- Last OnlineYesterday, 6:53 AM
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- BirthdayNov 15, 1995
- LocationCórdoba, Argentina
- JoinedMar 26, 2017
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Sep 12, 2024
I loved it. A classic space opera with rich world building with some realistic focus. The plot dialogue is good, simplifying terms that could be complex, eg: The war is so horrible that it reached a point where both sides are short of manpower and forced to basically use child soldiers.
There is a clever use of limited animation, giving priority to the story.
It takes the trouble to psychologically check the characters.
It starts with poor use of female characters relegating them to support positions, sometimes denying them the spotlight or indicating that they are not as strong or competent as their male counterparts, but this is
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fixed with good character development.
The protagonist seemed annoying to me at first with arrogant and capricious attitudes but the development tones him down along with many others.
You can see the influence the show has on future sci-fi shows.
A bit cheesy but it's in line with the science fiction of that time
There are few scenes that age badly (like that scene where a female superior is slapped so that she listens to the feelings of a guy who proposes to her when she rejects him).
It's a good classic underdog story: the protagonists on the side of the federation are young people who learn on the fly, going from a group of rookies to one of the most important forces in the space fleet.
Although there is a focus on action and giant robot fights, there is room for political and ideological games and to highlight the ideas of both groups. There are also a couple of moral crises and honorable and despicable characters are presented on both sides, to illustrate the grays of war.
The character development can be somewhat convulsive, sometimes they include a character in one episode and kill him off in the same or the next just to advance the development of one of the protagonists.
The concept that there are people (the next step in human evolution) with certain latent psychic abilities is presented somewhat abruptly.
There is a noticeable increase in budget in the last episodes (better animation and more variety in the ost)
The ost is classic, with synthesizers typical of the time and a tune somewhere between pop, jazz and disco.
Reviewer’s Rating: 8
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Sep 6, 2024
The author once again presents herself in a tender and pathetic light to tell us, in a tragicomic tone, another segment of her own life: a thirty-something who, after years of dealing with alcohol and eating problems, decides to face the terrifying world of romance and marriage. And as expected, things don't go as she expected, starting with her doing a photo shoot in a wedding dress, continuing with her crashing into the world of dating apps, and ending with a panic attack.
Nagata takes us on a journey full of anxiety, insecurities, and reflections, exploring such complicated topics as her gender identity, sexual orientation, and
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her persistent inability to trust others. Oh, and all this while ruminating on concepts we've already seen in her previous works, such as "[My Lesbian Experience with Loneliness]" and "[My Solo Exchange Diary]." Because if there's one thing Nagata knows how to do, it's to turn the same existential questions over and over again.
It reminded me a lot of "[It's Lonely at the Centre of the Earth]" by Zoe Thorogood (a comic that I highly recommend) with that introspective, playful and sometimes cynical style of dealing with internal problems.
Reviewer’s Rating: 7
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Jun 1, 2024
This is a reading that provokes a visceral reaction in the reader and is at first a little difficult to read. The actions of the characters in the first volumes are far removed from any type of acceptable social behavior. The story draws heavily on the topics of the novel “Les Fleurs du mal” such as the rejection of pre-established social norms and the social alienation that this produces, the decadence and corruption of the individual in mind and spirit at the time in which he integrates into the society; and there is also a certain space for sensuality and eroticism but in a rather
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macabre framework. Although certain aspects of the plot may be uncomfortable (very uncomfortable) to read and the abrupt changes in tone that the author makes every 3 or 4 volumes, the story offers an interesting narrative about personal growth in a dark romance story.
Reviewer’s Rating: 7
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Apr 27, 2024
Berserk is a masterpiece of its genre, a dark and profoundly philosophical epic that invites readers to immerse themselves in a harrowingly violent yet richly complex world. From its very first page, it is clear that this is not a story for the faint of heart or for those seeking a superficial narrative.
Miura constructs a universe where violence and brutality are commonplace, but where deep existential themes are also explored. Through the eyes of Guts, the protagonist, we witness the constant struggle between light and darkness, both within himself and in the world around him. The work is not limited to being a bloody saga
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of revenge, as many might erroneously assume, but rather is a powerful tale of self-overcoming.
Guts, from his birth, faces a cruel and unforgiving fate. Yet, despite unimaginable trauma, loss, and suffering, he persists. His unyielding will and fervent desire to live are the driving forces that propel him forward, even when the entire world seems to be against him. Furthermore, throughout his journey, he forms bonds with other characters who become his comrades, adding layers of complexity and emotion to the narrative.
The recent and tragic departure of Kentaro Miura has left a void in the manga world, but his legacy will endure through works like this one. While the task of completing the work falls to Kouji Mori, it is understandable that there is some anxiety among fans. However, even with this uncertainty, Berserk remains an almost perfect work that deserves to be read and appreciated.
Reviewer’s Rating: 10
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Apr 17, 2024
This manga offers an intriguing deconstruction of the conventions of the mystery genre, along with a fascinating metanarrative that defies expectations. It's surprising to see how Kago explores these themes in the context of eroguro, a niche genre. However, the rest of the stories in the anthology can be more predictable, focusing mainly on the grotesque, disgusting and erotic. “Fraction” isn't for everyone, but for those interested in a unique and thought-provoking narrative experience, it's definitely worth exploring. It's a good option for mature readers who enjoy slow-paced, thought-provoking horror with a mix of dark mystery, graphic gore and a touch of twisted relief and
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dark comedy.
Reviewer’s Rating: 7
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Apr 2, 2024
How lesbian can you make a series? The answer given by this series was “Yes”.
Animation isn't exactly going to win awards. The backgrounds are pretty basic and the soundtrack is nothing to write home about, although the opening and closing songs at least have a certain catchy charm that fits well with the overall tone of the series.
The protagonists do what is expected of them in a parody of typical magical girl anime, but the comedy doesn't always manage to get laughs. Instead, the series seems to lean more towards fan service, with a rather aggressive and explicit approach that might make you wonder if
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you're watching something you should be watching on the family TV in the living room.
As for the plot, it's…let's just say it doesn't reinvent the wheel. The series joins the mountain of similar anime, notable only for its ability to spark debate about the sexualization of high school girls in anime series.
The only thing I think you can gain by watching this series is the right to complain about it.
Reviewer’s Rating: 5
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Dec 9, 2023
The anime adaptation of “Super Crooks” manages to not only capture the essence of Mark Millar's original comic, but also enrich the story by providing greater context about the world in which it takes place. Unlike a simple transposition of vignettes, the anime delves into the personalities of the characters, giving them complexity and taking the plot to a deeper level.
A distinctive element of this adaptation is the inclusion of characters from another Millar comic, “Jupiter's Legacy,” creating intriguing connections that expand the narrative universe. This integration not only adds additional layers to the story, but also offers a
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richer and more satisfying experience for Millar fans (it's about time for a good adaptation, thank you).
A wise choice in the anime is the change in the location of the last heist, moving it from Europe to Japan. This modification is not only understandable, but also provides a unique and fresh touch to the plot, taking advantage of the aesthetics and characteristics of the country.
Regarding the treatment of characters, the adaptation addresses the representation of sexual diversity in a thoughtful and respectful manner. The Gladiator character (my favorite character), originally the subject of stereotypical mockery in the comic, receives a more nuanced approach in the anime. From the beginning, his sexual orientation is established without resorting to offensive stereotypes, presenting him as a true brute force worthy of fear. However, the change in narrative focuses on the complexity of her personal life, deviating from harmful stereotypes and offering a more inclusive representation.
It's difficult for me to say this without sounding like a fanboy, but this adaptation really seems like a true tribute to the original work, it shows that there was a lot of love behind it. And at least from my side, it's the best adaptation of a comic I've ever seen.
Reviewer’s Rating: 9
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Mar 23, 2023
I reach to “Monster”, like many of you, as a self-imposed homework.
The work is always named in the best top 10 and mentioned by the most pedantic nerds as one of those masterpieces; one you should read before you die, as it will change your perception of manga and make you see the lousy conceptual state of the industry today (this while holding a glass of wine in one hand and a Rei Ayanami body pillow in the other).
And to be honest, it complies quite well with the quality section, but it was really hard for me to get past
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the first 2 volumes, since it cooks over low heat and is conceptually very charged, and its dialogues feel dense and heavy at times. I don't want to call it boring, but it seems like a bit of a challenge to read until you get the plot on the rails and then get carried away by the suspense.
The initial premise is relatively simple: The story centers on Dr. Kenzo Tenma, a brilliant neurosurgeon who decides to save the life of a boy instead of the city's mayor, triggering a series of events that lead him to discover the truth behind a sinister conspiracy.
If we make a comparison with previous works by the author up to this point such as “Yawara!”, “Dancing Policeman”, “NASA”, “Happy!” and “Jigoro!” we can see that they all have an approach to topics such as sports and everyday life with a much lighter tone that favors comedy.
“Monster” on the other hand, is a much darker and emotionally intense story, more mature, where Urasawa demonstrates his ability to create more complex and convincing characters, and to maintain a tense and intriguing plot until the end, this surely developed during his artistic contribution in “Master Keaton”.
In terms of other works in “Big Comic Original” magazine, it marks a before and after for its focus on the psychological thriller and the whole conspiracy plot thing. Except for “Master Keaton”, most of the works published in the magazine were mature and aimed at an older audience, but focused on everyday comedy or drama. After the successful publication of “Monster,” the magazine began to venture into darker stories.
One of the strengths of the story is the way Urasawa handles the themes of justice and morality. Throughout the story, the reader is constantly questioned as to who the monster really is: the serial killer that Dr. Tenma is after, or the corrupt system that allows it to exist? This constant reflection on human nature and justice is what makes it a timeless masterpiece.
In summary, it's a great piece of work that doesn't disappoint fans of the noir genre, but one must commit to heavy, complicated dialogue and slow progress without much action; something that can disinterest more casual readers.
Reviewer’s Rating: 9
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Mar 15, 2023
“Sundome” is a unique and thought-provoking manga that tells the story of a high school boy named Hideo Aiba, who joins the school's “Roman Club” and falls in love with the new transfer student, Kurumi Sahana. The manga explores themes of love, obsession, and power dynamics, and has been described as a dark romance.
The plot revolves around Hideo's masochistic relationship with Kurumi, who denies him sexual gratification and exerts control over his every move. The manga delves deep into the characters' psyches, exploring their motivations, fears, and desires, and the complex dynamic between them.
One of the strengths of “Sundome” is its character
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development. The main characters are fleshed out with unique personalities, backstories, and quirks, and their interactions feel realistic and nuanced. The manga also touches on broader themes such as the pressure to conform, the difficulty of finding one's place in the world, and the search for meaning and purpose.
However, it should be noted that “Sundome” is really close to contain explicit sexual content, as well as themes of BDSM, domination, and submission, which may not be suitable for all readers. Additionally, the ending has been controversial, with some readers finding it satisfying and others feeling that it undermines the message of the story.
Reviewer’s Rating: 8
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Mar 7, 2023
Ah, the anime that exceeded everyone's expectations, including the one from the budget department:
The plot is simple, it's about a girl named Gotou Hitori who wants to be part of a rock band in order to be popular, but has trouble talking to people due to her extreme, ridiculous and sometimes worrying case of social anxiety. Thus, we follow Hitori, now nicknamed Bocchi as she struggles to overcome her shyness and form a rock band with her friends from her school.
The series explores themes of friendship, perseverance, and self-acceptance, with a few tidbits of indie music trappings, while also featuring
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funny and heartwarming moments.
Generally speaking, it features limited, though vibrant and colorful animation, often mixing animation styles on the occasions where Bocchi freaks out, to highlight both the comedy of the scene and Bocchi's hilarious suffering. It is in these occasions where the saved budget goes, and also in the scenes where we want the rock to shine.
The drawing style is somewhat flat, but attractive and fits well with the comedy of the anime.
The music is energetic and helps create a rock and fun vibe, I've managed to check out several real musicians praising the technical side of it. The characters are charming and each has their own personality and personal struggle.
I haven't read the manga, but the series has done a very good job of selling it to me…. Plus now Bocchi is my spirit animal.
Overall, “Bocchi the Rock!” is a fun and heartwarming anime series that is easy to enjoy.
If you like light comedies with a musical twist, this series is a good choice for you.
Reviewer’s Rating: 8
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