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Gundam X is, in my very, very personal opinion, the best Gundam series. It has flaws, and its run is completely disappointing, but if there's something Gundam X that most other Gundam series fail at (with a couple of exceptions), is that it presents, it portrays, characters that are sympathetic, likeable and act in character throughout the entire show.
Garrod is a teenager, and acts like one; Tiffa lives up to her Newtype status by being a shy, lonely girl, who slowly opens up to other people; Jamil is the conflicted, but wise and disciplinary, mentor, who is protective of his subordinates and those he cares ... about; and I could go on.
Gundam X has characters than have that human factor, which allow an average viewer who isn't even familiar with the franchise to highly enjoy this show.

Now if there is another thing I commend Gundam X of doing, is that the series isn't like most of its "AU" brethren (Alternate Universes, for those not very familiar with Gundam terminology): while it indeed has the obligatory UC (Universal Century) references and tradition in it, it actually does something with them: whereas shows like SEED and AGE simply use these tropes and copy paste them on their own shows, X deves into them, cooks them up, and creates its own identity using this exact tradition. I would mention them in detail, but with the aim of not spoiling the reader, I shall only say that, if they have watched UC beforehand, they are into a treat, especially if they have gotten tired of a certain annoying cliché involving potential love interests.
In addition to this, and despite its early cancellation, the show manages to tie its plot points very effectively and creatively.


The music is astounding, especially for a 90s anime series steming from a long-running metaseries like Gundam. X's predecessor, Gundam Wing, had a very, very neat soundtrack, one pf the best of the franchise in my opinion: but Gundam X manages to get to its level, if not surpass it, in some cases. The opening and ending themes are absolutely beautiful, which makes one wonder why Romantic Mode's career did not continue; the rest of the instrumental sountrack is feature film-level of goodness. You can tell they really put effort in composition and execution when it came to Gundam X's soundtrack. Whether it's a sad track, a sweet track, or an epic, battle-inspirational track, it hits the nail.

I would also like to address UC fans to tell them that this is the best way to introduce someone to Gundam and lead them to UC tradition: whereas Gundam Wing only revels in action and randomness most of the time, X actually attempts to be a fully good series, and it succeeds. Add to the fact that both UC and AW (After War) have practically some of the same concepts (Gundam X is the only Alternate Universe that has Newtypes), it's more suitable for someone who is reluctant to introduce a newcomer to Gundam due to the dated animation of 0079 or the incoherences of Wing.

The series isn't without flaws, though: the mechanical designs, while effective, ironically do not seem to be very original and seem more like Wing/UC hybrid rejects (although I will point out that the Virsargo and Ashtaron are some of the exceptions), and some people might not initially buy just how jolly and normal everyone seems to live in an post-apocalyptic world (although, serving as devil's advocate here: Gundam has never handled "apocalyptic scenarios" quite well in my opinoin), and the final arc is very, very, very rushed, despite concluding, ironically, quite effectively.

Overall, this is my favorite Gundam series. I guess my tastes may be too generic for the more "expert" viewers or something, but I have no regrets. Gundam X is my ideal Gundam series. And I highly recommend it to anyone, newcomer or veteran viewer, of the franchise, and anime as a whole.

Bubblegum Crisis is a classic: any old-school anime viewer will know what it is, even if they didn't like it or have moved on from watching animation.
With obvious influences from various science fiction works from its time (Blade Runner being the most cited one), one could argue Bubblegum Crisis really did nothing new to the Cyberpunk genre. In fact, it isn't innovative at all: the plot is so episodic you realize there really isn't much of a story, the characters don't really develop or grow much as the show advances, and it's really clichéd in many senses.
But Bubblegum Crisis gets away with this for the ... following things: visually, it looks neat, cool, amazing, thanks to the artists (Keinichi Sonoda making beautiful character designs, to note just one aspect); the music is classic 80s, but it isn't annoying like that of anime series concurrent to it; and thirdly, it is precisely this cyberpunk setting that gives it so much life.
The series has one of the best introductions, opening with the aformentioned glorious music and a display of MegaTokyo, Boomers, the AD Police, and many of our main characters. That alone hooks a viewer into the show. That alone is an important factor, because a show that doesn't hook a viewer isn't worth the viewer's time.
Ther series isn't without its faults: as mentioned before, the plot is practically nonexistent, with the series being of a highly episodic nature; it's pretty clichéd (the eeeeeevil megacorporation and its schemes threaten MegaTokyo! And only a band of sexy, classy girls in power armor can stop them!). But that doesn't make it a really bad series. One can simply disregard this (the series makes it easy for the viewer to do this) and enjoy it for what it is: an old, 80s, generic (but highly-influential) animation series that holds on its own thanks to its visuals and music.

I highly recommend it to anyone who is curious to what was some of the first exposure of mainstream anime back twenty years ago.