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I''ll get a couple things out of the way first: these scores are, in a way, relative to the other movies and the original series, and also, THIS WILL CONTAIN SPOILERS.

Story: 2
This was by far the worst of the four movies, a far cry from what made the The End of Evangelion (and its parent story) so epic. The story is a mess with more plot holes than pseudo-EVAs in the movie, it has terrible pacing, wasting precious time with unnecessary monologues that try to explain too much, adding no depth and making characters less interesting and enigmatic (special mention for you Gendo, though Kaworu ... is a close second).
The first hour felt like a compilation of the slice of life leaning episodes of the original series that weren't included in the first three movies. The problem with this is that those episodes made sense when the world wasn't fu**ed beyond recognition and Shinji was the same age as everyone else. A part like this would've been really good immediately after the first movie or in the middle of the second one and while this part was necessary from a grand perspective, it suffers from extremely bad placement, not being able to find its own place in a movie that's supposed to bring everything to a close.
Even brushing this issue aside, there are some issues with Rei#06, certified newborn, who grows by the frame and apparently is being used by Gendo to traumatize Shinji (one more time, not like he already experienced losing Rei in 2.22...). She ends up being an even more diluted Mary Sue, expressly described as being artificially attracted to Shinji.
Of course in the mean time something has to be happening, so, to show the viewer that the rest of the world isn't COMPLETELY alienated, we follow along a pointless detour the WILLE crew take to restore part of Paris (because sure, it makes sense to store EVA spare parts only in the middle of cities, instead of secret facilities in the middle of nowhere). The entire ordeal is fairly standard for the series, though with one unbelievably easy battle for the lone EVA-08. The only worthwhile thing out of this waste of screen time is one peace of information we get about the identity of the red corruption (that being core-ification), sadly this is a pretty pointless detail as the rules that hold Rebuild's universe together aren't too consistent to begin with...
Both the climax and the conclusion are a rushed mess with many things happening at the same time, and without having the chance to explore interesting possibilities (e.g. Asuka, you're now part angel? Wow, that could've had one or two uses in the previous near fourth impact from 3.33... No, Gendo, stop! It hasn't even been three minutes since she showed her angel form! You can't.... Oh well, whatever...)
Also, regarding the EVAs fighting power: the previous inability to either finish one Mark.04B without help from EVA-01 or destroy EVA-09 without EVA-02 self-destructing in 3.33 are nowhere to be seen here, considering EVA-02 and EVA-08 destroy hundreds of pseudo-EVAs by themselves without breaking a sweat. The combined EVA-02+EVA-08 AT-field attack that produced something similar to what EVA-01 shows at the end of 2.22 when Shinji went berserk would've been really useful against EVA-13 too...

Art: 4
This surprised me the most as all the previous films are pretty strong with their art (disregarding one or two angels' appearances). Honestly it would be way higher if it didn't use some horrible 3D CG for Mega-Rei's head and a very shoddy animation for the fights inside the Doors Of Guf (the only ones with EVA-01). I get it's supposed to show that the space that they are fighting in is imaginary, but the lack of real destruction besides some textures of cracks when the EVAs trash all around stuff makes it look like a 2010s video game, and a bad one at that.
The Anti-L-Barrier rod purification in Paris was really lackluster, it felt like using a light switch and bam! Now the city is the same as it was before... this not what you would expect from a series with entire cities that get destroyed from an angel's blood + self destruction BESIDES whatever damage it might've already caused. One would assume that undoing all this red mess would be a gradual and slow process and that it should probably leave some permanent scars (e.g. we had permanently red oceans after the second impact).
There's also the problem of recycled scenes from previous movies which feels like a cheap move for a movie this big.
Finally, don't get me started on the real world footage at the very end... I mean, I get it, now they are living in a world very much like ours, without EVAs and weird sh*t, but attaching a completely different thing at the end actually reduced immersion instead of increasing it. Maybe if it transitioned from animation to a real life still frame it would've worked, but what they did instead just felt out of place.

Sound: 6
It was pretty good, I guess. The voice acting was on point but having many repeated phrases was kind of a downer. There were good songs but nothing as impressive and fitting as the bangers from the first two films. In particular I felt pretty lacking the music used during the climax.

Character: 3
To be honest, it's not lower only because I like how Asuka's personality actually showed a little on this movie and they also rectified what was done in the previous movie to Misato's character. Sadly, one great downside is that the backstory of Asuka was completely butchered and changed beyond recognition (with only her doll remaining, which now has an unknown backstory). The presence of baby Rei is a pain to the viewer, as she is several times more ignorant than the "original" Rei and behaves like a literal infant (Hayashibara Megumi still has it and gives her a great voice though). Somehow they managed to mess up most characters by inserting Shinji's classmates into the mix of characters that should've remain dead or missing, even messing up Kaworu by bringing him back as a human near the end of the film.
Misato is upgraded by being reverted back to her original character with a mix of her character from Gundam Seed, while Ritsuko is now a paper cut of her original character with no real motivation to speak of. Gendo is reduced to a unidimensional evil boss that spells out his evil plans and trys (and fails) to have Shinji empathize with him, presented to the viewer as a rehash of the unstable train car scenes from the original series. Shinji becomes a plot device to advance the movie, no longer being the mentally damaged, weak but somehow incredibly strong boy that gets unwillingly saddled with saving humanity. Mari... well... has the most screen time of anyone other than Shinji (even engaging on many more battles than him), but nothing is actually shown about her. It's interesting that while they lay bare Gendo and Kaworu's characters, nothing relevant is actually shown about this screen time eater. We are left knowing nothing about her even though she ends up being more important than the other two legendary female leads. We don't know where she came from, who's she related to, what are her motivations, or anything remotely relevant about her character.

Enjoyment: 4
While the long run time didn't help, the erratic direction of the story made it even worse. Thankfully the battle scenes, while not being so impactful (considering most weren't close calls and didn't have the high stakes of happening in/near a city full of people) still made the movie somewhat enjoyable. Mari's friendly banter with Asuka was entertaining to watch, though I can't really comprehend how the hell Mari's relationship (or lack thereof) with Shinji came to be. Honestly, with two well established female leads (three if you count Misato), Mari's character felt unnecessary ever since her introduction, but she ended up as the main female character, go figure...

Overall: 3
TL;DR: Not worth it, drop this and watch the original series if you haven't, you can also watch the first two movies after that if you want to see some of those scenes with better animation.

PS: On a side note, it is interesting that Mari was referred to as Mary Iscariot by Fuyutsuki. When considering Evangelion's heavy religious symbolism it's almost certain to come from Mary (Jesus' mother) and Judas Iscariot (the traitor from Jesus' twelve apostles), the name being a mix of the one who had Jesus born and the one that had him killed. Making a Mari a cause of death and rebirth and implying she is part of Seele's plan if not part of Seele itself. Also if we assume that Shinji parallels Jesus, Asuka's phrase: "He doesn't need a lover, he needs a mother", adds some sense to Shinji ending up together with Mari... or I may be reading too much into things, trying to justify such an outlandish decision.

There are some very few rare cases when an adaptation overcomes it's original material; Usagi Drop being one of these. The series itself having a very simple premise: How difficult and rewarding raising a kid is. It revolves around the life of Kawachi Daikichi and the secret daughter of his just deceased grandfather.

Story (9/10)
Albeit simple, the story feels really fresh and has many interesting characters in it, from Daikichi's cousin's dysfunctional (and rather oppressive) family to Kouki's hardworking single mother and Daikichi's coworker, all great characters on their own right who in some way or the other contribute on ... showing Daikichi how to get the hang of being a parent and are helped out in turn (There's also some crappier character whose only good trait is her seiyuu, not pointing at anyone *cough* Masako *cough*). Many topics are explored such as the sacrifices many parents have to endure in order to raise their children. These go from asking to be demoted in order to get out earlier to missing out on having a social/romantic life. The story is ever progressing with Daikichi always discovering new things about parenting and getting closer to have a truly loving family with Rin and she getting more mature (not in the anime way) and responsible by the episode.

As a note, the pacing may be a little bit slow to one not used to slice of life anime, then again this IS a SoL anime so if you don't like those don't watch this.

Art (7/10)
Not much to say here, it has a Shoujo-esque style that fits quite well, the color palette is usually not too saturated amplifying the feels. The animation is average but the expressions are spot on, overall it compliments the slice of life theme quite well.

Sound (8/10)
It's this high mostly because good voice acting and the fact that as long as you keep good ambientation you are pretty much set for success with this genre.

Character (9/10)
Here Usagi Drop shines, as many characters feel like real people and one gets to see the struggles they go trough and how they get over them. It is not the appearance or appeal of characters that triumphs here, but it's complete opposite, that being the innocence and naivete that the characters display which allows one to empathize with them.

Enjoyment (10/10)
Usagi Drop is a truly endearing and heartwarming story, one that everyone probably would enjoy after a certain age, It is not meant to have action or romance in it (unlike its twisted parent story), and that's what keeps it great.

Generally speaking GATE is not something I could recommend (unless you are really into guns/military). The plot is utter bullshit and the characters have no personality whatsoever (except the JSDF guys, those are ALL psychopaths and/or bipolar).
This show turns what was a good premise into a generic harem. Why you ask? Because apparently you give most otakus a bunch of generic girls and some big ass guns and the plot's covered for the most (even if it's blatant propaganda).

Ok, so let's start with what did good:

Art - 8.5:
Let's face it, the animation quality is good, particularly the military equipment. The characters designs are also well ... done albeit too generic, you really feel the A-1 look (SAO, A/Z, etc.). The things I found halfheartedly done were the backgrounds that were at times too plain and the color palette used for the characters from the other world as It is one quite overused one.

From here on it goes downhill, REALLY fast

//SPOILERS AHEAD!

Story - 3:
An unknown gate to other world appears in Japan, more precisely the middle of Ginza, Tokyo. From this gate a hellish army comes out, equipped with bronze/iron age weapons and charges in a sudden invasion to Japan. Our MC who was passing nearby going to buy some doujins, gets dragged into the fight of the JSDF and the invaders (cause yeah, we can mobilize an army in nanoseconds). Here we learn he is from the JSDF and we watch him help the useless policemen evacuate people (as a side note, despite the blood-fest surrounding all he can think is lit. "shit, I won't be able to buy my doujins").
Then, after fending off the invasion with surprising ease Japan has to send an Army there but the JSDF can't operate outside Japan, what do we do? We declare the other world part of Japan (cause we can, fuck international law). What do we do there? Massacre 'em all, we have to slaughter at least 100k or they won't take us seriously.
Ok so far it's not so bad right, It may have a couple of issues but It's still decent. Except it's not cause apparently everyone belonging to the JSDF (which by the way aren't real soldiers, when they are off work they are not considered military, plus they have pretty much never taken part in real combat) are first rate soldiers. They are more skilled than any operatives from all countries with an active army (US, Russia, China) and have the "right" set of morals and therefore are the "good guys".
I mean yeah, they couldn't say "As a response from hogging the gate the Americans cut out all the weapon sales to Japan" or "by agreement of the 3 superpowers they decide to:
invade Japan and secure the gate".
or
blast the gate with a Nuke".
or
kill the people with a Neutron Bomb and leave the gate intact."
but still the OPness of the JSDF is...

In short: Japan vs The World (Japan is the good guy) = Japan Wins

PS: The EU doesn't exist apparently in this setting.

PS2: Global peaceful negotiations don't exist either.

PS3: There's a complete reenacting of Apocalypse Now (They even play Ride of The Valkyries).

Charcters - 3:
The characters are pretty basic, an otaku deadbeat who's a 1st Lieutenant in the JSDF who puts a front of being a laze ass and is in fact quite skilled. This guy who gets his dream come true of having his own harem is in fact a psychopath as every
other operative of the JSDF. This guys despite having close to null combat experience start massacring tons of people to then go to eat happily together with the non hostile locals.
It's really crazy, the horrors of war are very well depicted, but our characters seem immune to the effects of it (piles of ravaged corpses, civilian deaths by the thousands, etc). It ends up being a one-sided war/massacre, all the while we are reminded that the JSDF are the "good guys". Even the MCs main ex-wife shows lit. no expression after witnessing the (just killed) dead bodies of 10+ special ops operatives in front of them in her house.
There hasn't been any mention to the girls and well that's because there's not much to talk, It's your usual generic harem cast, the big boobed blonde (elf) who's an airhead, the sadistic and lustful loli and the "I have no personality" magician girl plus an empire's sheltered princess (with knight complex) that after brief contact suddenly develops an extreme liking to Yaoi (cause yeah Yaoi manga is that good apparently, I should try reading some). Hell, if the people from this world understood/liked Japanese culture like the other world characters, otakus wouldn't be considered that strange of a thing.

Sound - 6:
No special songs nor I like the OP/ED, It's rated this high solely because the seiyuus aren't half bad.

Enjoyment - 5:
As much as It pains me to admit I like guns (not enough to be a gun maniac
but enough to enjoy the battle scenes even if they are ridiculous). What I regret is the lack of newer airplanes (i.e F-15J, F2, etc) but well whatever.

Overall - 5:
In a way I think maybe I'm being to harsh but at the same time I think I'm being too lenient. It's impossible to overlook the propaganda, sure If you don't care or you are just a diehard Japan supremacist this may hit in the right spot but It doesn't sit right with me. Disregarding this fact that the situation is so unrealistic that one starts thinking: why even try to put politics? Hell, had they done what most anime do (First try a peaceful approach, to at least make them look like the "good guys" and pretend the world is comprised of Japan and a great... sea?) it could've been better.

TL;DR: Watch this if you are a diehard war/weapons fan and don't care about plot but don't expect tactics or strategy, we are talking about brute force only here
(Or if you are one of those people that can enjoy anything as long as it has boobs, an elf or a loli on it).