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TV shows these days won't stop making anime related to the rom-com genre any time soon. Whether it's about childhood romances, school crushes, or workplace love, there's seemingly always one or two that pops up every season. Makeine Too Many Losing Heroines didn't seem too different from the usual suspects but offers a somewhat unique take on the rom-com genre.

Makeine: Too Many Losing Heroines! is connected by its genre, something that can't escape from since its first episode. It doesn't take long for us to discover why the heroines are known for 'losing'. Humans emotions are complex and there are countless ways to describe how ... we feel each day. For the female cast of this show, they are connected by heart break. The anime intentionally sets up for them to be crushed mentally when their love interest rejects them. In some ways, the anime is self aware of its boundaries and what it set to do. At the center of it, a young man named Kazuhiko Nukumizu is confronted by these losing heroines.

Nukumizu represents the poster child of an introvert in this anime. Not the type to make friends easily and also keeping to himself, very few understands the type of person Nukumizu really is. In actuality, he is a normal teenager who just has self doubts especially when dealing members of the opposite sex. Furthermore, his otaku habits blends in with his real life behavior, such that he believes he sometimes believes life is like a light novel.

The show is created with romance in mind but not the typical 'guy and girl fall in love' together. The s main protagonist is actively aware of romance but his own inferiority causes him to have a low self-esteem. It doesn't take long for him to find others who also suffers from love and rejection. The most prominent among them includes Tsuwabuki High's first year student Anna Yanami. The pair's bonding begins after Anna got rejected by her crush and she needed a shoulder to confide in. Nukumizu becomes a sort of life coach for her even though he lacks any experience in romance. However, that's not the point. It's obvious that the anime wanted to build on their own relationship while also getting Nukumizu to grow out of his shell. From early episodes, he also makes contact with other heroines such as Lemon and Chika. Although their circumstances are different, they all fall in the category of being on the 'losing' when it comes to romance.

As self aware this anime is about romance, it doesn't necessary try to push that direction at every chance it gets. It treats the story narrative like a life lesson, as something that needs to be learned. Characters such as Anna, Lemon, and Chika all go through phases that resembles the 5 stage of grief. This is where Nukumizu's role plays in and he attempts to support them on an emotional level. It starts off awkwardly beause he has a hard time understanding each of their feelings. Given his poor social skills, Nukumizu's experience here almost feels like a lesson for him to learn too. Watching him pair up with the loser heroines invokes a variety of feelings and emotions. While he offers dating advice every now and there, it often has mixed results. By the time half this show aired, all the main girls has suffered emotionally in one way or another. None of them find their fairy tale ending and it begs brings the question whether Nukumizu failed as an advisor and as a friend.

Whatever direction you see the story dives into, it's obvious that it's also about the characters growing up. Romance and relationship plays into a big factor as part of the show's core themes. However, be aware that some of the main characters will take the 'Third Wheel' role, including Anna. Nukzumizu is also often caught in the middle of misunderstandings. And because of how the heroines are introduced to him in the show, it leaves Nukumizu a negative first impression of them. Ultimately, this show takes on an experimental like style of storytelling where it doesn't try to pair up the main guy with the three main girls. It uses him as a plot device while deconstructing the romance aspects and sticking to its main roots.

A-1 Pictures' style seems it was destined to adapt this light novel straight on the TV screen. Character designs looks just like the art illustration coming to life. The main girls each have their delicate features matched by their personalities. At times, there are also various comedic moments that looks foolishly cartoony. Other times, it gets emotional carried by tears, moans, and sobbing. And to add some flavor to the anime, the show promoted various artwork that you'd often find in romance. The ED theme songs are also colorful, catchy, and plays a metaphoric role in highlighting the studio's talents.

Makeine Too Many Losing Heroines! is a show that takes the romance genre and plays around with it almost like a game. Nukzumizu is forced to be in that role of a player who has to guide the losers to their victory. No, this isn't a show about love conquest. Instead, it's a life journey, a show that tests each of the characters' human feelings and see where it takes them.

While slimes in isekai fantasy anime these days aren't unique or special, there's something really fascinating about following the adventure of Rimuru. You know, the guy who got killed and reincarnated as a slime and now leads his group with his alluring charisma. That Time I Got Reincarnated as a Slime Season really needs no introduction because this is essentially continuing the adventure of Rimuru reincarnated as a slime.

I don't want to be the deliverer of bad news but if you plan to watch this season, be sure to have patience. I really mean it, lots of patience. The reason is that the first 7 ... episodes of this season revolves alot of talking. By lots, I do mean lots that stretches across several episodes. Most of this deals with boardroom meetings while throwing in some snarky sarcasm and balance of cheeky humor in between. Rimuru's leadership has influence on his group so the anime wanted to flesh out his personality as much as possible. But sometimes, we should ask ourselves if that many episodes is necessary for story development. To make matters more peculiar, many segments in those episodes talks about the same topics while looping around back and forth. It's like intentionally stretching a Youtube video to make it 10 minutes while talking about the same topics over and over.

Thankfully, Slime Season 3 does remind us what makes the franchise entertaining in the first place. After 7 grudging episodes of endless chatter, we are faced with the rivalry between Rimuru and Hinata. Their conflicting ideals and differences makes them opponents and of course, they end up exchanging fists on the battlefield. Rimuru's charisma and Hinata's determination both are shown throughout that battle, and for what's worth, it awards the audience's patience. While it may not be the grand battle of the entire season, it's still among the most important to see two opposite sides clash for what they believe in.

However, this season also suffers a consequence of having questionable antagonists. Even Hinata is branded as a somewhat antagonist if we see her side of the story. The Seven Days Clergy does represent a more mysterious side of this season, however. Given their motivations, it does add more time to invest into their roles. Given its large colorful cast, we shouldn't expect too much focus on Rimuru's companions. Yes, I say these are more of his companions because it appears Rimuru may not have a true friend throughout this season. Nonetheless, returning characters such as Shion, Albis, Benimaru, Diablo, Gobta, Shuna, among others are a welcoming sight. Their chemistry still brings together a charm this show had retained even after all these years. For Rimuru's group, they treat each other like family and accepts the blue slime as a leader. It's also no surprise that the show occasionally throws in some comedic character rivalries between certain segments.

Admittedly, this season has a strange direction in pacing. Season 3's obsession with boardroom meetings reaches its apex in the first half of the show. Never have we had 7 straight episodes in the history of this franchise with a group of characters doing nothing but talking. It does rebound itself through an exciting battle and character chemistry as more episodes progressed. Furthermore, this season adds some more flavor of entertainment through the employement of a tournament. Yes, fantasy anime these days love to use it as a plot device to give additional characters screen time. Gobta is one such example when see how much he's improved. Still, we really do need to question ourselves if 24 episodes were necessary or enough to adapt the season. The first half dragged us down while it's led by a much exciting second half. Overall, it's a balanced series that takes patience to get through.

Retaining the art style of the previous seasons, Tensei Slime delivers on the entertainment front when it doesn't have the cast running their mouths in boardroom meetings. From day one, the cast had chemistry and Rimuru serves as the poster child of the show. He earned it through hard work, charisma, and the charm of his personality. Nonetheless, Tensei Slime sets what the show has been doing this whole season and we should appreciate what we get.

If someone told me a few years ago that Spice and Wolf is getting a new anime to air in 2024, I would've laughed it off and called them crazy. Looking backto 2022 from the announcement and here we are. Holo, the wise wolf makes her grand return on the television screen, her first time in well over a decade.

Back in 2008, the first Spice and Wolf anime holds a special place for me and I'm sure it's a special anime for many fans. It's the first fantasy anime that I watched that didn't revolve around swords, magic, or some sort of plot about saving ... the world. Spice and Wolf ventures into an unique category that deals with economics and business. For a franchise like this, Spice and Wolf was ahead of its time.

Rather than adapting a direct sequel, Spice and Wolf: Merchant Meets The Wise Wolf serves as a remake, retelling the story of 25-year old Lawrence Kraft and his traveling companion Holo. However, the remake goes far deeper into their story, relationship, and adds more into their world lore. Watching this season reminded me the nostalgia of enjoying a fantasy-adventure classic. Spice and Wolf's first episode begins with the season of the harvest festival but immediately introduces the self-proclaimed Wise Wolf, Holo. According to story lore, people worshipped her as a God-like entity far before the main timeline story began. Holo is aware of this and holds pride in her status. Meeting with someone like Lawrence is a new experience as she has never build a relationship so close to a human before. It's between the two that we truly experience their story.

Even after 15 years, it felt like yesterday when we met Holo and Lawrence. The voice actors played an outstanding job at performing their roles, in particular Holo. Her haughty, sarcastic, flitartious voice tone adds countless moments for the audience to see. Accompanied by her superior confidence, Holo is truly prideful of her existence and what she presents. Although some might interpret it as arrogance, Holo never has malicious intents to gain what she wants. Her love for food and alcochol also shows her humanity. Even though she is a wolf entity, Holo displays many traits that is perceived as human. In fact, she isn't that different from Lawrence thoughout their journey together. It's noticable from the start that both characters contain insecurities about themselves. Holo's greatest fear is being alone while Lawrence rely on himself so much that he realizes not everything can be accomplished by himself alone.

As a remake, this season follows mostly in tone with the original season. The storytelling maintains a balance of dealing with business while developing the relationship between our two main protagonists. Holo and Lawrence together accompanies each other skills. With Holo's wit and Lawrence's intelligence, they're able to get through many obstacles and obtain their win of the share. In their business dealings, it's easy to see what can go wrong if neither of them help each other. The show makes it clear that Lawrence's experience is invaluable. Meanwhile, Holo's playful personality and persuasive nature gets them by through bargaining and other essential deals.

One of the main selling factors for the original and this remake is the expanding relationship between Holo and Lawrence. It's very important to realize that the two rely on each for comfort and escape lonliness. They only have each other as judging by their journey, they don't come across any close friends, family, or allies. We actually don't see much of either characters' family at all, whether in the present timeline or the past. As such, Holo and Lawrence always depend on each other to survive. This is made so important that Holo suffers a case of monophobia, where anxiety surfaces and she expresses them in extreme ways in later episodes. It's a sensitive topic that can relate to any relationship and this anime is able to explore that in its own unique way.

Kicking into the story, Holo and Lawrence comes across many interesting individuals ranging from the shepherd Nora Arendt, finsmonger Fermi, and church manager Else Schtingheim. Each of these individuals introduces business and emotional elements for the pair. For instance, Nora ignites a feeling of jealousy for Holo while also serves as a foil character because she is a shepherd. Fermi's fascination for Holo causes him to fight Lawrence for her ownership. And finally, Else gives us a deeper glance at the complex system of the church in their world. Let me just say that while these supporting characters do not become permanent traveling companions, they test the feelings of our two main stars. Spice and Wolf truly wants us to show how Holo and Lawrence interact with others in unusual circumstances and face life together in ways they've never realized before.

Passione's long track record of adapting various fantasy based media has a role for Spice and Wolf. Among their most prominent work includes Rokka no Yuusha, with the environmental art style feeling familiar with this show. Adapting into this series over a half and decade later, the character designs look cleaner and sharper. Nonetheless, the overall asthetic is still similar including its world fiction. The most noticable character traits are Holo's wolf features and more prominently, her real form. When transformed, she displays fierceness and animalistic features of a mature wolf. In such form, she grows several times her size and sheds her human form completely although maintaining much of the same personality. The fan service of her being nude should not be misinterrpted as it's her natural form. The show contrasts her human and animal form in such magnficient ways that it looks surreal and atone to classic fantasy.

Watching Spice and Wolf after all these years made me realize that these remakes brings so much more than just nostalgia. It's a celebration of the author's works and gives both returning and the new audience to experience such a wonderful adventure.

Gimai Seikatsu (Days with My Stepsister) may be what can be described as a misunderstood anime. The title itself and romance genre brings together questions on whether this may include psuedo incest content. And if so, that would bring nothing less than controversy. Luckily, you can ease your fear because Days with My Stepsister isn't a show about dating.

At the heart of the show involves the step-brother and step-sister. Both attend high school students in their second year and it's here that the story evolves. Yuuta Asamura stars as the main protagonist as an ordinary guy with no distinctive traits. He tends to keep to ... himself and remains distant with others. On the other hand, we meet Saki Ayase, a cold beauty who tends to avoid others and in some ways, similar to Yuuta. Watching the first few episodes gives the impression that the pair does not know each other very well. It's only as they spend more time together that they begin to open up because from the first few episodes, they look more like strangers than step siblings.

Told in a narrative format with heavy dialogues and inner thoughts, this show protrays a very melancholic mood. There's a mixture of emotional drama that often sees how characters think from their point of view. This is prominently displayed through the eyes of Saki as she wonders about her daily life and reflecting with others she thinks of. The most important person in her life is Yuuta although she does not recognize this herself at first. That's because Yuuta takes a practical approach at living life. He takes on life in a realistic way such as working at a local bookstore, going to school, and avoiding trouble whenever possible. Realistically, it's the most fundamental way of how a person can live. Yuuta doesn't possess any extraordinary gifts so naturally, he doesn't go out his way to prove himself to anyone.

Similarly, Saki tends to hide her own emotions, and accomplishes this rather well. In public, it's almost if she's wearing a mask to cover her personality. However, she has nothing sinister to hide because deep down, she is a kind and gentle person. She just isn't the type that tries to be the girl next door. Saki's character slowly progresses and she shows more emotions, particuarly towards Yuuta. However, I will say to keep expectations in check. Through her diary entries, body language, and character expressions, Saki really isn't someone who befriend others easy. The anime contains a mellow mood that explores the depths of human feelings. Yuuta and Saki displays similar emotions that sometimes, you have to wonder if they're the same person.

The show contains a small character cast which effectively works although Saki and Yuuta overshadows the majority of them. Saki's classmate Maaya adds some energy to the otherwise melacholic show while university student Shiori shows maturity and being the responsiblity of young adult. Reflecting on Saki and Yuuta's character stories, it really will take patience for viewers to warm up to them. The main point of this show is giving us viewers the chance to see what their lives is like while developing an important relationship.

Told through heavy narratives, key moments are highlighted through the usage of letterbox format. It's a clever usage of chereography as it makes the scenes feel important and memorable. Throughout this show, there will be many flashbacks that takes control of the story narrative. Studio Deen effectively delivered those chereography with its clean animation. Furthermore, character designs are decorated with a soft, delicate feature, especially for Saki Ayase. The show omits any type of cartoony reactions and instead uses more realistic human expressions. If you ask me, this show set out to do what it wanted on day one.

Even if it's misunderstood at first glance, there's plenty of time to grow and accept the anime for what it tries to tell us. Main protagonists Yuuta and Saki tells their story and molds it together as their relationship develops. Rom-coms like this can also be despairing to watch with the oversatured amount of melacholic moments. But for Days with My Stepsister, it's a journey that is worth following.

Taking on a somewhat unique gimmick for a rom-com show, Alya Sometimes Hides Her Feelings in Russian is exactly how it sounds like. Alisa Mikhailovna Kujou (aka the "solitary princess") is a difficult girl to approach because she sometimes hides her true feelings in Russian. As strange as that might sound, she doesn't realize that her fellow classmate Masachika Kuze understands her.

Delivering on the promise of a rom-com, it should be obvious to the audience that Alya harbors feelings for Kuze. Expressed sometimes in Russian, she builds a wall around herself whenever her feelings surfaces. From day one, the anime wants us to understand Alya's ... personality. It's no surprise that she loves to tease Kuze without knowledge that he understands Russian. Kuze plays along and sometimes feigns igornance although most of the time, we see his shocked reaction. The show builds on this pair's relationship through these circumstances and sets the main foundation of the story.

One of the main strengths of the show is its colorful character roster. The main characters Alya and Kuze get their background storytelling but a decent amount of screen time is also given to others such as Yuki, Maria, and later Ayano. The most noticable among the female character cast is Yuki who loves to tease Kuze. Even as a sibling, it's strongly implied that Yuki may have a brother complex while relentlessly trying to get Kuze to react to teasing. Deep down, the two share a close relationship that often serves as a comedic element of the show. At school, Yuki acts more like an elegant model student who others look up to. While at home, she acts like a spoiled kid who wants attention. It's kind of the classic sibling relationship that is treated with humor filled with popcorn entertainment moments. And to be honest, that's a delight.

Should you expect a love story? While this show adapts romance into its story, don't expect the anime to play out like some dramatic shoujo. The romance is just a part of it, where the plot also indulges on the school elements. The most prominent among this is the student council and and its elections. While some school rom-coms adapts these loosely and ties it up within an episode or two, this becomes a recurring plot that serves with significance. Taking place at Seirei Academy, the student council president position is viewed as a role of pride and honor. The main rivalry builds between Alya and Yuki and throughout this rivalry, we see tension around that venture into their personal lives. Indeed, the anime loves its comedic moments among the main cast. However, when the election gets involved, we see character rivalries reach their apex. The only downside appears to be a loose and incomplete adaptation. Given the show's length of 12 episodes, it couldn't focus on all aspects of the election plot. Thus, this anime fundamentally adapts the election to highlight some emotional moments but falls short on its main execution.

However, even if you're not sold on the plot, this show shines most with its character personalities and chemistry. Yuki's on-screen chemistry between Yuki and Alya is a recurring gag that is undeniably entertaining. One might say the recurring moments gets repetitive in nature, but overall, it ignites their personalities. I mean, who wants to see cardboard characters that act like on autopilot? No, we want to be entertained by what see. Even characters such as Ayano can be unintentionally amusing with her stoic appearance and robotic-like mannerisms. The only character I do feel like it's lacking may be Maria. We do short glimpses of her flashbacks, but it undersold in terms of characterization. Out of all the main female cast, her chemistry with Kuze and others is overshadowed.

Studio Doga Kobo has a long history of adapting rom-coms to the screens and has earned the audience's trust. Alya Sometimes Hides Her Feelings in Russian is adapted with care and commitment. There's no drop in production quality throughout the entire run of the show. Character designs for the female cast is especially decorated with elegant features, most prominently Alya and Yuki. Their expressions has variety and while some might some says have similar face models, they stand out like larger than life characters. The OP theme song is exceptionally spellbinding with colorful chereography while dressing up characters in countless ways. There's also theme songs for every episode highlighting the elegance of the cast, most noticably Alya. She's the title character after all and deserves to be the poster girl.

Watching this anime from beginning to end has given me a new insight on rom-coms in recent years. Sometimes, it's just fun to see character chemistry and not worry too much about the story's drama. Sure, this sure has its drama but it ultimately did what it said out to do. Alya Sometimes Hides Her Feelings in Russian may not be able to compete for anime of the year, but it has the traits of an entertaining rom-com.

With technology advanced this far in our society today, we may wonder when robots and machines will take over our lives. It's no secret that AI has emerged as a tool in recent years in various sectors of the industry. When will we have robots roaming around our neighborhood? Or even more interesting to ask, what if robots can build a meaningful relationship with humans?

My Wife Has No Emotions is an anime that crosses the boundary into those questions. It's not the first title that explored such a premise. One might remember a show called 'Chobits' that aired in 2002 that featured a prominent relationship ... between a robot and human. Nonetheless, My Wife Has No Emotion experiments with how a robot interact with a human in similar ways. Because in this show's world, robots truly has evolved to a point where they can become partners with their customers. Takuma Kosugi finds this out after issuing a command to his robot Mina to become his "wife".

As simple as the plot sounds, it can also be deceptively complex. The story presents the opportunity to explore how and what robots feel. The most prominent is the Mina we see in the promotional videos and poster. There are other models including the Super Mina but at its core, the main premise deals with Takuma and Mina's relationship. Their chemistry at its most fundamental level can be described as awkward. While Takuma does have geninue feelings towards Mina, the latter has a hard time realizing what love is. She adapts with her environment, while learning about the real world in a slice-of-life style. Every episode sets off an adventure that experiments with Mina's behavior. At times, it also feels like a sitcom as certain events are situational with various results. It adds humor whenever we see Mina defy common sense. However, adapting this show also faces challenges with it relates to romance. There's no doubt that Takuma adores Mina as a wife. However, Mina has difficulty expressing her own emotions because of her programming. Watching this anime will tests the viewers' patience as it takes time for her to learn about love.

Even as a housewife, Mina displays a remarkingly amount of human-like emotions even in early episodes. She's programmed to do household chores but that doesn't stop her from stepping out of her comfort zone. This includes places such as the beach, going to picnics, or even interacting with other Mina models. She has such a presence that it's impossible to just see her as a preprogrammed bot. It's noticable that throughout the series, she builds an unique relationship with another machine called Mamoru. Unlike Mina, Mamoru is much less human-like. This contrasts with characters such as the Super Mina, who is able to express a hyper level of energy.

With 12 episodes, it adapts the fundamental elements of the series' themes. Beyond exploring the relationship between human and machine, there's also more in depth character study of Takuma. We see that he is deep down a lonely man who wants companionship. Even though he realizes it's not completely real, Takuma values Mina as a wife. No, not trophy wife but a geninue wife that he cares of. It's also no secret that his lonliness causes self doubt. The show skillfully adapts Takuma as a salarayman that we can relate to in the real world.

This show isn't known for its production quality but we should accept that Mina is adapted with care and credibility. She looks, acts, and behaves like a robot when performing her daily duties. The most noticable features are her eyes and lack of smile when on-screen. Because she has no real emotion, Mina behaves like how we expect her to. She says what Takuma wants to hear although at times, she also questions herself that even goes against her programming. Nonetheless, Mina has a delicate face for a robot and her chemistry with Takuma is undeniable. Tezuka Productions is a very old studio but they managed to bring this show to a modern audience.

While not achieving mainstream success, My Wife Has No Emotion can be watched just about anyone. It's recommendable because of how both simple and deceptively complex both the main characters are. Also, it's a breath of fresh air when every season in recent years is dominated by fantasy, isekai, and rom-coms. Sometimes, a show like this is just made to enjoy.

Demon Slayer's Hashira Training Arc has been one of the more controversial arcs in the franchise, not because of sensitive content or uncharacteristics elements. No, it's in fact, a training arc. Literally as it says, this 8-episode arc is about training and something you'd probably would be fed up with after just three episodes, let alone 8. While shounen adaptations often have episodes with training, those only span short episodes or even segments. It's uncommon that an entire season is dedicated on training. Suit up because there will be a whole lot of training in the fourth season.

Hashira Training Arc didn't start out in such ... a predictable style however. From the opening minutes of the first episode, we witness the Hashira doing what they do best: exterminate demons. It leads with Wind Hashira Sanemi Shinazugawa and Serpent Hashira Obanai Iguro doing work and protecting the public. What started as a trailblazing chase ends in a bizarre twist when we see a labyrinth of walls and demons literally spawn out of nowhere. It's a confusing segment that needs more explanation but this season won't have those answers. Flashforward to rest of the episode and we open our eyes to the reality of this arc: Hashira Training.

As it says, this is essentially a training arc meaning that everything you see is related, connected to, or associated with training. It's an extended preparation for our main characters to take on the Upper Moon Demons and Muzan himself. Up to this point, it's established that the highest ranking demons are eons above the average generic demons and even the lower ranks. In order to reach the same level, this arc has the cast training in blood, sweat, and tears. The season also explores some of the background storytelling and motivations among the Hashira members, noticably Giyu and Tengen. Each episode also pits Tanjiro, Zenitsu, among others to train in different styles. The season aims for a diverse range of training sessions but let's be honest here, the storytelling all sells the same product. Once you've seen one or two of these episodes, it feels like you've seen them all.

Nonetheless, this is an important arc to prepare the cast physically, mentally, and emotionally. However, this season will be a big disappointment if you're seeking for action. Compared to all the previous seasons and even movies, this has the least amount of fighting sequences and direct conflicts. You really should not expect a training arc to have battles on the frontlines. Instead, we got character connections and how some can relate to others based on their past and present experiences. Muzan and his Upper Demons are also plotting behind the scenes as we see glimpses of their characters. There's no doubt this season is preparing for the Hashira to take them on in th their eventual conflict, like events destined to happen.

We would be lying to ourselves if we said ufotable didn't do a stellar job. Once again stepping up to the plate to deliver an animation extravaganza, they set the bar this season with quality. Character designs, settings, and emotions are protrayed at the highest quality, similar to previous season. Even if you find this arc itself monotonous to follow, it contains jawbreaking animation and groundbreaking chereography. It truly is a visual feast of the season.

Controversy is a word that will be bought up when fans describe this season. It contains 8 episodes but all of it is set up to prepare our cast for their inveitable battles. Even with an extended 1-hour season finale, let me just say that this serve as a prep season. The real meal is up to fans to feast on later.

Among anime debuting this year targeting the shounen demographic, there's no shadow of a doubt that Kaiju No. 8 has been one of the biggest shows. Based on the manga of the same name, there are numerous reasons as to why this got so hyped. Even Crunchyroll and Twitter decided to livestream this anime live to a global audience at the same time as Japan. It's not an overexaggeration to say Kaiju No. 8 does have some selling points to deserves its hype.

If the name Naoya Matsumoto sounds unfamiliar to you, fear not, as I'm sure many are on the same boat. Their previous ... work didn't attract mainstream attention but now, he put his name well on the map. Kaiju No. 8's plot revolves around a fictional Japan being attacked by monsters known as Kaiju. These gargantuan monsters have devastated mankind until they were able to employ Kaiju Fighters, people capable of using advance technology and tactics to fight against them. We are introduced to main protagonist Kafka Hibino who vows to serve as a member of the Defense Team.

Kaiju No. 8 draws similar circumstances to shounen related to monsters and a world of post apocalypse. It relies on a group of characters to fight back to survive and saving themselves from total annihilation. The protagonist also has a background story about their motivations and why they want to join the fight. For Kafka and his childhood friend Mina Ashiro, their hometown suffered at the hands of the kaiju. However, there is a twist where Kafka becomes the very thing he vows to destroy. It's a recurring plot element in these type of anime in recent years such as Attack on Titan, but beyond that, we have a rather memorable story to tell.

It's true that while the plot revolves mainly around mankind vs Kaiju, there's also a degree of character exploration. Some of this is told through background scenes while others are conveyed through the character personalities. From the start, Kafka Hibino is identified as a man who is eager to prove to himself, and to the world, that he belongs in the Defense Force. He even declares in one episode that he wishes to stand by Mina's side. On the other hand, Mina Ashiro has risen to the ranks of a captain and in the present, they are barely on speaking terms. Unfortunately, this season barely scratches their relationship as it appears to be more complex than just their childhood promise. As stoic as she is, it appears Mina shows more emotions whenever she is involved in Kafka.

While it appears Kaiju No. 8 may be a depressing anime with body horror and despair, there's plenty of time for light humor. It often inserts in timed cartoony moments that lighten up the mood. The anime aimed for a broader audience with an adult character cast and military, sci-fi themes. The shounen-style battles appeals to audience looking for cinematic fights and jawbreaking animation. Essentially, this is comparable to classic Godzilla movies and the Ultraman franchise. Humor comes with character reactions that sometimes have awkward timings, mostly due to Kafka's airheaded personality. This is evidenced through his segments with Kikoru Shinomiya, Reno Ichikwaa, among others. The exception is Mina Ashiro as she treats him, and everyone on a professional level. This includes recurring gags where she punishes others for insubordination by assigning them to do pushups.

A 1-cour, 12 episode series is not nearly enough to adapt the manga as there's far more characterization, storytelling, and themes explored. It's a travesty as this comes off as if the anime season serves as an advertisement for the manga. Nonetheless, fans should keep expectations in check for character studies and deep dives into their personalities. The origins of the Kaiju and their dark history is also vaguely told through background stories. It's a major setback that holds this season back because I'm sure there are people who wants to know far more than just the 'mankind vs kaiju' plot. This season does introduce more dangerous antagonists beyond the mindless kajiu monsters we see. With each developing episode, we see how humanity has evolved to fight them through power armor and science weapons. The most fascinating element is Kafka using his kaiju form to fight them through sheer force and power. Kaiju No. 8 explores identity issues as Kafka grips with the idea of what he became.

As predictable and even perhaps cliche as it sounds, Production IG is the studio that is capable of making this comes to life. It just fundamentally makes sense given their history of projects, and adapting its cinematic fight segments. Kaiju No. 8 has many larger-than-life moments that requires well-timed camera angles. The director and studio put emphasis on making the fights look like movies. Kafka's kaiju form also becomes a symbol of hope for humanity as it fuses his body and armor together as a living, biological weapon. Character expressions throughout the show also tells more about the characters themselves. Mina for instance rarely show emotions and represents a model commander for her people. She's designed with a tough appearance, yet also charismatic with a commanding presence. Others such as Kikoru and Soushirou look deceptively fragile until we see what they're capable of. Production IG overall handled this fairly well, on a level that meets expectations. Even the soundtrack and music synchronizes well for its battle sequences and overall representation of the show.

Kaiju No. 8 is a definitive example of a mainstream anime this year that will be talked about one way or another. The manga has reached a level of popularity that becomes a hit for the audience. The plot is simple but has some rather deceptively complex characters, that does need more time to decipher. This is the type of show that be talked for years to come and the popularity is not ending any time soon.

They say jellyfish represents a symbol for balance. That very idea could be applied to this anime, starring a group of idols with different motivations. Together as a unit, they are called JELEE, who tries to make a name for themselves. As part of Doka Kobo's 50th anniversary, this anime seeks to prove themselves of capable of delivering on their celebration.

As odd as the title sounds, you won't see jellyfish swimming around. No, this is is a show about music and a group motivated by their own reasons to be part of something special. As an original anime, you don't need knowledge or background about ... music to enjoy ths show. As a major part of this anime's themes, we witness how each of the characters deal with their own personal demons and self identity. Starting from day one, we follow them on a character journey.

The first prominent character we need to come and understand is Kano Yamanouchi, who later serves as leader of the group. While having a seemingly normal persona, it's shown that her character is emotional vulnerable due to events from the past, including a scandal. She seeks to reinvent herself and becomes a voice of reason. Kano herself is also very relatable given her fear of being abandoned. There's many moments where she felt being left alone as her father is a no-show throughout the series. Watching Kano's character equates to watching a child growing up and making the best she can to escape that lonliness. To her, JELEE is practically her second family.

It's not soon after that we also come to understand Mahiru Kazuki, JELEE's illustator. Due to her past, she develops an inferiority complex and believes she may be holding the group back. This inferiority complex causes Mahiru to make questionable decisions that conflicts with the group's interests, including Kano. It's through these internal problems where we see characters' flaws and how they seek to resolve them.

As JELEE's video editor, there's no better fit for that role than Kiui Watase. As the most technical skilled member of the group, they depend on her to craft projects, thus setting high expectations. Unlike Mahiru, she has a stronger independent personality and always aims to be productive. This belief and self motivation sometimes causes rifts among the group when we see how she's different from others. Nonetheless, Kiui is a key member of JELEE for her talents and there's no denying that.

Finally, there's Mei, a girl with social anxiety that we may all have experienced sometimes in our lives. Truth to be told, Mei is probably the most pure talented character in the show. She has earned accoldes and established herself as a talent prior to forming JELEE. Her most important relationship is with Kano, as she slowly reveals her more vulnerable side. Watching these characters grow and develop is inspiring and motivational. In the entertainment industry, there are so many variables that could prevent JELEE from succeeding. However, the anime goes to lengths at how these characters try to overcome seemingly impossible barriers. It's one of those shows that is much more about music performance or building a recognizable name. It's about them growing up and becoming a better version of themselves.

Still, you should hold back expectations if you believe the relationship will venture into shoujo-ai category or beyond. There are teasing moments but none of it really come build more into romance. This is about JELEE and each member, not a soap opera with relationshp drama. The drama here explores human emotions rather than appealing for shippers. The story itself also carefully crafted through character development. With 12 episodes, it formulates into character journeys. It's how this anime feels so real at times and how each cast member motivates themselves.

Jellyfish Can't Swim in the Night's art style choice pinpoints to simple yet effective designs for its cast. The main characters are decorated with colorful outfits matching their various personalities. However, it's the character expressions that exceeds expectations. We have to remember that this anime has lots of raw human emotions, and it's imperative for the show to capture those moments. Thankfully, it's accomplished through its chereography and timing of the scenes. As an anime about entertainment industry, this anime does set a high bar for what it advertises.

After watching Jellyfish Can't Swim in the Night, I can safely say that the show is far from creatively bankrupt on ideas. Rather, this anime succeeds at conveying human emotions while developing each of the main cast along the way. As a collective unit, they strive to aim for success and acknowledgement. It's something that's inspiring, motivational, and real.

When you hear a title being translated as 'A Condition Called Love', the first image you have is likely the two main characters in some sort of romantic scene. Look no further because Hananoi-kun to Koi no Yamai (A Condition Called Love) is a representation of classic shoujo-drama.

Pairing up two characters with no romantic experience usually spells disaster. It takes risks and commitment to craft a story when the cast has to carry themselves into a memorable story. Of course, we're talking about Hotaru Hinase and Hananoi Saki. The author intentionally gave these characters a lack of experience in romance, for the sake of building ... a relationship. After all, if they were experts at romance, every episode we witness would've been a story on autopilot.

Upon first meeting Hananoi, he seems like the distant type with an unconcerning attitude. It takes just a single episode for his interest to turn into an object of affection - Hotaru. On the other hand, Hotaru is flabbagastered at the reaction and who can blame her? Hananoi is the most popular guy at school and turns heads from the opposite sex. Something like this usually occurs in fantasy daydreams but it's a reality. Unfortunately, Hotaru is inexperienced in love and this doesn't help by her own inferiority complex. She's just an average girl who isn't the gold standard in looks or personality. Yet, this sets up for the main story when you pair a popular guy with an ordinary girl.

Each episode in this series is built like a script, flowing as we witness their relationship evolve. Romance is at the heart of their relationship, so it does have the pair go on dates, experimenting with their interests, and experiencing love. Human are social animals and we shouldn't judge them on their mistakes. However, early on in the show, viewer may be turned off by their awkwarness. Both of their characters reads like an open book but to fill it takes effort. We should also be aware that there's limited time to experience their relationship because this anime's season is capped at 12 episodes. With that amount of time, we shouldn't set unrealistic expectations.

Outside of the main duo, they are supported by friends and family. Among the most noticable includes Hotaru's best friend Kyou and later, a bookstore employee named Satomi. Neither gets in the way of her relationship with Hananoi as they both serve as guiding arms for her. Nonetheless, the show isn't shy to introduce recurring characters from the past such as Souhei Yao. It sets up for drama that tests the boundaries of Hotaru/Hananoi's relationship. However, this anime is protrayed in a much more lighthearted style rather than heavy dose of emotional drama. You really shouldn't come into this expecting massive plot twists or life-changing moments. That happens in the first episode already when Hananoi's eyes locked onto Hotaru.

If you're asking who Eat Fish Studio is, then I don't blame you. Fragtime was their most popular project until this show released but beyond that, let's not look into their past and instead focus on what we see here. Character designed in this show are delicate with care, enough that the female cast looks like their age with charm. Hotaru has the ordinary girl look that follows her from day one to the end. She really doesn't undergo any physical changes. Meanwhile, Hananoi is designed to look like a handsome loner, exactly the way he is protrayed as. Credit should be given where it's due because Eat Fish Studio made this into a very safe adaptation. It means, what you expect, is what you'd get. Nothing out of the ordinary.

There always seems a place for shoujo to add themselve into a seasonal lineup, that's usually dominated by modern isekai adaptations, fantasy, shounens, idols, among others. Hananoi-kun to Koi no Yamai might not have universial acclaim among its general fanbase but still manages to sell what it wanted to.