Based off the two previous Rebuild of Evangelion movies, 3.0 takes the cake for being the movie that really sets Evangelion in a much radical and different direction that's foreign to even the most hardcore Evangelion fans. Arguably, Evangelion 3.0 is a step closer in the direction of a much more darker Rebuild movie that is almost on the levels of its original roots from Neon Genesis Evangelion. Evangelion 1.0 was merely a summary of the events of the first half of Neon Genesis Evangelion, while Evangelion 2.0 offers a gradual diverge from the original series and ended on an optimistic note. With 3.0, it's
...
this type of film that thrusts you into a whole new atmosphere you will (not) be ready for, no matter how many times you re-watch it. This is only natural however as there's still one more movie left to go with a lot more material to explain and cover. So, what exactly does 3.0 offer?
To start off, I must emphasize that it is not recommended to make the same mistake I did and drop it within the first ~30min of 3.0. The reason I mention this is because the first 30min of 3.0 is arguably the most jarring part of the film that leaves you scratching your head, or worse, feeling frustrated. This is because nearly nothing makes sense at all, as characters you once knew in previous installments of Evangelion are now acting as if they did a complete 180 on their personality. Nearly everyone exhibits a state of being cold, angry, and uncaring. Not to also mention, NERV is not a single entity but instead branched off into a rogue organization known as Wille. Details behind the "who, what, and why" are never disclosed, which is quite a pitfall in the story telling considering the 14 year time-skip that took place; what you saw as a preview from Evangelion 2.22: You Can (Not) Advance is not applicable to this film at all.
On top of that, spoken dialogue by the Wille staff (which features most of the former NERV employees) consists of a lot of technical babble that is not explained to the viewer, rendering the viewer feeling at a state confusion. Granted, even in the original Neon Genesis Evangelion, the NERV staff would spew out technical terms that wouldn't make complete sense, but at least you got the idea that "Pattern: BLUE" meant the enemy was an Angel or when the psycho graphs went crazy, it meant the Evangelion pilot was in deep trouble. For 3.0's case, it's not entirely easy to figure out what Wille's objective was during the "decisive battle" sequences. At the very least, you can infer that Wille is trying to combat Angel related beings, even though the unknown attackers behave in odd ways, even stranger than your average Angel threat. However, not every character is trying to make you play the guessing game. Thankfully, our main character, Shinji Ikari, is the pinnacle boy that the audience can sympathize with. Why? As you will quickly notice, Shinji will also be entirely and utterly confused, lost, and frustrated just as the audience is. If anything, this is director Anno's clever spin of Evangelion to make the audience of naysayers as well as fans of Shinji to be able to sympathize with this character more easily; the whole cast around him are far too alienated away from the audience, as there's not much choice but to default and rely on Shinji to help progress and make sense of what's going on.
As the movie presses forward, a familiar (iconic) character makes his appearance: Kaworu Nagisa. Similar to how Kaworu interacts with Shinji from Neon Genesis Evangelion, he is no different in 3.0. This is the only character in the film to make the audience breathe sigh of relief knowing that there is at least someone else that will open up to Shinji and make better sense of what's going on.
Not only that, but Kaworu has more screen-time compared to Neon Genesis Evangelion, which can be seen as a good thing since it allows the viewers to see a more developed Kaworu. Watching up to this point is rather important as you will see how they fit some explanations into 3.0 with the events that took place in 2.0 to a degree.
One of the high points of this movie however is the OST. While the last two Rebuild movies recycled some old Neon Genesis Evangelion tracks with a modern spin to it, 3.0 takes a bold approach and actually consists of new unheard Evangelion tracks. Only a few NGE tracks transgress into 3.0, such as an altered musical score of "Decisive Battle" which is still just as good as the ones featured in previous Evangelion installments. To further elaborate how well the rest of the OST did, it's really a mash-up of various musical elements thrown into each individual track. Usually, one might say opera singers, electronic bits, classical instruments, and guitars would make a terrible soundtrack. To my surprise, 3.0 does exceptionally well to use such aspects and create an epic-aspiring piece to help the movie stand on a leg; "The Ultimate Soldier" and "God's message" being prime examples. Oddly enough, while this movie isn't as merry as the past two Evangelion movies (well as merry as you can get when it comes to Evangelion), the OST helps keep a hopeful tone in the atmosphere throughout the movie without many depressing themes.
Animation wise, some of it is rather decent. The reason I say decent is because while the quality is there, like in the previous two films, it's a little over the top. For instance, a whole sequence is dedicated to seeing this new and unheard of aircraft, called the Wunder, take off from the sea and unneeded CGI takes up screen-time. In some ways, it doesn't blend well with the rest of the anime as the CGI will stand out too much. In other areas, it is lackluster, as the CGI is mostly used for objects not used for action sequences and eye candy seen most notably in 2.0. When CGI isn't a major glarring issue, it's still worth a viewing experience, especially towards the end where the animation is pleasant to see accompanied by a "godly" OST.
Overall, gathering from this review, it may seem I was displeased with Evangelion 3.0, and you would be correct. As most of us know at this point, Anno is not one to cater and spoon feed to his fanbase, no matter how much we kick and scream; 3.0 definitely expresses this bombastic notion. However, I feel it is too early to jump on the band wagon and say this is the the most horrendous Evangelion movie I've ever seen. While I did 'rage quit' the first time I watched this, the more I looked into it and read up others' take and interpretation of 3.0, the more it didn't seem like such a bad movie. What I mainly want to applaud this film for however is how effectively Anno was able to mess with the audience's emotions and actually feel like you were literally in Shinji's shoes. Other than that, take it as you will and brace for the most confusing Evangelion movie at the current point in time until 4.0 is released to hopefully clear up the story better.
Sep 2, 2013
Evangelion Movie 3: Q
(Anime)
add
Based off the two previous Rebuild of Evangelion movies, 3.0 takes the cake for being the movie that really sets Evangelion in a much radical and different direction that's foreign to even the most hardcore Evangelion fans. Arguably, Evangelion 3.0 is a step closer in the direction of a much more darker Rebuild movie that is almost on the levels of its original roots from Neon Genesis Evangelion. Evangelion 1.0 was merely a summary of the events of the first half of Neon Genesis Evangelion, while Evangelion 2.0 offers a gradual diverge from the original series and ended on an optimistic note. With 3.0, it's
...
Apr 3, 2013
Shinseiki Evangelion
(Manga)
add
Most likely of why you're here is because you just finished the anime known as "Neon Genesis Evangelion" and simply want more, more beyond than what the Rebuild movies could ever provide for you! Curious ol' you now wonders, "Is it even worth reading this manga?" Granted, it is assumed you really enjoyed the anime series to even consider it. Otherwise, if you're one of the ones that didn't like Neon Genesis Evangelion to begin with (and that's okay!), you'll for the most part see exactly what you were offered in the anime and thus you might want to steer clear of this manga.
Now, for ... |