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Momochi san Chi no Ayakashi – A Supernatural Snoozefest with Pretty Meh Animation

So, I gave Momochi-san Chi no Ayakashi a shot hoping for a charming supernatural romance with a touch of mystery. It had all the ingredients to be a cozy, slightly spooky ride—ancient house, yokai, a mysterious male lead, and of course, the classic “you’ve inherited something weird” setup. But wow… this one just didn’t land.

Let’s start with the setting. On paper, the idea of a haunted house acting as a spiritual boundary between worlds is cool. We’ve seen it work before. But Momochi-san Chi somehow makes it feel... bland? Like, you’d expect some ... intriguing world-building or at least some unique folklore twists. Instead, everything feels shallow and undercooked. The supernatural elements are there, but they’re not doing much. It's like someone threw the word “ayakashi” around hoping it would carry the whole story on its own.

And then there’s the pacing. It’s painfully slow. Characters wander around spouting exposition that doesn't go anywhere, and the emotional stakes never quite hit. The protagonist, Momochi, is honestly kind of a cardboard cutout—she’s sweet, sure, but not much else. Her reactions feel dialed down, even in moments that should’ve packed a punch. And the “mysterious boy with a hidden past” trope? He’s got the looks, but the writing doesn’t give him enough depth to make us care.

Now the animation… oof. It’s not awful, but it’s very mid. There’s this almost static quality to the scenes, like everything is just softly floating along without energy or weight. Even the more “dramatic” moments feel like they were made on a tight budget and a tighter deadline. And for a show that leans on atmosphere and magic, the visuals really needed to do more heavy lifting.

Honestly, Momochi-san Chi no Ayakashi feels like one of those shows that had potential but played it way too safe. It’s trying to be a soft, romantic supernatural tale, but ends up being forgettable. Not terrible, just… kind of boring.

If you’re looking for something in the yokai/romance realm with a stronger hook, you’re better off rewatching Natsume Yuujinchou or Kakuriyo no Yadomeshi. This one’s more background noise than a must-watch.

"A Hilariously Twisted Take on Royal Captivity"
Okay, so I went into Himesama "Goumon" no Jikan desu expecting some over-the-top dark comedy or torture-themed edginess. What I got instead? A weirdly wholesome, laugh-out-loud anime where the "torture" is more like gourmet snack time, and the princess is having the time of her life as a prisoner.
The basic premise is super simple: the enemy kingdom kidnaps Princess Torture (yes, really), and instead of breaking under their twisted methods, she basically vibes. Like, fully. She treats the dungeon like a spa retreat. Her captors try to mentally “torture” her with delicious food, cozy pajamas, and other temptations—but ... this girl flips the tables every time.
And that’s where the comedy absolutely kills it. The captors are losing their minds trying to get any kind of intel out of her, and she’s just casually rating their food like a critic or napping mid-session. It’s hilarious watching the whole “prisoner vs. interrogator” dynamic turned completely upside down. You can’t even tell who’s in control half the time—and honestly, it feels like she has them hostage emotionally.
What I love most is how the show quietly plays with the idea of freedom. Back in her kingdom, she was bound by royal duties and expectations. Now? She’s chilling in a dungeon, living her best life, no responsibilities, no pressure—just snacks, naps, and trolling her captors for fun. It’s bizarrely liberating, in a very "this should not be this relatable" kind of way.
Visually, the show is super cute—like, deceptively cute for something with “torture” in the title—and the short episode format keeps it all snappy and easy to binge. It never overstays its welcome, and every scene has at least one chuckle-worthy moment.
If you’re into dry humor, ironic situations, and characters who break every trope in the book, this is absolutely one to check out. Himesama "Goumon" no Jikan desu doesn’t take itself seriously, and that’s exactly what makes it such a ridiculously fun watch.

Chiyuu Mahou no Machigatta Tsukaikata (The Wrong Way to Use Healing Magic) is an isekai light novel and anime that attempts to subvert the typical "healer protagonist" trope. However, its execution leaves much to be desired due to its sluggish pacing and frustratingly contrived setting.
One of the biggest weaknesses of this series is how agonizingly slow it is. The early episodes and chapters spend far too much time on unnecessary training arcs and dull exposition, dragging out the progression of the protagonist, Usato. Instead of diving into the plot or world-building, the story gets bogged down in repetitive scenes of him being physically abused in ... the name of "training," which quickly becomes monotonous rather than engaging.
The world-building is both shallow and frustratingly idiotic. The idea of healing magic being used for physical endurance training is interesting on paper, but the way it is forced onto Usato is absurd. The "trainer," Rose, comes off as comically sadistic, and the logic behind her methods is flimsy at best. The kingdom's strategy for dealing with a massive existential threat is also laughable—why is one guy, who was literally summoned by accident, being pushed through borderline torture instead of focusing on actual military tactics?
Since Usato becomes absurdly powerful early on, there’s very little tension. His development feels unearned because the story keeps hammering in his suffering rather than actual skill progression. The "wrong way" to use healing magic ultimately boils down to "just spam it while getting beaten up," which is hardly a compelling power system.
Chiyuu Mahou no Machigatta Tsukaikata wastes an interesting premise by drowning it in mind-numbing training arcs, forced suffering, and a world that lacks internal logic. Instead of an exciting twist on healer magic, we get a dragged-out slog with a protagonist whose power-up method feels more like a gimmick than a well-thought-out system. It could have been an engaging deconstruction of healer roles, but instead, it leans into mindless endurance trials and absurd reasoning.

Before starting i would like to draw the similarities between "Oshi No Ko" and "Om Shanti Om" a bollywood movie released in 2007.
The stories start with the respective main characters' dream and admiration towards their idol.
Despite originating from different cultures and industries. Both stories delve deep into the glitzy yet sinister world of show business, blending elements of mystery, reincarnation, and revenge while offering a poignant critique of the entertainment industry.
In both narratives, the entertainment industry is depicted as a place where dreams can turn into nightmares. Power-hungry figures manipulate young talents, and behind the glamour, lies a ruthless system that discards people when they ... are no longer useful. The stories highlight how media perception is often an illusion, crafted for audiences while hiding harsh truths.
A core similarity between the two stories is the concept of reincarnation as a tool for justice. In Om Shanti Om, Om dies tragically, only to be reborn as Om Kapoor, a superstar who retains his past life’s memories. His second life gives him the opportunity to uncover the truth and take revenge on Shanti’s murderer. This mirrors Oshi no Ko, where Dr. Gorou Amamiya, a devoted fan of Ai, is reincarnated as her son, Aqua Hoshino, after being killed by the same stalker responsible for Ai’s eventual death. Aqua retains his past life’s memories and dedicates himself to uncovering the truth behind Ai’s murder and avenging her.

Both protagonists are driven by love and revenge, using their newfound lives and industry connections to expose the people responsible for past tragedies. While Om’s story leans more toward a dramatic yet comedic Bollywood revenge arc, Aqua’s journey is filled with psychological tension, manipulation, and a deep exploration of trauma.

Story- 3/10
Art- 7/10
Sound- 5/10
Character- 4/10
Enjoyment- 2/10
Overall -5/10

The story was basically same as Sherlock Holmes.. but boring.. the sound effects were also bland and had no suspenseful tone.. the opening was also on a low key so I didn't like it much.. the story gets a lot more boring after the 8th episode.. upto that it was a bit intersting but had no sense of suspense in it.. at some point the relationship between Seigi and Richard got so awkward that it made me think whether it was yaoi or not.. character development of Seigi was too much righteous which is hard to believe and Richard ... had a bit of twisted character and always has to make the things complicated to understand..
The only good thing in this series is the animation.. I pay huge respect to the animators for doing such a great job.. the stones were made with accuracy..

The whole series was fair..
There were some places I found it boring..
The background of the characters had nothing to do with their selection.
The episodes of every character was boring..
The only thing I enjoyed were the songs and the music..
Else was fine.. the animators did a fine job.. but I hoped the character designs to be a bit more vibrant and a bit of bright background..
The character development of the wall is bad..
And what is the working system of the wall? An AI or Magic?


Listen to their songs from their albums made me watch this anime.. but compared to the songs I am a ... bit disappointed in this anime.. everything else is fine..