow, as characters seem to revolve around the same emotional conflicts without significant progress. This can frustrate those looking for a more dynamic narrative. Additionally, the heavy atmosphere and constant sense of despair make Kuzu no Honkai a challenging watch, especially for those who prefer lighter stories or redemptive endings.

Kuzu no Honkai, or Scum’s Wish, remains one of the most peculiar experiences I’ve had with an anime of this genre. With each passing episode, there’s an increasing sense of discomfort as the characters navigate their situations. It’s a unique and intense journey where it’s hard to define right and wrong, though much of the anime is told from the protagonists’ perspective, Hanabi and Mugi. It’s not a work that will appeal to everyone, but for those seeking something beyond the conventional, it offers an exceptional and unforgettable emotional journey.

Animation: 9/10
Character Design: 10/10
Main Story: 9.5/10
Secondary Character Development: 6/10
Heroine: 10/10
Protagonist Development: 10/10
Soundtrack: 10/10
Final Score: 8/10

Kimi wa Houkago Insomnia stands out in its genre by offering a light and engaging narrative. The story, adapted from the manga of the same name, revolves around Ganta Nakami, a high school student suffering from chronic insomnia. This condition makes his days exhausting and his thoughts clouded. In search of a quiet place to rest, he discovers the school’s old astronomy clubroom. There, he meets Isaki Magari, a girl who shares the same difficulty with sleeping.
...
The connection between Ganta and Magari develops silently and deeply, marked by their mutual understanding of the struggles they face. As their relationship grows, they must also deal with the challenges of adolescence: insecurities, social expectations, and loneliness. This development is one of the anime’s strongest qualities. The romance between them progresses slowly but is entertaining and captivating, with moments that truly charm the audience.

From a technical perspective, Studio LIDENFILMS did an excellent job. Known for works like Tokyo Revengers and Yofukashi no Uta, the studio delivered unique character designs, fluid animations where necessary, and beautifully detailed backgrounds that enhance the anime's atmosphere. The soundtrack is also noteworthy. The main theme, performed by aiko, perfectly complements the emotional scenes, while the music for quieter moments, with a "lo-fi" vibe, intensifies the sense of calm and immersion. Few works integrate music and narrative as harmoniously as this one.

Although it’s a romance story, Kimi wa Houkago Insomnia innovates by placing insomnia at its core. More than a medical condition, insomnia is used as a powerful metaphor for the emotional and psychological challenges the characters face, such as loneliness and the search for emotional balance. This unique approach adds depth to the story, making it much more than a simple romantic comedy.

The anime adapted 52 chapters of the manga into 13 episodes. The original manga, which has 125 chapters, has already been completed. While the main arc is concluded, there are still parts of the story that could be explored in a new season or movie. However, since the last episode aired on August 21, 2023, no announcements have been made regarding new adaptations.

Despite all its positive aspects, the anime is not without flaws. One of the main criticisms is the lack of development for some secondary characters, who are better explored in the manga. Additionally, while Ganta and Magari’s feelings for each other are evident, there is no explicit confirmation of their relationship, as Magari doesn’t directly respond to Ganta’s confession. This detail might frustrate some viewers, even though the two have already shared a kiss.

Kimi wa Houkago Insomnia is a touching work, full of memorable moments in both its visuals and soundtrack. Despite a seemingly simple plot, its emotional depth and focus on the protagonists' efforts to overcome their struggles make the anime special. It’s a must-watch for those who enjoy sensitive and well-crafted stories.

Anime: Amagami SS
Source: Visual Novel
Animation: 6/10
Character Design: 6/10
Main Story: 5/10
Side Character Development: Route anime/10
Heroines: 4/10 (none stand out unless Ayatsuji is "Wednesday")
Protagonist Development: does it exist? /10
Final Score: 5

... Amagami SS, released in 2010 and based on a visual novel, follows the classic format of route-based anime, where the creator attempts to give the audience a "choice" by presenting all the romantic arcs. The idea is interesting but controversial since, deep down, everyone knows who the main heroine really is. Still, for those who enjoy exploring the development of other characters, this structure offers that chance.

Like many anime of this genre, Amagami SS suffers from the same issue: lack of development time. In similar works, the usual approach is to focus on a few arcs (three or four) with fewer heroines or use OVAs to expand the stories. But here, defying all odds, they crammed six heroines into 12 episodes—which means just two episodes per arc. The result is a rushed story where it’s easy to forget where one route starts and another ends.

When it comes to the plot, the anime is as shallow as its heroines. The protagonist, Junichi, has absolutely no redeeming qualities, while the heroines are such overused archetypes (the tsundere, the shy kouhai, the childhood friend, the school’s most beautiful girl) that viewers can almost predict the events without trying. The combination of predictability and shallowness turns the experience into something monotonous.

The animation, considering its release year, is not bad. There are moments where backgrounds and assets are reused (the infamous background recycling), but it doesn’t significantly harm the visual experience. Even so, it doesn’t add much value in terms of technical quality.

Overall, Amagami SS isn’t essential viewing. If you’re a huge fan of visual novels, the original game might be worth exploring, but watching the anime is something I wouldn’t particularly recommend.

The series even managed to get a second season, Amagami SS+ Plus, along with two or three OVAs (which, by the way, are questionable since they involve the protagonist’s sister). The second season attempts to address some loose ends from the first, though with little impact. Finally, it’s worth noting there’s a sort of “spiritual third season” called Seiren. While it features a completely new story and heroines, its lighter approach to character development and pacing might be more appealing to fans of the genre

Animation: 1/10
Character Design: 2/10
Main Story: 1/10
Secondary Character Development: 1/10
Heroine: 2/10
Protagonist Development: 1/10
Overall Rating: 1 (Without looking at the original)

Kyochuu Rettou Movie is a film adaptation that fails in almost every aspect, delivering a disappointing experience for horror and survival fans.

Starting with the story, the plot is extremely weak and predictable. The premise of a group of people trapped on an island infested with giant insects had the potential to be exciting, but the storyline is poorly developed and lacks originality. The lack of explanation about the origin of the insects and the absence of any depth in the characters make it difficult to care about ... what happens to them.
Furthermore, the film is riddled with typical horror movie clichés, such as stereotypical characters, uninspired dialogue, and predictable plot twists. The perilous situations are exaggerated and unconvincing, leaving the viewer more bored than scared.
The animation also leaves much to be desired. The designs of the giant insects are generic and unimpressive, while the action scenes are poorly choreographed and executed. The lack of fluidity in the movements and the low quality of the animation sequences contribute to the feeling that the film was produced with little effort.
The soundtrack is another weak point, with generic music that fails to create the necessary atmosphere of tension for a horror film. Instead, the tracks feel out of place and do not integrate well with the scenes.

Moreover, the film is excessively violent and contains scenes of sexual abuse that are gratuitous and unnecessary for the plot. These disturbing elements add nothing to the story and only serve to further alienate the audience.

In summary, Kyochuu Rettou Movie is a disastrous adaptation that fails to offer an engaging narrative, interesting characters, or even a satisfactory horror experience. Avoid this film at all costs unless you're looking to waste your time and patience.

Animation: 10/10
Character Design: 9/10
Soundtrack: 10/10
Main Story: 9.5/10
Character Development (Supporting): 9/10
Heroine: 10/10
Protagonist Development: 10/10
Overall Score: 9.0


... When it comes to a work by Makoto Shinkai, you can expect a story and characters that will captivate you, and "Suzume" is no different. The film begins with a dream (or flashback) of Iwato Suzume, our protagonist and heroine of the plot. After this scene, our protagonist encounters Souta Munakata, apparently a college student who was searching for some ruins in that area.

From Suzume and Souta's encounter, the film begins to explain how the universe of the work operates, and right from the start, we have an epic combination of extremely detailed scenes, with fluid movements and one of the best (if not the best) soundtracks of the film. Just with this first scene, it's already exciting, making you "hooked" on the movie at all times.

The story's construction is excellent; from the beginning, you can feel Suzume's charisma and her development throughout the plot, which explains her past and other issues. It's also excellent how you can identify with the character. However, when it comes to character development, the only point that could be improved is Souta's story. Although it's explained how he has traveled throughout Japan to fight the "vermin," I feel that an extremely captivating story could be developed (not that it isn't), but it's understood that, being a film, time is a bit short to explore the story of several characters so deeply without leaving loose ends.

As for the soundtrack, simply speechless. They manage to make a perfect combination between the scene in question, the animation, and the music; this combination brings tears to the eyes. And speaking of animation, there's nothing to complain about. CoMix Wave Films always maintains this level of delivery, and with the overall direction, everything gets even better.

The film's plot is very strong; you feel danger in almost every scene, especially after the first half of the film. It's a feeling that makes you watch each action scene with bated breath. The ending of the story is beautiful, perfectly conveying the chosen message. The last scene is where you simply collapse alongside the protagonist; it's an explosion of emotions that makes the scene even heavier, combined with all the past and her finally bidding farewell to her mother.

The film ends with Suzume saying goodbye to Souta, who remains on his mission, and she returning to her town with her aunt. This left me a little sad, as I expected her to help him on this mission, and for all those who were expecting some romance between them, unfortunately, it wasn't the case. Nothing is confirmed, but it's almost obvious that Suzume has some feelings for Souta, but it's uncertain whether he feels the same, despite liking her a lot. However, so that we can still create our own fictions, in the post-credits, a scene was added where he returns to the town to meet her again. This doesn't confirm anything but leaves it open to our imagination.

In conclusion, overall, the film's plot is brilliant. Honestly, I didn't expect the ending to be as it was, but even so, it was exceptional. An experience that I would recommend to anyone who enjoys dramas in general.

Extra: In the end, Suzume talks to her "self" who was trapped in the "door" and gives her the chair her mother had made. This aroused a certain curiosity in me since at the beginning, she mentions that she didn't remember anything that had happened that day. This left me with a doubt in my mind: Was Suzume a time traveler? I created some theories thinking like that, but I didn't have any more facts to develop enough to be a possibility.

Animation: 5/10
Character Design: 6/10
Soundtrack: 4/10
Main Story: 5.5/10
Character Development (Supporting): 1/10
Heroine: 6.5/10
Protagonist Development: 5/10
Overall Score: 6.0


... The anime has a rather basic premise, so one can't expect much from the story when watching it;
The protagonist isolates people around him due to an event from his past. The heroine has family problems
and a split personality; the presentation of the main characters is quite straightforward. The first
episodes are rather weak, making it difficult to sympathize with the protagonist for most of the work.
The heroine initially has a somewhat tsundere vibe, but as the episodes progress, she develops
relatively well. However, the secondary characters have no development at all; the protagonist's friend
couple appears in many episodes, but little is known about them other than being a couple and some shallow
questions about Akazawa's parents. In terms of animation, the anime doesn't fare too well either;
the responsible studio does better with good direction, although the anime isn't "ugly," it's not
exceptional either. The designs of the male characters in general are quite generic; Shiina is well-crafted
in this regard, but she's the only one who stands out. The soundtrack also leaves something to be desired;
although the anime doesn't have many standout moments, there are several instances where a music that fits
the scene is missing (such as the declaration scene). The anime concludes with declarations from Shiina and Amane,
confirming the couple, and to our disappointment, no fanservice or even a post-credits scene with a
time skip was included. But it's undeniable, the couple is confirmed, resulting in a well-closed ending
without the possibility of a second adaptation; this was the best episode of the work, as it combines the scene very well with the music.

Despite everything, the work delivers what it promises: a light story, with romance that progresses rather slowly
and a closed ending. It doesn't surprise in almost any aspect, but it also doesn't fare so badly as to be considered a bad anime.

Animation: 8/10
Character Design: 7.8/10
Soundtrack: 6/10
Main Story: 8/10
Character Development (Supporting): 9.5/10
Heroine: 8.3/10
Protagonist Development: 10/10
Overall Score: 8.0


The work "Oregairu" (or SNAFU as some call it) is the kind that doesn't promise anything but delivers everything. The anime as a whole is well-constructed, although some parts are rushed. Upon finishing the adaptation, you feel like the director already had in mind that it would totalize in 3 seasons. Looking only at this season, they did a great job in developing some of the main characters in the work, but what, in my view, stood out was the relationship between the protagonist (Hachiman) and Isshiki Iroha. Furthermore, the resolution ... of some pending issues that remained open in the other seasons, and the confirmation of the couple (with a declaration without the words "like," "love," "go out," or any variants), but I feel like there was a lack of fanservice in this regard. Another standout character in the work was the protagonist's sister (Hikigaya Komachi), who has always been one of my favorite characters, and in this adaptation, it's impossible not to leave with a smile on your face when seeing the interaction between the two. One of the points I found relatively "weak" in the anime was about the soundtrack overall. Although it's a drama/romance anime, I feel that in some key moments, the silence didn't provide the necessary drama to the scene in question, but overall, the music in the work was all great. Another point was the confirmation that the plot wasn't a plot and that became a plot (yes, you read it right!). In the first season, it was obvious who the chosen heroine would be, but they managed (in the 2nd and at the beginning of the 3rd season) to create a sense of doubt about who the protagonist would choose. The adaptation was very faithful to the original, but this kind of overly happy ending might give the impression that it was forced. However, from the beginning, Yui's desire was for the three of them to stay together. In conclusion, it was a great experience overall, and I don't even like to think about the struggle for those who watched the first adaptation at the time of its release and had to wait 5 years after that cliffhanger at the end of the second season.